Seasonal Festivals and Themes

Depictions of human activity related to seasonal changes, featuring hunting scenes, allegorical figures, and communal celebrations.

Napoleon plants his family tree, hoping that will grow as sturdy as the royal oak of England. See also 10078160 for full colour original print Date: 1807

Feast offered TER ERE VAN CERES, Jean Baptiste de Poilly, After Pierre Mignard (1612-1695), 1679 - 1728 print Paris paper etching specific aspects, allegorical aspects of Ceres; Ceres as patroness

The Good Samaritan pours oil on the wounds of the man attacked by highwaymen and applies a bandage. In the distance, the priest and the Levite make their way out. On the right on a hill, the traveler can be seen being ambushed by the brigands. Print from the catalog of Italian paintings by Leopold William, governor of the Southern Netherlands, Theatrum Pictorum compiled by David Terniers, in the lower margin are the dimensions of the original painting, The Good Samaritan Theatrum Pictorium (series title)., print maker: Quirin Boel, (mentioned on object), after: David Teniers (II), (workshop of), after: Jacopo Bassano, (mentioned on object), Southern Netherlands, 1660, paper, etching, h 166 mm × w 230 mm

May: A hunting scene (Gemini), Antonio Tempesta, 1599 print Imagination of human activity in May. Landscape with hunters hunting with the help of falcons. In the foreground on the left a farmer's wedding and musicians. In the middle of the symbol for the constellation twins. Italian fresh and title in the lower margin. paper etching the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months'. wedding feast, wedding meal. musician - CC - out of doors. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). predatory birds: falcon. Gemini (zodiacal sign of May)

Christian Rothgesser (1630-1659), Illustration Til Adam Olearius, "Persian Rosenthal of a meal poet Schich Saadi ...", Schleswig 1660, 1660

Herfst, Jean Pesne, After Nicolas Poussin, 1682 - 1700 print paper etching / engraving the spies take away some of the fruits of Canaan and return, usually carrying a large bunch of grapes on a pole. autumn landscape; landscape symbolizing autumn (the four seasons of the year)

Amsterdam, Luyken, Jan, Antiochus Epiphanes valt van zijn oorlogwagen, verso - manuscript in brown ink, print, prints, verso - stamped, 188, height 110 mm, width 145 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

Print marked top right: 2 Part. Pag. 341., Don Clarazel attacks a peasant carrying four women on his wagon, print maker: Caspar Luyken, publisher: Johannes Broersz, publisher: Nathanael Holbeex, Amsterdam, 1697, paper, etching, h 135 mm × w 83 mm

Napoleon plants his family tree, hoping that will grow as sturdy as the royal oak of England. See also 10078160 for full colour original print Date: 1807

Knights in battle. Three figures try to keep two warring knights apart. In the foreground one of his horse abridious knight embraces a woman.

Tobias en de Angel, Wenceslaus Hollar, After Hendrick Goudt, After Adam Elsheimer, 1644 - 1652 print Tobias draith a river with a fish under his arm. The angel walks next to him and holds his arm. paper etching Tobias and the angel Raphael travelling, accompanied by Tobias' dog

Test of the locusts, Jan Luyken, 1703 print Print Maker: Haarlem Publisher: Amsterdam paper etching the plague of locusts: as Moses raises his hands the locusts come and eat everything that has survived the hail

Diana op Jacht, Andrea Procaccini, After Carlo Maratta, 1681 - 1734 print Diana and her nymphs kill a wild boar in a landscape. print maker: Italyafter design by: ItalyVaticaanstad paper etching (story of) Diana (Artemis). Diana hunting. boar-hunting

Mutilation of the bodies of the De Witt brothers, 1672; LES DEUX FRERES JEAN ET CORNEET THE WHITE, MASACREZ, ET ENSUITE ATACHEZ AU GIBET A LA HAYE LE 20E AOUST 1672. The mutilation of the bodies of the Johan brothers and Cornelis de Witt, August 20, 1672. In the foreground parts of the body Torn and sold.

