Sculptures and Portrait Masks

A collection of sculptures and masks from various periods, featuring terracotta and plaster works that capture human likeness and expressions.

Pre-Islamic face from a funerary stele, 3rd-2nd cent. BC. Saudi Arabia.

Pre-Islamic face from a funerary stele, 3rd-2nd cent. BC. Saudi Arabia.

Manolo Hugué / "Head of camo", 1913, Sculpture.

Jean-Pierre Dantan (1800-1869), said Dantan the young. Mask of the statesman and historian, François-Pierre-Guillaume Guizot (1784-1874). Terracotta and plaster. Paris, Carnavalet museum. Historian, Male State, Mask, Platre, Terracotta

Jean-Pierre Dantan (1800-1869), said Dantan the young. Serious portrait of Madame E. Elisa Fay, married Genot (1806-1859). Terracotta patinated plaster. 1835. Paris, Carnavalet museum. Wife, pattero patina, serious portrait, terracotta

Female head wearing bonnet, clay votive statue ifrom Carseldine, Abruzzo, Italy. Italic Civilization, 4th-3rd Century BC.

Enric Monjo i Garriga / Cabeza de niño, siglo XX. Museu Enric Monjo, Vilassar de Mar.

Marble head of young male figure with a hairband. AD 1-25. A Roman copy of a work in the Severe Style of the years around 460 BC which most probably represents a deity, perhaps Apollo, or a hero.

Head of a Princess 1350 BC-Amarna Period Egyptian Art Staatlich Museum, Berlin, Germany

Jean-Pierre Dantan (1800-1869), said Dantan the young. Bust of the singer Julie-Aimée van Steenkiste (1805-1896), known as Dorus-Gras. White plaster. 1836. Paris, Carnavalet museum. Bust, French singer, patterned patina, woman portrait, terracotta

Female terracotta head Female terracotta head, Archaeological Museum of Ibiza and Formentera, Spain Copyright: xZoonar.com/Tolox 23005454

Plaster bust titled 'Tete Nymph' by Alfred Janniot (1889-1969) French sculptor. Dated 1927

DELOYE GUSTAVE (1848-1899). "Bust of Ms. Vigée Le Brun (1755-1642)". Plaster. Museum of Fine Arts of the City of Paris, Petit Palais. 79437-21 Bust, painter, French painter, plaster, portrait painter, portrait, front view, 19th 19th 19th 19th 19th 19th century

Colossal marble head of Apollo. The nose, chin, mouth, forehead and sections of the hair have undergone numerous restorations since the 1600s. Head: Hellenistic, 100 BC-AD 100. Altar: AD 100-200.

Bronze mask of the Roman goddess Juno Lucina. Artist: Unknown

Anonymous, crying (main title). Terracotta. Petit Palais, Museum of Fine Arts of the City of Paris.

Marble portrait of a young woman ca. A.D. 98-117 Roman Said to be from GreeceThis portrait of an attractive young woman has a simplified version of the hairstyle popular during the reign of the emperor Trajan. The rough finish at the back of theneck indicates that the head was meant to be set into a draped statue.. Marble portrait of a young woman. Roman. ca. A.D. 98-117. Marble. Trajanic. Stone Sculpture

William Pitt, Joseph Nollekens, 1737-1823, British, 1807, Marble, Overall: 28 1/2 x 18 x 10 inches (72.4 x 45.7 x 25.4 cm), man, politician, politics, portrait, prime minister

Bust from the Adams Memorial Modeled 1892-1893 United States. This bust comes from the upper portion of Augustus Saint-Gaudensís 1886ñ91 full-figure tomb monument for Marian Hooper Adams, the wife of historian and philosopher Henry Adams, in Washingtonís Rock Creek Cemetery. Because Marianís death was a suicide and the couple was fascinated by Asian cultures, Henry asked Saint-Gaudens to avoid Christian symbolism and instead evoke the ìcontemplative compassion derived from Buddhist philosophy.î When Chicago architect Daniel Burnham visited Saint-Gaudens in 1892, he saw a plaster cast of the figureís head and was enthralled by its mysterious yet meditative quality. In 1893, perhaps in celebration of Chicagoís Worldís Columbian Exposition, Saint-Gaudens gave the bust to Burnham, who later had four bronzes cast from it.. Bronze . Augustus Saint-Gaudens

Roman bust of a woman, 1st century. Artist: Unknown

Photograph of the Venus of Brassempouy (la Dame de Brassempouy), a fragmentary ivory figurine from the Upper Palaeolithic. It was discovered in a cave at Brassempouy, France in 1892. About 25,000 years old, it is one of the earliest known representations of a human face. Dated 27,000 BC.

