Scenic Landscapes and Rural Life

Prints depicting serene landscape scenes with resting figures, rustic architecture, and pastoral settings, showcasing nature's beauty.

Resting figures in a group of trees, Jean Denis Lempereur (II), After Pietro Testa, 1758 print France paper etching trees. resting - BB - out of doors. satyr(s) (in general)

Resting figures in a group of trees, Jean Denis Lempereur (II), After Pietro Testa, 1758 print France paper etching trees. resting - BB - out of doors. satyr(s) (in general)

Landscape with a house and a well, Lucas van Uden, 1605 - 1673 print Landscape with a house and a well, in the foreground a whistling shepherd with his dog. Low Countries paper etching / engraving farm or solitary house in landscape. well. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. one person playing wind instrument

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Parade in a landscape with a bridge (left part), Anne Claude Philippe Caylus, After Annibale Carracci, 1702 - 1765 print France paper etching landscapes in the temperate zone - HH - ideal landscapes. bridge

The Temple of Minerva Medica. Dated: published 1811. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Robert Dunkarton.

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53) May 12, 1814 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819.To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Say here added mezzotint to describe the sun sinking between trees near a castle by the sea with a loosely clad woman, possibly Mary Magdalen, reading in the shade. The letters "EP" in the upper margin likely stand for Elevated Pastoral, and were applied by Turner to landscapes within the set that echo the Arcadian sensibility of Claude. Since no title was engraved on the print, scholars later developed two possibilities.. Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53

The Rider in the Woods, small plate. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1854. Dimensions: 189 × 148 mm (image); 206 × 160 mm (sheet). Cliché-verre on ivory photographic paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Man with child at a farm, Ernst Willem Jan Bagelaar, 1798 - 1837 print Netherlands paper etching farm or solitary house in landscape (+ city(-scape) with figures, staffage)

The Lovers' Walk, No.2. Dated: 1864. Dimensions: plate: 15.2 x 23.9 cm (6 x 9 7/16 in.) sheet: 19.2 x 28 cm (7 9/16 x 11 in.). Medium: etching and drypoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Francis Seymour Haden.

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Alphonse Legros, Old Village (Ville vieille) Old Village (Ville vieille)

Woman on Bospad, J. Breuhaus de Groot, 1900 - 1999 print paper etching forest path or lane

Wych Elm, from The Park and the Forest. James Duffield Harding (English, 1798-1863); printed by Charles Joseph Hullmandel (English, 1789-1850); published by Thomas McLean (English, 1788-1875). Date: 1841. Dimensions: 283 × 414 mm (image); 369 × 541 mm (sheet). Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé). Origin: England. Museum: The Chicago Art Institute, USA.

Artist: Alphonse Legros, French, 1837-1911, Rentrant leFoin, Etching and drypoint, platemark: 12.3 × 24 cm (4 13/16 × 9 7/16in.), French, 19thcentury, Works on Paper -Prints

View of Castel Gandolfo, Ludwig Richter, 1831 print Printed number 6 at the top right. paper etching city-view, and landscape with man-made constructions Castel Gandolfo

Weissenbruch, Jan, Netherlands, Isaac, Landscape with a row of trees and houses, print, prints, height 62 mm, width 65 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure, Work conception, 1822-03-18 - 1880-02-15

Étude pour 'L'Enfant Prodigue' , Biblical events, Trees, Prodigal son Parable, Alphonse Legros (1837-1911)

Panoramisch gezicht op Haarlem en de ruïne van Brederode; by Haarlem (title on object). Draughtsman: Andreas Schelfhout (mentioned on object). Dating: c. 1839. Measurements: h 314 mm × w 486 mm. Museum: Rijksmuseum, Amsterdam.

A Brook With a Grotto and A Boat ("Het Gestonkje"), Rembrandt van Rijn, 1645 print paper etching / drypoint

Landscape with two boys in the foreground, draughtsman: anonymous, draughtsman: Barend Cornelis Koekkoek, (rejected attribution), 1826, paper, h 93 mm × w 141 mm

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Stairs to a landing with an image, Louis Gabriel Moreau, 1770 - 1825 print Park with a staircase along a wall, leading to a landing with an image on it. Two figures sitting on the stairs. Paris paper etching public gardens, park. staircase

Jakob Gauermann red chalk drawing from 1798 depicting a landscape study with a rider and a city in the background, showing figures, terrain, and architecture.

