Seasonal and Religious Illustrations

Art prints depicting seasonal themes and religious narratives, framed elaborately, showcasing intricate designs and cultural motifs from different periods.

Antwerp, Plantijn, Christoffel, Netherlands, Vredeman de Vries, Hans, Hooghe, Cornelis de, Doetechum, Johannes or Lucas van, Exercitatio alphabetica nova et utillisima, Cartouche with calligraphy, top left and right a child with a canopy, Sheet IX. Cartouche with the text Gardez vous de murmure.... From a series of 21 numbered cartouches with calligraphy in a frame of scroll and fittings with grotesques, garlands and mascarons., print, ornament print, prints, ornament prints, height 214 mm, width 284 mm, print maker, printmaker, 1569 - 1569, third quarter 16th century, paper, engraving, engraving (printing process), Northern Netherlands, 1541 - 1583-03-29, Work conception, Southern Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1514 - 1589-07-01, publisher

All the four GEYDEN PRALEN / In Deez 'Tafreelenpragt (...), 1806 - 1830 print Four medallions with performances of the four seasons and associated activities. Between the medallions a trophy with products from the different seasons. In the lower margin a verse in two columns. Numbered at the top right: No. 182. Print Maker: Netherlands Print Maker: Netherlands Publisher: Zaltbommel paper letterpress printing the four seasons of the year ~ human activities

What man has received that life / should stand for the last judgment, c. 1782 - c. 1793 print Leaf with 2 shows. Above the last judgment, under godly figures. The whole caught in a decorative frame of flower vines. Numbered at the top right: 70. paper letterpress printing Last Judgement. the worship of God

Amsterdam, Folkema, Jacob, Sassen, Joost van, Coypel, Antoine, France, Audran, Jean, Northern Netherlands, The Great Tableau of Folly, Shrove Tuesday Joy Wreath and Play, 1720, verso - stamped, Shrove Tuesday Joy Wreath and Play. Central representation in which Cupid teaches Pan (or Marsyas) to play the flute, in the background a naked nymph. Here the representation should be interpreted as John Law who has taken off his mask and is taken by the good spirit as the god of the wind trade recommended to refrain from the wind trade. The nymph must then represent Mrs. Law. In a separately printed frame with dwarves, musical instruments and food referring to Carnival. With various verses. Print 62 in the series Het Groote Tafereel der Dwaasheid with cartoons on the Windhandel or Actiehandel from 1720., print, cartoon, prints, Frederik Muller Historieplaten, height 291 mm, width 188 mm, print maker, printmaker, 1720 - 1720, paper, papier, etching, engraving, engraving (printing process), Fran

Title page design, Scribners Magazine, 1894. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Trencher (one of a set). Culture: British. Dimensions: 4 9/16 × 5 11/16 in. (11.6 × 14.4 cm). Date: early 17th century.One of a set of twelve trenchers (64.101.1579-.1590) and a box (64.101.1591a, b). In center of trenchers are reserves containing moralising inscriptions. See also 64.101.1566-1578a, b, for a set of trenchers and box, probably from the same workshop, inscribed with humorous four-line verses on the relations between married people. Museum: Metropolitan Museum of Art, New York, USA.

'Tabulae Astrologiae'. The astronomer Giovanni Bianchini shows his work to emperor Frederick III. Renaissance art. Miniature Painting. ITALY. EMILIA-ROMAGNA. Ferrara. Biblioteca comunale Ariostea di Ferrara (Ariostea Municipal Library of Ferrara).

