Seascapes and Maritime Life

Depictions of ports, ships, and maritime activities in detailed prints, capturing the essence of nautical life during historical periods.

View of some small boats on the water, Pieter Idserts, 1708 - 1781, View of some small boats on the water; on the left a moored boat near a beacon. Design for a fan., draughtsman: Pieter Idserts, 1708 - 1781, paper, brush, h 303 mm × w 540 mm

View of the port of Brouwershaven, Mathias de Sallieth, after Gerrit Groenewegen, 1764 - 1787 print View of the port of Brouwershaven on Schouwen-Duiveland with various sailing ships. In the margin in the middle the coat of arms of the city. paper etching / engraving harbour. coat of arms (as symbol of the state, etc.) (+ city; municipal). sailing-ship, sailing-boat Brewershaven

Salt extraction in Zeeland, ca. 1600, Jan Caspar Philips, After Cornelis Pronk, after Anonymous, in or after 1770 print Salt extraction in Zeeland according to the so -called Darinkdelven, approx. 1600. Sticking the Darink from the land, drying and burning to axle, transport by barge to the salt chain, mixing with seawater and firing to white salt. To an old painting in Zierikzee. In the margin a three -faced caption in Dutch. paper etching / engraving salt. opencast mine; strip mining Zeeland

View of Sloterdijk, Near Amsterdam, Roelant Roghman, c. 1650 drawing Sloterdijk paper. ink. chalk pen / brush landscapes with waters, waterscapes, seascapes (in the temperate zone) Sloterdijk

Venice, Senate of Venice, Italy, Guardi, Francesco, Valesio, Dionigi, Laguna of Venice, verso - stamped, View of the Laguna of Venice with the Isola di San Giorgio Maggiore on the left and Giudecca on the right., print, prints, height 411 mm, width 645 mm, Italian, 1730 - 1780, print maker, printmaker, 1737 - 1766, paper, etching, etchings, 1712-10-05 - 1792-01-01, intermediary draughtsman, after a drawing by, after, after a painting by, granter of privilege

In the harbor of St Helena, Napoleon's body is carried in a coffin on a sloop to the frigate 'Belle Poule', which will bring it back to France, Napoleon's body is embarked in the port of St Helena Embarquement du corps de Napol, Victor Adam, (mentioned on object), print maker: Jean Baptiste Arnout, (mentioned on object), printer: Benard & Cie. Lemercier, (mentioned on object), Paris, 1840 - 1841, paper, h 223 mm - w 308 mm

Sea view with washed up boat, François Collignon (attributed to), after Stefano della Bella, c. 1643 print print maker: Franceafter design by: Italypublisher: Paris paper etching / engraving coast. sailing-ship, sailing-boat. rowing-boat, canoe, etc.. kitchen-fire - CC - in the open air

Gezicht op Golf van Napels vanaf kade bij kerk Santa Maria del Carmine. Suite de la vue de No. 30 (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 205 mm × w 377 mm. Museum: Rijksmuseum, Amsterdam.

View of some small boats on the water, Pieter Idserts, 1708 - 1781, View of some small boats on the water; on the left a moored boat near a beacon. Design for a fan., draughtsman: Pieter Idserts, 1708 - 1781, paper, brush, h 303 mm × w 540 mm

Orford, Suffolk, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, first published state

William Bernard Cooke, 1778-1855, British, Weymouth, Dorset, 1813. Etching and engraving. on thick, slightly textured, cream, wove paper, with Chine collé.

Later's launch of three ships in Amsterdam, 1783, Cornelis Brouwer, after Jurriaan Andriessen, 1783 print The launch of three ships on the Werf of the VOC, called De Meermin, De Batavier and Doggersbank, on July 2, 1783. Under Brein van Scheepsbouwmeester Dirk Van Haarst. In the caption De Titels in Dutch and French and an allegorical vignette print maker: Northern Netherlandsafter drawing by: Amsterdampublisher: Amsterdampublisher: Amsterdampublisher: Amsterdam paper etching / engraving launching a ship East Indian sea warehouse

Voyages Pittoresque ou, Description des royaumes de Naples et de Sicile 1781-86 Written by Jean Claude Richard, Abbé de Saint-Non French. Voyages Pittoresque ou, Description des royaumes de Naples et de Sicile 365649

De stad Schoonhooven aan de Rivier de Rhyn in Holland (title on object). Draughtsman: Jan Brandes (mentioned on object). Dating: 1787. Place: Schoonhoven. Measurements: h 230 mm × w 370 mm. Museum: Rijksmuseum, Amsterdam.

