Scenic Landscape Prints

Detailed etchings and prints of serene landscapes, featuring natural elements and rural scenes, capturing the essence of 17th to 19th-century art.

Oscar F Bluemner, The Bronx, 1902 The Bronx

Drinking and dancing people in the courtyard of a tavern between ruins, Jean Baptiste Lallemand, 1726 - 1803 drawing paper. ink pen / brush pavement, terrace in front of inn or restaurant. one pair dancing; man and woman dancing as a couple

Capt. Thomas Hastings, 1778-1854, British, On the Killarney Road Leading to Ross Castle, 4 September 1841, 1841. Graphite and pen and brown ink on medium, slightly textured, cream wove paper.

Italy, Bella, Stefano della, Views of the villa of Pratolino, Villa Pratolino, The inhabited tree in the garden of Villa Pratolino, verso - stamped, The so-called inhabited tree in the garden of Villa Pratolino, the villa of Francesco I de'Medici. A spiral staircase goes up into a large old tree, making it easy for people to climb into the tree. Around the tree are figures resting on walls., print, ornament print, prints, height 249 mm, width 366 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings

De Fontein van Sint Servaas, Maastricht, Alexander Schaepkens, 1830 - 1899 print paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone) Maastricht

Shepherd and Shepherdess (Le Berger et la bergere). Dated: 1874. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles-Francois Daubigny.

View of a House, a Cottage, and Two Figures verso. Dated: 1718/1719. Dimensions: overall: 17.9 x 15.9 cm (7 1/16 x 6 1/4 in.). Medium: red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: ANTOINE WATTEAU.

Canal with a Boat and Ducks. Artist: Anthonie van Borssom (Dutch, Amsterdam 1630/31-1677 Amsterdam). Dimensions: sheet: 8 7/16 x 12 1/4 in. (21.4 x 31.1 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Nanteuil, Célestin (n.1813-07-11-D.1873-09-06), Chartres (title given by the author), 1836-06-18. Graphite pencil on woven paper. House of Victor Hugo - Hauteville House. Represents a peasant washing her laundry to a washhouse by the river (Eure). We center we see the cathedral of Chartres in the distance.

Gust of Wind (Le coup de vent), etching, Bliss 1923, no. 110, Alphonse Legros (artist) French, 1837 - 1911

Landscape with Sportsman and Dogs, Rembrandt van Rijn, c. 1648 print Japanese paper (handmade paper) etching / drypoint

Rhine, Rembrandt van, Netherlands, Landscape with a cow, verso lower left - stamped, Landscape with a cow and three figures on a hill on the left, in the distance a village with a square church tower., print, prints, height 61 mm, width 118 mm, print maker, printmaker, 1630 - 1700, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, etching, etchings, Northern Netherlands, 1606-07-15 - 1669-10-08

The Posilippo at Naples, draughtsman: Georges Michel, 1773 - 1843, paper, h 101 mm × w 78 mm

after: Gerard van Nijmegen, Drawing in pencil, forest landscape with cattle driver and castle ruin, drawing footage paper pencil, drawn Pencil drawing of forest landscape number of cows and cattle driver on the right castle ruin Very thin black frame. In the foreground water pen in brown: Apres un esquise the G: F: Nijmegen par Temps et Patience (after sketch by G. v. Nijmegen by Tijd en Geduld) sketch romance

Landscape with man at a fence ..

Garden statues in Chiswick Park, draughtsman: William Henry Hunt, (mentioned on object), 1800 - 1864, paper, pen, brush, h 312 mm × w 384 mm

The Shower 1846-1856 France. Etching on light gray chine laid down on white wove paper . Charles François Daubigny

Trianon in the eighteenth century, vintage engraving. Trianon in the eighteenth century, vintage engraved illustration. Copyright: xZoonar.com/PatrickxGuenettex 10656124

Cornelius Varley, 1781-1873, British, Melcomb Bingham Church - Dorset, 1840. Graphite on medium, moderately textured, beige wove paper mounted on medium, slightly textured, cream wove paper.

The Prominent Rock (Sasso spicco). Dated: 1612. Dimensions: book: 43.3 × 30 × 1.8 cm (17 1/16 × 11 13/16 × 11/16 in.). Medium: 1 engraved illustration with an engraved overslip. Museum: National Gallery of Art, Washington DC. Author: Lino Moroni.

Gust of Wind (Le coup de vent). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Albert Gottschalk (1866-1906), Herregaard Delivery, 1903

Figures on a Country Road. Artist: Louis Gabriel Moreau (French, Paris 1740-1806 Paris). Dimensions: 7 5/16 x 9 9/16 in. (18.6 x 24.3 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Peter Tillemans, 1684-1734, Flemish, active in Britain (from 1708), From Hampstead, 1730. Watercolor and graphite on medium, slightly textured, cream laid paper.

