Scenic Landscape Prints

Detailed etchings and prints of serene landscapes, featuring natural elements and rural scenes, capturing the essence of 17th to 19th-century art.

Oscar F Bluemner, The Bronx, 1902 The Bronx

Le Fort détaché (The OutlyingFort). Artist: Jean-Baptiste-Camille Corot, French, 1796-1875

Landscape with a rider by Friedrich Olivier, sketchbook turned 90° to the left, executed in gray-brown and brown ink with wash over pencil on April 15, 1822.

Lovis Corinth, Bench in the Woods II (Bank im Walde II), 1917 Bench in the Woods II (Bank im Walde II)

Landscape with a woman driving on a mule along the Aqua Negro between Bologna and Florence, Jan Both, 1644 - 1652 print Utrecht paper etching mule. rocks Bologna. Florence

Hek in front of a house, Arnoud Schaepkens, 1831 - 1904 print paper. etching / drypoint fence, wall, paling. cottage

Castle in Spain (Chateau en Espagne). Medium: drypoint and etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Draftsman for farm, Cornelis Ploos van Amstel, after Gerbrand van den Eeckhout, 1765 - 1769 print A draftsman is sitting on a couch in front of a farm. Two people lean on the lower door. The print is loose in an album, see page 58. Amsterdam paper etching draughtsman at work. farm (building)

Edelfelt, Albert, work, Sketch book, drawing, 22.5 cm x 30 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Pejzaż z zabudowaniami wiejskimi (Droga obok pola kukurydzy). Dietrich, Christian Wilhelm Ernst (1712-1774), graphic artist

Gardens of the Villa Pamphili, Rome. Artist: Anonymous, French, 18th century. Dimensions: 16 3/4 x 12 15/16 in. (42.5 x 32.9 cm). Former Attribution: Formerly attributed to Hubert Robert (French, Paris 1733-1808 Paris). Date: 18th Century. Museum: Metropolitan Museum of Art, New York, USA.

Fishing-Boats, Hastings. Dated: 1877. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Sunset (Le soir (Coucher de soleil)). Medium: drypoint and etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Acacia, 1888. James Ensor (Belgian, 1860-1949). Drypoint;

John Varley, 1778-1842, British, From an Album of Sixty-one Topographical Sketches. Graphite.

Saraband. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 6 1/2 × 13 1/2 in. (16.5 × 34.3 cm)Plate: 4 15/16 × 11 15/16 in. (12.5 × 30.3 cm). Date: 1919.California. Museum: Metropolitan Museum of Art, New York, USA.

Channel van Ghent to Bruges, Félix de Baerdemaecker, 1861 print paper etching / letterpress printing canal. rowing-boat, canoe, etc.. windmill in landscape

Inn near the cave of Egeria, Bartholomeus Breenbergh, 1624 - 1629 drawing Design for a print. paper. ink. pencil pen / brush Grotta della Ninfa Egeria

Country, baron Reinierus Albertus Ludovicus van Isendoorn à Blois, 1796 - 1856.

Guardhouse (La maison du garde). Medium: drypoint and (etching). Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Hoog Soerensche Bosschen near Apeldoorn. Draughtsman: Herman Saftleven. Dating: 1640 - 1649. Measurements: h 516 mm × w 410 mm. Museum: Rijksmuseum, Amsterdam.

Glama-Stroberle, Joaõ, 1708-1792, pencil, ink, chalk, wash, 1741, Sketchbook II of III dated 14 February 1741. It is dedicated on the first leaf to Sigr Abate Gioachino Rizzi Segretario dal Regimento di Ferrara, Two recipes, one for varnish and the other for acid for etching

Night Falls (La nuit tombe). Dimensions: 32.2 cm x 49.6 cm, 21 cm x 30 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

Holmberg, Werner, work, Sketch book, drawing, 21.3 cm x 27.6 cm, Holmberg, Werner

Design for wallpaper painting with Dutch landscape, Jurriaan Andriessen, c. 1752 - c. 1819, Design for a wall painting., draughtsman: Jurriaan Andriessen, c. 1752 - c. 1819, paper, pen, brush, h 206 mm × w 129 mm

Face on strépy; Sterry.

Just out of Shaftesbury, Capt. Thomas Hastings, 1778-1854, British, undated, Graphite and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)

Une Noria à Bordiquier (Italie) (A well at Bordiguera, Italy)., 1873, France, by Adolphe Appian. Gift of Sir John Ilott, 1961.

