Seaside Landscape Sketches

Pencil drawings of coastal scenes, highlighting piers, beaches, and serene waters with minimal detail, reflecting a calm atmosphere.

Holmberg, Werner, work, Sketch book, engraving, drawing, 16.5 cm x 22 cm, Holmberg, Werner, timing: untimed, signature

Yarmouth, Isle of Wight, Capt. Thomas Hastings, 1778-1854, British, between 1826 and 1830, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm)

Sketch of a Seaside Landscape with Pier in Foreground, Isle of Wight, Capt. Thomas Hastings, 1778-1854, British, between 1826 and 1830, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)

Beach face with the Kurhaus in Scheveningen, Johan Antonie de Jonge, 1884 - 1927 Beach face with the Kurhaus in Scheveningen. For the Kurhaus de Pier. Page 3 Recto from a sketchbook with 33 sheets. Scheveningen paper. chalk beach (+ landscape with figures, staffage) Koningin Wilhelmina (Scheveningen) walking head. Kurhaus (Scheveningen)

Järnefelt, Eero, work, Sketch book, 1888-89, pencil and watercolor, drawing, 20 cm x 31.5 cm, Järnefelt, Eero, 1888-89, pencil and watercolor, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

River edges with two characters Jean-Achille Benouville (Said Achille Benouville) (1815-1891). River edges with two characters. Graphite pencil on cardboard.

Rye, Sussex. Date/Period: Ca. 1795. Landscape. Graphite on medium, slightly textured, beige, wove paper. Height: 187 mm (7.36 in); Width: 270 mm (10.62 in). Author: Thomas Girtin.

Figure in a landscape ..

Holmberg, Werner, work, Sketch book, engraving, drawing, 16.5 cm x 22 cm, Holmberg, Werner, timing: untimed, signature

A Fountain at Grottaferrata, Drawing from a group of 46 drawings and studies of mainly cityscapes and landscapes in and around Rome., Utilitarian, public pump or water fountain, Grottaferrata, Josephus Augustus Knip, Italy, c. 1809 - c. 1812, paper, graphite (mineral), watercolor (paint), brush, h 285 mm × w 437 mm

Thomas Daniell, 1749-1840, British, active in India, One of One Hundred and Seventy-six Drawings of India by Thomas and William Daniell Grouped by "Voyages," "South India," and "Upper India", undated. Graphite on medium, moderately textured, blued white, laid paper.

Capt. Thomas Hastings, 1778-1854, British, Yarmouth, Isle of Wight, between 1826 and 1830. Graphite on medium, slightly textured, cream wove paper.

Aix-en-Provence, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)

Munsterhjelm, Hjalmar, Sketch book, 1870s, pencil on paper, drawing, see parts of the work, 14.5 cm x 22 cm, Munsterhjelm, Hjalmar, 1870s, pencil on paper, Magnus Hjalmar Munsterhjelm 1840 - 1905 was a Finnish landscape painter, who worked in Finland.

Capt. Thomas Hastings, 1778-1854, British, Near Ennerdale Lake, 20 May 1836, 1836. Graphite on medium, slightly textured, cream wove paper.

Beaulieu, Hampshire, Capt. Thomas Hastings, 1778-1854, British, 1827, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 × 10 inches (20.3 × 25.4 cm)

Drawing, Two Sloops Sailing; Winslow Homer (American, 1836-1910); USA; charcoal on canvas; 46 × 71.1 cm (18 1/8 × 28 in.)

Paul Klee, Ludwigstrasse, 1912 Ludwigstrasse

Thomas Daniell, 1749-1840, British, active in India, Bhagulpur, undated. Graphite with watercolor on medium, moderately textured, blued white, laid paper.

Study of thegoosegirl.. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Fantasy Panorama of Rome from St. Peter's to the Castel San Angelo, c. 1820, graphite on 2 joined sheets of wove paper, overall: 43.6 x 68.8 cm (17 3/16 x 27 1/16 in.), Peter von Hess (artist) German, 1792 - 1871

Abklatsch of the chalk drawing on page 37. Page 36 from sketchbook XXIX with 44 pages.

Palace Ladies of the Cinnamon Hall and Orchid Palace. ink on paper. Origin: China. Date: 15th century. Period: Ming dynasty. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Rye prints, etchings, works on paper

Group sitting figures, possible to tafels.page 5 from Sketchbook XLVIII with 62 pages.