Cephalus and procris. Cephalus sits in sorrow on the ground, the body of the dead procris in his arms. The spear that pierced her is in the foreground, the dogs of Cephalus are next to it. To be the unfortunate couple and float putti with disabled faces. Scene from Ovid 'Metamorphoses (with. VII, 795-866).

Telemachus saves antiOpe; Adventures of Telemachus. Telemachus rescues antiope from the attack of a wild boar. The boar is surrounded by figures with spears, dogs storm on the beast. There is a line of text in French in the margin, at the bottom right of: LIV. XXIII. Illustration manufactured at book 23 from "Adventures of Telemachus", written by François de Fénélon.

Landscape by horse and wagon, 1612 - 1652 print View of a hilly landscape with a city on the left. In the foreground, a horse and car rushes over the bridge. On the right a begging monk at a crucifix. paper engraving giving alms or other charity, e.g.: handing out food. four-wheeled vehicle drawn by two animals. village. bridge

The soldiers of Pharaoh are swallowed up by the Red Sea, Romeyn de Hooghe, 1655 - 1708 print The soldiers of Pharaoh are swallowed up by the Red Sea. On the right on the bank is Moses with Staff. Netherlands paper etching with his people safe on the shore, Moses raises his hands and causes the water to return; Pharaoh's army perishes in the water (Red Sea)

Moses Defending the Daughers of Jethro (after Le Brun). Artist: After Charles Le Brun (French, Paris 1619-1690 Paris); After Benoit Audran the Elder (French, Lyon 1661-1721 Paris). Dimensions: Plate: 10 5/8 × 14 3/8 in. (27 × 36.5 cm)Sheet: 12 1/2 × 16 3/4 in. (31.7 × 42.6 cm). Engraver: Jean Audran (French, Lyons 1667-1756 Paris). Date: 1686-1701. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by Bartholomeus Breenbergh depicting bread growth, with blue brushwork, white corrections, brown areas, splashes, and vertical fold traces on paper showing surface texture and composition.

Men quarrying or mining for gold, from 'Danubius Pannonico-Mysicus' (Volume 3) 1726 Jacob Houbraken. Men quarrying or mining for gold, from 'Danubius Pannonico-Mysicus' (Volume 3). Jacob Houbraken (Dutch, Dordrecht 1698-1780 Amsterdam). 1726. Etching. Prints

Yachts on Herten, Antonio Tempesta, 1595 print River landscape with hunters and hunting dogs that hunt deer into the water. Seen two hunters on the back in the foreground. paper etching hunter. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). stag-hunting

Callot, Jacques, Nancy, Monastic life in emblems, Shepherds defend their flock, verso lower left - stamped, Representation of two shepherds who defend their flock of sheep with tooth and nail: one kills a wolf, the other chases a thief. This sheet is part of the emblem series 'Monastic life in emblems'. The second state of this series contains, besides an illustrated title page and 26 emblems, another title page and a dedication sheet, both in letterpress without an illustration., print, emblem, prints, height 57 mm, width 81 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1621 - 1635, first quarter 17th century, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Two Women before a General. Artist: Anonymous, German, 18th century; Possibly by Anton Kern (German, Teschen 1710-1747 Dresden). Dimensions: 5 3/4 x 9 1/16 in. (14.6 x 23 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

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The three angels are seated under a large tent around a table. They are eating and being served by various people. Abraham is standing in the right corner, offering one of the angels a drinking bowl (Gen. 18:5). In the background, people are at work. The print has a caption in Latin, Abraham receives the three angels, print maker: Anton van der Borcht, (mentioned on object), intermediary draughtsman: Ludovico Carracci, (mentioned on object), publisher: Jeremias Wolf, (mentioned on object), print maker: Belgium, intermediary draughtsman: Italy, 1648 - 1663, paper, etching, w 239 mm × h 175 mm