Landscape with two sitting figures in the foreground, Annibale Carracci, 1580 - 1600 drawing paper. ink pen

Jean-Baptiste-Camille Corot, Souvenir of Bas-Bréau, 1921, cliché-verre on paper.

Stumbling man on the edge of a forest with city in the background, Edmond de Schampheleer, 1857 print paper etching falling. forest, wood. city-view, and landscape with man-made constructions. trees

Auguste Lepère, Banks of the Somme at Amiens (Bords de la Somme a Amiens), French, 1849 - 1918, 1907, etching and aquatint

Souvenir dItalie (Memory of Italy). Artist: Jean-Baptiste-Camille Corot, French, 1796-1875

Artist: Alphonse Legros, French, 1837-1911, La Masure sur laColline, Etching, platemark: 14.8 × 22.3 cm (5 13/16 × 8 3/4in.), Made in France, French, 19thcentury, Works on Paper -Prints

Blackness prints, etchings, works on paper

Face to Cling. Draughtsman: Barend Cornelis Koekkoek. Dating: 1813 - 1862. Measurements: h 263 mm × w 365 mm. Museum: Rijksmuseum, Amsterdam.

L'abreuvoir.. 1848. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Cows

Cottages by a River. Dated: c. 1627/1629. Dimensions: overall: 11.4 x 22.2 cm (4 1/2 x 8 3/4 in.). Medium: black chalk with touches of graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAN VAN GOYEN.

Paul Signac, Les Andelys on a Summer Morning, 1923 Les Andelys on a Summer Morning

Landscape. Willroider, Ludwig (1845-1910), draughtsman, cartoonist

Woman with an umbrella standing on a wooden bridge against the background of a landscape. Schadow, Albert Dietrich (1797-1869), draughtsman, cartoonist

Winter landscape with figures on the ice and a woman on the side at a WAK, Pierre François de Noter, 1831 print paper etching winter landscape; landscape symbolizing winter (the four seasons of the year). skates (winter sports). ice ~ state of water

Landscape with ruin, draughtsman: Jan Baptist Weenix, (attributed to), Netherlands, c. 1631 - c. 1659, paper, h 149 mm × w 96 mm

Landscape: Sunset, after Corot, c. 1858. Félix Bracquemond (French, 1833-1914), after Jean Baptiste Camille Corot (French, 1796-1875), August Deltre (French, 1822-1907). Etching; image: 30.1 x 23.8 cm (11 7/8 x 9 3/8 in.).

Sawley Abbey. Francis Seymour Haden; English, 1818-1910. Date: 1873. Dimensions: 253 × 374 mm (image/plate); 317 × 434 mm (sheet). Etching on zinc printed on cream wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

Rembrandt van Rijn, View of Diemen, c 1655 View of Diemen

Landscape with a Woman at a Well, from Vedute. Canaletto; Italian, 1697-1768. Date: 1735-1744. Dimensions: 132 x 207 mm (image); 136 x 209 mm (plate); 436 x 587 mm (sheet). Etching in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

DIBUJOS PARA LA ESCENOGRAFIA DE PERSEO Y ANDROMEDA DE CALDERON DE LA BARCA- MS TYP 258 H. Author: BACHO DEL BIANCO (1604-1657). Location: HARVARD-HOUGHTON LIBRARY. MASSACHUSETTS-CAMBRIDGE. Andromeda. PERSEO-MITOLOGIA GRIEGA.

Sketch of a country road. Draughtsman: George Hendrik Breitner. Dating: 1867 - 1923. Measurements: h 438 mm × w 590 mm. Museum: Rijksmuseum, Amsterdam.

Winter landscape near Rotterdam. Skaters on a channel near Rotterdam, to which a mill is. A number of mills in the background.

Drawing by Ferdinand Boberg. Motala Nordic

Plate 35 from Blatt Baum und Landschafts Studien. Lorenz Ekemann Alesson; Swedish, 1791-1828. Date: 1805-1815. Dimensions: 320 x 230 mm (image); 470 x 320 mm (sheet). Lithograph on paper. Origin: Sweden. Museum: The Chicago Art Institute, Chicago, USA.

Venice, Camocio, Giovanni Francesco, Italy, Saint George and the Dragon, verso - stamped, A landscape with Saint George with a spear and a dead dragon in the foreground., print, prints, height 195 mm, width 323 mm, print maker, printmaker, 1552 - 1575, paper, papier, etching, etchings, Publication (Event), Publication, Italian, 1550 - 1575, publisher, uitgever

Deserted Mill. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 9 3/16 × 14 5/8 in. (23.3 × 37.1 cm)Plate: 6 9/16 × 11 7/8 in. (16.7 × 30.1 cm). Date: 1924. Museum: Metropolitan Museum of Art, New York, USA.

