Sculptural Details from Cathedrals

Photographs of exquisite sculptures and details from church facades, showcasing religious figures and the artistry of historical architecture.

Umbria Terni Collestatte Parish Church4. Hutzel, Max 1960-1990 Exterior views of Baroque church and tower. Interior views of nave and altar. Sculpture includes statues of S. Sebastian and possibly S. Joseph, and a baptismal font. Paintings include scenes of the Presentation at the Temple and a Madonna and Child with 3 saints. Object Notes: Hutzel photo campaign is undated. This church is not documented in TCI, but only in Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Detail of the tympano of the Gnadenpforte in the Dom van Bamberg, Anonymous, 1900 - c. 1920 photograph This photo is part of an album. Bamberg baryta paper gelatin silver print church (exterior) Bamberg stupid

Charles Nègre, Saint John the Evangelist, Chartres Cathedral, c 1854 Saint John the Evangelist, Chartres Cathedral

Image of Friedrich II von Truhendingen in the Dom van Bamberg, Anonymous, 1900 - c. 1920 photograph This photo is part of an album. Bamberg baryta paper gelatin silver print interior of church Bamberg stupid

Sculptures of two saints and an angel, Left Portal of Amiens Cathedral. On the left the Holy Ulfia, in the middle an angel, right one of the martyrs acius or Achillus with his own head in his hands. Left Wang of the Portal of the Sacred Firminus of Amiens Cathedral.

Umbria Terni Collestatte Parish Church4. Hutzel, Max 1960-1990 Exterior views of Baroque church and tower. Interior views of nave and altar. Sculpture includes statues of S. Sebastian and possibly S. Joseph, and a baptismal font. Paintings include scenes of the Presentation at the Temple and a Madonna and Child with 3 saints. Object Notes: Hutzel photo campaign is undated. This church is not documented in TCI, but only in Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Interior of the Domkerk in Utrecht: the grave monument of Admiraal W.J. Baron van Gent.

Napoli Chiesa de S. Domenico Maggiore Tomba di Brancaccio Bartolomeo. Giorgio Sommer, photographer (Italian, born Germany, 1834 - 1914) 1870-1890 Simple stone tomb memorial, with the deceased lying sideways so that he is fully visible from the front. Below him are reliefs of seven men. At the bottom are four winged angels. (Verso) upper left, in pencil: "R.I." sketch upper center, in pencil: "+1341"

Abruzzo L'Aquila Celano S. Giovanni Battista3. Hutzel, Max 1960-1990 Romanesque church begun in the 14th century. Exterior is covered in the local reddish stone. Exterior views of portal, rose window and sculptural details. Photos of the interior include general views in the Medieval core collection and details of frescoes in the Hutzel collection. There are frescoes in the vaults and on the arches. Scenes include evangelists and saints. There is also a painted Last Judgment. Objects of interest include a wooden ciborium and confessional stalls. There is also wooden statuary over the high altar from the 17th cent. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic,

Tuscany Grosseto Santa Fiora SS. Fiora e Lucilla, Parish church1. Hutzel, Max 1960-1990 Exterior views show a simple stone facade with a renaissance portal and a Romanesque rose window. Most views focus on the interior decoration by Andrea and Giovanni della Robbia: the dossal in the first altar to the right depicts the penitent St. Jerome, the Coronation of the Virgin, and the Stigmatization of St. Francis; the pulpit depicts the Last Supper, the Resurrection, and the Ascension. Other della Robbia terracottas show the Assumption of the Virgin among angels and the Baptism of Christ. Coverage includes the very Mannerist main altarpiece, an icon of the Virgin and Child (engaged in close eye contact) set in an aedicule, a polychrome statue of St. Anthony Abbot, several crucifixes and a baptismal font. General Notes: SS. Fiora and Lucilla is also called the Pieve (Parish Church). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until hi

Image of Albrecht von Wertheim in the Dom van Bamberg, Anonymous, 1900 - c. 1920 photograph This photo is part of an album. Bamberg baryta paper gelatin silver print interior of church Bamberg stupid