PETRARCH (1304-1374). Italian humanist and poet. 'Sonnets, Songs and Triumphs'. Miniature with the Triumph of Love (15th c.). Renaissance art. Quattrocento. Florentine school. Miniature Painting. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

MTI1 - CANTIGA DE SANTA MARIA Nº109 - F156V - LA VIRGEN SALVA A PEREGRINO DE SALAS DEL ATAQUE DE DIABLOS - SIGLO XIII. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Antwerp, Plantijn, Christoffel, Netherlands, Vredeman de Vries, Hans, Hooghe, Cornelis de, Doetechum, Johannes or Lucas van, Exercitatio alphabetica nova et utillisima, Cartouche with calligraphy, top left and right a child with a canopy, Sheet IX. Cartouche with the text Gardez vous de murmure.... From a series of 21 numbered cartouches with calligraphy in a frame of scroll and fittings with grotesques, garlands and mascarons., print, ornament print, prints, ornament prints, height 214 mm, width 284 mm, print maker, printmaker, 1569 - 1569, third quarter 16th century, paper, engraving, engraving (printing process), Northern Netherlands, 1541 - 1583-03-29, Work conception, Southern Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1514 - 1589-07-01, publisher

Netherlands, Schiedam, Muys, Nikolaas, The five senses, verso - stamped, Personifications of the five senses in quatrefoils. In the four corners cherubs blowing wind. Between the representations a monkey, a deer, a turtle and a dog., print, picture, popular print, prints, pictures, popular prints, height 430 mm, width 322 mm, Publication (Event), Publication, Dutch, 1686-02-14, publisher, uitgever, 1704 - 1757, paper, papier, houtcut, kleuren, letterpress printing, letterpress, print maker, prentmaker

First page of the famous Vienna Codex of the Golden Bull, 1365, an illuminated manuscript prepared for King Wenceslaus IV of Bohemia. Miniatura nel Codice Viennese. Handcoloured copperplate engraving from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1844.

Sampler. Culture: British. Dimensions: H. 16 7/8 x W. 12 3/4 inches (42.9 x 32.4 cm). Date: second half 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Triumphus Systems (Blatt 4 4. Aus De Love of Petrarca)

True Image of Mr. Quinquempoix, 1720, Guillaume Duvivier (18th century), 1720 print John Law portrait medallion as Mr Quinquempoix above a brewing kettle in which coins are transformed into shares. Witch boiler with devils, owls etc. Above the portrait the fool with a crown of peacock springs and holly leaves. Above a banderole with: or shit or king. This plate printed within a larger plate with title and verses in Dutch on either side. Print 37 In the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Southern Netherlands paper etching / engraving brewing, boiling (in a cauldron); witches' kitchen. speculative boom. owls. satyr(s) (in general)

Horoscope with Floral Drawings 1850 India (Madhya Pradesh, Gwalior or Indore). Horoscope with Floral Drawings 37922

MTI1-CANTIGA STA MARIA Nº10-F18R-LOOR A STA MARIA COMO ES HERMOSA Y BUENA Y DE GRAN PODER-S XIII. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Leaning

CRONICA DE JUAN II DE CASTILLA1405/1451. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. JOHN II OF CASTILE. ISABEL LA CATOLICA PADRE DE.

Bliżej Kultury unknown

Trompe l'Oeil Stem of a Sweet Violet. Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600)

Blockbook - Canticum Canticorum. Unknown Artist; Netherlandish. Date: 1300-1600. Dimensions: 123 x 165 mm (plate, upper); 123 x 166 mm (plate, lower). Woodcut on paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Print made by William Blake, 1757-1827, British, Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38), 1789. Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

The First Book of Urizen, Plate 4, 'Muster around the bleak desarts . . . .' (Bentley 4), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in green with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm) and Plate: 6 1/8 x 4 inches (15.6 x 10.2 cm), leaf, literary theme, men, nudes, text, trees, vines

Sampler (USA); Embroidered by Sally Brierley, American; silk embroidery on linen foundation