Milking the Spanish cow, ca. 1701, 1700 - 1702 print Allegory in which the Cardinal Portocarrero lets the Spanish cow milked by the President of Castile. Philip V gives the milk to Louis XIV that is on the left in a tent. In the caption of Verszen and Legenda in French. Mention at the top: Estampe Trouvée sur la Porte du Palais du Cardinal Porto-Carrero. Part of a group of individual cartoons on Louis XIV during the Spanish Succession War, ca. 1701-1713. Northern Netherlands paper etching political caricatures and satires. milking

Genoa harbor with a few people around a statue of Neptune. On the right a drawing artist.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Florentine hunting. (A. de Vesme 742; Dutuit 182) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

An engraving titled 'Le Colin Maillard,' created between 1800 and 1899, depicting a dance scene associated with Maypole and May dances. The image features a line border measuring 15.5 x 15.5 cm and is attributed to Paris, France, in the 18th century

Amsterdam, Mortier, Pieter (I), Haarlem, Luyken, Jan, Caïn doodt Abel, verso middle bottom - stamped, print, title page, prints, height 112 mm, width 157 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1703 - 1703, paper, papier, etching, etchings, Publication (Event), Publication, Frans, 1661 - 1711, publisher

The Sixth Day: The Creation of Animals, Adam and Eve from The Creation of the World late 16th century Johann Sadeler I Netherlandish. The Sixth Day: The Creation of Animals, Adam and Eve from The Creation of the World 423741

Riverside with ladies; Landscapes with people and animals. While a shepherd rests on the waterfront and a second shepherd leg, two women do the laundry in a front. In the background the ruin of a classic building and the contours of a mountain.

Jupiter and Europe Lieta sul toro la Bella Europe stassi / Ma presto il suo gioir cangiar vedrassi (title on object), Europe, her companions and putti play with a bull (Jupiter in the guise of a bull) and decorate him with flowers. Europe is on the back of the bull. Numbered lower right: 15, Europe and her maidens play with the bull, and / or adorn it with flowers, Jacopo Leonardis (mentioned on object), 1766, paper, etching, h 356 mm × w 435 mm

Amsterdam, Luyken, Caspar, David onthoofdt Goliath, verso - manuscript in brown ink, print, prints, verso - stamped, 103, height 112 mm, width 148 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

Flight to Egypt, Sébastien Bourdon, 1626 - 1671 print paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Triumph of the wine; Triumphs. Bacchus, seated on a wine barrel, is entrained in Triumph and worn by the personal violation and abundance. Front a beggar and a king: rich drink wine. Two men with lubricates wear vines. Behind Bacchus Walk freedom, taking a sip of wine, and agency, trying to keep measure. Behind it a merchant with cup of wine and in mind. Completely at the back of a fight caused by the wine. Under the show a four-line verse in Latin.

Mercury Killing Argus. Antonio Tempesta (Italy, Florence, 1555-1630)Wilhelm Janson (Holland, Amsterdam). Italy, published 1606. Prints; etchings. Etching

Roof of Europe. Jupiter houses Europe in the form of a white bull and carries her through the water. Her duties remain desperately behind. Right a young man with a flute, possibly a shepherd, with a herd. This print is part of an album.

Jacques Callot, The Betrayal, c 1624 1625 The Betrayal

Etching by Filippo Angeli, known as Napoletano, created between 1600 and 1629, illustrating John the Baptist delivering a sermon, including figures, gestures, and background elements in a 17th-century religious composition.

Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Landscapes with people and animals, Shepherds and a young woman on a donkey, verso - stamped, View of a landscape with a meandering river and mountains. In the foreground shepherds with cattle and a young woman on a donkey., print, prent, prints, prenten, height 258 mm, width 359 mm, 1633 - 1692, print maker, printmaker, 1670 - 1670, paper, papier, etching, etchings, Work conception, 1620 - 1683-02-18

Engraver: Unknown, After: Hieronymus Bosch, Netherlandish, ca. 1450-1516, Publisher: Hieronymus Cock, Flemish, ca. 1510-1570, Temptation of SaintAnthony, Engraving, 33 × 43.2 cm (13 × 17in.), Made in Flanders, Flemish, 16thcentury, Works on Paper -Prints

Joseph's cup discovered in Benjamin's grain bag, monogrammist PVO (print maker), After Giulio Bonasone, After Rafaël, 1584 - 1585 print Joseph's cup is discovered in Benjamin's grain bag. On the left are three mules, one of which is packed with grain. On the right the brothers of Joseph. paper engraving the cup is found in Benjamin's sack

Melager gives the head of the Caledonian Zwijn to Atalanta, c. 1636 - 1670 print Melager offers his beloved Atalanta the head of the wild boar. With his left foot he stands. In the front, a figure with a hunting dog blows the hunting horn. paper engraving Meleager gives the head of the boar to Atalanta

The king of Pegu makes his opponents burn, 1604; Figure in some ways and coninck of Pegu Sijn nobles, and ranges. The king of Pegu leaves a group of his nobles with their wives and children buoys and burn live due to betrayal. 1604. On the left the king sitting on a cart. Part of the illustrations in the report of the second trip to East Indies for the VOC under Steven van der Hagen, 1603-1608, No. 5.

Atalanta and Hippomenes; Emblemes d'Amour. Atalanta raises the three gold apples during the running west against Hippomenes, which gains and gets her as a beloved (with. 10: 560-707). People must be cunning in love. Seventieth emblem from emblemata amatoria.

Divorce between Abraham and Lot, Jan Luyken, 1708 print Lot and Abraham possessed so much cattle that there was too little land and the shepherds of Lot and the shepherds of Abraham had a fight. Abraham therefore suggested Lot to separate. In the center they say goodbye to each other. Lot leaves with his wife, daughters and possessions for the Jordaan valley. Amsterdam paper etching Abraham and Lot separating (Genesis 13)

Training of a Sater, Claude Gillot, 1683 - 1722 print Paris paper etching / engraving satyr(s) (in general)

Jacob meets Rachel at the source.

Landscape with travelers and riders, Jan Karel Jacob de Jonge, 1843 - 1880 print In the foreground a rider, blowing on a trumpet. The Hague paper. pencil etching / drypoint / brush horn, trumpet, cornet, trombone, tuba. riding a horse, ass, or mule; rider, horseman

François Verdier drawing of the capture of Christ on the Mount of Olives, in black chalk with gray wash and traces of white.

Abraham on his way to Egypt with his wife Sara, Charles Macé (Attributed to), after G.B. Gastiglione, 1641 - 1665 print print maker: Francepublisher: ParisFrance paper etching Abraham leaves Egypt with Sarah, Lot, and his possessions

Haven with the statue of Neptunus, Anthony van Zijlvelt, after Johannes Lingelbach, 1650 - 1695 print The port of Genoa with a few people around a statue of Neptune. On the right a drawing artist. paper etching monument, statue. (story of) Neptune (Poseidon). harbour. draughtsman at work - CC - out of doors

The Enchanted Fountain of Love's Truth (La Fontaine Enchantée de la Verité d'Amour) n.d. Augustin de Saint-Aubin French. The Enchanted Fountain of Love's Truth (La Fontaine Enchantée de la Verité d'Amour) 399240

Intake of Brielle, 1572; Illustration for national history. Presentation from national history. View of the city gate of Brielle and the surrounding country during the intake through the water giants. In the background the sea with ships.