Rijn, Rembrandt van, The landscape of the gold weigher, The view of Bloemendaal with the Saxenburg estate, verso lower left - stamped, print, prints, Rembrandt. 1651, lower left, height 120 mm, width 320 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1651 - 1651, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etchings, drypoint, dry needle, plaattoon, Work conception, after own design by

Le moissonneurs , Harvesting, Alphonse Legros (1837-1911)

Drawing by Ferdinand Boberg. Uppland, Danderyds SKPLG., Solna sn., Mainsta Nordic

Jeune Mère á l'Entrée d'un Bois. Jean-Baptiste-Camille Corot (French, 1796 - 1875)

Netherlands, Everdingen, Allaert van, Landscape with wooden bridge, Landscape with rider near hamlet, vereso - stamped, Round landscape with a hamlet of wooden buildings and a path with a man on horseback and two pedestrians. Further on at a bridge a fourth man., print, prent, prints, verso - stamped, height 195 mm, width 193 mm, Noord-Nederlands, 1621-06-18 - 1675-11-08, print maker, printmaker, 1631 - 1675, paper, papier, etching, etsen

From an original, late in the Collection of Charles Frederick Abel Esq'r , Cattle, Laborers, Fuelwood, Trees. Thomas Rowlandson (1756-1827). Prints and Drawings

William Havell, 1782-1857, British, active in India (1820-26), Landscape with Trees, Girl Crossing a Footbridge, undated. Lithograph on moderately thick, moderately textured, gray laid paper.

Lazio Viterbo Bagnaia Villa Lante51. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing by Ferdinand Boberg. Angelholm Nordic

Winter, after a drawing completed in Saint-Chamond 1795 Jean Jacques de Boissieu French. Winter, after a drawing completed in Saint-Chamond. Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). 1795. Etching with drypoint and roulette; fourth state of four. Prints

Near La Rocca, Henry Swinburne, 1743-1803, British, 1777 to 1778, Pen and gray ink on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm) and Sheet: 4 1/4 × 6 3/8 inches (10.8 × 16.2 cm)

Edward Lear, 1812-1888, British, Corpo di Cava, 28 June 1838, 1838. Oil and gouache on moderately thick, moderately textured, green-gray wove paper.

Remains of Gerard van Velsen's house, Hermanus van Brussel, c. 1805 - c. 1810 print paper etching landscapes in the temperate zone. ruin of a dwelling, house, castle, etc.

Ville de Thun, plate 59 from Liber Studiorum Published 1816 England. Etching and engraving in brown on ivory laid paper . Joseph Mallord William Turner

Figures on a hill on which some trees are growing. Buildings in the upper left. In the background on the right a mosque. At bottom the number 14 is printed in mirror image. Hill in Constantinople, print maker: Marius Bauer, (mentioned on object), 1889, paper, etching, h 143 mm × w 195 mm

The large Ronduyt near Tiel, Jan de Beijer, 1758, draughtsman: Jan de Beijer, 1758, paper, pen, brush, h 110 mm × w 220 mm

Paris, Cadart & Luquet, Delâtre, France, Lalanne, Maxime François Antoine, À Neuilly (Seine), View of the Seine at Neuilly, verso - stamped, print, prints, height 178 mm, width 247 mm, 1827-11-27 - 1886-07-29, print maker, printmaker, 1863 - 1864, paper, papier, etching, etchings, platentoon, drypoint, dry needle, printer, drukker, Publication (Event), Publication, French, publisher

Nanny Johan Barthold Jongkind (1819-1891). Nanny. Floor on tinted background on laid paper. 1862.

Kensington Gardens, No I (small plate) Made 1859 England. Etching on ivory Japanese paper . Francis Seymour Haden

Drawing book by Josef von Führich for Joseph Führich, begun May 6, 1807, containing pencil studies.

Elihu Vedder, Nile Journey, Esneh, Egypt, 1890 Nile Journey, Esneh, Egypt

The Little Hamlet, second or third quarter 17th century. Anthonie Waterloo (Dutch, 1609/10-1690). Black chalk and brush and gray and brown wash; framing lines in black chalk and brown ink (right, bottom); sheet: 9 x 14.4 cm (3 9/16 x 5 11/16 in.).

Souvenir of Italy, 1866. Jean Baptiste Camille Corot (French, 1796-1875), Cadart and Chevalier. Etching; sheet: 42 x 30.6 cm (16 9/16 x 12 1/16 in.); image: 29.6 x 22.3 cm (11 5/8 x 8 3/4 in.).