The Tombstone of King Michał Korybut Wiśniowiecki and Eleonora in the Cracow Cathedral in Wawel Ignacy Krieger's photo factory

Unknown photographer, St. Blasius from the St. Jakobskirche in Rothenburg/Tauber (without date): View of the statue of St. Blasius from the area of Tillmann Riemenschneider. Photo on paper, 37.8 x 32.4 cm (including scan edges) N.N. : Hl. Blasius aus der St. Jakobskirche, Rothenburg/Tauber

Vilnius. Church In. Micha Zdanowscy, Edmund and Boles; 1930s (1930-00-00-1939-00-00);

, Baumgartner cemetery - Christ figure, August Stauda -, photographer

Risen Christ

Marches Macerata Visso S. Maria, Collegiate Church5. Hutzel, Max 1960-1990 Detailed views of the 14th century exterior architecture of the church, including portals, and details of columns and capitals. There are general interior views, with detailed photos showing the paintings, both on the screen behind the main altar and behind side altars. There are also many photos of painting fragments from the late Medieval and early Renaissance periods. Sculptural photos include a wooden crucifix and basins or altars (perhaps antique) with human face motifs. Object Notes: Hutzel photo campaign date: June 30, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissan

Abruzzo L'Aquila Trasacco SS. Rufino e Cesidio9. Hutzel, Max 1960-1990 The original monument was destroyed in 936, rebuilt, modified throughout the 16th century (with an addition to the nave in 1618), and restored in 1969. Exterior views include the bell tower and general building facades. Most views focus on the architectural sculpture of the Portale delle Donne and the Portale degli Uomini. Interior views in the Medieval core collection focus on a statue of St. Catherine in an aedicule (15th century); an ambo lecturn (pluteus) decorated with the four symbols of the Evangelists (c. 1267); a statue of the Virgin and Child under a sculpted baldachin on the entrance wall of the oratory (14th century) and the main altar composed of sarcophagus fragments of lions and peacocks in low-relief (8th-10th centuries). A baptismal font and possibly bas-reliefs (immured spolia) in the Oratory. Interior views in the Hutzel collection include: the altar statue of S. Cesidio, frescoes of the Annunciat

Relief sculpture of St. George slaying a dragon - St. George's Syrian Catholic Church / Photograph by Anthony Angel. - digital file from original photograph | Library of Congress

Detalles de San Juan de los Reyes, Toledo; Casiano Alguacil (Spanish, 1832 - 1914); Toledo, Spain; 1875; Albumen silver print

Italian wood carving of Death of St. Joseph, Franciscan Monastery, Washington, D. C. , Religious facilities, Tichnor Brothers Collection, postcards of the United States

Abruzzo Teramo Teramo S. Berardo, Cathedral9. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Vienna, Austria , 1913 - Balkans - Jean Brunhes and Auguste Léon - (April 23 - June 9) (French - Vienne , Autriche). Church, Christianity, stele, sculpture, bas-relief, statuary inscription, Renaissance, Religion , Art , Inscription , information, Austria Hungary, Vienne, St Stefanskirche: Monument with Calvary S, The side of the Church outside

Rome. Basilica Piotr-Antonio Canova (1757-1822), the tombstone of Pope And Klemens XIII, 1787-1792; around 1860-around 1895 (1860-00-00-1900-00-00);

Construction clip in the western courtyard. Construction fragment of ediculum with blind niche; on either side the personifications of faith and hope; In the middle love. On top of the personification of mercy in the western courtyard placed for the openings to the underneath ride (room 209, old number).

st, Augustinerstrasse - Augustinian church - tomb of Archduchess Marie Christine, Michael Frankenstein , Comp, Photo Studio

Abruzzo L'Aquila Tornimparte S. Panfilo, Parish church0. Hutzel, Max 1960-1990 Exterior views of the restored church: grey piers, bell tower, romanesque portal and damaged frescoes on the porch (14th-15th centuries). Views of the Renaissance-baroque interior: organ-loft (17th century), ceiling frescoes, apse frescoes, altar frescoes, altarpieces, and statues. Fresco and painting subjects include: St. Cecilia, St. Francis with Brother Leo, Paradise, Christ Arrested, the Flagellation, the Deposition, the Resurrection, the Annunciation, Madonna and Child, and God the Father surrounded by music-making angels (in the apse). Two views of the side portal are found in the Medieval core collection. Roman gravestone in the front yard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the

st, Augustinerstraße - Augustinian church - inside - tomb of Archduchess Marie Christine Christinengrabdenkmal, Michael Frankenstein , Comp, Photo Studio