The Childhood of Claude Lorrain. Baron Jean-Baptiste Heraclée Olivier de Wismes; French, 1814-1887. Date: 1863. Dimensions: 399 × 576 mm (image.); 427 × 607 mm (chine); 446 × 625 mm (plate); 520 × 694 mm (secondary support). Etching on cream chine laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Rijn, Rembrandt van, The cave, The boathouse, verso lower left - stamped, print, prints, Rembrandt . 1645, lower right, height 125 mm, width 132 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1645 - 1645, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

The Prodigal Son Made 1913 France. Etching on ivory wove paper . Louis Auguste Lepère

The Knight's Return. Rodolphe Bresdin; French, 1825-1885. Date: 1871. Dimensions: 74 × 155 mm (image); 83 × 165 mm (chine); 92 × 171 mm (plate); 268 × 331 mm (sheet). Etching on ivory China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with Windmill, Young Man and Girl, and Two Oxen 1767-1825 France. Etching in black on ivory laid paper . Dominique-Vivant Denon

Rembrandt van Rijn, The Flight into Egypt Altered from Seghers, c 1653 The Flight into Egypt: Altered from Seghers

Alphonse Legros, Squaring Logs (Homme que fend des buches), French, 1837-1911, etching and drypoint in brown ink

Jean Baptiste Camille Corot, Souvenir of Italy (Souvenir d'Italie), 1866 Souvenir of Italy (Souvenir d'Italie)

Auguste Louis Lepère (French, 1849 - 1918). La Petite Mare, 1908. Etching.

Pencil sketches by Ferdinand Georg Waldmüller depicting various subjects and studies on paper, showing line work, form, and composition.

Repos au Bord de laRiviere. Artist: Alphonse Legros, French, 1837-1911

On the Test, Francis Seymour Haden, 1818-1910, British, 1878, Etching and drypoint, with plate tone on medium, smooth, cream Asian paper with cream chine collé, Sheet: 9 5/16 x 12 15/16 inches (23.7 x 32.8 cm), Plate: 5 7/8 x 8 7/8 inches (15 x 22.5 cm), and Image: 5 7/8 x 8 7/8 inches (15 x 22.5 cm), animal art, banks, birds, bridge (built work), buildings, clouds, cottages, landscape, reeds, river, sheep, sky, trees, England, Europe, Hampshire, Romsey, Test, United Kingdom

The House of the Well (La maison du puits). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Homme qui fend des bûches ('Squaring Logs') , Woodcutters, Woodcutting, Alphonse Legros (1837-1911)

Aux Environs de Menton. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Adolphe Appian.

The Skimhampton Road (Easthampton). Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 8 1/8 × 12 1/4 in. (20.6 × 31.1 cm)Sheet: 11 x 15 3/16 in. (28 x 38.5 cm). Date: 1929. Museum: Metropolitan Museum of Art, New York, USA.

Alphonse Legros, Castle in Spain (Chateau en Espagne) Castle in Spain (Chateau en Espagne)

Landscape with cattle and figures; sketch for the Rustic Courtship. Artist: Gainsborough Dupont (British, Sudbury, Suffolk 1754-1797 London); Formerly attributed to Thomas Gainsborough (British, Sudbury 1727-1788 London). Dimensions: Sheet: 11 x 7 13/16 in. (28 x 19.9 cm). Date: 1755-97. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with a wagon stuck in the water that is hoisted on the side by a group of men, Jean Théodore Joseph Linnig, after Peter Paul Rubens, 1825 - 1891 print paper etching accident with (farm) wagon, freight wagon, cart. two-wheeled, animal-drawn vehicle. river

Woodland Scene with Light Sketch of a Madonna and Child 1528-92 attributed to Girolamo Muziano Italian. Woodland Scene with Light Sketch of a Madonna and Child 340823

St. Jerome Beside a Pollard Willow. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1648. Dimensions: 180 x 133 mm (image/plate); 186 x 137 mm (sheet). Etching and drypoint on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Francis Seymour Haden, 1818-1910, British, Werrington, 1868. Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper.

