Seascapes and Maritime Art

Etchings and drawings featuring maritime scenes, showcasing various types of boats and coastal views from different historical periods.

Two depictions of ships, top: three herring tubes, bottom: a sloop, Two depictions of ships, draughtsman: anonymous, draughtsman: Willem van de Velde, (rejected attribution), 1700 - 1800, paper, brush, h 199 mm × w 157 mm

Incoming fishing boat on the beach, Carel Nicolaas Storm of 's -Gravesande, 1887 - 1889 print A little finger returns from fishing in the evening. A group of people are waiting on the beach. paper etching / drypoint sea and coastal fishery. sailing-ship, sailing-boat. beach (+ landscape with figures, staffage)

Le Port de San Remo, Adolphe Appian, French, 1818 - 1898, Etching in black ink on cream-colored Japan paper, Fishing boats, some drawn up on a beach, are seen gathered together near a town. A tower stands in teh background. Four figures in the foreground., 1878, Print, Print

River landscape with figures and boats, Hendrik Spilman, 1742 - 1784 print Amsterdam paper etching river. sailing-ship, sailing-boat. ferry

Ship that Anchor, Pierre Ozanne, 1747 - 1813 print Paris paper etching sailing-ship, sailing-boat. parts of ship's exterior: anchor

Mouth of the Naka River (Nakagawa guchi no zu), from an untitled series of famous views of the Edo suburbs 1834-1845 Japan. Color woodblock print; ebangire, surimono . Utagawa Hiroshige

'The Thames Towards Erith', c1877, (1904). Artist: James Abbott McNeill Whistler.

Edelfelt, Albert, work, Sketch book, drawing, 9.5 cm x 16.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Venetian fishing boat. Artist: Félix-François-Georges-Philibert Ziem (French, Beaune 1821-1911 Paris). Dimensions: 8 x 11 1/4 in. (20.3 x 28.6 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

School sun, port of aners / sunset, port in antwerp Jongkind, Johann Barthold (1819 1891), Cadart, Alfred (Alphonse) (1828 1875), Deltre, Auguste (1822 1907)

Hurlingham 1879 United States. Etching and drypoint with foul biting in dark brown ink on ivory laid paper . James McNeill Whistler

Landscape with mills, Johan Antonie de Jonge, 1881 - 1927 Landscape with mills. Page 2 Recto from a sketchbook with 34 sheets. South Holland (Possible) paper. chalk windmill in landscape

Edward William Cooke, 1811-1880, British, Katwyk, undated. Graphite on medium, moderately textured, cream wove paper.

John Webber, 1752-1793, British, A Sailing Canoe of Otaheite, 1792. Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper.

Four seascapes. Studies of sailing ships at sea and a port face. Leaf 5 Verso from a sketchbook with 44 sheets.

French Hulk. By: Richard Parkes Bonington

The Hague, Royal Dutch Lithography of CW Mieling, Verveer, Salomon Leonardus, Business around the harbour, verso - stamped, A group of people are standing on the shore near a harbour. Sailing boats are lying on the water. On the left in the background a village with a tower and a mill., print, prints, height 349 mm, width 530 mm, Dutch, 1813-11-30 - 1876-01-05, print maker, printmaker, 1847 - 1865, paper, papier, toonlithografie, Work conception, after own design by, printer, drukker

Edward Lear, 1812-1888, British, Boats on the Nile, 1867. Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, blue wove paper.

Sailing ships and rowing boats on quiet sea, William Unger, after Simon de Vlieger, 1861 - 1889 print Vienna paper. etching sea (seascape). sailing-ship, sailing-boat. rowing-boat, canoe, etc.

Sognejagt' Painted by Hans Gude (1825- 1903). A Norwegian Romanticist painter.

Chinese sailing ships in a bay and vision water birds; Chinese yacht scenes; New inconvested sinesen with great Moeyte signed and is given in it, by P. Schenk Jun (...), third part. Landscape with a sailing ship with oars on the water. In the foreground vision water birds. Right two figures under a palm tree.