River Stour, Suffolk. David Lucas (English, 1802-1881); after John Constable (English, 1776-1837). Date: 1830. Dimensions: 144 × 122 mm (image); 179 × 253 mm (plate); 294 × 431 mm (sheet). Mezzotint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Little Monument, from Vedute 1735-1744 Italy. Unlike painting, printmaking allowed Canaletto to separate and combine images at his own discretion. He etched the outer two vignettes on a single plate before cutting it in two (for the other half, see 1922.1381.12). Then he reversed their order and positioned a third, unrelated segment between them (1922.1381.11). Besides reusing fragments of larger plates, these mysterious composite prints appear to have little in common beyond the archways and statues they contain.. Etching in black on ivory laid paper . Canaletto

John Constable, 1776-1837, British, Salisbury Cathedral From the Meadows, 1829. Graphite on medium, moderately textured, cream wove paper mounted on, card.

Seymour-Haden, Francis (Sir), England, Kew, Kew Railway Encroachment, Railway enlargement, verso lower left - stamped, The River Thames, with the Kew Railway Bridge under construction on the left bank., print, prints, height 136 mm, width 213 mm, English, 1818-09-16 - 1910-06-01, print maker, printmaker, 1864 - 1864, third quarter 19th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Arbor with Two Children (Le Nid d'Armour) 1760-1806 France. Red chalk on cream laid paper . Jean Honoré Fragonard

Sketch of two figures, Willem Roelofs (I), 1832 - 1897, paper, ink, pen, h 176 mm × w 93 mm

Capt. Thomas Hastings, 1778-1854, British, Bridge near Loweswater Church, 2 August 1835, 1835. Graphite and pen and brown ink on medium, slightly textured, cream wove paper.

Sir Richard Colt Hoare, 1758-1838, British, View at Valmontone. November 1790, 1790. Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper.

Paul Gauguin, Landscape at Pont Aven, c 1888 Landscape at Pont-Aven

View of Bergen op Zoom, Valentijn Klotz, 1671 drawing Bergen op Zoom paper. ink pen / brush prospect of city, town panorama, silhouette of city Bergen op Zoom

Souvenir of Bas-Bréau. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1858. Dimensions: 184 × 151 mm. Cliché-verre on ivory photographic paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

New Meadows Farms. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 6 3/8 × 10 1/8 in. (16.2 × 25.7 cm)Plate: 4 3/16 × 7 7/8 in. (10.6 × 20 cm). Date: ca. 1923. Museum: Metropolitan Museum of Art, New York, USA.

Harold Gilman, 1876-1919, British, Romney Marsh, undated. Pen and black ink on medium, slighlty textured, cream laid paper.

Pierre Louis Moreau, La Petite Ville (View of Sisteron), etching and drypoint on laid paper.

Florence, Arno, James Giles (Aberdeen, Scotland, 1801 - 1870) 1824

Landscape with Buildings and a Town in the Distance (recto); Study of a Building (verso). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: 4 3/4 x 10 1/8 in. (12.1 x 25.7 cm). Museum: Metropolitan Museum of Art, New York, USA.

House on a Lane, recto; Landscape Study and Study for a Portrait of the Artist's Grandmother, verso, 1825, Théodore Rousseau, French, 1812 - 1867, 6 9/16 x 8 3/8 in. (16.67 x 21.27 cm), Graphite on white wove paper, France, 19th century

Cloudy sky, with color notes. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 169 mm × w 269 mm. Museum: Rijksmuseum, Amsterdam.

Landscape with figures on a hay wagon. Leaf 8 Recto from a sketchbook with 30 sheets.

Jacopo Ligozzi (artist), Anonymous engraver possibly Domenico Falcini, Lino Moroni (author), The Prominent Rock (Sasso spicco) (plate I), 1612 The Prominent Rock (Sasso spicco) plate I

Composition with the Medici Vase, from Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger) 1782 Jean Jacques Lagrenée French. Composition with the Medici Vase, from Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger) 424186

Adriaen van Ostade, The Angler, probably 1653 The Angler

Chteau de Verneuil, Touraine. James McNeill Whistler; American, 1834-1903. Date: 1888. Dimensions: 176 x 122 mm (image, trimmed within plate mark); 179 x 122 mm (sheet). Etching with foul biting in black ink on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Return of the Flock. Charles François Daubigny; French, 1817-1878. Date: 1862. Dimensions: 342 × 270 mm (image); 360 × 290 mm (sheet). Cliché-verre on ivory photographic paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Francois Daubigny.

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