Homme qui fend des bûches ('Squaring Logs') , Woodcutters, Woodcutting, Alphonse Legros (1837-1911)

Drawing

Marcher by a farmhouse, print maker: Hermanus Jan Hendrik van Rijkelijkhuysen, (mentioned on object), Utrecht, 1823 - 1883, paper, etching, drypoint, h 177 mm × w 223 mm

Swiss bridge on the Elswout estate near Overveen, Hendrik Schwegman, after Egbert van Drielst, after Jacob Cats (1741-1799), 1796 print The Swiss bridge on the Elswout estate near Overveen. On the right two hunters. There is a man on a bench. Second print from a series of four faces on Elswout. Haarlem paper etching bridge Elswout

Alphonse Legros, Little Shelter (Le petit hangar) Little Shelter (Le petit hangar)

Entree de Village (ThatchedCottages). Artist: Rodolphe Bresdin, French, 1822-1885

Man and woman in the shadow of a tree, A wide landscape with a tree in the foreground. A man and a woman rest in the shade of the tree, landscapes, shadow of an object, Guercino (mentioned on object), Italy, 1601 - 1666, paper, etching, h 194 mm × w 275 mm

Jacob Wilhelm Mechau, Castella Gandolfo, 1792 Castella Gandolfo

Clump of Trees with a Vista 1652 Rembrandt (Rembrandt van Rijn) Dutch Clump of Trees with a Vista, probably Rembrandt's final landscape print, was created entirely in drypoint, a technique that produced the rich, velvety lines clearly visible in this impression. With quick strokes, Rembrandt sketched a small section of a farmhouse engulfed by trees. He boldly left the rest of the sheet almost entirely blank. It is thought that he began the print on site and then finished it in the studio. The farmhouse depicted here appears to have fascinated Rembrandt and his pupils, who drew it on several occasions and from different angles.. Clump of Trees with a Vista 354635

Charles-François Daubigny, The Ford (Le Gué), 1862, printed 1921, cliché-verre, gelatin printing-out print.

Print made by David Lucas, 1802-1881, British, Summer Evening, 1831. Mezzotint on moderately thick, slightly textured, cream wove paper.

The Satyr. Charles François Daubigny; French, 1817-1878. Date: 1850. Dimensions: 150 × 117 mm (image); 171 × 134 mm (plate); 393 × 262 mm (sheet). Etching, roulette and aquatint on cream Japanese paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: Charles Francois Daubigny.

Sappho in Landschap, Camille Corot, 1871 print A woman is in mind in the foreground in a landscape, the title indicates her as the Greek poet Sappho. On the left there is a group of trees on an elevation, a tree hangs diagonally over a wall. paper

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Print made by Frederick Vango Burridge, 1869-1945, British, Oxcliffe Marshe, 1900, 1900. Drypoint prints and etching on medium, smooth, cream Asian paper.

Man kneels in a forest near a memorial place, Lodewijk Juliaan Fuchs, 1824 - 1873 print On the open spot in the forest with the kneeling man it says: "Lenora, mistake Mein Nicht. paper etching forest, wood. kneeling figure. grave, tomb and other grave-forms and grave-markers

On the Hoogeveen in Drenthe, draughtsman: Egbert van Drielst, 1755 - 1818, paper, brush, h 228 mm × w 366 mm

Changing Seasons (Furnishing Fabric) Made 1789-1790 England. Cotton, plain weave; copperplate printed .

Un vagabond passant dans une ruelle , Tramps, Alphonse Legros (1837-1911)

Sleeping Shepherd (Le repos du berger). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

The Last Rays (Dernier reflet). Dimensions: 32.4 cm x 49.4 cm, 20 cm x 30 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

The Goatherd Girl, original impression 1862, printed in 1921. Charles François Daubigny (French, 1817-1878). Cliché-verre; sheet: 36.2 x 28.9 cm (14 1/4 x 11 3/8 in.); platemark: 34.4 x 26.7 cm (13 9/16 x 10 1/2 in.).

Painting by Abraham Bloemaert showing a water carrier with a child in a landscape including a bridge, executed in black chalk, watercolor, and white highlights around 1650.

Rocky landscape with roof on poles and right lion; A Mundo ProCul Umbrosi Sub Stramine Tecti, / Optimus, UT VIGEAT, Locus Est, Meditatio Sylua; Landscapes to Domenico Campagnola. Rocky landscape with centrally a roof on stilts, including men pray for a crucifix. On the right a roaring lion. Title in Latin in undermarge. Numbered at the bottom right: 3.

