Scenic Landscapes

A series of landscapes featuring rivers, hills, and historical buildings, capturing serene moments with figures in nature and atmospheric effects.

Painting of Eton by JWM Turner

Hercules Pietersz. Segers (Haarlem, 1589/90 -La Haya (), 1633/38). Landscape with Armed Men. Oil on canvas. 36.5 x 54.3 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Painting of Eton by JWM Turner

Roslin Castle, Midlothian, Paul Sandby RA, 1731-1809, British, ca. 1780, Gouache on medium laid paper, mounted on board, Sheet: 18 1/8 x 25 1/8 inches (46 x 63.8 cm) and Mount: 18 1/8 x 15 1/8 inches (46 x 38.4 cm), amateur, artist, bridge (built work), camera obscura, castle, children, clouds, hats, hills, ladies, landscape, light, picturesque, poet, river, Scottish, sheep, shepherd, sky, trees, women, Esk, Europe, Midlothian, Roslin, Roslin castle, Scotland, United Kingdom

Peter DeWint, 1784-1849, British, Windsor from below the Locks, undated. Watercolor, graphite and scraping out on thick, cream, rough wove paper.

The Opening of Waterloo Bridge ("Whitehall Stairs, June 18, 1817") (study). Date/Period: Between 1829 and 1831. Painting. Oil on canvas. Height: 61 cm (24 in); Width: 99.1 cm (39 in). Author: John Constable.

Floating Barrel in a Stream, James Miller, active 1773-1814, undated, Watercolor and graphite on medium, ,slightly textured, blued white, laid paper, Sheet: 7 13/16 × 6 5/16 inches (19.8 × 16 cm), architectural subject, barrel, buildings, bull, farm, fence, figures, genre subject, house, picket fence, smoke, stream, wagon

Watercolor by Rudolf von Alt depicting Kalvaria in Wadowitzkieben, Galicia, with gloss and scraped white effects, 1840.

pupil of Peter DeWint, 1784-1849, British, Near Norwich, undated. Watercolor and graphite on moderately thick, rough, cream wove paper mounted on thick, slightly textured, cream wove card.

Joseph Mallord William Turner, 1775-1851, British, Windsor, ca. 1798. Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper.

On De Wal behind St. Mary

A View of Rome from the Palatine 1813-17 () Carl Ludwig Frommel German. A View of Rome from the Palatine. Carl Ludwig Frommel (German, Birkenfeld 1789-1863 Ispringen). 1813-17 (). Watercolor, graphite, gum arabic. Drawings

Sunday Night St. John's Wood. Samuel John Lamorna Birch (1869-1955). Oil on canvas. 19 1/2 x 23 1/4in. A view from Laura and Harold Knight's window where Birch often stayed.

View of Dordrecht. Dating: 1643. Measurements: h 98.5 cm × w 132 cm. Museum: Rijksmuseum, Amsterdam. Author: Wouter Knijff.

Jean Baptiste Camille Corot, The Moored Boatman Souvenir of an Italian Lake, 1861 The Moored Boatman: Souvenir of an Italian Lake

Scene from Thermidor, by the French dramatist Victorien Sardou (1831-1908) prodocued at the Comedie Francaise, Paris, banned after three performances. From Le Petit Journal, Paris, 31 January 1891. France, Theatre, Censorship

'Flight of Galatea'. France, Middle of 1780s. Dimensions: 50x42 cm. Museum: State Hermitage, St. Petersburg. Author: HUBERT ROBERT.

Felix Castello (1595-1651). Spanish painter. Bathing in the Manzanares in the Countryside at Molino Quemado, ca.1634-1637. History Museum. Madrid. Spain.

John Constable, 1776-1837, British, Harnham Gate, Salisbury, between 1820 and 1821. Oil on canvas.

unknown artist, nineteenth century, Erlestoke House and Park, ca. 1825. Watercolor with pen and brown ink, and graphite on moderately thick, moderately textured, cream, wove paper.

Samuel Davis, 1757-1819, British, At Pointy, 1788. Watercolor and pen and black ink over graphite on medium, slightly textured, cream laid paper.

Samuel Hieronymus Grimm, 1733-1794, Swiss, Haverfordwest, Pembrokeshire, 1791. Watercolor with black ink over graphite on medium, slightly textured, cream wove paper.

Sir George Hayter, 1792-1871, British, A Capriccio of Windsor Castle, 1827. Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper.

