Scenic Landscapes and Figure Studies

Artistic representations of various landscapes with human figures engaged in activities, capturing natural beauty and vibrant scenes.

Prince Willem van Oranje on the beach of Scheveningen, Emmanuel Jean Nepomucene de Ghendt, after Adriaen van de Velde, 1748 - 1815 print paper etching / engraving four-wheeled vehicle drawn by more than three animals. beach Scheveningen

View of the Island of Jangerah at Sultanganj with Figures in the Foreground, William Hodges, 1744-1797, British, ca. 1781, Gray wash and pen and black/brown ink over graphite on laid paper, laid down on 19th Century wash mount, Sheet: 19 5/8 x 25 7/16in. (49.8 x 64.6cm)

Margate, Print made by William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1822, Etching; open etching on medium, slightly textured, cream wove paper with chine-collé, Sheet: 12 × 17 inches (30.5 × 43.2 cm), Plate: 9 1/8 × 12 1/8 inches (23.2 × 30.8 cm), Chine collé: 9 × 11 3/4 inches (22.9 × 29.8 cm), and Image: 6 1/4 × 9 1/2 inches (15.9 × 24.1 cm)

Drawing by Johann Christian Klengel depicting fishers and farmhouses on a riverbank with figures, and a castle on a hill, executed with gray and white brush over pencil on yellowish paper around 1775.

The Roman Forum from the Tower of the Capitol, George Cooke, 1781-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1818-1820, Etching and engraving on moderately thick, moderately textured, cream, wove paper, Sheet: 11 7/8 × 17 3/4 inches (30.2 × 45.1 cm), Plate: 10 × 12 15/16 inches (25.4 × 32.9 cm), and Image: 4 9/16 × 8 11/16 inches (11.6 × 22.1 cm)

Gezicht op phalerum, Jacques-Philippe le Bas, After Julien Le Roy, 1758 print Print Maker: Parisafer Drawing by: Greece paper etching harbour. ruin of a building ~ architecture. landscape with ruins Athene

Coastal face with roof of Europe, Richard Earlom, After Claude Lorrain, 1776 print London paper etching sailing-ship, sailing-boat. coast - HH - ideal landscapes. sea (seascape). Europa and her maidens play with the bull, and/or adorn it with flowers

Prince Willem van Oranje on the beach of Scheveningen, Emmanuel Jean Nepomucene de Ghendt, after Adriaen van de Velde, 1748 - 1815 print paper etching / engraving four-wheeled vehicle drawn by more than three animals. beach Scheveningen

Robert Sheppard, active 1730-1740, British, The Death and taking Say of the Stag, no date. Line engraving.

Mantes, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Etching and engraving, third state

Print, Plate 11, from "Desseins de Queleques Conduites de Troupes, Canons, et Ataques de Villes"; Print Maker: Stefano della Bella (Italian, 1610-1664); Italy

View of Filipstad, Johannes Jacobsz van den Aveele, 1702 The print is part of an album. Stockholm paper etching Filipstad The print is part of an album. Stockholm paper etching Filipstad

William Radclyffe, 1780-1855, British, Blenheim, Oxfordshire, 1827-1838. Line engraving, engraver's proof (touched).

South East View of tLand-Guard Fort, in Suffolk, Thomas Major, 1714-1799, British, 1754, Line engraving on thick, rough, cream, wove paper, Sheet: 15 5/8 × 23 1/2 inches (39.7 × 59.7 cm) and Image: 13 9/16 × 23 1/4 inches (34.4 × 59.1 cm)

John Byrne, 1796-1847, British, Rome from Monte Testaccio, 1818-1820. Etching and engraving on medium, smooth, cream, wove paper, with cream, chine colle.

Print made by William Miller, 1796-1882, British, Modern Italy, 1842. Etching and line engraving with graphite; engraver's proof (c), touched on thick, moderately textured, cream wove paper with cream chine-collé.

Landscape with dancing saters and nymphs, Richard Earlom, After Claude Lorrain, 1775 print London paper etching pastorals, Arcadian scenes. lake - HH - ideal landscapes. satyr(s) (in general). nymphs (in general); 'Ninfe in commune' (Ripa). group dancing

Etched by Joseph Mallord William Turner, 1775-1851, British, Dunstanborough Castle, 1808. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

Baltimore in 1752. Bachmann, John. Prints. 1856. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Baltimore (Md.)