River face, William Baillie, after Jan van Goyen, 1753 - 1810 Landscape with a river near a village. Different boats on the river. In the background on the right a church building. The print is part of an album. paper etching Landscape with a river near a village. Different boats on the river. In the background on the right a church building. The print is part of an album. paper etching

River view with fishing boats, Jan van Goyen, 1652 drawing paper. chalk brush river bank. sailing-ship, sailing-boat

Rye, Sussex, Print made by Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1814 to 1826, Etching; open etching on medium, slightly textured, cream wove paper, Sheet: 10 3/4 × 13 1/8 inches (27.3 × 33.3 cm), Plate: 9 7/8 × 12 1/8 inches (25.1 × 30.8 cm), and Image: 5 3/4 × 9 1/4 inches (14.6 × 23.5 cm)

Scarborough, Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1826-1828, Mezzotint, with scraping out and touched with graphite (Engraver's Proof a)

View of Bruinisse, Pieter Hendricksz. Schut, 1719 - 1725 print paper etching prospect of village, silhouette of village Bruinisse

View from the Wadden Sea of the outline of the village of Oudeschild on Texel. In the foreground several boats and on the right a road along the waterfront, View of Oudeschild on Texel The Oude Schild on Texel , print maker: Theodorus de Roode, (mentioned on object), intermediary draughtsman: Pieter Jan van Cuyck, (mentioned on object), publisher: Mattheus Roelofswaert, (mentioned on object), print maker: Rotterdam, publisher: Delft, 1789 - 1800, paper, etching, h 280 mm × w 409 mm

Oosterschelde for Bergen op Zoom. Draughtsman: Jan de Bisschop. Dating: 1648. Measurements: h 94 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

Seymour-Haden, Francis (Sir), England, A brig at anchor, verso bottom centre - stamped, A brig (sailing ship) at anchor in the moonlight at Deptford. A small sailing ship in the foreground is sailing towards the brig. In the distance several ships on the water and houses on the bank., print, prints, height 140 mm, width 211 mm, English, 1818-09-16 - 1910-06-01, print maker, printmaker, 1870 - 1876, third quarter 19th century, fourth quarter 19th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Pesciera during the bombing on May , Franz Josef Xaver Sandmann -, Lithographer, after, Charlotte Caroline Freifrau von Welden -, Drawer, Johann Rauh -, printer, Leopold Theodor Neumann -, publishing house

Coastal view with sailing ships and church tower, R.A.C. Ziesenis, 1832, draughtsman: R.A.C. Ziesenis, (mentioned on object), 1832, paper, pen, brush, h 153 mm × w 216 mm

Quebec. Prints. 1789 - 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Norfolk, from Gosport, Virginia.. Shaw, Joshua (1776-1860). Prints. 1820. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Palazzo Delli N. N. H. H. Pisani en Tuinen Aan de Brenta, Giovanni Francesco Costa, c. 1750 - c. 1760 print View of Palazzo Delli N. N. H. H. Pisani and gardens on the River Brenta. A barge sails on the water. A gondola is moored in the foreground. Numbered in the middle: XLIIII and bottom right: Tom: II. This print is part of an album. print maker: ItalyVenice paper etching river. hôtel, i.e. small palace in city. garden. gondola. tow-boat, towing-barge Brenta

This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1, Henry Papprill, 1816-d.after 1883, American, after Capt. R. B. Crawford, active 1841-1844, 1844, Aquatint on moderately thick, smooth, cream, wove paper, Sheet: 12 1/16 × 22 3/16 inches (30.6 × 56.4 cm) and Image: 9 9/16 × 21 3/4 inches (24.3 × 55.2 cm)

Grundsteinlegung of the arsenals in Trest, Vincent Poiret , Drawer

Heude of heu, Robert de Baudous (possibly), after Jan Porcellis, 1677 - 1702 print A huge or hey in the water. In the distance a cityscape. print maker: Northern Netherlandsafter design by: Low Countriespublisher: Amsterdampublisher: Amsterdam paper etching / engraving sailing-ship, sailing-boat. swimming mammals: whale

Edward Francis Finden, 1791-1857, British, Malta, 1832. Line engraving, 3rd state on medium, slightly textured, beige, wove paper.