St Jerome Beside a Pollard Willow, Rembrandt van Rijn, 1648 print Japanese paper etching / drypoint the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

The elevator Van Het Zeil, Hermanus Fock, 1781 - 1822 print A river landscape with a boat on the waterfront, near two trees. Two people in the boat, one of which is the sail. A third person is on the bank. Amsterdam paper etching sailing-ship, sailing-boat

The Omval, Rembrandt van Rijn, 1645 print paper etching / drypoint Outfall, the

Homme qui fend des bûches ('Squaring Logs') , Woodcutters, Woodcutting, Alphonse Legros (1837-1911)

Landscape with farm and laundry woman at Water, Gilles Demarteau, After Jean Baptiste Huet (Le Vieux), 1732 - 1776 print Paris paper etching farm or solitary house in landscape. laundering

Alphonse Legros, Tower (La tour) Tower (La tour)

Le petit juif errant , Tramps, Trees, Wandering Jew, Alphonse Legros (1837-1911)

Alphonse Legros, Study for the Prodigal Son (Etude pour L'enfant prodigue) Study for the Prodigal Son (Etude pour L'enfant prodigue)

St Jerome Beside a Pollard Willow, Rembrandt van Rijn, 1648 print paper counterproof / counterproof / etching / drypoint the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

The Amstelveenseweg Outside of Amsterdam. Draughtsman: Rembrandt van Rijn. Dating: c. 1660 - c. 1662. Place: Amsterdam. Measurements: h 135 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Sterta ściętych polan leżąca wśród drzew. Morgenstern, Carl Ernst (1847-1928), graphic artist

Man on bridge, Hermanus Fock, 1781 - 1822.

Bridle procession in a landscape, 1634 drawing Zwolle (Possible) paper. ink. chalk. deck paint. gouache (paint) brush

Outside the Westeinde of The Hague. Draughtsman: Jan de Bisschop. Dating: 1648 - 1671. Measurements: h 103 mm × w 157 mm. Museum: Rijksmuseum, Amsterdam.

Drawing by Jakob Gauermann depicting Hercules at the crossroads, executed with pen and brushes in dark brown with brown lavation and white highlights around 1800.

Rentrant le foin , Horses, Carts & wagons, Hay, Alphonse Legros (1837-1911)

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

Le paysage au rouleau , Alphonse Legros (1837-1911)

Wooded Landscape with Ruins. Artist: Attributed to Thomas Rowlandson (British, London 1757-1827 London). Dimensions: sheet: 7 5/8 x 11 5/8 in. (19.4 x 29.5 cm). Date: 1780-1827. Museum: Metropolitan Museum of Art, New York, USA.

Jacob Wilhelm Mechau, Sito di ricreazione dei Pittori Fiaminchi del Secolo passato a Monte Testaccio, 1793 Sito di ricreazione dei Pittori Fiaminchi del Secolo passato a Monte Testaccio

Landscape; Four und Zwanzig Landschaftliche Gegenstände Heredden und Radirt von Dom. Quaglio, Königlich Baierischem Hofmahler. Print is part of twenty-four etchings with landscapes and architecture faces in original folder.

Page 33 recto from a sketchbook with 43 pages, Weg van Kleef naar Nijmegen., draughtsman: Johannes Tavenraat, Cleves, 1844, paper, scoring

Le village de la Meule (Iled’Yeu). Artist: Auguste Lepère, French, 1849-1918

Study of a landscape, Parmigianino, 1513 - 1540 drawing Design for a print. paper. ink pen / brush

Jean Baptiste Camille Corot, Souvenir of Salerno (Souvenir de Salerne), 1871 Souvenir of Salerno (Souvenir de Salerne)

Winter, after a drawing completed in Saint-Chamond 1795 Jean Jacques de Boissieu French. Winter, after a drawing completed in Saint-Chamond. Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). 1795. Etching; fourth state of four. Prints

St Jerome Beside a Pollard Willow, Rembrandt van Rijn, 1648 print paper etching / drypoint the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Landscape. Dimensions: overall: 5 x 11.3 cm (1 15/16 x 4 7/16 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Franz Innocenz Josef Kobell.

The Hague, Hartogensis, Joseph, Landscape at Wolfheze, verso middle - stamped, print, prints, height 130 mm, width 178 mm, Dutch, 1822-05-07 - 1865-07-16, print maker, printmaker, 1856 - 1856, paper, papier, etching, etchings

Corot, Camille, Souvenir d'Italie, Italian landscape with trees and church, verso bottom center - stamped, print, engraving, prints, engravings, height 322 mm, width 242 mm, French, 1796-07-16 - 1875-02-22, print maker, printmaker, 1865 - 1866, third quarter 19th century, paper, etching, etchings, Work conception, after own design by

Capt. Thomas Hastings, 1778-1854, British, O'Donoghue's Prison, 4 September 1841, 1841. Graphite and pen and brown ink on medium, slightly textured, cream wove paper.

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