F. Norice, 19th century, British, Windsor Castle From the Long Walk, undated. Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper.

The Hay Wagon, Samuel Bough (Carlisle, England, 1822 - 1878) 1857

Classical Landscape, Richard Cooper the Younger, 1740-1814, British, ca. 1785, Pen and black ink, brown wash, graphite on slightly textured, medium, cream laid paper, Sheet: 10 7/8 × 17 1/8 inches (27.6 × 43.5 cm), architectural subject

Near Norwich. Drawing. Watercolor and graphite on thick, cream, rough wove paper laid onto card. Height: 222 mm (8.74 in); Width: 311 mm (12.24 in). Author: Pupil of Peter DeWint.

Free Zorg on the Kleine Houtweg in Haarlem, Everhardus Koster, 1883 painting oil paint (paint). panel

The Haynsburger Thal at Zeitz in Saxony dedication: Sr. Wellgebohrn the Mr. Jacob Heinrich Püttner etc. to the special art fans

Capt. Thomas Hastings, 1778-1854, British, Canterbury, 1806. Graphite on medium, slightly textured, cream wove paper.

Landscape with the Story of Jephthah's daughter, by Jacob Savery (I), 1580-89, Flemish-Dutch painting, gouache on vellum. The Biblical scene in lower left is set in a spacious landscape of Northern European town and waterway (BSLOC_2016_6_296)

Country Lane with Gypsies Resting. Date/Period: Between 1760 and 1765. Drawing. Watercolor and gouache over graphite and black chalk; verso: graphite on moderately thick, moderately textured, cream prepared wove paper. Height: 286 mm (11.25 in); Width: 235 mm (9.25 in). Author: Thomas Gainsborough.

On the Thames at Hammersmith ca. 1836 John Varley British Varley's delightfully fresh watercolor describes a Thameside scene on a sunny summer day. It centers on a large tree with spreading limbs and abundant foliage, a semi-rural riverbank beyond lined with unadorned buildings and a chimneyed brickworks. Rapidly applied washes describe a slatted fence silhouetted against sunlit grass and workers pursuing everyday tasks. Deft strokes evoke rushes, flowers and a drinking cow. For most of his career, the artist devoted himself to idealized compositions demonstrating principles that he promoted as a successful drawing master. At this moment, public interest in Varley's formal exhibition pieces had waned, and he felt free to create a group of brilliant studies in Hammersmith and Chiswick, their washy effects showing appreciation for technical innovations introduced by Peter De Wint, one of his most talented students.. On the Thames at Hammersmith 426773

Maréchal, Jean Baptiste, La Terrasse des Tuileries in 1786. (Title dummy), 1786. Musée Carnavalet, Histoire de Paris.

Samuel Fleet Homestead Frances Flora Palmer (American, 1812-1876). Samuel Fleet Homestead, ca. 1850s. Transparent and opaque watercolor over graphite on cream, moderately thick, slightly textured wove paper mounted to Japanese paper., 18 3/8 x 27 1/4 in. (46.7 x 69.2 cm). Frances Fanny” Palmer was a professional artist who worked for the famous printmaking firm of Currier & Ives for twenty years. Although watercolor was considered a polite accomplishment for genteel women—what an 1856 writer referred to as a husband-catcher”—it was rare for a woman to have an artistic career in the mid-nineteenth century. This picture of a handsome Neoclassical mansion on Fulton Street in Brooklyn demonstrates Palmer’s deft control of the watercolor medium and her eye for anecdotal detail. American Art ca. 1850s

City view, at night, draughtsman: Reinier Craeyvanger, 1822 - 1880, paper, brush, h 215 mm × w 240 mm

Watermill at the Foot of a Mountain, Allier, c. 1867-1869, Jean-François Millet, French, 1814-1875, 28 11/16 x 33 7/16 in. (72.8 x 85 cm)28 1/4 x 33 in. (71.8 x 83.8 cm) (image)37 1/8 x 41 13/16 x 3 1/4 in. (94.3 x 106.2 x 8.26 cm) (outer frame), Pastel on paper, France, 19th century

Painted wallpaper with a Dutch Landscape with river, attributed to Jurriaan Andriessen, c. 1776

Amelia Long, 1762-1837, British, On the Cam.. back of St. John's College, Cambridge, undated. Watercolor and graphite on moderately thick, rough, cream wove paper.

fine arts, Constable, John (1776 - 1837), painting,

Dent de Lion, Margate. Date/Period: Ca. 1791. Painting. Watercolor. Height: 257 mm (10.11 in); Width: 346 mm (13.62 in). Author: J. M. W. Turner.