Jean-Pierre Dantan (dit Dantan young). Serious portrait of Jacques Mathieu, Banker. Terracotta patinated plaster. 1862. Paris, Carnavalet museum. 53357-17 Banker, french, patterned patina, serious portrait, terracotta

Jean-Pierre Dantan (dit Dantan young). Serious portrait of Elisabeth-Rahel-Félix, known as Rachel (1820-1858), actress. Plaster. 1839. Paris, Carnavalet museum. 53356-11 Actress, french, plaster, serious portrait, trageide

Campania Caserta Capua Museo Campano48. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Lazio Roma Grottaferrata Museo79. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

BUSTO DE ARCILLA PROCEDENTE PUNTA DE NAO (CADIZ) - S VII AC - ESCULTURA FENICIA DE UN HOMBRE AFRICANO. Location: MUSEO DE CADIZ-ARQUEOLOGIA. Cadiz. SPAIN.

Salvador Martorell / Autorretrato, 1917, Piedra cenia, 27 x 19,5 x 20 cm., Museu d'Art Modern de Tarragona.

ROSTRO DE FIGURA HUMANA. Author: Henry Moore. Location: PALACIO DE VELAZQUEZ. MADRID. SPAIN.

Lady of Elche Lady of Elche, Iberian sculpture, limestone between 5th and 4th centuries BC, Alejandro Ramos Folqués Archaeological and History Museum of Elche, Elche, Alicante, Spain Copyright: xZoonar.com/Tolox 23019453

Fragment console with angel head, console building element sculpture footage sandstone stone, sculpted Console with head on the sides wings.

Jean-Pierre Dantan (1800-1869), said Dantan the young. Serious portrait of actress Pauline Virginie Dejazet (1797-1875). Terracotta patinated plaster. 1836. Paris, Carnavalet museum. Actress, bust, French, pattero patina, serious portrait, terracotta

Juli González / 'Head of Montserrat Shouting', c. 1942, Bronze. Museum: Museu Nacional d'Art de Catalunya, Barcelona.

Portrait of Eleonora of Aragon is a marble sculpture. Palermo Portrait of Eleonora of Aragon is a marble sculpture. Palermo, Sicily. Italy Copyright: xZoonar.com/Pascopixx 22034585

The Afflicted 18th C. Franz Xaver Messerschmidt (1736-1783/German) Galerie Nationale Slovaque, Bratislava

Pharaoh's daughter 1865 by John adams-acton 1830-1910

anima del purgatorio , museo colonial, Hotel museo Casa Santo Domingo, antiguo Convento de Santo Domingo,Antigua Guatemala, departamento de Sacatepéquez, Guatemala, Central America.

Head of a Woman Wilhelm Lehmbruck German ca. 1910, cast ca. 1930

Terracotta head of a boy. Culture: Cypriot. Dimensions: H. 6 3/4 in. (17.2 cm). Date: ca. 325-300 B.C..The head, probably from a figure of "temple boy" type, is mold-made and hollow. There is a hole at the top of the head, probably for venting. The chin is chipped. He has an ovoid face, sharply ridged eyelids, fleshy lips, and short hair indicated with thin grooves. Museum: Metropolitan Museum of Art, New York, USA.

Male head 6th century B.C. or later Cypriot The mold-made, hollow head has retouched details. He has an ovoid face, a prominent chin and smiling lips.. Male head 241023

Anonymous, crying (main title). Terracotta. Petit Palais, Museum of Fine Arts of the City of Paris.

Jean-Pierre Dantan (1800-1869), said Dantan the young. Mask of the surgeon and syphilologist, Philippe Ricord (1800-1889). Terracotta and plaster. Paris, Carnavalet museum. Surgeon, mask, plaster, syphilologist, terracotta

Statue of a man. Ossuary. Clay; moulding, carving,overlays. First century AD. Environs of Koy-Krylgan-Kala. Detail. Autonomous Republic of Karakalpakstan, Uzbekistan. The State Hermitage Museum. Saint Petersburg. Russia.

female head with headdress, urban area of Huelva, V-III BC, anthropomorphic terracotta figure, post colonial era, Huelva Museum, Huelva, Andalusia, Spain.

Jean-Pierre Dantan (1800-1869), said Dantan the young. Mask by pianist Jérôme-Henri Bertini (1798-1876). Terracotta and plaster. Paris, Carnavalet museum. Composer, French, mask, pianist, plaster, terracotta

Jean-Pierre Dantan (1800-1869) said Dantan the young. Caricature of the Belgian violinist Théodore Haumann (1808-1878). Terracotta, plaster (pedestal). 1800-1869. Paris, Carnavalet museum. Bust, patina, plaster, load, terracotta, Belgian violinist, caricature

Lazio Viterbo Viterbo Museo Civico76. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Steelyard weight in the form of Athena 6th-9th century () Byzantine. Steelyard weight in the form of Athena 468946

Gilt bronze head of Sulis Minerva from a cult statue in the temple at the Roman baths. Circa 1st-4th century AD. Roman. Found in Somerset, England.