Interior of Freiberger Dom, Graves in Saxony, 1911, Landkreis Mittelsachsen, Freiberg, Fürstengruft im Dom, Germany

Umbria Perugia Spello S. Maria della Rotonda0. Hutzel, Max 1960-1990 Located on the outskirts of Spello, this church stands in a state of semi-dilapidation among tall grasses and cypress trees. It was built on a Greek cross plan with an octagonal cupola and attached cloisters. The Renaissance portal (1517) remains shut as the key is now lost. Interior views focus on the octagonal cupola, the three altarpieces, and their frescoes which are all in urgent need of repair. The large main altarpiece acts as a choir screen, and separates one arm of the church from the rest of the interior. Subjects of the altar frescoes (by Mezzastris) include the Madonna Lactans, the Madonna and Child between Pope Gregory and St. Michael, the Virgin and St. Anne, the Annunciation, the Coronation of the Virgin, and Saints Peter and Michael. Object Notes: Hutzel photo campaign date: September 1983. General Notes: This church is more commonly known as the Chiesa Tonda. German-born photographer and scholar Max H

Wooden statue of Christoffel van Lycia in the Dom van Bamberg, Anonymous, 1900 - c. 1920 photograph This photo is part of an album. Bamberg baryta paper gelatin silver print interior of church Bamberg stupid

Maria Gail: Pfarrkirche, wing altar. .

Abruzzo L'Aquila Tornimparte S. Panfilo, Parish church5. Hutzel, Max 1960-1990 Exterior views of the restored church: grey piers, bell tower, romanesque portal and damaged frescoes on the porch (14th-15th centuries). Views of the Renaissance-baroque interior: organ-loft (17th century), ceiling frescoes, apse frescoes, altar frescoes, altarpieces, and statues. Fresco and painting subjects include: St. Cecilia, St. Francis with Brother Leo, Paradise, Christ Arrested, the Flagellation, the Deposition, the Resurrection, the Annunciation, Madonna and Child, and God the Father surrounded by music-making angels (in the apse). Two views of the side portal are found in the Medieval core collection. Roman gravestone in the front yard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the

Tiel, anonymous (Monumentenzorg), Grave monument of Steven van Welderen in the Grote of Sint-Maartenskerk in Tiel, verso - handwritten, photograph, photo, photos, topography, recto - handwritten, Tiel, Majestic grave of the Brigadier, Steven van Welderen, in the Grote of St. Maartenskerk, March 1893, height 241 mm, width 165 mm, photographer, 1893 - 1893, photographic paper, photo paper, cardboard, albumen print, albumine print

Umbria Perugia Campi Vecchio S. Salvatore4. Hutzel, Max 1960-1990 Present church built in 14th cent. over the ruins of a Roman temple. The remains of the temple were removed to the National Museum in Perugia. Present church restored in 1970s. Interior views include iconostasis with saints, frescoes including scenes of the Adoration, the Last Supper and the Lamentation. Frescoes of the 4 Evangelists are in the vault. Also paintings of prophets, including David, Isaiah and Daniel. Saints include S. Sebastian. A large wooden cross, possibly dating from the 14th cent., was placed over the altar. Object Notes: Hutzel photo campaign date: July 10, 1982 General Notes: No prints for exterior views. Missing prints may be in Medieval core collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in

Detail of the AdamSpForte in the Dom van Bamberg, Anonymous, 1900 - c. 1920 photograph This photo is part of an album. Bamberg baryta paper gelatin silver print church (exterior) Bamberg stupid

Sculptures from Maria with child and two kneeling angels, c. 1875 - c. 1900 photograph Europe cardboard. photographic support albumen print piece of sculpture, reproduction of a piece of sculpture. Madonna: i.e. Mary with the Christ-child. angels Europe