The Old Farm Gate Currier & Ives (1834-1907 American) Lithograph

Landscape with Peasants Playing Skittles in Front of an Inn (c. 1660), painting by David Teniers (baptised 15 December 1610 in Antwerp, died 25 April 1690 in Brussels), Flemish painter, draughtsman and curator. He was an innovator in a variety of genres such as history painting, genre painting, landscape, portrait and still life. He is most remembered today as the leading Flemish genre painter of his time, reproduction from a 17th century painting. Authentic, file restored for optimal use, exact date of original unknown

lakes, summer, realism (style), ruins, purchase (provenance)

Gezicht bij Tours (title on object). Draughtsman: Josephus Augustus Knip (signed by artist). Dating: 1808. Measurements: h 460 mm × w 655 mm. Museum: Rijksmuseum, Amsterdam.

Rochester. Date/Period: 1799. Painting. Oil on canvas. Height: 251 mm (9.88 in); Width: 325 mm (12.79 in). Author: Edward Dayes.

View of the great harbor, from Corradino, Anton Schranz, 18th century, cathedral museum, Mdina, Republic of Malta, Europe.

The evnirons of London on the coast of Greenwich., Anonymous, Flemish school, c1620-30. , Oil on canvas.

MP 2250; Gerson, Wojciech (1831-1901) (malarz); Widok z tarasu parku w Justianowie na jezioro Wiejsiejskie; 1851-1852; olej; p³ótno; 44 x 60,5

The Thames at Westminster, London Signed and dated in center right: "cd jong ? ?" date illegible, Claude de Jongh, active 1628-1663, Dutch

Ferry near Gorinchem 1646 Salomon van Ruysdael Dutch Ruysdael has a reputation for inventing topography, but this canvas depicts a largely faithful view of Gorinchem (Gorcum) from the south. The artist's viewpoint was on a spit of land called Buiten de Waterpoort, along the river de Merwede. The 197-foot tower of the Great Church is seen through the trees, while a windmill, ramparts, and identifiable buildings recede in the right background. Travellers at an inn and in a fishing-cum-ferry boat enliven the scene. Ruysdael lived well to the north in Haarlem, but he was part-owner of a mill in Gorinchem and in 1643 and 1644 painted landscapes incorporating parts of the local castle of Loevestein.. Ferry near Gorinchem 437589

Boatman among the Reeds. Artist: Camille Corot (French, Paris 1796-1875 Paris). Dimensions: 23 1/2 x 32 in. (59.7 x 81.3 cm). Date: ca. 1865.Since Corot often repeated compositions and motifs, his works are difficult to date. The present picture betrays similarities to Corot's <i>River with a Distant Tower</i>, also in the Museum's collection, which, on the basis of style, seems to date to the early 1860s. The feathery brushstrokes and lighter palette of this work suggest it was painted later in the decade. Museum: Metropolitan Museum of Art, New York, USA. Author: Camille Corot.

An Old Gable. Date/Period: 1830. Painting. Oil on panel. Height: 425 mm (16.73 in); Width: 333 mm (13.11 in). Author: William Mulready.

The Ruins of the Monastery of Oybin in the Zittau Mountains. Dated: 1792. Dimensions: sheet: 44.6 x 58 cm (17 9/16 x 22 13/16 in.). Medium: watercolor with gouache and pen and black ink over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Philipp Veith.

George Chinnery, 1774-1852, British, A River Scene, undated. Pen and brown ink, watercolor and graphite on moderately thick, slightly textured, cream wove paper.

The Muscovite Legation Visiting Amsterdam, 29 August 1697. Visit of the Moskovian corporation to Amsterdam, August 29, 1697. The company sails on yachts about the water of the inside Amstel along a floating allegorical stellage. On the left in the background the clustery goals and the Swygt Utrecht tower.