Falmouth, Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1826-1828, Mezzotint on medium, slightly textured, cream wove paper

Print made by William Miller, 1796-1882, British, Coombe-Martin, Devonshire, 1814 to 1826. Etching and line engraving on thick, slightly textured, cream wove paper.

Landscape with a Shepherd and Cattle, and Travellers. In addition to preparatory drawings for paintings, a group of sketchily executed drawings in black chalk and grey ink has also been preserved. Perhaps these were literally the initial ideas’ for paintings scribbled down in a spare moment. Only in a few cases did such a sketch result in an actual painting.

The Drive in Central Park, New York, September, 1860, 1860. Winslow Homer (American, 1836-1910). Wood engraving;

Print made by John Horsburgh, 1791-1869, British, Whitstable, Kent, 1814 to 1826. Etching and line engraving; first published state on medium, slightly textured, cream wove paper.

Landscape with more and two shepherds with cattle, Richard Earlom, After Claude Lorrain, 1774 print London paper etching cattle driving, cattle driver. cattle. pastorals, Arcadian scenes. lake

Ice Entertainment on the Maas, Robbert Muys, 1776 print Ice entertainment on the Maas near Rotterdam. On the ice, people enjoy themselves in arrenes and carriages, with skates and ice creams. Along the ice the city with two mills on the left. At the bottom of the margin the city coat of arms of Rotterdam flanked by a sater and a nymph. paper etching / engraving winter sports Rotterdam

Edward Francis Finden, 1791-1857, British, Corinth, (Cenchrea), 1834. Line engraving.

Giovanni Battista Borra, 1713-1770, Italian, Castello di Smirna, ca. 1750. Gray wash with gray ink over graphite on moderately thick, moderately textured, beige laid paper.

Print made by John Cousen, 1804-1880, British, Fécamp, 1834. Line engraving on medium, slightly textured, cream wove paper.

James T. Willmore, 1800-1863, British, Winander-Mere, Westmoreland, 1837. Line engraving, engraver's proof.

Thomas Goff Lupton, 1791-1873, British, Scarborough, 1826-1828. Engraver's proof (c).

View of Delft (right part); Part of the edge of the map figurative from Delft.Judge Part of a Face on Delft, Seen from the West.

Indulgence in the countryside. Bonus of the Society of Estate Fine Arts in the Kingdom of Poland for 1867; Walkiewicz, W Adys Aw (Ca 1833-1900), Kostrzewski, Franciszek (1826-1911), Staszy Ski Maksymilian, printing in Warsaw; 1867 (1867-00-00-1867-00-00);

Preparations for the Festival of Federation, Duplessi-Bertaux, Jean, 1750-1818, Pen, ink, wash, 1790

Micha Elwiro Andriolli, "Fisheries Osada", cycle "Brzegi Vistula"; Z: "K Osy" 1881 No. 813, p. 49; Nich, Edward (1851-1916), Andriolli, Micha Elwiro (1836-1893); 1881 (1881-00-00-1881-00-00);Andriolli, Michał Elwiro (1836-1893) - reproduction, Kłosy (Warsaw - magazine - 1865-1890) - illustrations, Society for the Care of the Monuments of the Past (Warsaw - 1906-1944) - collection, Wisła (river), gift (provenance)

William Miller, 1796-1882, British, St. Cloud, 1835. Etching and engraving.

Landscape with Castle. Dated: 1641. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Schellingwoude from the waterfront, 1619; Schellingwou, Ao 1619; North Holland landscapes. Schellingwoude from the waterfront with houses behind the dike. There is an open boat with crew on the scaffolding.

Gezicht op Demak. De Mak (title on object). Draughtsman: A. de Nelly (possibly). Dating: 1762 - 1783. Place: Java. Measurements: h 302 mm × w 473 mm. Museum: Rijksmuseum, Amsterdam.

Print made by William Bernard Cooke, 1778-1855, British, Bodiham Castle, Sussex, 1816. Etching and line engraving; published state on medium, slightly textured, cream wove paper.