Italian landscape with two figures in a park, Richard Wilson, 1754 - 1756 drawing Italian landscape: two figures in a park at evening, the trees allow a look over a shed above which a light mist can be seen. paper. chalk brush park

The Bee and the Hen 1724-97 Christian Bernhard Rode German. The Bee and the Hen 373782

Overgrown ruin. Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 203 mm × w 237 mm. Museum: Rijksmuseum, Amsterdam.

Koestal, Jan Stobbaerts, 1860 drawing Design for a print. paper. pencil. chalk barn. stall, stable

Bliżej Kultury Verlag of A.E. Seemann in Leipzig, Thomas, Grosvenor (1856 1923)

A Villefranche-sur-Mer. Dated: 1882. Dimensions: image: 14.8 x 25.8 cm (5 13/16 x 10 3/16 in.) sheet: 20.4 x 29.7 cm (8 1/16 x 11 11/16 in.). Medium: etching and monotype on thin laid paper. Museum: National Gallery of Art, Washington DC. Author: Adolphe Appian.

Route the baulieu, draughtsman: Georges Michel, 1773 - 1843, paper, h 110 mm × w 155 mm

Battle of the Mookerheide, 1574, Leonaert Bramer, 1606 - 1674 drawing Landscape with trees with a face on the mookerheide, April 14, 1574. In the foreground on the left a fleeing soldier. Design for a wall decoration. paper. ink pen / brush battle Mookerheide

Edward W. Fitch, active 1839-1867, Landscape with train, 1854. Watercolor, graphite and gum arabic on medium, slighlty textured, beige wove paper.

Excavation of antique ruins.

Greetings of the Season from Emily Morris Gallatin. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 4 7/16 × 3 1/8 in. (11.3 × 8 cm)Plate: 2 15/16 × 1 15/16 in. (7.5 × 5 cm). Date: 1900-1925. Museum: Metropolitan Museum of Art, New York, USA.

Poissy. Louis Auguste Lepère; French, 1849-1918. Date: 1908. Dimensions: 161 × 212 mm (image); 169 × 218 mm (plate). Etching on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Greenwich Park 1859 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

Woman Emptying a Wheelbarrow Made 1880 France. Aquatint and drypoint in black on ivory laid paper . Camille Pissarro

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Bliej Kultury Wyczózó Kowski, Leon (1852 1936)

Gallen-Kallela, Akseli, image reference: X0780200, museum/, name: Järvimaisema, 1916, plate 17.2x12.5, image 16.6x11.9, paper 21.7x17.8, graphics, original: 32103.702, AgfaT5000+/ PS 6.0, data input: JVAINIO, 26.11.01, Akseli Gallen-Kallela 1865 - 1931, a Finnish painter who is best known for his illustrations of the Kalevala, the national epic of Finland.

An Old Settler, 1882. Charles Adams Platt (American, 1861-1933). Etching;

Benjamin West, 1738-1820, American, active in Britain (from 1763), Windsor Great Park from the Castle Terrace, undated. Watercolor, pen in brown ink, and graphite, verso: graphite on medium, moderately textured, cream laid paper, mounted on medium, slightly textured, blued white laid paper.

Evening,Easthampton. Artist: Childe Hassam, American, 1859-1935

Francis Seymour Haden, Challow Farm, in or after 1877 Challow Farm

Talking men on a field with trees and a farm, Herman Saftleven, 1627 print paper etching farm or solitary house in landscape. conversation, dialogue; conversation piece

Pawilon w ogrodach Wielkiego Mogoła. Bellermann, Ferdinand (1814-1889), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Houses by a Road. Dated: c.1627-1629. Dimensions: Overall (approximate): 11.2 x 22.3 cm (4 7/16 x 8 3/4 in.) support: 18.7 x 27.7 cm (7 3/8 x 10 7/8 in.). Medium: black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAN VAN GOYEN.

On a Vaart a man is booming a boat, Willem Steelink (II), after Fredericus Jacobus van Rossum du Chattel, 1866 - 1893 print A man beams a boat forward on a speed. A bridge in the background. Left high bare trees. Bottom left in the margin a tree -lane man on a barge. Netherlands paper etching / drypoint bridge. poling, punting

Chaumont. Chamont (title on object). Draughtsman: Constantijn Huygens (II). Dating: 19-Sep-1675. Measurements: h 112 mm × w 164 mm. Museum: Rijksmuseum, Amsterdam.

Peasant's Cottage (recto), c. 1600. Abraham Bloemaert (Dutch, 1564-1651). Pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk; sheet: 17.2 x 27.2 cm (6 3/4 x 10 11/16 in.).