Departure of the English king Charles II during his trip over the Thames to Sheerness and Chatham on 27 August 1681. Draughtsman: Willem van de Velde (I). Dating: 17-Aug-1681 - 27-Aug-1681. Measurements: h 162 mm × w 367 mm. Museum: Rijksmuseum, Amsterdam.

Fishing boats in the Venice lagoon, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print paper drypoint haff, lagoon created by sand, shingle bank ~ coast. prospect of city, town panorama, silhouette of city Laguna Veneta

Bomschuit on the water, 1830 - 1860 Page 5 Recto from a sketchbook with 46 sheets. paper. pencil Page 5 Recto from a sketchbook with 46 sheets. paper. pencil

Ploos van Amstel, Cornelis, Saftleven, Herman, Amsterdam, Print, Winding river, verso - stamped, The bend in a river with a shipyard on the left and a mill on the other side., print, prints, height 92 mm, width 65 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1761 - 1761, paper, papier, print drawing, crayon method, through printing, etching, etchings, Dutch, 1609 - 1685-01-05, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Book of Ehon Ginsekai (The World in Silver). Artist: Kitagawa Utamaro (Japanese, ca. 1754-1806). Culture: Japan. Dimensions: 9 7/8 x 14 7/8 in. (25.1 x 37.8 cm) (including margins). Date: 1754-1806. Museum: Metropolitan Museum of Art, New York, USA.

Boats transporting rice on the Sumida River 1795-1810 Japan. Color woodblock print; nagaban, surimono . Katsushika Hokusai

Emilio Sánchez Perrier (Drafstman) / 'Two Sailing Boats in Venice ()'. 1885. Wash, Gouache / tempera, Grey ink on wove paper. Museum: Museo del Prado, Madrid, España.

Cherry-blossom Time, People Picknicking at Gotenyama, from Letter-Sheet set. Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Cherry-blossom Time, People Picknicking at Gotenyama, from Letter-Sheet set., ca. 1839-1840. Woodblock color print Asian Art ca. 1839-1840

After Winslow Homer, Gloucester Harbor, 27 Sept. 1873, wood engraving on newsprint.

A seated white sailor and a standing black sailor, people building a ship in the background, a circular composition Stefano della Bella Italian ca. 1660

Boat ; Boat. Drawings. 1800 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. China, Drawing, Chinese, Boats , China

Drawing, View of Japan; Robert Frederick Blum (American, 1857-1903); USA; graphite, pastel crayon on wove paper; 10.2 × 17.2 cm (4 in. × 6 3/4 in.)

Sailboat on open water. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 115 mm × w 177 mm. Museum: Rijksmuseum, Amsterdam.

Riviergezichten met molens.Page 53 From a sketchbook with 80 pages.

unknown artist, Two Ships and a pier. Graphite.

Rotherhithe, James McNeill Whistler (Lowell, Massechusetts, USA, 1834 - 1903) 1860

Chateau de la Mailleraie, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof

Scaffolding in Honfleur, draughtsman: Johan Barthold Jongkind, 1862, paper, brush, h 268 mm × w 468 mm

History of Spain. Sailing regattas held in the bay of Santander, in the Abra del Sardinero, on 29 July 1884. Several recreational boats took part. Drawing by A. de Caula. Engraving by Tomás Carlos Capuz (1834-1899). The Spanish and American Illustration (La Ilustración Española y Americana), 1884. Author: Antonio de Caula (1847-ca. 1904). Spanish artist. Tomás Carlos Capuz (1834-1899). Spanish engraver.

Spakenburg at Maanlicht, Hermanus van Brussel, in or after 1815 print paper etching landscapes in the temperate zone Spakenburg

. Tile tile of 30 tiles (6 x 5) with a blue-painted ship with the flags of the United East India Company, Chamber of Amsterdam: VOC A.