Image of Jesus Christ on the cross and two other bronze statues, Anonymous, 1875 - 1930 photomechanical print Florence paper collotype sculpture. crucified Christ, with particular persons under the cross Florence

Tuscany Grosseto Grosseto Museo Diocesano di Arte Sacra27. Hutzel, Max 1960-1990 Post-medieval collection of paintings, sacred objects and manuscripts from the Duomo and other city churches. There are a significant number of late Medieval Madonnas & Child paintings as well as High Renaissance paintings from the Bolognese school. The objects include a processional cross, and two reliqueries. Additionally there are some photos of manuscript pages of hymnals with objects they are displayed with. Object Notes: Hutzel notes are undated. The objects in the Musea Diocesano are included in his notes for the Duomo. We have kept Hutzel's numbering for the objects. There are also two prints for almost all the negatives, and the details were so similar (even if one photo is cropped more closely) that we have treated them as though there were two prints for each negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The resu

Maria with child and saints by Andrea della Robbia, Anonymous, 1850 - 1900 photograph Florence cardboard. photographic support albumen print sculpture. Mary sitting or enthroned, the Christ-child standing on her knee (Christ-child to Mary's left) Florence

Campania Salerno Teggiano S. Maria Maggiore, Cathedral0. Hutzel, Max 1960-1990 This church was rebuilt after an earthquake in 1857, but kept elements of its 1274 construction and later additions; the two portals date to 1279 and 1509. Interior views focus on architectural sculpture and sculpture: a polychrome crucifix, a marble ambo with symbols of the Evangelists (1721); a holy water font (14th century); wooden states of angels; choirstalls (15th century); tomb monuments of Enrico Sanseverino (1336), the Malavolti (1479) and Eustachio de Eustachiis (1472); tomb slabs; capitals; a white barrel-vaulted ceiling with frescoes and stucco decoration. Negatives show another tomb, perhaps that of the Schifani. Also, a view of a 16th-century altarpiece and a painting in the sacristy of St. Michael or St. George and the Dragon. Antiquities: Immured spolia and the base of the holy water font. Object Notes: Hutzel photo campaign date: 12/29/82 General Notes: Some altar paintings and choirstalls t

st, Augustinerstrasse - tomb dauns in the Augustinian church, Bruno Reiffenstein -, photographer

Photo production of a painting by L. Memmi, representing Mary with child between saints, c. 1875 - c. 1900 photograph City Hall of San Gimignano cardboard. photographic support albumen print Madonna: Mary sitting or enthroned, the Christ-child in her lap (or in front of her bosom) (Mary sometimes represented half-length). saints City Hall of San Gimignano

Lviv (Lviv, Ukraine). Sculpture of Our Lady of the Immaculate Conception (1664) in the niche of the gate in the fence of the Armenian cathedral; Jaworski, Józef Kościesza- (Fl. Ca 1911-Ca 1929); 1912 (negative); 1912-OK. 1922 (print) (1912-00-00-1927-00-00);

Photograph of the altar in the death room of Emperor Franz II/I at the Vienna Hofburg, captured by Heinrich Kessler on silver gelatin paper.

St. Mark's Chapel - Above the Treasury Door. Carlo Naya (Italian, 1816 - 1882)

Copper engraving by Jean Lenfant (1657-1660) depicting a statue of Christ as Savior of the World. The print emphasizes figure, gesture, garments, and sculptural detail in mid-17th-century Dutch engraving style.

The Angel of the Martyrs. From the portfolio: The Work of E. Burne-Jones., 1878-1898, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

Grag of Georg von Bamberg in the Dom van Bamberg, Anonymous, 1900 - c. 1920 photograph This photo is part of an album. Bamberg baryta paper gelatin silver print interior of church Bamberg stupid

Abruzzo, Pescara, Loreto Aprutino, S. Maria in Piano, Italy, 20th century, photo, photography, Europe

Monumento funerario del Cardenal Ascanio Sforza en la Basílica de Santa María del Popolo en Roma. Author: Andrea Sansovino.