PETRARCH (1304-1374). Italian humanist and poet. 'Triumphs, Sonnets, and Songs'. Miniature with the Triumph of the Death. Renaissance art. Quattrocento. Florentine school. Miniature Painting. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Lesson 7 Oeuvres de / Miséricorde / De 7 works of / Mercy, Ernst Buschmann, 1842 - 1850 print Leaf with 9 shows. Seven performances of the works of mercy, a representation of a figure with a nimbus and a representation of an apple from which branches with flowers and fruits grow. Between the performances three times the 'be greeted'. Under each performance a title in book print. Antwerp paper letterpress printing the (seven) Acts of Mercy

Partial woodcut from Dürer's workshop, 1515, depicting sections of the honorary gate of Emperor Maximilian I with architectural and relief details.

allegory continents title page ""Atlas Novus Indicibus Instructus"" by Georg Matthaeus Seutter (1678 - 1757) edited by Matthaeus Roth printed by Johann Peter van Ghelen copper engraving Vienna Austria 1728,

Heraldic Panel: Scenes from the Parable of the Prodigal Son

Sampler, Medium: wool, silk. Technique: embroidery in cross stitch and eye stitch., Sampler embroidered in silk in black, blues, golds and pinks on a natural linen ground. Bands of alphabets and numerals in cross stitch and eyelet stitch, the Lord's Prayer, a verse, and at the bottom, a portrait of King George III in dense cross stitch. A floral vine border with fanciful birds., 1782, embroidery & stitching, Sampler

Julius III (born 10 September 1487 as Giovanni Maria Ciocchi Del Monte in Rome, died 23 March 1555 in Rome) was Pope from 7 February 1550 to 23 March 1555, Illustration, Reproduction from a 19th century original. Authentic, file restored for optimal use, exact date of original unknown, Historical

German 15th Century, Apocalypse of John, Leaf 42, c 1465 Apocalypse of John, Leaf 42

Historic illustration, Italian ornaments, manuscript painting

Guide for Constructing the Letters x and y. Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600)

The Queen of the Fishes: Plate 5, 1894. Lucien Pissarro (British, 1863-1944). Woodcut printed in gray; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in which a peasant boy and girl escape the hardships of their lives by fantasizing that they have been turned into a giant oak and a splendid fish, respectively.

Calligraphic Sonnets-Title Page and Following Page C. 1895 John Keats (1795-1821 British) The Huntington Library, Art Collections and Botanical Gardens, San Marino, CA, USA

Obraz strashnago suda Gospodnia.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

literature books Book of Kells initial illumination Ireland circa 800 Saint Trinity College Dublin,

Alessandro Piccolomini (1508-1578). Italian humanist. De le Stelle Fisse (The sphere or the world and the fixed stars) 1540, Venice. Engraving, 1559.

Drawing, Architectural Interior Elements; Verso: Anatomical Studies; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and ink over traces of graphite on laid paper; 37 x 25.1 cm (14 9/16 x 9 7/8 in.)

Shchipli sam sebia za nos.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Cartoon satirising the Wigs (Lubok) by Anonymous / State A. Pushkin Museum of Fine Arts, Moscow / c. 1790 / Russia / Copper engraving, watercolour / Genre /Satire

Songs of Innocence and of Experience: Night (second plate): When wolves and tygers howl for prey. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Initial A and a New Year's Wish. Dated: 1483. Medium: woodcut, hand-colored in olive green, rose, orange, green, brown, and yellow-green. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

The Seventh Generation, Sebaldt Derrer; Nuremberg, Germany; about 1626 - 1711; Tempera colors with gold and silver highlights on parchment; Leaf: 37.6 x 26 cm (14 13,16 x 10 1,4 in.)