Edelfelt, Albert, work, Sketch book, drawing, 10 cm x 15.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Landscape with a building on a waterfront, 1891 - 1892 Page 28 Recto from a sketchbook with 28 sheets. paper. chalk landscapes with waters, waterscapes, seascapes (in the temperate zone). city-view, and landscape with man-made constructions

Wiik, Maria, Sketch book, undateable, drawing, Wiik, Maria, unscheduled, Maria Catharina Wiik 1853 - 1928 a Finnish painter of still life, genre images, landscape paintings and portraits. Lived in Finland

Edo, Tsutaya Juzaburo (Koshodo), Utamaro, Kitagawa, Trekschuit in winterlandschap, Pulling a boat along thee river, Fifth and sixth pages of the book Ginsekai by Utamaro., page, prints, engravings, Japan (collection), height 257 mm, width 190 mm, Japanese, 1753 - 1806, print maker, engraving maker, 1790 - 1790, fourth quarter 18th century, paper, woodcut, Publication (Event), Publication, publisher

The Spiegel of the English ship James, Willem van de Velde (II), 1643 - 1707 drawing paper. pencil brush sailing-ship, sailing-boat. navy (+ sailing-ships). names of artefacts and man-made objects (buildings excluded)

Capt. Thomas Hastings, 1778-1854, British, East Cowes Castle, Isle of Wight, 1827. Graphite on medium, slightly textured, cream wove paper.

Entrance of Chepstow, September 1845, Capt. Thomas Hastings, 1778-1854, British, 1845, Graphite on medium, slightly textured, cream wove paper, Sheet: 7 5/8 × 10 7/8 inches (19.4 × 27.6 cm)

Collection of figures under a group of trees, 1863 - c. 1864 Possibly one figure is on a pulpit. Leaf 38 Recto from a sketchbook with 41 sheets. paper. pencil trees. standing figure

Edelfelt, Albert, work, Sketch book, drawing, 11 cm x 20 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Aquarium with paradise fish, draughtsman: Gerrit Willem Dijsselhof, 1876 - 1924, cardboard, h 320 mm × w 435 mm

Sketchbook of American and Italian Subjects William Trost Richards (American, 1833-1905). Sketchbook of American and Italian Subjects, 1855-1856. Sketchbook containing drawings in graphite on wove paper, 4 1/16 x 6 5/8 x 3/8 in. (10.3 x 16.8 x 1 cm). Richards first traveled to Europe in 1855, remaining abroad for a year and spending most of the time in Italy. Like so many artists before him, Richards was overjoyed to be in Florence: I have not as yet realized that I am in Italy that all the dreams of a boyhood are fulfilled.” Richards carried this small sketchbook on a walking tour in the Apennine mountains in October 1855. The carefully drawn vista shown here of the broad valley through which the Arno river winds reminded Richards, always quick to compare American and European landscape scenery, of the view of the Hudson from the Catskill Mountain House. American Art 1855-1856

Landscape View of a Grotto, Henry Swinburne, 1743-1803, British, undated, Pen and gray ink over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 11 1/8 × 16 5/16 inches (28.3 × 41.4 cm) and Sheet: 2 7/16 × 5 5/8 inches (6.2 × 14.3 cm)

Charles Hamilton Smith, 1776-1859, Belgian, Part of the South Pole Barrier to 180 Feet Above Sea Level, 1000 Feet Thick and 450 Miles in Length, undated. Watercolor and graphite on moderately thick, moderately textured, cream wove paper.

Long Lagoon. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1879/1880. Prints; etchings. Etching and drypoint

Droga prowadząca do Cieplic, w tle Karkonosze. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Pencil drawing collection by Ferdinand Georg Waldmüller depicting multiple subjects and compositional studies.

'Tre-Fontane near San Paolo Fiore le Mura'. Germany, 1817-1818. Dimensions: 12,2x30,8 cm. Museum: State Hermitage, St. Petersburg. Author: CARL PHILIPP FOHR.

Drawing ('La Mer Calme') in the style of Claude-Joseph Vernet, Eduard Isaac Asser, c. 1855 photograph Amsterdam paper. photographic support. cardboard salted paper print

Railroad disaster. Witkiewicz, Stanisław (1851-1915), draughtsman, cartoonist

Capt. Thomas Hastings, 1778-1854, British, Sketch of Cowes, Isle of Wight, from the Solent, undated. Graphite on medium, slightly textured, cream laid paper.

Edelfelt, Albert, work, Sketch book, drawing, 10 cm x 17 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

St. Lawrence, Isle of Wight, 19 September 1827, Capt. Thomas Hastings, 1778-1854, British, 1827, Graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)

Bouwput Sint Agnietenstraat in Amsterdam, draughtsman: George Hendrik Breitner, Amsterdam, 1903, paper, brush, h 237 mm × w 296 mm

Sketch. From An 1891 sketchbook, 1891, Otira, by Petrus van der Velden. Gift of W. Fergusson Hogg, 1967.