FONDEADERO DE HUMATAC EN LA ISLA GUAHAM (MARIANAS) - SIGLO XVIII - EXPEDICION MALASPINA. Author: Fernando Brambila. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Seventh View of Italy ca. 1770 After Joseph Vernet. Seventh View of Italy. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1770. Engraving. Jacques Philippe Le Bas (French, Paris 1707-1783 Paris). Prints

SWATCH MARCH 1876. FIVE PREPARATIONS OF THE SWIMMING TO GORINCHEM, Brakel, Vuren and Dalem, 12-13 March 1876. Central shipment of victims of the flood in tents in Herwijnen. Top left the arrival of the Neptune steamboat with relief supplies in Brakel. At the top right the Gorinchem-Sleeuwijk steamboat brings relief supplies to Poederoijen. Bottom left the castle in Brakel. At the bottom right a man who collects, a woman (widow) Gives him money. See also the pendant and design drawing.

Landscape with Figures and Cattle 17th century Pieter de Molijn Dutch. Landscape with Figures and Cattle 347522

Woodvlot with crew goes for anchor in Haven Dordrecht, Carel Frederik Bendorp (I), 1785 print paper etching raft. harbouring Rhine

Set of sixteen: Outlines of Figures and Landscapes, Thomas Rowlandson, 1756-1827, British, 1790-1792, Etching, colored by hand, Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)

Kelso, Print made by Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving; early engraver's proof on medium, slightly textured, cream wove paper

Lithographer: Léon-Auguste Asselineau, French, 1808-1889, After: Adolphus A. Forbriger, American, active mid-late 19th century, Vue Generale de Cincinnati (Ohio); Prise derriere Newport (KY), 19thcentury, Color lithograph, sheet: 52.5 × 60 cm (20 11/16 × 23 5/8in.), French, 19thcentury, Works on Paper -Prints

FERNANDO VII. REY DE ESPAÑA. EL ESCORIAL 1784- MADRID 1833. "FALUA REAL EN EL ESTANQUE DEL RETIRO DE MADRID, AÑO 1817. MUSEO MUNICIPAL. MADRID.

Print made by William Wallis, 1794- active 1830, Jaffa, the Ancient Joppa, 1846. Line engraving on medium, slightly textured, cream wove paper.

Ericsson, Henry, work, Sketchbook, 49 leaves, 1933, drawing, Tivoli, amusement park, 13.5 cm x 21.8 cm, Ericsson, Henry, section: Human figures, 1933, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

An etching and copper engraving by Jean Baptiste Lienard, created between 1780 and 1786, depicting the city of Bienne and surrounding Lake Bienne in Switzerland.

Richard Rosenberg, active 1828-1848, Coaching: Stage Coach Travelling, 1828. Aquatint, hand-colored.

MALAGA. VELEZ MALAGA. VISTA GENERAL. GRABADO DE PIETER VAN DER AA , 1707. BIBLIOTECA NACIONAL. MADRID. MALAGA PINTADO.

View of the duck pond of Paleis Soestdijk, Anonymous, 1695 print The duck pond in the garden at the Soestdijk Palace, hunting lock of Stadholder Willem III of Oranje-Nassau. In the foreground figures in the garden. Amsterdam paper etching garden. garden pond Soestdijk Palace

Vernon, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Line engraving, Open etching

Marine, Sieuwert van der Meulen, 1698 drawing paper. ink. chalk pen / brush

Pots Inn, Claes Jansz. Visscher (II), 1612 print View on a country road where an inn with a smoking chimney is on. In the foreground three figures and a walking pair by a layer of wooden fence. In the background, two figures disappear in a cornfield. Amsterdam paper etching inn, coffee-house, public house, etc.. field filled with a crop. dog Haarlem

Fete DeVillage.. Artist: Paul Gavarni, French, 1804-1866

Face by Chatsworth in Derbyshire, Jan Siberechts, 1694 drawing paper. watercolor (paint) brush draughtsman at work - CC - out of doors. low hill country Chatsworth

William Alexander, 1767-1816, British, View in China: Figures with Pagoda and Mountain, 1792 to 1794. Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige wove paper.