Sculpture of Mary with child, photomechanical print, page, photos, photographically illustrated books, height 180 mm, width 97 mm, maker, manufacturer, 1878 - 1883, paper, heliogravure

ALBUM. EXPIATORY TEMPLE OF THE SAGRADA FAMÍLIA. Edited by the Spiritual Association of Devotees of San José. Barcelona (1920s). The door of Faith in the Nativity facade..

Detail of the tympano of the Gnadenpforte in the Dom van Bamberg, Anonymous, 1900 - c. 1920 photograph This photo is part of an album. Bamberg baryta paper gelatin silver print church (exterior) Bamberg stupid

Egyptian images of ISIS, Osiris and Hathor, 1870 - 1900 photograph This photo is part of an album. paper albumen print piece of sculpture, reproduction of a piece of sculpture. Isis. Osiris, god of the underworld

Images of the monument for Aartshertogin Marie Christina from Austria in the Augustijnenkerk in Vienna. Part of travel album with pictures of sights in Germany and Austria and of artworks.

st, Augustinerstrasse - Augustinian church - tomb of Archduchess Marie Christine, Michael Frankenstein , Comp, Photo Studio

Confucius, Canton; Felice Beato (English, born Italy, 1832 - 1909), Henry Hering (British, 1814 - 1893); China; negative April 1860; print 1862; Albumen silver print

Lazio Viterbo Montefiascone S. Flaviano7. Hutzel, Max 1960-1990 Exterior views of the 13th century romanesque church built on top of an older structure: the three gothic arches of the facade are surmounted by a loggia (c. 1500), and a small bell-tower on the left. General views of the two-story interior show the three naves, main altar, frescoes and an architectural structure--vaulting and columns--that date from different periods. Included in the Medieval core collection are details of capitals (11th century), the tombstone of Giovanni Fugger (Defuk or Johannes De Fuk), and 14th century frescoes. All prints in the Hutzel collection are details of frescoes (14th and 15th centuries), including: the Saint Nicholas cycle; various Crucifixions; the Madonna Enthroned; the Annunciation; the Nativity; Pope Urbanus IV; Saints Catherine of Alexandria, Scholastica, Paul, Peter, Bernard, Lucy, Flaviano and others; and the archangel Michael. Antiquities: In the Medieval core collection are views o

Baptismal font in the church of Santa Margherita in Bisceglie.

Celebrating Chinese New YearCalifornia. Celebrating Chinese New Year

L 'Eglise St. Pierre et paul. Intérieur Vilnius. Church In. Piotr and Paw Grassland; Photography in the album "Vilnius", volume 2; Bu Hak, Jan (1876-1950); 1912 (1912-00-00-1913-00-00);

Warsaw. Church In. Cross; Bu Hak, Jan (1876-1950); 1920 (1920-00-00-1920-00-00);Bułhak, Jan (1876-1950), Warsaw (Masovian Voivodeship), church of St. Krzyża (Warsaw), sculpture (artist)

Images from Shiva as Nataraja and Parvati () In the minakshit temple. .

Unknown photographer, Temple of Kom Ombo (without Dat.): Säul section with God (earth god). Photo on cardboard, 31.9 x 24 cm (including scan edges) unbek. Fotograf : Tempel von Kom Ombo

Wooden sculpture of angels and Maria with child by presumably Charles Geerts, exhibited on the Great Exhibition of the Works of Industry of All Nations of 1851 in London; Carvings in Oak. Geerts.

SkiopT icon image, possibly from Jakobskirche.The image has been stored in cardboard labeled: Rothenburg II. 1901.