Grim Spain. Dated: 1877. Medium: etching (copper) on japan paper in dark brown. Museum: National Gallery of Art, Washington DC. Author: Francis Seymour Haden.

Lazio Viterbo Bagnaia Villa Lante10. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Skaters on a canal near Rotterdam, on which a mill stands. In the background several more mills., Winter landscape near Rotterdam, print maker: Johan Barthold Jongkind, (mentioned on object), Johan Barthold Jongkind, publisher: Frederick Goulding, (possibly), print maker: Netherlands, (possibly), publisher: London, 1875, paper, etching, h 160 mm × w 238 mm

Evening in Fukagawa. Dated: 1900. Dimensions: plate: 23.5 × 36.7 cm (9 1/4 × 14 7/16 in.) sheet: 30.1 × 41.7 cm (11 7/8 × 16 7/16 in.). Medium: color lithograph in blue, black, brown and yellow on wove paper. Museum: National Gallery of Art, Washington DC. Author: Emil Orlik.

Farmyard. Artist: Jean-Baptiste-Denis Lempereur (French, Paris 1726-1796 Paris). Dimensions: 9 3/8 x 13 in. (23.8 x 33 cm). Former Attribution: Formerly attributed to Nicolas Bernard Lépicié (French, Paris 1735-1784 Paris). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

A Vermont Village. Dated: 1923. Medium: etching (with drypoint). Museum: National Gallery of Art, Washington DC. Author: Childe Hassam.

Ploughed Field Bordered by Trees. Edgar Degas; French, 1834-1917. Date: 1887-1897. Dimensions: 253 × 345 mm (image); 270 × 359 mm (sheet). Pastel, over color monotype, on off-white wove paper, laid down on cream card. Origin: France. Museum: The Chicago Art Institute, USA. Author: Hilaire Germain Edgar Degas.

Drawing by Ferdinand Boberg. Trollhättan Nordic

Landscape with a figure in a gown at an oval portrait of Napoleon, Teodoro Matteini, 1808 print Under the performance a verse in Italian. Print is part of an album. paper etching landscapes. ruler, sovereign. historical persons

Landscape with Barn. Date/Period: Ca. 1795. Drawing. Graphite and watercolor on medium, slightly textured, cream wove paper, mounted on thick, smooth, wove paper. Height: 248 mm (9.76 in); Width: 387 mm (15.23 in). Author: J. M. W. Turner.

A pencil drawing by Thomas Ender showing motion at Merano, depicting figures, movement, and surrounding landscape elements.

The Spring at l'Orsière. Dated: 1759. Dimensions: plate: 11.2 x 15 cm (4 7/16 x 5 7/8 in.) sheet: 11.9 x 15.5 cm (4 11/16 x 6 1/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Jacques de Boissieu.

Ericsson, Henry, work, Sketchbook, 30 leaves, 1931, drawing, 20 cm x 31.5 cm, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

A pencil drawing book by Josef von Führich, started May 6, 1807, containing sketches of figures, landscapes, and compositional studies, emphasizing realistic observation and artistic form.

LÉglise de Jouy-le-Moutier (Seine-et-Oise) (Church of Jouy-le-Moutier [Seine-et-Oise). Artist: Auguste Lepère, French, 1849-1918

St. Ippolyts (no.2). Dated: 1903. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: F. L. Griggs.

Chalk and feather drawing by Stefano della Bella depicting a farmhouse with human figures nearby, circa 1633-1634.

A Village About Six Miles from Messina Towards Calanca, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 4 11/16 × 7 5/8 inches (11.9 × 19.4 cm)

Arthur-Joseph Guéniot (1866-1951). Roman ruins. Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Watercolor and pencil study by Eduard Zimmermann showing a step structure, including surface, angles, and shadows with white highlights.

Drawing by Ferdinand Boberg. Stockholm, Söder, Ringvägen, Nordic

Huisjes, Herman Antonius van Daalhoff, 1927 drawing paper. pencil. chalk

Val d'Arno. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 67 x 207 mm (image/plate); 75 x 215 mm (sheet). Etching in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Thomas Sully, 1783-1872, American, Fort Putnam From Across the River, undated. Watercolor and graphite on medium, moderately textured, beige, laid paper.

Netherlands, Barbiers, Pieter Bartholomeusz., Landscape with figure on bridge, verso - stamped, On the left a house and a large tree. In the middle a river with a bridge over it. On the left a figure walks onto the bridge., print, prints, height 35 mm, width 65 mm, Noord-Nederlands, 1772-01-23 - 1837-09-10, print maker, printmaker, 1815 - 1837, paper, papier, lithografie (technique)

Old Sarum 1830 David Lucas British In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. Old Sarum. David Lucas (British, Northamptonshire 1802-1881 London). 1830. Mezzotint; first state of two. Prints

Ice Entertainment, Anonymous, 1650 - 1800 print Many figures on the ice: among others skaters and people who push a sled. Netherlands paper etching winter sports

Gevangenen aan het werk in de groeve. Kiesgrube (title on object). Draughtsman: To Frank-Stoltz. Dating: 14-Mar-1943. Place: Ravensbrück. Measurements: h 155 mm × w 150 mm. Museum: Rijksmuseum, Amsterdam.