Ianthe, James Pittendrigh Macgillivray (Inverurie, Scotland, 1856 - 1938) 1897

Roman art. Head of Isis priestess. From the Oriental Necropolis of Merida, 1st century AD. National Museum of Roman Art. Merida, Badajoz province, Extremadura, Spain.

Jean-Pierre Dantan (1800-1869), known as Dantan young. Unknown mask. Plaster. Paris, Carnavalet museum. 52168-7 Man, unknown, mask, plaster

DONATELLO, Donato de Betto Bardi, called (1386-1466). Prophet Habakkuk. 1427-1436. Renaissance art. Quattrocento. Sculpture on marble. ITALY. TUSCANY. Florence. Opera del Duomo Museum.

Death mask GV Plekhanov. 1918. Georgi Valentinovich Plekhanov (1856 - 30 May 1918) was a Russian revolutionary and a Marxist theoretician

Bodhisattva or devata (fragment of a relief) 7th Century, polychrome sculpture from China

Bronze Grande Mask created by Gustave Miklos (1888-1967) Hungarian sculptor, painter, illustrator and designer involved with Cubism and subsequent developments in Art Deco. Dated 1931

Jean-Pierre Dantan (1800-1869), said Dantan the young. Composer's mask, George Onslow (1784-1853). Terracotta and plaster. Paris, Carnavalet museum. Composer, mask, plaster, terracotta

Gilt bronze head of Sulis Minerva from a cult statue in the temple at the Roman baths. Circa 1st-4th century AD. Roman. Found in Somerset, England.

Bust of a girl. On base.

Bust - Head from a Bust of George III, 1765

France,Ile-de-France,Chantilly,Chateau de Chantilly,Death Mask of Henri IV

PICASSO , PABLO RUIZ. PINTOR ESPAÑOL . MALAGA 1881 - 1973. PLATO CERAMICA CON CARA DE HOMBRE.. MUSEO PICASSO . MALAGA. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

'"Portrait of Emperor Peter I"'. Russia, 1721. Dimensions: 25,5x21x22 cm. Museum: State Hermitage, St. Petersburg.

MASCARA CON GORRO FRIGIO (SIGLO IV-III AC). Location: MUSEO DE CADIZ-ARQUEOLOGIA. Cadiz. SPAIN.

Juli González / 'Cabeza de Montserrat gritando', c. 1942, Bronce. Museu Nacional D'Art de Catalunya MNAC.

MACHADO , ANTONIO. ESCRITOR ESPAÑOL. SEVILLA 1875 - 1939. BUSTO POR PABLO SERRANO. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

Mask. No-mask for the role of Yase Otoko. Two vertical lines on the back, at the place of an 18th-century restoration, where the mask was broken and has been painted again. The eyebrows and beard are later painted again. A horizontal line on the top, possibly from a restoration.

Etruscan art. Sarcopaghus of the spouses. 6th century BC. Necropolis of Banditaccia, Cerveteri, Italy. Clay.

Portrait of Till Eulenspiegel sculpture, artist Karlheinz Goedtke, Old Town, Moelln, Schleswig-Holstein, Germany, Europe

Emile Gauguin (1874-1955), the artist's son ca. 1877-78 Paul Gauguin French This portrait of Gauguin's young son Emile was made at the outset of the artist's career, under the tutelage of his landlord, the academic sculptor Jules-Ernest Bouillot. It was the only sculpture included in the fourth Impressionist exhibition in 1879, where it was praised as "a charming little piece...which attracted the interest of the public." Gauguin's emerging talent is evident in the handling of Emile's chubby cheeks and delicate curls. However, after making this likeness Gauguin gave up working in marble for more informal, and less expensive, materials, such as clay and wood.. Emile Gauguin (1874-1955), the artist's son. Paul Gauguin (French, Paris 1848-1903 Atuona, Hiva Oa, Marquesas Islands). French. ca. 1877-78. Marble. Sculpture

Jean-Pierre Dantan (1800-1869), said Dantan the young. Composer's mask, Auguste-Mathieu Panseron (1796-1859). Terracotta and plaster. Paris, Carnavalet museum. Composer, french, mask, plaster, terracotta

Italy, Marche, Numana, Picene sculpture representing a colossal warrior head with crested helmet, stone

Silhouette of a human statue of granite stone

Jean-Pierre Dantan (1800-1869), said Dantan the young. Caricature of the composer, Casimir Gide (1804-1868). Terracotta patinated plaster. Paris, Carnavalet museum. Composer, french, patina patina, terracotta, caricature

Lazio Viterbo Viterbo Museo Civico86. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Paul Dubois (1829-1905). Woman's bust. Marble. Paris, Museum of Romantic Life. 34983-8 Bust, woman, marble