Carved column, Chowter Palace, Mudbidri, India

Pillar in Virupaksha, Padadkul

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime5. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Stephansdom, west side, tomb Enders Wolf von Ober-Volckbach,

Umbria Perugia Todi S. Fortunato2. Hutzel, Max 1960-1990 Exterior views of this church focus on the facade portals (1430-1436). Flanking the center portal are aediculae with statues of the Archangel Gabriel and the Virgin of the Annunciation. The portal sculpture is comprised of elaborately carved colonettes; the subjects include nude men in foliage, prophets, saints, martyrs, patriarchs, inhabited vinescroll, grapevines, fig leaves, Abraham and Isaac, and a scene of the stigmatization of St. Francis.. Views of this 13th-15th century gothic interior include details of vaulted ceilings, sacristy portals, the polygonal apse, a crucifix in olive wood, choirstalls, the marble high altar with bishops painted in the trefoil arches, choirstalls, a holy water basin, fresco fragments of the Giotto school, a painting of the Coronation of the Virgin over Todi by Polinori, and various altar paintings. In the crypt are sepulchral monuments of Jacopone da Todi and the family Tudertini, a tomb reliqu

Abruzzo, L'Aquila, Bominaco, S. Pellegrino, Oratory, Italy, 20th century, photo, photography, Europe

Umbria Terni Terni S. Maria Assunta, Duomo6. Hutzel, Max 1960-1990 Exterior views: baroque facade, bell tower, portico, blind gothic portal with a vinescroll archivolt, and preserved main portal with an inhabited vinescroll architrave. Interior views: main altar marble ciborium and altar painting of the Assumption of the Virgin; half-dome fresco of the Trinity; mixed media altarpiece formed by a wooden crucifix hung on top of a painting of the crucifixion with saints Mary and Mary Magdalen; fresco fragments of Saint Anthony Abbot; organ by Bernini, and various paintings. Sacristy: ornate interior with ceiling paintings by Pietro da Cortona; museum with architectural fragments and a tomb effigy; reliquary of St. Valentine in the shape of an arm and hand; gold processional cross; terracotta statue of the Madonna and Child and a stone statue of the Pieta.. Crypt: 10th and 11th-century capitals; Roman and medieval sculptural fragments; and the tomb of St. Anastasia. Also included with the

Abruzzo, L'Aquila, Tornimparte, S. Panfilo, Parish church, Italy, 20th century, photo, photography, Europe

Umbria Perugia Campi Vecchio S. Salvatore1. Hutzel, Max 1960-1990 Present church built in 14th cent. over the ruins of a Roman temple. The remains of the temple were removed to the National Museum in Perugia. Present church restored in 1970s. Interior views include iconostasis with saints, frescoes including scenes of the Adoration, the Last Supper and the Lamentation. Frescoes of the 4 Evangelists are in the vault. Also paintings of prophets, including David, Isaiah and Daniel. Saints include S. Sebastian. A large wooden cross, possibly dating from the 14th cent., was placed over the altar. Object Notes: Hutzel photo campaign date: July 10, 1982 General Notes: No prints for exterior views. Missing prints may be in Medieval core collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in

Lazio Viterbo Ronciglione Ss. Pietro e Caterina. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi (1671-1695), and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of the Assumption by Francesco Trevisani. Also in the transept is the altar of the Madonna of the Rosary, by Giuseppe Ghezzi. Above the main altar is a painting of the Madonna and Child with saints, a work of the school of Giulio Romano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is th

Photograph by Carl Haack depicting the middle group of the grave monument of Archduchess Marie Christine in the Augustinian Church in Vienna, printed on albumin paper in 1877 or earlier.

Cawnpore; The Memorial Well, from the Inside; Samuel Bourne (English, 1834 - 1912); Cawnpore, India, Asia; 1865 - 1866; Albumen silver print

Chasuble early 15th century Spanish. Chasuble. Spanish. early 15th century. Silk & metal thread. Textiles-Costumes-Ecclesiastical

Umbria Perugia Trevi Chiesa della Madonna delle Lacrime9. Hutzel, Max 1960-1990 Views of the plain exterior focus on the sculpted portal. The spacious, white-walled interior is filled with various altarpieces and tomb monuments of the Valenti family (Romolo, Filiberto, Cardinal Erminio). The following subjects and saints figure in the altarpieces: S. Ubaldo, Ss. Battista and Antonio di Padova, S. Agostino, St. Francis, St. Joseph, St. Peter, St. Paul, Jonah, David, sibyls, prophets, the Annunciation, the Nativity, the Betrothal of the Virgin, the Flight into Egypt, the Visitation, a Madonna and Child that shed tears of blood in 1485 (now adorned with necklaces), the Deposition, the Resurrection, and various other saints and angels. Other views include a holy water font, walnut-wood benches, a marble crucifix and a Coiugali tomb. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to