Nieder- und Ober-Weckelsdorf, Spay to each other-loss goods, whose the first one privately belongs to the Zwyte but the Strakische Foundation, Koeniggraetzer Kr. Taken up and raided by Joan. Venuto 1818.

Museum: Smithsonian American Art Museum.

An etching by Jan Luyken, 1669-1712, showing a figure on Mount Sinai, depicting biblical setting, landscape, and figure with detailed linework and composition.

Gledhow, Print made by George Cooke, 1781-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1816, Etching and line engraving Engraver's proof on medium, slightly textured, cream wove paper, Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm), Chine collé: 10 × 12 1/4 inches (25.4 × 31.1 cm), and Image: 7 3/8 × 10 5/8 inches (18.7 × 27 cm)

Veduta di Luqssor sullo spuntare del giorno; Veduta d'un tempio di Luqssor con un oragano.. Denon, Vivant, 1747-1825. Denon, Vivant (1747-1825). Prints, Illustrations. 1808. General Research Division. Egypt , Description and travel, Temples , Egypt , Luxor

Jan van Goyen, Village Fair, 1656 Village Fair

The Monterberg Seen from Kalkar. Artist: Lambert Doomer (Dutch, Amsterdam 1624-1700 Amsterdam). Dimensions: 9 5/16 x 16 1/16 in. (23.6 x 40.8 cm). Date: ca. early 1670s.A pupil of Rembrandt, Lambert Doomer traveled extensively sketching his native landscapes. The Lehman sheet is one of a large number of highly finished drawings, all in the same technique (many also on ledger paper), made from rough sketches in Doomer's Amsterdam studio in the early 1670s. It is in the airy execution of the preliminary sketches that one detects a greater proximity to Rembrandt. The Monterberg is one of the hills bordering the west side of the Rhine Valley just across the present Dutch/German border. A picturesque setting popular among artists - including Aelbert Cuyp - the hilltop castle in ruins belonged to the noble family of Cleves. Museum: Metropolitan Museum of Art, New York, USA.

Lithographs Crossing River in India Copyright: xJehangirxSorabjee/DinodiaxPhotox

A haven in Nowy Czinas (in: Pamjatnaja Kniżka); Unknown, Voenna tipographic (St. Petersburg; Printing; Fl. Ca 1860-1870), F.A. Brockhaus (Amsterdam, Leipzig, Wiesbaden; Publisher; 1808-1953); 1864-1870 (1864-00-00-1870-00-00);

Peep-show, Vue Perspective de Bilbao, Ville d'Espagne dans la Biscaye, Engraving in ink and washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Natives fishing, engraving by Vernier, United States of America, from Etats-Unis d'Amerique, by Roux de Rochelle, L'Univers Pittoresque, published by Firmin Didot Freres, Paris, 1837.

Kultura w sieci Kultura+ unknown

Print made by W. Pickett, active 1792-1820, British, St. Andrews from the East, 1802. Aquatint on medium, slightly textured, cream wove paper.

Danube views, Hungary, Market Paksch, After, Ludwig Erminy, Drawer, Adolf Friedrich Kunike -, Lithographer, Adolf Friedrich Kunike -, editor

Unkel attacked, 1583, 1587 - c. 1591 print Attack on the city of Unkel aan de Rijn, July 21, 1583. Episode from the Cologne War. With caption of 8 lines in German and 4 lines in French. Nummered in the bottom left: 191. The print is part of an album. Cologne paper etching Victory, position was Unkel

London, Hollar, Wenceslaus, Landscape with a view of the Isle of Wight, verso - stamped, print, prints, height 82 mm, width 136 mm, Czech, 1607-07-13 - 1677-03-25, print maker, printmaker, 1643 - 1643, paper, papier, etching, etchings, drypoint, dry needle

The Lanterne of St. Cloud, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Etching and engraving

Before the side of the Marsfeld (TI)

The Town of Perth 1790-1863 Scotland. Hand-colored aquatint and etching on paper . John Heaviside Clark

The fire of peace / vüe perspective of the games games and fireworks on the water, between the place of Louis XV. The beloved, and the palace of Bourbon, on the occasion of peace. (IT)