Sampler, Medium: silk embroidery on linen foundation Technique: embroidered in cross, stem, satin, knot, chain, eye, four-sided canvas, rococo, herringbone, and half cross stitches on plain weave foundation, Two alphabets at the top (missing the letter J) divided by narrow bands of pattern, then a rococo frame enclosing scattered flowers and the inscription: Vivat MD WD, with initials and animal figures at the sides., Germany, 1799, embroidery & stitching, Sampler

Guide for Constructing the Letters x and y; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

Stiehl Otto (1860-1940): Sketch and photo album 3: Cistercian abbey Chiaravalle, Milan

MTI1-CANTIGA STA MARIA Nº65-F96V-VIRGEN ABSUELVE AL QUE ANDUVO EXCOMULGADO Y SE FINGE LOCO-S XIII. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

The Poet with His Epilogue (from The Hunt of the Frail Stag) ca. 1495-1510 South Netherlandish. The Poet with His Epilogue (from The Hunt of the Frail Stag) 468699

Krishna Fighting the Serpent Kaliya. Draughtsman: anonymous. Dating: c. 1614 - c. 1640. Place: Mewar. Measurements: h 230 mm × w 405 mm; h 345 mm × w 175 mm. Museum: Rijksmuseum, Amsterdam.

A New Year's Greeting. Dated: 1839. Dimensions: sheet: 8.7 x 11.8 cm (3 7/16 x 4 5/8 in.). Medium: pen and black ink. Museum: National Gallery of Art, Washington DC. Author: ADOLPH MENZEL.

The dogs secure their catch while a gentleman on horseback blows the hunting horn Date: 13th century

Print made by William Blake, 1757-1827, British, America. A Prophecy, Plate 17, "On Albions Angels....", 1793. Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Fractur Drawing Unknown. Fractur Drawing, 1827. Pen, 12 3/4 x 16 in. (32.4 x 40.6 cm). American Art 1827

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 12, "Why wilt thou give to her....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Woodcut from 1614 by an anonymous artist depicting frightened figures in a scene from the Warfigen Newe Zeitung, showing expressions, gestures, and environment on paper.

Designs for the cover of the Eternal calendar in paintings". Thoma, Hans (1839-1924), draughtsman, cartoonist

I Am Don Juan Tenorio 1850-1900 México. Relief engraving on typemetal on paper . Manuel Manilla

16th-century colored woodcut depicting the Seven-Coated Papacy, showing figures, papal garments, and symbolic attributes in detailed European woodcut style.

Sir Robert Smirke the younger, 1781-1867, British, Ancient Inscription in the Walls of the Venetian Govenor's House, Mystras, 1802-1804. Graphite, pen and brown ink on moderately thick, moderately textured, beige, wove paper.

ALARIC II ( -507). Visigothic king (484-507).; THEODORIC The Great (454-526). Ostrogothic king (474-526).; GESALEICO (second half s. V-510). VisigothicæKingæofæHispania (Spain), 507-510. Representation of the Visigoth kings Alaric II (king 484-507), Gesalec (King 507-510) and Theodoric 'the Great' (454-526), ostrogothic king (474-526). GenealogÕa de los Reyes de EspaÐa. 1463. Gothic art. Miniature Painting. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

La vera perfettione del disegno di varie sorti di recami, page 3 (verso) 1557 Giovanni Ostaus Italian Published by Giovanni Ostaus, Venice. From top to bottom, and left to right:Alphabet printed in black, missing letters: "J" and "U". Each letter is surrounded by decorative motifs. At bottom of design are curving grape vines that stem out of vase in center. Illustrated among the vines are putti and birds.. La vera perfettione del disegno di varie sorti di recami, page 3 (verso) 660012

Kulachnye bortsy Paramoshka i Kadyk Ermak.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Harlequin and Bombario in the mourning. Harlequin et Bombario and Shoot (ti)

Daniel Lysons, 1762-1834, British, Brass Plate for John Heygge, from Hayes Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, sligthly textured, cream wove paper.