Stift figures in the cathedralNaumburg. Stift figures in the cathedral

Le Puy-en-Velay, France The statue of Notre-Dame de France, at the top of the Rocher Corneille , 1916 - French provinces - Jean Brunhes, Auguste Léon and Georges Chevalier - (April -July) (French - Le Puy-en-Velay , France La Statue de Notre-Dame de France , au sommet du rocher Corneille). Statue, Christianity, sculpture, statuary registration, coat of arms , coat of arms, Religion , Art , Inscription , information, France, Le Puy, Notre Dame de France, Rocher Corneille

st, Augustinerstrasse - Augustinian church - tomb of Archduchess Marie Christine, Michael Frankenstein , Comp, Photo Studio

Interior of the St. Catharinakerk (Lange Nieuwstraat 36) in Utrecht: Image of St. Catharina on the right pillar before the choir.

Interior del Altar de la Patria en. San Pedro Alejandrino, San Marta, Col. - Interior of shrine of the Fatherland, monument to the liberator, Manor House at San Pedro Alejandrino , Altars, Monuments & memorials, Santa Marta Colombia. Quinta de San Pedro Alejandrino, Bolívar, Simón, 1783-1830, Tichnor Brothers Collection, postcards of the United States

Image of one of the two king's sons in the temple Mendoet south of Magelang, Dutch East Indies; 74 MEN ™. Image of one of the two king's sons in the temple Mendoet south of Magelang, Dutch East Indies

Campania Caserta Capua Museo Campano191. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek a

Interior of Freiberger Dom, Graves in Saxony, Texts, 1911, Landkreis Mittelsachsen, Freiberg, Fürstengruft im Dom, Germany

Vilnius. Cathedral, photo photography of Franciszek Smuglewicz "S. Jacobus Major"; Zdanowscy, Edmund and Bolesław; Before 1939 (1930-00-00-1939-00-00);

Statue of the Virgin, Notre Dame de Paris, 1853. Auguste Mestral (French, 1812-1884). Salted paper print from paper negative; image: 35.2 x 25.8 cm (13 7/8 x 10 3/16 in.); matted: 61 x 50.8 cm (24 x 20 in.).

Umbria Terni Collestatte Parish Church. Hutzel, Max 1960-1990 Exterior views of Baroque church and tower. Interior views of nave and altar. Sculpture includes statues of S. Sebastian and possibly S. Joseph, and a baptismal font. Paintings include scenes of the Presentation at the Temple and a Madonna and Child with 3 saints. Object Notes: Hutzel photo campaign is undated. This church is not documented in TCI, but only in Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Romanesque baptismal font in the Dom van Bremen, Louis Koch, 1880 - 1900 photograph. cabinet photograph Bremen cardboard. photographic support albumen print Holy Water font Dom Van Bremen

Christ and Disciples. After Raphael.. New York Stereoscopic Company

Barbara Uthmann, Cemeteries in Saxony, 1911, Erzgebirgskreis, Annaberg, Grabdenkmal der Babara Uttmann, Germany

Campania Caserta Capua Museo Campano47. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

SEPULCRO DEL OBISPO PONCE DE LEON - SIGLO XVI. Author: FRANCISCO GIRALTE (1500-1576). Location: CATEDRAL NUEVA. Plasencia. CACERES. SPAIN. PONCE DE LEON PEDRO OBISPO SIGLO XVI.

, Stock-in-Eisen-Platz-stick in the iron, postcard, Austrian light printing institution, producer

'In the Kitchener Memorial Chapel of St. Paul's Cathedral', c1935. Creator: Unknown.

Set of religious paintings of Christ's passion, by Kosheleff, in Russian hospice, Christ led to the Praetorium 1900, Jerusalem, Israel

Cathédrale de Chartres. Grands Figures du Porche Royal.

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