Bordeaux. Artist: Maxime Lalanne, French, 1827-1886

Munsterhjelm, Hjalmar, Sketch book, 1873-1892, pencil on paper, drawing, see parts of the work, 21 cm x 33 cm, Munsterhjelm, Hjalmar, 1873-1892, pencil on paper, Magnus Hjalmar Munsterhjelm 1840 - 1905 was a Finnish landscape painter, who worked in Finland.

Figures on the bank at Ouderkerk aan de Amstel, 1622, Simon Fokke, After Hendrick Avercamp, 1722 - 1784 print Figures on the bank at Ouderkerk aan de Amstel. A boy watches a man with a landing net catching fish. The woman further on does the laundry and put her child behind her in the Wastobbe. There are ducks, a dog and a playing child in the grass of the bank. In the distance passers -by on foot and on horseback. Rowing and sailing ships sail on the water. Amsterdam paper etching river bank. open-air recreation. fisherman. rowing-boat, canoe, etc. Ouderkerk aan de Amstel

New Orleans.. Hill, J. W. (John William) (1812-1879). Hunt, Charles Havens. Prints. 1881. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New Orleans (La.)

Two women by a coast with ships, Harmanus Vinkeles, After Jacobus Buys, 1787 print Amsterdam paper etching / engraving sand-bank. beach. sailing-ship, sailing-boat

Sailing trip of Willem V and Wilhelmina van Pruisen on the IJ, 1768, Simon Fokke, 1769 - 1773 print Sailing trip from Stadholder Willem V and Princess Wilhelmina van Pruisen on the IJ on return from Zaandam, on May 31, 1768. View of the many boats on the water, with spectators at guns on the quay. Part of a press series with title print and 14 records of the inducing the Prince and Princess in Amsterdam, 30 May - 4 June 1768. Northern Netherlands paper etching / engraving public festivities on the occasion of royal events - AA - festivities on the water IJ

View of the river Lek in Utrecht, Dirk Verrijk, 1777, draughtsman: Dirk Verrijk, (mentioned on object), 1777, paper, brush, pen, h 262 mm × w 381 mm

Robert Brandard, 1805-1862, British, Gosport, Entrance to Portsmouth Harbor, 1831. Line engraving and etching, 2nd state on moderately thick, smooth, cream, wove paper, with gray, chine colle.

Ships in Harbor. Dated: c. 1875. Dimensions: overall: 19.4 x 28 cm (7 5/8 x 11 in.). Medium: watercolor and graphite. Museum: National Gallery of Art, Washington DC. Author: Eugene Boudin.

No. 132. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

View of the Island of San Giacomo in Paludo. Artist: Francesco Tironi (Venice ca. 1745-1797). Dimensions: 10 13/16 x 16 5/16 in. (27.5 x 41.5 cm). Date: late 18th century.Although Francesco Tironi's artistic activity remains somewhat uncertain, we do know that he provided the drawings for Antonio Sandi's twenty-four engravings of islands in the Venetian Lagoon. The engravings were published in 1779, and many of the drawings are extant today. Two reside in the Lehman Collection (see also 1975.1.541). View of Mazzorbo is of topographical interest, for its buildings have all but disappeared. So, too, the island of San Giacomo in Paludo, which lies between Murano and Burano, is deserted today. Tironi records a lost era when the islands of the Venetian Lagoon were prosperous ports of call. Museum: Metropolitan Museum of Art, New York, USA.

Figuur in een roeiboot aan een waterkant.The masts of sailing ships can be seen in the background. Leaf 28 Recto from a sketchbook with 41 sheets.