Ancient Tombs, Valley of Hinnom James Tissot (French, 1836-1902). , 1886-1887 or 1889. Pen and ink, Sheet: 4 11/16 x 7 1/4 in. (11.9 x 18.4 cm). European Art 1886-1887 or 1889

Västergötland, Kinds hd. "Saw at Redslered". Drawing by Ferdinand Boberg. Nordic

Die alte Bruecke, The Old Bridge, woodcut from the yearbook Moderne Kunst in Meisterholzschnitten, Modern Art in Master Woodcuts, 1900

Drawing by Ferdinand Boberg. Uppland, Vaksala hd., Denmark's sn., Hammarby Nordic

Drawing by Ferdinand Boberg. Västergötland, Gudhem's hd., Högstena K: a Nordic

Drawing by Ferdinand Boberg. Västmanland, Åkerbo hd., King Karl's K: a, stack Nordic

Umbria Terni Narni Palazzo del Podesta1. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, including detached and fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Dordrecht, Backer, Hilmar Johannes, Portrait of Bishop Johannes van Hooydonck, stamped, The person portrayed wears a solido on his head and a knight's order on his chest. Signature below the portrait., print, prints, height 163 mm, width 98 mm, print maker, printmaker, 1814 - 1845, paper, papier, lithografie (techniek), Nederlands, 1804-09-17 - 1845-05-01, printer, drukker

Camille Pissarro, Peasant Women Weeding the Grass, c. 1894, etching printed in blue, red, yellow, and black on cream laid paper.

Steam Shovel in the Cut at Bas Obispo Joseph Pennell (American, 1860-1926). , 1912. Lithograph, composition: 16 9/16 x 22 1/16 in. (42 x 56 cm). American Art 1912

Boulevard Masséna Eugene Bourgeois (1855-1909). Boulevard Masséna. Watercolor and lead mine on cream card stock 1888. Paris, Carnavalet museum.

At the Garden of Essai, Algiers. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1911. Dimensions: 149 × 190 mm (image/plate); 189 × 228 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

A Young Couple Viewing Ruins near Bingen. Artist: Christian Georg Schütz the Younger (German, Flörsheim 1758-1823 Frankfurt am Main). Dimensions: sheet: 6 9/16 x 7 in. (16.7 x 17.8 cm). Date: 1801. Museum: Metropolitan Museum of Art, New York, USA. Author: Christian Georg Schütz the Younger.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Study of two trees and afield, Watercolor, Wove, 27.5 × 40 cm (10 13/16 × 15 3/4in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Hönsäter 1845 ". Dog and reading woman on bench, view of lake and buildings. Watercolor by Fritz von Dardel. Nordic

Map of Rheinfels Castle and the city of Sankt Goar; Rhynfels (where By 't Steedje St. Goar) a strong castle in Germany (...) End of the year 1692 by the French besieged; but in the early 1693 by the self-emerging shameful; Les Principales Forterses & Villes Fortes, D'Espagne, De France, D'Italie, The Savoia, D'Allemagne & des Païs-Bas (...) / Sittingurial images of the main strong cities and fortresses in Spanjen, Vrankryk, Italien, Savoy, Duytsland and Nederlanden (...). Map of the Rheinfels and Sankt Goar. With texts in Dutch and French. The print is part of an album.

Old Sarum 1830 David Lucas British In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. Old Sarum. David Lucas (British, Northamptonshire 1802-1881 London). 1830. Mezzotint with drypoint on chine collé; proof before published state. Prints

A cour between two corps de logis. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 100 mm × w 157 mm. Museum: Rijksmuseum, Amsterdam.

EveningShow. Artist: Victor-Louis Focillon, French, 1849-1918 After: Emile Adelard Breton, French, 1831-1902

Drawing, Olana from the Southwest; Frederic Edwin Church (American, 1826-1900); USA; brush and oil paint on thin paperboard; 30.6 x 24.3 cm (12 1/16 x 9 9/16 in.)

Straatbeeld bij verlaten van Napels ter hoogte van Cisterna. Païsage en sortant de Naples près de Cisterna (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 183 mm × w 248 mm. Museum: Rijksmuseum, Amsterdam.

The Ofantino, 1866, by Giuseppe de Nittis (1846-1884), oil on canvas, 60x100 cm. Detail.

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