The Hundred Steps, Windsor Castle, c.1725-1809 Paul Sandby (d.1809), The 'Hundred Steps' provided pedestrian access from the town to the north side of the Lower Ward from the medieval period. Beginning at a gatehouse on Thames Street, the steps emerge into the Canon's cloister. They were rebuilt in the nineteenth century and are no longer open to the public. Sandby made several drawings of the steps, populated with townsfolk making use of the pathway., Landscape, 18th Century, England, Castle, Architecture, Frame, Animal, Horse, Royal, Carriage, Architecture, Classical, Works on Paper

VISTA DE ARANJUEZ-S XVIII. Author: LUIS PARET Y ALCAZAR (1746-1799). Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN.

Bellinzona from the Road to Locarno, Joseph Mallord William Turner (London, England, 1775 - 1851) 1843

George Barret Jr., 1767-1842, British, Figures on the Bank of a Wooded Lane, with Sea in Distance Left, undated. Watercolor on medium, moderately textured, cream laid paper.

Anonymous / "Visit of Cristina's walk", Around 1850, Oil on canvas, 0.70 x 1.00 m.

Thomas Lound, 1802-1861, British, A View near Norwich, ca. 1850. Oil on canvas.

View of the City of New York: A South East View of the City of New York in North America, Pierre Charles Canot, ca. 1710-1777, French, active in Britain, after Thomas Howdell, active ca. 1768, British, 1763, Color engraving, Sheet: 13 1/4 x 20 7/8in. (33.7 x 53cm)

The Docking Basin in the Barge Canal in Leidschendam. De zwaaikom in de trekvaart in Leidschendam. Dating: 1756. Measurements: h 39.5 cm × w 49.5 cm; d 7 cm. Museum: Rijksmuseum, Amsterdam. Author: Paulus Constantijn la Fargue (mentioned on object).

ZIEM, Félix (n.1821-02-26-D.1911-11-10), Autumn (main title). Wood oil, box under glass. Petit Palais, Museum of Fine Arts of the City of Paris.

Gold digging. Date/Period: Ca. 1852. Painting. Oil on canvas. Height: 39.50 mm (1.55 in); Width: 56 mm (2.20 in). Author: David TULLOCH.

Skating near the city. nieznany malarz holenderski, painter

Anne Rushout, ca. 1768-1849, British, Wanstead Grove, Essex, 1824 to 1832. Watercolor and graphite on moderately thick, slightly textured, cream wove paper.

Walton Bridges, by Joseph Mallord William Turner, 1806-1807, Ashmolean Museum of Art and Archaeology, University of Oxford, Oxfordshire, England

Cows by Jan Jansson, oil on wood, 18th century, 1729-1784) State Art Museum, Tula 35x48

'An Ancient Fort in Suffolk', c1899 Artist: Frederick George Cotman.

Boulogne Harbor. Date/Period: 1823. Drawing. Watercolor with brown wash over graphite on medium, cream, moderately textured wove paper. Height: 187 mm (7.36 in); Width: 264 mm (10.39 in). Author: Richard Parkes Bonington.

Jacob Alt (1789-1872), Weinzeir, Austria, the residence of Baron Karl Joseph von Furnberg, for whom Franz Joseph Haydn worked for a short time. Oil on canvas.

George Sidney Shepherd, 1784-1862, British, Green Park, ca. 1830. Watercolor and graphite on medium, smooth, cream wove paper.

View of a Park. Artist: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Dimensions: 13 15/16 x 16 15/16 in. (35.4 x 43 cm). Date: late 1770s. Museum: Metropolitan Museum of Art, New York, USA. Author: JEAN-HONORE FRAGONARD.

Procession by a Lake. Dated: 19th century. Dimensions: overall: 76.2 x 111.8 cm (30 x 44 in.) framed: 92.7 x 128.3 x 5.1 cm (36 1/2 x 50 1/2 x 2 in.). Medium: oil on fabric. Museum: National Gallery of Art, Washington DC. Author: Chinese Qing Dynasty.