View of Laps, Monogrammist J, After Bergen, 1750 - 1814 print paper etching harbour Genoa

Beach near Scheveningen with car, fishing barge and people, Hendrick Cornelisz Vroom (Possible), 1576 - 1707 drawing paper. ink pen / brush coast (+ landscape with figures, staffage). ships (in general)

The Old Téméraire, Print made by James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1838-1854

Beach view with sailing ships and walkers, draughtsman: Albertus van Beest, 1830 - 1860, paper, brush, h 295 mm × w 494 mm

Boats on a River, Windmill in Distance, 1809. Cornelius Varley (British, 1781-1873). Lithograph;

Robert Cleveley, 1747-1809, British, Shipping and Warehouses, undated. Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper.

Arrival of Prince Willem Frederik on the beach of Scheveningen, November 30, 1813, 1813 drawing Arrival of Prince Willem Frederik on the beach of Scheveningen, November 30, 1813, to take on the government of the country as a sovereign prince. The prince standing in the farm wagon. On the beach an enthusiastic crowd greets the prince. Netherlands paper pen / brush being welcomed ~ travelling. homage to a ruler Scheveningen

Company of six people in a boat on the Zwolle Singel, c. 1655 Company of six people in a boat on the Zwolle Singel. In the distance you can see the towers of St. Michaëlskerk and the Onze Lieve Vrouwe Kerk. Zwolle paper. watercolor (paint) brush Company of six people in a boat on the Zwolle Singel. In the distance you can see the towers of St. Michaëlskerk and the Onze Lieve Vrouwe Kerk. Zwolle paper. watercolor (paint) brush

Joseph Mallord William Turner, Calm, April 23, 1812, Etching and mezzotint printed in brown inks.

Riverside with three sailing ships. Draughtsman: Jan van Goyen. Dating: 1652. Measurements: h 122 mm × w 198 mm. Museum: Rijksmuseum, Amsterdam.

A watercolor and pencil scene by Christian Friedrich Nerly from 1849 showing a young man and two women climbing a gondola by moonlight, with S. Maria Della Salute in the background.

Adolf van der Laan etching from 1717-1740 depicts sea scenes with herring fishermen, showing boats, nets, crew, and 18th-century Dutch maritime life.

View of the frozen Merwede near Moerdijk, Aert Schouman, 1720 - 1792 drawing View of the frozen Merwede near Moerdijk with ships and figures on the ice; In the foreground fishermen. paper. watercolor (paint) brush river. sailing-ship, sailing-boat. fresh-water fishery Moerdijk. Merwede

Canal of the Loire and Cher, Near Tours, Thomas Jeavons, ca. 1800-1867, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving on medium, smooth, cream, wove paper, Sheet: 6 15/16 × 10 9/16 inches (17.6 × 26.8 cm), Plate: 5 7/8 × 9 inches (14.9 × 22.9 cm), and Image: 3 3/4 × 5 1/2 inches (9.5 × 14 cm)

Artist: Benjamin Russell, American, 1804-1885, Sperm Whaling with its Varieties, companion to the Right Whaling in BeheringStraits, Lithograph Printed in colors, sheet: 42 × 63.5 cm (16 9/16 × 25 in.), Made in United States, American, 19thcentury, Works on Paper -Prints

James McNeill Whistler, Lagoon Noon, 1879 1880 Lagoon: Noon

RANCHERIA DE MAJOA (N.O. AMERICANO) 1792 - PLUMA Y AGUADA DE TINTA CHINA - EXPEDICION MALASPINA. Author: JOSE CARDERO (1766-1811). Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

A mill on a busy river, A mill on a busy river, draughtsman: Jan Brueghel (I), 18-Jun-1620, paper, brush, pen, h 180 mm × w 273 mm

View of the Vests of Leiden. View of the Vests of Leiden. In the background the mill where Rembrandt van Rijn was born. The print has a Dutch caption

View of Willebroek near Mechelen, Wencslaus Hollar, after Jan Brueghel (I), 1651 - 1670 print paper etching sailing-ship, sailing-boat. river. city-view, and landscape with man-made constructions Willebroek

River Scene with Windmill (from Plate 9, Outlines of Figures, Landscapes and Cattle...for the Use of Learners) January 20, 1791 Thomas Rowlandson. River Scene with Windmill (from Plate 9, Outlines of Figures, Landscapes and Cattle...for the Use of Learners). Outlines. Thomas Rowlandson (British, London 1757-1827 London). January 20, 1791. Hand-colored etching. S. W. Fores (London). Prints

Gezicht op de rede met schepen voor anker bij Bari. Vue de la rade de Bari. Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 173 mm × w 529 mm. Museum: Rijksmuseum, Amsterdam.