Shepherds with herd at a rock, Anonymous, After Nicolaes Pietersz Berchem, 1650 - 1750 print France paper etching ass, donkey. herd, flock. rock-formations

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, Joseph Tells His Dreams to His Brothers, verso - stamped, Joseph explains his dream to his brothers. He tells them that in his dream his brothers' sheaves of wheat bowed to his own sheaf and that the sun, moon and stars also bowed to him., print, prent, prints, prenten, height 150 mm, width 193 mm, 1578 - 1616-01-11, print maker, prentmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

The Draughtsman. Claude Lorrain (French, 1604-1682). Etching;

Suppliers on horseback, Jan van Huchtenburg (copy after), After Adam Frans van der Meulen, 1674 - 1733 print A consultation between three men on horseback and one on the ground standing in the foreground in a landscape. On the left a man holds a horse with the reins. paper engraving / etching landscapes (+ landscape with figures, staffage). war and peace (+ cavalry, horsemen)

The party under the big tree (Bartsch 48) Adriaen van Ostade (1610-1685). The Party Under The Big Tree (Bartsch 48). Floor, circa 1654

Strooming putti in a landscape, Jan van Vianen, 1686 print In a landscape, putti fries together, a dog barks and a putto blows on a horn. Love has no peace. Fifteenth Emblem from Emblemata Amatoria. Northern Netherlands paper etching (story of) Cupid, Amor (Eros). cupids: 'amores', 'amoretti', 'putti'. wrestling (sport) (+ variant)

The coup of the Bar Confederates at Stanisław August Poniatowski finding the king king (November 3, 1771). Novelli, Pietro Antonio (1729 1804), Monogramist G.Z., Zatta, Antonio (OK. 1757 1797)

Jonatan and his weapon carrier kill Philistines, Matthijs Pool, After Bernard Picart, 1720 - 1728 print Jonatan and his weapon carrier kill twenty Philistines. The crowd runs away in a panic. Illustration of the Bible text 1 Sam. 14:13. Under the show the title in Hebrew, English, German, Latin, French and Dutch. print maker: Amsterdampublisher: Amsterdampublisher: The Hague paper etching / engraving Jonathan smites the Philistine garrison at Geba

Daughters of Reüel at De Put.

Cavalry Charge. Artist: Francesco Casanova (Italian, London 1727-1803 Brühl). Dimensions: Sheet (trimmed): 5 3/4 × 7 15/16 in. (14.6 × 20.2 cm). Date: mid to late 18th century. Museum: Metropolitan Museum of Art, New York, USA. Author: FRANCESCO CASANOVA.

Calvary (Golgotha). Artist: Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Dimensions: sheet: 11 1/2 x 16 1/2 in. (29.2 x 41.9 cm). Date: 1517. Museum: Metropolitan Museum of Art, New York, USA.

. Mercury points to the cow io and looks at Argus, which is on a stone block. Scene from Ovidius' Metamorphoses (with. I, 679-688).

William III honored as lord of Friesland, 1328, 1750 - 1775 print Count William III on a shield raised and honored as Lord of Friesland, 1328. Northern Netherlands paper etching new ruler raised on the shield Friesland. Netherlands

Spanish horseman has robbed a woman who runs off on his horse, 1687, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 109 mm × w 157 mm

Hertel, Johann Georg, Roos, Johann Heinrich, Ridinger, Johann Elias, Cattle pieces after Johann Heinrich Roos, Herd of sheep and donkey, verso - stamped, print, prints, height 270 mm, width 315 mm, German, 1698-02-16 - 1767-04-10, print maker, 1708 - 1767, paper, etching, Work conception, 1631-10-27 - 1685-10-03, based on a design by, Publication (Event), Publication, 1700 - 1775-07-07, publisher

Peneus visited through other river gods, Hendrick Goltzius (workshop of), After Hendrick Goltzius, 1589 print A number of river gods and nymphs gathered by the Rivergod Peneus, which is seated on a rock in a leafy landscape. Two times two lines of Latin text under the performance. This print is part of a series of 52 prints that represent stories from Ovid's metamorphoses. This series falls into three numbered series: two of 20 prints and one of 12 prints. This print belongs to the first series. Haarlem paper engraving river-gods. (story of) Peneus

Plate Four from Drawings of Several Movements by Soldiers 1644 Italy. For the subject of this work, della Bella chose the movements of soldiers toward and through a town, which is recognizable as Arras. He dedicated the work to Henry du Plesseys, Count of Roche-Guyon, whose coat of arms appears in the first and second plates.. Etching on ivory laid paper . Stefano della Bella

A witch. Etching by G. Petrini after D. Teniers.