Honoré Daumier, Jean Claude Fulchiron, model c 1832 1835, cast 1929 1930 Jean-Claude Fulchiron

Fragment of a bust of Johann Wolfgang von Goethe by the Weimar sculptor Martin Gottlieb Klauer, around 1790, Germany, Europe

Unfinished brown quartzite head of Queen Nefertiti from New Kingdom

Sepulchre. Detail from the recumbent statue of Juana la Loca (Joan the Mad). 1519-1520. Granade, Royal chapel. Author: FANCELLI DOMENICO / ORDOÑEZ BARTOLOME. Location: CATEDRAL-CAPILLA REAL-INTERIOR. GRANADA. SPAIN.

Bust of a woman with a chopper; Biernacki, Jan Antoni (1879-1930); 1905 (1905-00-00-1905-00-00);

museo arqueologico y de historia de Elche Alejandro Ramos Folqués, Elche, Alicante, comunidad Valenciana, Spain, Europe.

Plaster cast of a victim, detail of the Stabian Baths, Pompeii, Campania, Italy, Europe

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Head of an Iranian Nomad 3rd-5th century Pakistan (ancient region of Gandhara). Head of an Iranian Nomad 38808

Lazio Roma Grottaferrata Museo78. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sir Winston Churchill. Jacob Epstein (1880-1959). Bronze with a green patina. Conceived in 1946. 30.5cm high.

Cherub head fragment second half 18th-mid-19th century Italian The practice of using crèche figures to restage religious events reached the height of its complexity and artistic excellence in eighteenth-century Naples, and the Metropolitan Museum of Arts group of Neapolitan crèche is one of the finest and most complete survivals of the art form. The ensemble consists of characters traditional to eighteenth-century Italian Christmas holiday customs. The Nativity, featuring the holy family, shepherds and their flocks, and a host of angels and cherubs is joined by the procession of the three Magi and colorful peasants, townspeople, and animals. The figures have articulated bodies of tow and wire with polychromed terracotta heads, and are all in partially distressed condition.These vibrant characters are further brought to life by a wide-ranging set of cloth, embroidery, leather, wicker, wax, and silver accessories. Many of these, such as the figures luxurious costumes, baskets of fruit,

Lazio Roma Frascati Episcopal Palace2. Hutzel, Max 1960-1990 Exterior views of the castle, formerly called Rocca, that is now the Episcopal Palace. Interior views of dining room and living room, along with paintings and frescoes. Antiquities: Assorted Roman and Etruscan antiquities in the courtyard, including two sarcophagi, statues, stele, an urn, busts. General Notes: There were two sets of prints made from the same set of negatives. One set is labelled Episcopio and the other Vescovado; they have now been integrated into a single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geog

Tuthmosis III. Pharaoh EGYPT.

Vierkerk "Memento Mori". "Remembering death" warns the head with four faces: toddler, skull, man and woman. The contrast of life and death reflects the idea that the beginning of life is already dying. The small-format cabinet piece is a typical symbol for the Vanitas, the transience everything earthish.

Jean-Pierre Dantan (1800-1869) said Dantan the young. Serious portrait of Alexandre-Louis-Marie-Théodore Richard (1782-1859), painter. Terracotta patinated plaster. 1835. Paris, Carnavalet museum. 53354-14 French painter, patterned patina, serious portrait, terracotta

Ceramic bust of a woman wearing a necklace by Jean Besnard (1889ñ1958) French designer.

Grinning Satyr. Dated: c. 1700. Dimensions: overall (oval): 9.1 x 6.8 cm (3 5/8 x 2 11/16 in.). Medium: ivory. Museum: National Gallery of Art, Washington DC. Author: BALTHASAR PERMOSER.

Head of a Boy, 1897-1907. Sir Thomas Brock (d. 1922)

Head of Hope, Gregory Español, 17th century, polychrome wood, altarpiece of the chapel of the relics, Santiago de Compostela Cathedral, Santiago de Compostela, province of La Coruña, Galicia,.

Bust Of A Man C.300 BC Egyptian Art(- ) Relief Staatliche Museen Preussischer Kulturbesitz, (Agyptisches Museum und Papyrussammlung), Berlin

Lazio Viterbo Viterbo Museo Civico07. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Gertrude Vanderbli Whitney, head ofspanish peasant, 1911, bronze, The Metropolitan museum of art, New York

Life Mask of Francis Bacon. Clive Barker (b.1940). Bronze with a gold brown patina. Conceived in 1969. 22cm high.

Campania Caserta Capua Museo Campano63. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Lecointe, Léon Aimé Joachim. "Portrait of Bonaparte, imperial prince (1856-1879)". Terracotta. 1865-1865. Paris, Carnavalet museum. French emperor, in bust, statesman, politician, portrait

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