River face, C. Dietrich (Prentmaker), After Aelbert Cuyp, 1795 - 1821 print paper etching river. traffic on the water

View of the Steenchuur in Leiden After the gunpowder disaster January 12, 1807, Reinier Vinkeles (I), After Bartholomaeus van den Broeck, 1808 print View of the Steenchuur, a canal in the extension of Rapenburg, and the newly landscaped park (the later Van der Werfpark), after the gunpowder disaster of January 12, 1807. Amsterdam paper etching / engraving gunpowder disaster Shed

Paris, Liénard, François, Lalanne, Maxime François Antoine, France, À Haarlem (Hollande), View of Haarlem, verso - stamped, print, prints, height 235 mm, width 315 mm, 1827-11-27 - 1886-07-29, print maker, printmaker, 1877 - 1877, paper, papier, etching, etchings, engraving, engraving (printing process), drypoint, dry needle, plate tone, Work conception, after own design by, French, printer, drukker

View of the Tuileries, the Louvre and the Pont Neuf Made 1789 France. Color aquatint with etching and engraving in black ink on cream laid paper . Charles Melchior Descourtis

Hengelaars in boten bij een molen en een baken.River landscape with anglers in boats. On the left on the shore two figures at a mill. A wooden bridge connects the shore with a river island on which a gatehouse with a beacon.

Sailing ships at a landing place in Kleef, 1839 Probably on the Rhine. In the foreground also some figures at the ship. Page 29 Verso from a sketchbook with 37 sheets. Cleves paper. pencil pen sailing-ship, sailing-boat. street (+ city(-scape) with figures, staffage)

William Radclyffe, 1780-1855, British, Mantes, 1835. Line engraving, third state.

Part of a cover with a series of six lithographs of Amsterdam gates, View of the Weesperpoort in Amsterdam Weesper Poort in Amsterdam Views of the Six Principal Gates of the City of Amsterdam. 1st Cahier , print maker: anonymous, Abraham Vinkeles, (mentioned on object), printer: Desguerrois & Co., (mentioned on object), Amsterdam, 1828 - 1900, paper, h 275 mm - w 340 mm

Fishing Luggers (Chasse-marée) making sail, off Calais. Artist: Louis François Thomas Francia (French, Calais 1772-1839 Calais (active England)). Dimensions: 3 3/4 x 5 3/4 in. (9.5 x 14.6 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Fishermen at a fort with tower on a coast, Francois Godefroy, Adrien Godefroy (Rejected Attribution), After La Croix, 1787 - c. 1802 print Paris paper etching fisherman. fortress. coast

Fantasy landscape with port in city and ships, Rodolphe Bresdin, 1883 print Fantasy landscape with a harbor where there are many rowing boats and sailing ships on which the crew is busy with the sails. On the quay is a monument with a column and a statue of a woman and child at the foot of the column and on top of a man with weapons. Various church towers are visible in the distance. paper etching harbour. ships (in general)

Arrival of the Prince of Orange in Scheveningen, 1813, H.J. Dekker, After Cornelis van Cuylenburgh (II), 1853 - 1861 print The arrival of Prince Willem Frederik as Souverein Vorst on the beach of Scheveningen on November 30, 1813. Numbered at the top right: LXXXIV. print maker: Netherlandsprinter: Haarlem paper being welcomed ~ travelling. homage to a ruler Scheveningen

'Dundee', 1898. From "Our Own Country, Volume IV". Cassell and Company, Limited, London, Paris & Melbourne, 1898

IJsvermaak op de Maas bij Rotterdam, 1784; Gezicht van't Ysvermaak op de Rivier de Maas voorde Stad Rotterdam in de Maand January, 1784. / Vue des Delices de la glace sur la Riviere la Meuse devant la Ville de Rotterdam dans le Mois de Janvier, 1784.Ice fun on the frozen Maas for Rotterdam. On the right the old main gate, left the trees. With many people and groups on the ice, on the left an ice tray with several people, right a Arrenslee with two people. January 1784. In the caption the titles in Dutch and French on either side of a vignette of two lions with the coat of arms of the city of Rotterdam.