Reestr o damakh.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Daniel Lysons, 1762-1834, British, Memorial to David Garrick from Hampton Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Pritcha o zhene, umershei v bludnom grekhe bez pokaianiia.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Figures from a handwritten parchment known as The Wessobrunn Prayer in Munich library (top), and figures from a painting on parchment known as the Golden Psalter of St. Gall. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1879. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Joh. Klipphahn, and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Titel van de Festa della Sensa (eerste gedeelte); Ankunfft Und herkommen der weitberümbten herrlichen Statt Venedig Sambt derselben gewaltigen Herrschafft.Procession of the Doge on Ascension Day over the San Marco Square in Venice. The procession leads to the Bucintoro, the galei of the Doge. Once a year 'married the Doge during the DELLA SENLA Sensa festa with the Adriatic Sea by throwing a ring in the water from this galei.

The Adoration of the Magi Charles Caryl Coleman (American, 1840-1928). The Adoration of the Magi, 1880-1881. Oil and gold paint, 9 1/4 x 7 5/16 in. (23.5 x 18.5 cm). American Art 1880-1881

Broadside celebrating Cuba's victory over Spain in the Spanish American War, soldiers holding the Cuban flag and flanking the alleogorical figure of Cuba. Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: Sheet: 11 13/16 in. × 8 in. (30 × 20.3 cm). Publisher: Antonio Vanegas Arroyo (1850-1917, Mexican). Date: ca. 1900-1913. Museum: Metropolitan Museum of Art, New York, USA.

Europe. A Prophecy, Plate 11, "In thoughts perturb'd ." (Bentley 13). Date/Period: 1794. Print. Brown print, pen, black ink and oil on cream-colored paper (Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper). Height: 375 mm (14.76 in); Width: 267 mm (10.51 in). Author: William Blake.

Attributed to Daniel Lysons, 1762-1834, British, Brass Plate for Thomas Symons from Greenford Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Dispute of Spouses who are Always Angry. José Guadalupe Posada; Mexican, 1852-1913. Date: 1907-1913. Dimensions: 299 x 401 mm. Relief print on paper. Origin: Mexico. Museum: The Chicago Art Institute, Chicago, USA.

Charles Roadman, Fractur, 1935 1942 Fractur

Jerusalem, Plate 73, "Such are Cathedron's golden Halls....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 149 mm (5.86 in). Author: William Blake.

España. Catalunya. Grabado popular para un abanico. Un soldado haciendo sonar una trompa y una pelea entre soldados a pie y a caballo. Siglo XIX.

Four Inca Kings: Tupac Yupanqui, Huayna Capac, Huascar Inca, Atahuallpa Unknown. Four Inca Kings: Tupac Yupanqui, Huayna Capac, Huascar Inca, Atahuallpa, early 19th century. Oil on canvas, 7 3/4 x 22 3/4 in. (19.7 x 57.8 cm). This fragment of an Inca king portrait series was commissioned by the Guarachi family, one of the most prominent indigenous families of viceregal Peru. The domestic display of paintings of the Inca rulers was outlawed in the viceroyalty between 1781 and 1821, following a series of native revolts. After 1824, the portraits acquired a new significance in post-independence Peru as national icons. American Art early 19th century

Sampler 19th century British. Sampler. British. 19th century. Silk on wool canvas. Textiles-Embroidered

Courtois for King Nobel. Design for illustration (after fool. 4, not executed): Van den Vos Reinaerde; Courtois, a lean dog, for King Nobel.

Spot Print on the targetistics, 1748, 1748 print Cartoon on the Doelists, 1748. On a gallows, the bodies of Daniël Raap and 8 others hang, the executioner on a ladder rushes to make two others who also have to be hung. On the right two people with pulled swords and a third with the banner: Oranjes Vryheid. All people shown are indicated by name. On the leaf under the plate a verse in two columns. Northern Netherlands paper etching / engraving / letterpress printing violent death by hanging

Copper engraving by an anonymous artist depicting the emblematic description of a noble Austrian tribe, showing heraldic symbols and structure.