The looks of the Stadhuys on Cabo the Good Hope. View of a square by buildings enclosed to 3 sides. On the square figures and a dog, L.O. Seated women around a pump amid vegetables and fruit. Rocks in background. Inscription; M.O.: The comforts of the city shuys, on Cabo the good / hope of supplies. Signed and dated.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), seen from the Villa of Pratolino near Florence. The alley of the fountains. Second number of a suite of 6 rooms. (A. de Vesme 839; Dutuit 178) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Amboise, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving on moderately thick, slightly textured, beige, wove paper, Sheet: 8 1/4 × 11 7/16 inches (21 × 29.1 cm), Plate: 6 × 8 15/16 inches (15.2 × 22.7 cm), and Image: 4 1/16 × 5 1/2 inches (10.3 × 14 cm)

Fountain of Serpents by Luigi Mayer, created in 1810. Published in London by T. Bensley for R. Bowyer, this work features aquatints related to fountains in the Mediterranean region, specifically Syria

Avercamp, Hendrick, Amsterdam, Fokke, Simon, North Holland landscapes, Outside Alkmaar, Ao 1619, Ice skating near Alkmaar, 1619, verso - stamped, Ice skating near Alkmaar. On the ice are skating figures and kolf players. In the distance the city of Alkmaar., print, prent, prints, height 174 mm, width 254 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen, Work conception, 1585 - 1634

Print, Peep-show, Vue de Bayonne de Côté du Port, No. 3; France; engraving in ink with washes of watercolor on paper, mounted on scrapbook page; 31.7 × 48 cm (12 1/2 × 18 7/8 in.)

Ericsson, Henry, work, Sketch book, civil war subjects, 39 leaves, 1931, drawing, civil war; prisoners of war; prison camps, 17.8 cm x 21.5 cm, Ericsson, Henry, part: Figures, 1931, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

Danube views, gelding, Braila fortress , After, Ludwig Erminy, Drawer, Alois von Saar -, Lithographer, Adolf Friedrich Kunike -, editor

The Heights over Foilhummerum Bay, Valentia, the William Corey Heading Seawards, Laying the Shore-end of the Atlantic Telegraph Cable, July 7th, 1866 1865-66 Robert Charles Dudley British One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. Dudley documented the process in a series of watercolors and oils, this example showing the ship that took the cable to shore in Ireland in 1866, before the fleet s

Cornelis Ploos van Amstel and Johannes Kornlein after Nicolaes Pietersz Berchem, Woman Seated on a Mule, 1769 Woman Seated on a Mule

View at Alençon (Vue prise à Alençon). Dated: 1839. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Jules Dupre.

A watercolor by Carl Philipp Schallhas depicting Abbey Lilienfeld, executed with black feather and finely oversubscribed contours before 1797.

Danger of trawing things of the Turks bey the Oitoscher Passa , Infall by the Turks on the Oitoscher Pass on September , Johann Martin Will -, Copper Engraver

Abandonment of the whalers in the Arctic Ocean Sept. 1871, Pl.4. Artist, studio of: J. H. Bufford and Son’s, Lith., Boston, active mid-19th century

Archers, Anonymous, After David Teniers (II), 1700 - 1850 print Archers shoot arrows at a goal. Other men watch. On the right two houses. Low Countries paper etching archer's weapons: bow. landscapes. shooting with bow and arrow, archery (~ games of skill)

Face to swammeram.

Building materials marching out of London and invading the countryside. Etching by G. Cruikshank after himself, 1 November 1829.

Fox Hunting A Pair: Yellowham Wood, / County of Dorset. .., Henry Thomas Alken, 1785-1851, British, And Richard Gilson Reeve, 1803-1889, after Walter Parry Hodges, 1760-1845, 1834, Aquatint, hand-colored, Sheet: 14 5/8 x 20 1/2in. (37.1 x 52.1cm)

Princess of Orange arrested in Goejanverwellesluis, 1787, Anonymous, After Mathias de Sallieth, 1788 - 1790 print Arrest of the procession of carriages with Princess Wilhelmina van Pruisen by an exercise society at Goejanverwellesluis, 28 June 1787. print maker: Northern Netherlandspublisher: Augsburg paper etching / engraving arrest (of criminal) Goejanverwellensluis

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