Faces on Zwartsluis and Hasselt, 1732 Page 25 Recto from a sketchbook with 51 sheets. Blacksluis paper. pencil. ink pen / brush Zwartsluis. Hasselt (Overijssel) Page 25 Recto from a sketchbook with 51 sheets. Blacksluis paper. pencil. ink pen / brush Zwartsluis. Hasselt (Overijssel)

Voyage a St.Cloud. Artist: Honoré Daumier, French, 1808-1879

Print, Gloucester Harbor, from Harper's Weekly, September 27, 1873, p. 844; Winslow Homer (American, 1836-1910); USA; wood engraving in black ink on newsprint paper; Frame: 39.7 x 50.2 cm (15 5/8 x 19 3/4 in.)

Sailboat with hoisted sail, Léopold Haeck, 1878 - 1910 print paper etching sailing-ship, sailing-boat

Kleineh, Oscar, work, 15 small drawings and one engraving glued on the same paper; subject: sea and coastal landscapes and sailing ships, Sailboats and rowing boats, pencil and marker engraving, drawing, LANDSCAPE; sea, sea cliffs, sailing ships; Steamships; rowing boat, 27.5 cm x 39.5 cm

Hudson (from Sketchbook) ca. 1870 Daniel Huntington American The leading portraitist in New York during the post-Civil War period--and president of the National Academy of Design from 1862 to 1870 and from 1877 to 1890--Daniel Huntington was a conservative painter, a man highly respected by his clients and colleagues throughout his long career. Although he traveled widely and frequently during the mid- and late nineteenth century, he shunned new artistic concepts and styles. As a staunch academician in technique and manner, Huntington understood that proper draftsmanship was at the core of accomplished painting. He sketched throughout the course of his life and his extant drawings number over a thousand. This page is from one of Huntingtons sketchbooks that contains forty-one drawings in graphite, some in a panorama format. The sketches are primarily of scenic locations in New York State including, Cornwall, Walton, and Mohonk subjects. Many of the drawings are dated 1871 and most are

A Boat Maneuver, plate nine from Les Canotiers Parisiens. Honoré-Victorin Daumier; French, 1808-1879. Date: 1843. Dimensions: 204 × 258 mm (image); 272 × 357 mm (sheet). Lithograph in black, with additions in pen and brown ink (faded to gray) and caption in pen and brown ink, on ivory wove paper, tipped onto ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Etching by Jean Baptiste Lienard from 1782 depicting the port of Scio, showing harbor, ships, buildings, and surrounding landscape.

An act of God prints, etchings, works on paper

David Cox, 1783-1859, British, Sea Study with Hulk, Sailing Boat and Rowing Boat, 1830s. Black chalk, watercolor and graphite on moderately thick, slightly textured, cream wove paper.

Five fish on the beach, after 1598 - 1618 print A sprat, a carp, a harder, a small cod and a seapall are washed up on the beach with some shells. In the background the sea and a harbor quay. The print is part of a series with fish as the subject. paper engraving bony fishes: cod. eels: eel. bony fishes: mullet. pier, quay, wharf. bony fishes: carp. bony fishes: sprat

Tile tableau with a seascape, tile bakery on the Delftschevaart, c. 1680 - c. 1720 Tile tableau of thirty -six tiles (6 x 6) with a blue painted seascape and two -grade in the foreground. At the bottom right, marked: C: BM. Rotterdam earthenware. tin glaze majolica Tile tableau of thirty -six tiles (6 x 6) with a blue painted seascape and two -grade in the foreground. At the bottom right, marked: C: BM. Rotterdam earthenware. tin glaze majolica

Amerigo Vespucci (1454 - 1512) Italian navigator, depicted on the deck of his ship, using navigation instrument

Edward Alfred Goodall, 1819-1908, British, The Vision of Columbus, 1834. Open etching on thick, slightly textured, beige, wove paper, with gray, chine colle.