Driemaster at sea, c. 1825 - c. 1875 Page 42 Recto from a sketchbook with 44 sheets. paper. pencil. watercolor (paint) brush Page 42 Recto from a sketchbook with 44 sheets. paper. pencil. watercolor (paint) brush

Beaulieu, Hampshire, Capt. Thomas Hastings, 1778-1854, British, 1827, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 × 10 1/4 inches (20.3 × 26 cm)

Artist: John Trumbull, American, 1756-1843, Untitled, from folio: Sketches in France & Germany, one of 22 sheets in FolioB, Graphite, 11 × 17.8 cm (4 5/16 × 7in.), Made in United States, American, 18thcentury, Works on Paper - Drawings andWatercolors

Design for ceiling painting, Jacob de Wit, c. 1705 - c. 1754 drawing paper. ink. pencil pen / brush sitting or standing on clouds. flying

Sailing ship and sloop on a stormy sea, c. 1825 - c. 1875 Page 4 Recto from a sketchbook with 44 sheets. paper. pencil Page 4 Recto from a sketchbook with 44 sheets. paper. pencil

Joseph Mallord William Turner, 1775-1851, British, The Channel Sketchbook, ca. 1845. Watercolor on medium, slightly textured, white wove paper.

Finch, Alfred William, work, Port exercise, pencil, drawing, 30 cm x 37 cm

Moored boats for a coast, c. 1825 - c. 1875 In the background a spire and the contours of a village. Page 27 Verso from a sketchbook with 44 sheets. paper. pencil In the background a spire and the contours of a village. Page 27 Verso from a sketchbook with 44 sheets. paper. pencil

Drawing (Italy)

Capt. Thomas Hastings, 1778-1854, British, Beaulieu, Hampshire, between 1826 and 1830. Graphite on medium, slightly textured, cream wove paper.

Holne Chase, 30 May 1833, Capt. Thomas Hastings, 1778-1854, British, 1833, Graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)

The Castle Inhabited by Petrarch, Vaucluse, Sir Robert Smirke the younger, 1781-1867, British, 1802, Gray wash, black wash and graphite on medium, moderately textured, beige, laid paper, Sheet: 6 11/16 × 10 inches (17 × 25.4 cm)

Holmberg, Werner, work, Sketch book, pencil and marker engraving, drawing, 17.5 cm x 26 cm, Holmberg, Werner, pencil and marker engraving

Untitled Picture Album of Fifteen Ink Paintings ca. 1850 Hine Taizan Japanese. Untitled Picture Album of Fifteen Ink Paintings. Hine Taizan (Japanese, 1813-1869). Japan. ca. 1850. Accordion album; ink on paper. Edo period (1615-1868). Illustrated Books

Joseph Mallord William Turner, 1775-1851, British, The Channel Sketchbook, ca. 1845. Graphite and watercolor on medium, slightly textured, white wove paper.

Italian Sketchbook Sanford Robinson Gifford (American, 1823-1880). Italian Sketchbook, 1867-1868. Graphite on tan, medium-weight, slightly textured wove paper, 5 x 9 x 7/16 in. (12.7 x 22.9 x 1.1 cm). This sketchbook served as a travel diary for the Hudson River School landscape painter Sanford Robinson Gifford during his journeys in France, Switzerland, and Italy. In this two-page spread depicting the church of Santa Caterina del Sasso, perched precariously on the edge of a cliff overlooking Lake Maggiore in Italy, Giffords precise and assured lines exemplify his skills as a draftsman. A practitioner of plein air sketching, the artist used these drawings as preparatory studies for paintings executed later in his studio. The small framed motifs that appear on this and other pages of the sketchbook show his initial experiments with composition. American Art 1867-1868

Drawing, Figures on a Sand Dune; Winslow Homer (American, 1836-1910); USA; charcoal on paper; 17.8 × 33 cm (7 × 13 in.)

Pencil sketch with brown wash by Blasius Höfel depicting the Flascolele at Melk, showing architectural and landscape features, drawn August 25, 1844, from a sketchbook 1844-1846.

Heuvellandschap.Page 44 From a sketchbook with 23 sheets.

Sketchbook John Singer Sargent (American, born Italy, 1856-1925). Sketchbook, 1871-1872. Graphite, charcoal, watercolor and white chalk on paper, Sketchbook: 9 3/16 x 11 7/8 x 1/2 in. (23.3 x 30.2 x 1.3 cm). Regarded as one of the leading portraitists and watercolorists of the Gilded Age, the expatriate John Singer Sargent was also a consummate draftsman. He drew prolifically and precociously from a young age, as evidenced by this sketchbook, which he used while traveling in Germany in 1871-72, at age fifteen. Sargent filled many of the pages with his exercises in copying classical statuary from the famous plaster cast collection of Dresdens Albertinum museum. The sketches show a variety of approaches, from broad, linear strokes to refined tonal modeling. American Art 1871-1872

Study of sky Henri Joseph Harpignies (1819-1916). Sky Study. Watercolor on paper, nineteenth century.