Achilles Statue, Hyde Park, London, Peter DeWint, 1784-1849, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 9 7/8 x 13 7/16 inches (25.1 x 34.1 cm), clouds, dogs (animals), figures, landscape, parks, sculpture, statues, trees, England, Europe, Hyde Park, United Kingdom, Westminster

Aberystwyth Castle, John Sell Cotman, 1782-1842, British, 1796 to 1806, Watercolor on Medium, moderately textured, cream laid paper, Sheet: 11 1/4 x 19 1/2 inches (28.6 x 49.5 cm) and Contemporary drawn border: 12 1/8 x 20 1/2 inches (30.8 x 52.1 cm), castle, landscape, men, sea, Aberystwyth, United Kingdom

UK, England, Cambridge, Fitzwilliam Museum, Parham's Mill, Gillingham, John Constable, 1824

Hendrik Trips Cannon Foundry in Julitabruk, Sweden. The Trip family - powerful international arms dealers - owned this cannon foundry in southern Sweden. It was a perfect location: iron ore was mined there, and there was ample waterpower, inexpensive labour and fuel (wood). The family built what is known as the Trippenhuis on the Kloveniersburgwal in Amsterdam. The Rijksmuseum was accommodated in this grand residence in the 19th century.

James Miller, active 1773-1814, Fountain's Boarding School, Marylebone, 1780. Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, laid down on a contemporary mount.

MUÑOZ DEGRAIN, ANTONIO. SPANISH PAINTER. VALENCIA 1840 - 1924. "FEUDAL CASTLE", OIL ON CANVAS.

House by a River 1832 Rudolph von Alt (1812-1905 Austrian) Watercolor Christie's Images, London, England

Catha edulis Forssk. (Khath): finished drawing, Luigi Balugani, 1737-1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and Binding: 16 inches (40.6 cm)

Rev. James Bulwer, 1794-1879, British, One from A Volume of Drawings and Prints, undated. Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper.

Monte Pincio, Rome 1840-1850 France. Oil on canvas . Jean Baptiste Camille Corot

The watering place. Dating: 1650 - 1700. Measurements: h 65 cm × w 77 cm; d 8.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Emanuel Murant.

fine arts, Stanfield, George Clarkson (1828 - 1878), painting, Cochem - View with castle ruins and fortifications - Bank of the river Moselle, oil on canvas, 76 x 127 cm,

The Bristol Riots: The Burning in the Street. Dimensions: overall: 25 x 20 cm (9 13/16 x 7 7/8 in.). Medium: watercolor. Museum: National Gallery of Art, Washington DC. Author: John Skinner Prout.

Kiev by Shternberg, Vasili Ivanovich (1818-1845)/ State Museum of A.S. Pushkin, Moscow/ 1839/ Russia/ Oil on canvas/ Romanticism/ 45,5x71,5/ Landscape

Kochanowski tomb at the Powązki cemetery. Zaleski, Marcin (1796-1877), painter

Stormy Landscape With Blue And Red Figures, 1940 By Karoly Kotasz (d.1941), Landscape, Women, Rural, Modernism

A Summer Idyll. Date/Period: Between 1810 and 1815. Painting. Watercolor. Height: 213 mm (8.38 in); Width: 278 mm (10.94 in). Author: Thomas Rowlandson.

Depiction of the entrance to the three grottos in Arlesheim showing openings, rocks, and surrounding landscape, drawn with black-brown traces and watercolor around 1789.

View of the Villa before its neoclassical restructuring, fresco by Giuseppe Zocchi (1711-1767). Audience Hall, Villa del Poggio Imperiale (Villa of the Imperial Hill), Florence. Italy, 18th century.

Flesselles, Street with Peasant and Cow; Flesselles, une Rue avec une Paysanne et sa Vache. Jean Baptiste Camille Corot (1796-1875). Oil on panel. Painted circa 1862-1865. 33 x 37.5cm

Jacob van Ruisdael Sketching a Watermill. This painting was part of a historical gallery’, a collection of paintings and sculptures glorifying Dutch art. The landscape painter Jacob van Ruisdael was one of the 17th-century artists to be honoured with a painting. He is shown here out-of-doors, in the act of sketching a watermill. Bilders was clearly more skilled in painting the landscape than in rendering the figure.

Attributed to Thomas Churchyard, Ruins in a Landscape, 19th century, oil on beige laid paper, lined with Japanese tissue.

Dnieper River by anonymous artist, painting, Russia, Moscow, State Museum of A.S. Pushkin, 45, 5x71, 5

Warwick Castle, England. Dated: 1857. Dimensions: overall: 81.1 x 132.3 cm (31 15/16 x 52 1/16 in.) framed: 109.2 x 160.7 x 10.2 cm (43 x 63 1/4 x 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jasper Francis Cropsey.

Rev. James Bulwer, 1794-1879, British, One from A Volume of Drawings and Prints, undated. Graphite, watercolor on slightly textured, moderately thick, cream wove paper.

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