Volusiny Lacis prospectum.... 1732. Pacini, Michel, active 1730-1770. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Kites in a landscape. Kites in a landscape, in the background figures jumping to the kites with their arms in the air. There is a binoculars in the foreground.

Flight intoEgypt. Artist: Unknown After: Giovanni Benedetto Castiglione, Italian, 1609-1664

Telemachus kills a lion, Bernard Picart, 1732 print Telemachus kills the lion who has just devoured some sheep from his herd. In the background, farmers who are shocked. Amsterdam paper etching / engraving (story of) Telemachus - aggressive, unfriendly activities and relationships. beasts of prey, predatory animals: lion

Village Festival 1773 Jean Jacques de Boissieu French. Village Festival. Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). 1773. Etching; fourth state of four. Prints

Entry of Maria Henrietta Stuart, Princess of Orange in Amsterdam (plate 2), 1660, 1660 print Visit by Maria Henrietta Stuart, Princess of Orange, accompanied by Amalia van Solms, the young Prince Willem III and others in Amsterdam, 15 June 1660. The arrival of the procession with riders at the Haarlemmerpoort. The front rider marked with the letter A. Second plate in an unassembled ensemble consisting of a seven magazines of the procession. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Haarlemmerpoort

Quarta scena di mare. Alfons. Parigus. inv. SDB deli e f., 1637. Additional, Nozze degli dei., 1637., Firenze. Dancers, Etchings

Three Soldiers and a Boy, from Vari capricci (VariousCapriccios). Artist: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770

Il Miracolo delle Acque Amare Mutate in Dolci. Artist: After Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609-1664 Mantua); Pietro Monaco (Italian, Belluno 1707-1772 Venice). Dimensions: image: 12 3/16 x 18 7/8 in. (31 x 48 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

A drawing by Jan van der Straet depicting the Israelites victory over the Philistines, using brown and gray lavated ink, highlighted with white on brownish paper, showing figures in battle composition.

Travelers for an inn, Jean Moyreau, After Philips Wouwerman, c. 1733 - 1762 print France paper etching 'en route', traveller under way. hotel, hostelry, inn. inn, coffee-house, public house, etc.

March: Farmers Activities (RAM), Antonio Tempesta, 1599 print Imagination of human activity in the month of March. Landscape with shepherds with their herd, farmers with their cattle and hunters hunting a deer. In the middle above the symbol for the constellation Ram. Italian fresh and title in the lower margin. paper etching the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months'. farmers. Aries (zodical sign of March). cattle. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. herd, flock. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt')

Salisch Franken subjects to Julianus, 358, Jacob Folkema, After Louis Fabritius Dubourg, 1749 - 1759 print The Salian Franks submitted to the Roman supreme commander Flavius Claudius Julianus in 358. Print at the top right marked: Book III. Bl. 242. paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME) Netherlands

Sadeler, Raphael (I), Johann (I), Vos, Maerten de, München, Sylvae Sacrae Monumenta, Male Hermits and Anchorites, Epiphanius as a Hermit, verso lower left - stamped, St. Epiphanius, the Bishop of Salamis, as an early Christian hermit. He is seated before a cave in a mountainous landscape. He is reading a Bible. Behind him a spring gushes from the wall of the cave. In the background on the right a monk with a vegetable basket., print, prent, prints, prenten, height 160 mm, width 198 mm, Zuid-Nederlands, 1550 - 1600-08, print maker, printmaker, 1594 - 1594, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher, uitgever, 1560

August; AVGVSTVS; The twelve months. Round table with summer landscape with summer scenes. August is the harvest month. The focus is central to harvesting grain. Harvest trucks bring the grain to the barn. Some farmers are ready to pay their rest. In the mid top the constellation virgin. The print is part of a twelve-part series over the twelve months.