Studies of ships, mills, farmers and street faces, Frans LeBret, 1894 print Study sheet with performances of ships, mills, farmers and street views. Etest text on the record: ETS studies for Frans LeBret AO 1894. Bottom right: in 1840. paper etching windmill. sailing-ship, sailing-boat. farmers. street

Paul Huet, Calm (Calme), 1832 Calm (Calme)

William Callow, The Harbor of St Malo at Low Tide, c 1850 The Harbor of St. Malo at Low Tide

Slag bij Ramillies (rechterhelft), 1706. De Gelorijuse Veldslag by Ramellies geleveert door de Wapenen der Hooge geallieerden tegen de Armëe der twee kroonen den XXIII May des Jaars, MDCCVI onder 't gesag des Doorlugtigen J: Churchil Hertog van Marlborough en Prins van Mindelhym en den Heer Veld-Marschalk Grave van Ouwerkerk (title on object). Draughtsman: Nicolaes Aartman (mentioned on object). Dating: 1723 - 1760. Place: Northern Netherlands. Measurements: h 239 mm × w 370 mm. Museum: Rijksmuseum, Amsterdam.

Riva degli Schiavoni, from near San Biagio, Venice. Richard Parkes Bonington (English, 1802 - 1828)

Calm. Dated: published 1812. Medium: mezzotint. Museum: National Gallery of Art, Washington DC. Author: JOSEPH MALLORD WILLIAM TURNER.

At Pont-Nine, February 1871 Auguste Lan�on (1836-1885). AT PONT-NEW, FEBRUARY 1871. Engraving.

July: Amusements on the Water, (Juillet : les Divertissements sur leau) ca. 1700 Claude Simpol French. July: Amusements on the Water, (Juillet : les Divertissements sur leau) 398244

VISSERSBOTS, EDUARD ADD, AFTER Johan Conld Rowe, 1800 - 1900 print paper sea (seascape). ships (in general) - CC - more than one ship

Title Page, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, England, London, England, 1795-1803, Print, Print

Etching by Wenzel Hollar from 1647 depicting ships, showing masts, sails, rigging, and maritime composition on calm waters.

Charles Bentley, 1806-1854, British, Whitby, 1833. Watercolor and graphite on medium, slightly textured, cream wove paper.

Progress of the Prince of Wales in British North America. Quebec; Canada East. From a drawing by the artist G.H. Andrews.

Houtzaagmolen, Hendrik Abraham Klinkhamer, 1845 drawing paper. ink. watercolor (paint). pencil brush / pen windmill. saw-mill (works)

Wyck at Duerstede

Design for two wallpaper surfaces: river with ships in the colonies, Jurriaan Andriessen, c. 1752 - c. 1819, Design for a room wall., draughtsman: Jurriaan Andriessen, c. 1752 - c. 1819, paper, pen, brush, h 328 mm × w 252 mm

Losing moored ships, Bernhard Schreuder (Possibly), after Willem van de Velde (II), 1767 - 1780 drawing Ships off the coast. On the left a man with a basket in his hands. The drawing is loose in an album. paper. ink brush ships, boats on land, beached

SANTANDER. VISTA. LITOGRAFIA DE TURGIS.

View of the Port des Invalides in Paris with the end of the Paris Fegat on February 18, 1761, Jacques Gabriel Huquier, 1761 - 1805 print The ship is launched without masts. There are several boats with spectators on the water. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush harbour. ships (in general). rowing-boat, canoe, etc.. bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage) Paris. Seine. Port of Invalides

Jacopo de' Barbari's woodcut from 1497-1500, printed in the 18th century, shows Venice with canals, streets, buildings, and urban layout.

GRABADO-VISTA DE DELFTSHAVEN DESDE EL RIO MOSA. Location: PRIVATE COLLECTION. France.

South End, September 25, 1832, Anne Rushout, ca. 1768-1849, British, 1832, Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/4 × 20 inches (17.1 × 50.8 cm)

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