Pencil and brown wash sketch by Blasius Höfel showing a figure holding a lute, with attention to posture, instrument, and gesture, from a sketchbook 1844-1846.

Nearing Port in a Stormy Sea, François Louis Thomas Francia, 1772-1839, French, active in Britain, undated, Brown wash and brown and black ink with gouache on moderately thick, rough, gray wove paper, pasted on thick, smooth, cream card, Sheet: 4 1/8 x 7 1/8 inches (10.5 x 18.1 cm), dock, marine art, sail, sea, ship, storm, waves (natural events)

The Fleet: Monitors, 1887. James McNeill Whistler (American, 1834-1903). Etching;

Grown Rock Wall, Cornelis van Poelenburch, 1620 - 1623 drawing Italy paper. graphite (mineral). chalk pen / brush low hill country. ruin of a building ~ architecture Italy

MANGUEIRA, 22 PAMIKNI 1842; Templtei, Julius Friedrich (1802-1870), Adalbert (Ksi Prussian; 1811-1873); 1847 (1847-00-00-1847-00-00);

A Quiet Evening on the Ferry over the Blyth, Sir Frank Short, 1857-1945, British, 1890, Etching touched with gray wash and graphite on laid paper, Plate: 5 15/16 x 8in. (15.1 x 20.3cm) and Sheet: 6 7/8 x 8 7/8in. (17.5 x 22.5cm)

Design for a Stage Set. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Sunset in Petersburg. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Edward Lear, 1812-1888, British, Knowsley Hall, ca. 1834. Graphite on moderately thick, slightly textured, beige wove paper.

Southampton Water. Attributed to James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 184 x 271 mm. Watercolor and opaque watercolor on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Landscape. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

BOOSTAM, 1865 - 1913 Page 14 Recto from a sketchbook with 65 sheets. paper. chalk trees

Gressenberg, Henry Swinburne, 1743-1803, British, 1779, Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm) and Sheet: 4 5/16 × 7 inches (11 × 17.8 cm)

Scenography, or geometrically perspect illustration, Kayl, Königl, Haupt, Residenz Stadt, Wienn, in Austria, on the highest command and drawn, from May Monots, to the last October , City of Vienna and their suburbs original parts in leaves, Joseph Daniel von Huber -

Henry Swinburne, 1743-1803, British, Menars, France, undated. Pen and brown ink on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Edelfelt, Albert, work, Sketch book, drawing, 10 cm x 15.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Edward Lear, 1812-1888, British, Gebel Sheikh Eredi, 1867. Watercolor, graphite, pen and brown ink on thick, rough, wove paper, mounted on moderately thick, moderately textured, white wove paper.

Drawing, Sketches from Rome, Italy; Frederic Edwin Church (American, 1826-1900); USA

Village face with Vijver, Cornelis Brouwer, After Allaert van Everdingen, 1782 A village with a pond on the right in the foreground. In the background the sails and masts of ships. The Calque is loose in an album, see page 36. Amsterdam tracing paper. chalk. ink village. pond, pool

Hercules Brabazon Brabazon, 1821-1906, British, Evening on the Lagoon, Venice, undated. Watercolor, gouache and graphite on medium, moderately textured, cream wove paper.

Sienna, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on medium, moderately textured, blue, laid paper, Sheet: 6 1/2 × 4 1/16 inches (16.5 × 10.3 cm)

Design for a Stage Set 1830-90 Eugène Cicéri French. Design for a Stage Set 387374

Edward Alfred Goodall, 1819-1908, British, The Vision of Columbus, 1834. Line engraving, engraver's proof on thick, moderately textured, cream, wove paper, with cream, chine colle.

Hercules Brabazon Brabazon, 1821-1906, British, Temple of Gerf Hussein, undated. Watercolor and graphite on moderately thick, slightly textured, beige wove paper, laid in mount.

'Untitled'. USSR, 1992. Dimensions: 32x49,4 cm. Museum: State Hermitage, St. Petersburg. Author: Alexander Zhitomirsky.

A Farm Cart. Drawing. Graphite and gray wash on medium, slightly textured, beige laid paper. Height: 140 mm (5.51 in); Width: 267 mm (10.51 in). Author: James Ward.

'Bada', 1991, Mixed media on canvas, 30 x 41 cm. Author: MIQUEL BARCELO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

The Channel Sketchbook. Date/Period: Ca. 1845. Painting. Watercolor. Height: 95 mm (3.74 in); Width: 159 mm (6.25 in). Author: J. M. W. Turner.

Dendera. Date/Period: 1867. Landscape. Watercolor with pen in brown ink, over graphite on medium, slightly textured, wove paper, mounted on moderately thick, moderately textured, cream wove paper. Height: 75 mm (2.95 in); Width: 168 mm (6.61 in). Author: Edward Lear.

Edelfelt, Albert, work, Sketch book, drawing, 14 cm x 22.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

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