Lord kneeling in front of a young lady. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1653. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Tomb Plaque of Blanche of France (1328-92), daughter of Charles IV of France and Jeanne d'Evreux after 1392 French The inscription, in translation, reads: Here lie the entrails of the lady of noble memory, my lady Blanche, daughter of the late Charles, king of France and of Navarre, and of the queen, Jeanne d’Evreux, his wife. This daughter was the wife of my lord the Duke of Orleans of the house of Valois and of Beaumont, son of the late king Philip of Valois and of the queen Jeanne de Bourgogne, who died in the year one thousand three hundred eighty and twelve, in the month of February. Pray for the lady.”While the body of Blanche of France was interred at the royal abbey of Saint-Denis next to her sister Marie (whose bust is exhibited nearby), the entrails were buried at Pont-aux-Dames, an abbey that the royal family supported. The freestanding Virgin and Child exhibited nearby also comes from Pont-aux-Dames.. Tomb Plaque of Blanche of France (1328-92), daughter of Charles IV of Fr

Illuminated letters, crown of Philippe V, crown of Beatrix de Bourbon, crown of Charles V, and golden cup taken from a manuscript in the Bibliotheque de Laon.. Ernest Guillot "Ornementation des Manuscrits au Moyen-Age" (Ornamentation from Manuscripts of the Middle Ages), 1897, chromolithograph.

Memorial stone with three figures, two animals and an inscription. .

Tuscany Siena Montalcino Museo Civico52. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marcellus II (born 6 May 1501 in Montefano (Marche), died 1 May 1555 in Rome), birth name Marcello Cervini degli Spannocchi, was pope from 9 April to 1 May 1555, illustration, reproduction from a 19th century model. Authentic, file restored for optimal use, exact date of original unknown, Historical

Death of the Local, 1720, 1720 print Emblem in which a falcon (the campaign) that wants to eat with the loot (the bubble rat) of the owl is killed by a heron. With five verses on either side and under the plate. Print 55 in the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper engraving / letterpress printing symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa). birds

H.C. Henneberg (1826-1893); Johan Thomas Lundbye (1818-1848), Framing with angelshead, cross and skull, (1843)

Illustration by Henri Caruchet (1873-1948); for 'La Légende de soeur Béatrix' by Charles Nodier (1780-1844), 1903. coloured plate illustration with borders and ornaments. This is Nodier's short story based on the legend of the medieval Sister Beatrice of the convent of Notre-Dame des Épines-Fleurie (Jura), a passionate young woman who left the community to marry a knight, only returning after bearing him several children.

Compass rose, fifteenth century cartographic plate. Detail.

Birth Certificate Unknown. , 1826. Woodcut, colored by stencil, on wove paper, sheet: 16 1/16 x 13 in. (40.8 x 33 cm). American Art 1826

Gregory XIV (born 11 February 1535 in Somma Lombardo, died 16 October 1591 in Rome), real name Niccolo Sfondrati, was pope from 1590 to 1591, illustration, reproduction from a 19th century model. Authentic, file restored for optimal use, exact date of original unknown, Historical

Baptismal Wish for Catarina Titzlir. Dated: c. 1765. Dimensions: sheet: 16.03 × 19.69 cm (6 5/16 × 7 3/4 in.). Medium: pen and brown ink and transparent and opaque watercolor on laid paper. Museum: National Gallery of Art, Washington DC. Author: Sussel-Washington Artist.

Postcard of Wiener Werkstätte No, Varieté number , Moriz Jung -, Artist, Wiener Werkstätte, Publishing House

Tuscany Siena Montalcino Museo Civico50. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Variety Act 12: One for All, All for One or a Glimpse through the Keyhole (Varietenummer 12: Eine für Alle, Alle für eine oder ein Blick Durch's Schlüsselloch. Pariser Schwank mit 20 Akten 1907 Moriz Jung Austrian. Variety Act 12: One for All, All for One or a Glimpse through the Keyhole (Varietenummer 12: Eine für Alle, Alle für eine oder ein Blick Durch's Schlüsselloch. Pariser Schwank mit 20 Akten 647660

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