Engeland, Ramberg, Johann Heinrich, Political Tragicomedy in Holland. 1787, Politische Tragikomodi in Holland. 1787, Rehearsal, Die Probe, De Repetitie, England, verso - stamped, Dutch patriot marksmen practice shooting at a figure of an angry Prussian hussar drawn on a wall, to the hilarity of those involved and spectators. Frogs crawl out of the ditch and join in the drill. Part of a group of four cartoons on the patriots at the time of the Prussian invasion in October 1787. Repetition of the original version but now with English and German captions. See also the pendant and the accompanying pair of cartoons., print, picture, cartoon, prints, pictures, Frederik Muller History plates, lower left - etched, height 298 mm, width 364 mm, German, 1763-07-22 - 1840-07-06, print maker, printmaker, 1787 - 1788, paper, papier, etching

Jeremiah pulled out of the pit, Jan Luyken, 1708 print Amsterdam paper etching Jeremiah is released from the dungeon

Print taken from a book, with text on the verso side. The scene shows Satan sowing weeds among the wheat in a field while the farmer and his servants lie asleep, Satan sowing weeds, print maker: Frans Allen, (mentioned on object), publisher: Johannes Colom, print maker: Netherlands, publisher: Amsterdam, 1647, paper, engraving, etching, h 80 mm × w 127 mm

The Industrious Hunter, in Spring 1718-1767 Germany. Johann Elias Ridinger, a prolific Augsburg etcher of animals, set up his own printing house in the 1720s, eventually creating a market for his realistic portraits and allegories that stretched across Europe and into Britain. Hunting scenes, including both animals and aristocratic figures, were one of his specialties. This drawing, Spring, and its pendant Winter, come from a series depicting hunters across the four seasons. The hunter portrayed here holds a heron and a rifle as he contentedly gazes at his bounty of deer, rabbits, and other birds.. Pen and brown ink, with brush and brown and gray wash, over graphite, on laid ivory paper . Johann Elias Ridinger

Daughters of Reüel at the Well, print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1704, paper, etching, letterpress printing, h 111 mm × w 158 mm

The maenads of Ciconia kill Orpheus after he lost Eurydice. During a bacchanal they store it with sticks and stones.

Copper engraving by Pieter Bruegel the Elder depicting the triumph of time or Saturn, created in 1574, illustrating allegorical themes of mortality and time.

An Apple Harvest; Claude Simpol (French, 1666 - 1716); France; about 1700; Brush and gray wash and black chalk, incised for transfer throughout (recto); Covered with red chalk for transfer, previously indented with a stylus (verso); 24.3 × 32.4 cm (9 9,16 × 12 3,4 in.)

Sancho pelted by shepherds with stones, Caspar Luyken, 1696 print Print at the top right marked: Tom. 5. p. 242. Amsterdam paper etching Don Quixote. Sancho Panza. violent death by stoning - EE - death not certain; wounded person. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Two representations of one plate.

Ragotin declame des vers; des paysans croient qu'il preche. Dated: 1737. Dimensions: overall: 33 x 44.2 cm (13 x 17 3/8 in.). Medium: black chalk heightened with white chalk on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Oudry.

David Dijoofdt goliat; History of David and Saul; Historia Davidis et Saulis (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Goliat is on the floor. David stands on his chest with one foot and raises the sword from Goliat above his head, ready to behead him. On the left flight the Philistines for the Soldiers of Saul. Under the show a reference in Latin to the Bible text in 1 Sam. 17. Print is part of an album.

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