Photography.Photography, in glass and frame.The frame of wood, betsat.Is the frigate of Chapman and Briggen swallow to Ankars at Karlskrona Redd.After oil painting of J. Hägg.mark on the carton: AF Chapman, Swallow. (Freg. AF Chapman built on the Overnight 1830, Briggen Svalan built at Motala Row 1845) Manufacturer: E oil paint Hägg J.

Fisherman returns with his catch, Fishing boat, Historical landscape in Southeast Asia, 19th century lacquer painting from Laos, Historical, digitally...

Fisher-folk and their methods of catching oysters. Engraving, c.1762, by Benard after Goussier.

Ships from the Adriatic, Venice, 1939. Joseph Edward Southall (d. 1944)

Tile tableau with seascape, Anonymous, 1680 - 1730 Tile tableau of 30 tiles (6 x 5) in a wooden frame with a blue painted seascape with two sailing ships in the foreground. At the bottom right on a barrel in the water, marked: C: MB. Rotterdam earthenware. tin glaze majolica Tile tableau of 30 tiles (6 x 5) in a wooden frame with a blue painted seascape with two sailing ships in the foreground. At the bottom right on a barrel in the water, marked: C: MB. Rotterdam earthenware. tin glaze majolica

Kleineh, Oscar, work, Heinikolla selin pääavava man, Man and boat pulled ashore, 1883, watercolor on paper, painting, 30.5 cm x 22.5 cm, Photo no. 32101.957, 15.9.1999, photographer: Mäkinen, Janne, photo type: lakadia v/k (2), keywords: 30.5x22.5,

Timmering of retaining Huys, 1596. Carpenting from preserving Huys, 1596. Copies to the original illustrations in the travelogue of the journey of Willem Barendsz and Jacob van Heemskerck in 1596-1597 and the stay on the island of Nova Zembla, No. 15.

Sailing offGloucester. Artist: Winslow Homer, American, 1836-1910

Brixham Trawlers. Mr. J. Gale; English, died 1906. Date: 1884-1894. Dimensions: 12.2 × 17.9 cm (image); 27.7 × 38.2 cm (paper). Photogravure, from "Sun Artists, Number 1" (1889). Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: Mr. J. Gale.

Alliance, blockade runner, between 1860 and 1865, drawing on cream paper pencil, 12.5 x 19.6 cm. (sheet), 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

DETAIL OF AZULEJOS PAINTED BLUE AND WHITE CERAMIC TILES MADEIRA ISLAND PORTUGAL

La Barque. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

N.N., Eisbrecher »Gardenga«: View, cuts 1: 100. Lithograph on cardboard, 29.7 x 44 cm (including scan edges)

The song of Hiawatha. Author: Henry Wadsworth Longfellow (American, Portland, Maine 1807-1882 Cambridge, Massachusetts). Dimensions: xviii, 242 pages : frontispiece (portrait), illustrations, plates ; Height: 9 7/16 in. (24 cm). Illustrator: Frederic Remington (American, Canton, New York 1861-1909 Ridgefield, Connecticut). Publisher: Houghton Mifflin Company. Date: 1891. Museum: Metropolitan Museum of Art, New York, USA.

Maison Prunier. 1939. Buttolph, Frank, 1850-1924. text. Menus. Rare Book Division

N.N., Eisbrecher »Brahe«: View, cuts 1: 100. Lithograph on cardboard, 29.1 x 42.3 cm (including scan edges) N.N. : Eisbrecher »Brahe«

Regatta at Molesey', 1874. Artist: Alfred Sisley. Alfred Sisley was a French-born British painter and founding member of Impressionism.

Bandbox. Dated: 1935/1942. Dimensions: overall: 22.8 x 28.7 cm (9 x 11 5/16 in.) Original IAD Object: 10 7/8" high; 16 7/8" wide; 22" in diameter. Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

'Regatta at Molesey', 1874. Artist: Alfred Sisley

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