Seated and Standing Figures in Art

This collection features various illustrations of seated and standing figures from different angles, showcasing diverse postures with a focus on elegance and detail.

Suppose that each other shakes hand and a man, c. 1654 drawing Zwolle paper. ink. chalk

Deux Personnages Assis (Two Seated People), from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. Deux Personnages Assis (Two Seated People), from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

Standing man and a man leaning on a heap, Herman Saftleven, 1619 - 1685 drawing paper. chalk brush leaning sideways. standing figure

Standing flute player, man with a stick and man with a saw.

Jacques Callot, Two Seated Figures, c 1617 Two Seated Figures

Suppose that each other shakes hand and a man, c. 1654 drawing Zwolle paper. ink. chalk

Four Boers, Jan van Goyen (Possibly), 1606 - 1656 drawing Sketch magazine with four farmers. prepared paper. ink pen farmers. standing figure. leaning figure

Two standing men, a sitting man and a head study, Herman Saftleven, 1619 - 1685 drawing pencil. paper. chalk brush sitting figure. standing figure

Skaters, pump players and a gentleman and lady, followed by a boy, Ludolf Bakhuysen, in or before c. 1700 drawing paper. ink pen / brush skates (winter sports)

Visser, 1660 print Running man with a large landing net over his shoulder, fish basket on his belt and a rowing span or something similar in his hand. Italian fresh in the lower margin. The print is part of an album. paper etching street-trader. fisherman. 'cris de Paris', cries of London, etc.

Jacques Callot, Gentleman Viewed from the Side, c 1622 Gentleman Viewed from the Side

Skaters, pommel players and a gentleman and lady, followed by a boy, draughtsman: Ludolf Bakhuysen, in or before c. 1700, paper, pen, brush, h 223 mm × w 347 mm

Bella, Stefano della, Comic scenes, Dwarfs and a donkey, verso - stamped, A dwarf is beating a donkey, a second dwarf is sitting on the donkey and a third dwarf is pulling the donkey forward., print, engraving, prints, height 100 mm, width 139 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings

Jacques Callot, Man Moving Abruptly, c 1622 Man Moving Abruptly

Ruin of the thermal baths of Trajan or Mezza via aqueduct. Design for a print.

Two fighting men with swords, Jacques Callot, 1621 print Two men fight with swords against each other. The right pierces the left. This print is part of a series of 48 prints (50 incl. Title page and dicing sheet) with various topics (including men and women in different postures, landscapes, buildings and festivities in Florence). These prints may have been intended as drawing examples. Nancy paper etching fighting. hand-to-hand fighting (~ battle). hacking and thrusting weapons: sword

Man, a boy and a girl. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 1650. Place: Zwolle. Measurements: h 148 mm × w 173 mm. Museum: Rijksmuseum, Amsterdam.

Le joeuer de luth The Lute Player. 1616 - 1622. Callot, Jacques, 1592-1635. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Man with Sword. Dated: c. 1617. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Italy, Bazicaluva, Ercole, Hunting scenes, Two men, verso - stamped, Two standing men, both wearing a hat and a wide cloak., print, prent, prints, prenten, height 68 mm, width 90 mm, Italian, 1605 - 1666, print maker, prentmaker, 1620 - 1620, fourth quarter of the 16th century, first quarter of the 17th century, second quarter of the 17th century, paper, papier, etching, etchings

Gentleman Viewed from the Side. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Jacques Callot, Dancers with Flute and Tambourine, c 1622 Dancers with Flute and Tambourine

The funeral parent (plate 8), 1615; Bevreefnisse van (...) Walraven, Lord to Bredered, Vry-Heere van Vianen (...) did within the Stede of Vianen den XXIX January. Ano. 1615; Funeral of Walraven van Brederode, 1615.The Funeral Procession (Plate 8). Participants With Parts of the Armor and a Horse. Part of the Series of Prints of The Funeral Procession of Walraven from Brederode, Mr Van Vianen, on January 29, 1615 in Vianen.

Two fools with one fool's hood on their heads, print maker: Antoine Sallaert, (mentioned on object), 1590 - 1650, paper, etching, w 59 mm × h 88 mm

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the four monkeys mounted on the bears that the eunuchs lead a leash. Sixth issue of a suite of 18 pieces. Sixth number of 6 pieces constituting the first entry (A. de Vesme 1123. Dutuit 103) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Jacques Callot, Gentleman in Large Mantle, Seen from Behind, c 1622 Gentleman in Large Mantle, Seen from Behind

Man greets a sitting woman, c. 1654 drawing Zwolle paper. ink. chalk

Three farmers, Anonymous, Pieter Jansz. Quast, 1623 - 1703.

Un Leçon de Botanique, from Croquis Parisiens, published in Le Charivari, August 19, 1852 December 2, 1851 Honoré Daumier French. Un Leçon de Botanique, from Croquis Parisiens, published in Le Charivari, August 19, 1852. Croquis Parisiens. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). December 2, 1851. Lithograph; third state of three (Delteil). Charles Trinocq (Paris). Prints

Brush and graphite drawing by Adriaen Pietersz. van de Venne depicting a dancing female beggar with hands on hips, showing movement, posture, and clothing details.

A young man pouring water through a funnel into a vase with a man and a woman standing back to back behind. Etching by J. Basire after G.F. Barbieri, il Guercino.

Giovanni Battista Bracelli, From Bizzarie di varie Figure, 1624 From Bizzarie di varie Figure

Mother with child, two men and a market woman. Draughtsman: Herman Saftleven. Dating: 1619 - 1685. Measurements: h 99 mm × w 152 mm. Museum: Rijksmuseum, Amsterdam.

Jacques Callot, The Bagpipe Player, c 1622 The Bagpipe Player

Pulcinella and Scaramouche Taglia Cantoni, print maker: Anthonie de Winter, Jacques Callot, Cornelis Danckerts II, 1668 - 1707

Study sheet with a woman carrying a bucket and a man in a cape, Gerard ter Borch (II) (attributed to), after c. 1625 - before c. 1680, draughtsman: Gerard ter Borch (II), (attributed to), Zwolle, (possibly), after c. 1625 - before c. 1680, paper, h 110 mm × w 156 mm

La Paysanne Vue de Face, Tenant un Panier sur sa Tête (The Peasant Woman Viewed from the Front with a Basket on her Head), from Varie Figure (Various Figures), plate 12 ca. 1620 Jacques Callot French. La Paysanne Vue de Face, Tenant un Panier sur sa Tête (The Peasant Woman Viewed from the Front with a Basket on her Head), from Varie Figure (Various Figures), plate 12. Varie Figure. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1620. Etching; third state of four (Lieure). Prints

Amsterdam, Walraven, Isaac, Two men with sticks over their shoulders on their way, verso - stamped, print, prints, height 34 mm, width 51 mm, Northern Netherlands, 1686-03-23 - 1765-03-11, print maker, printmaker, 1696 - 1765, paper, papier, etching, engraving, engraving (printing process)

Five people.

Happy Peasant and Monk 1770 Henry William Bunbury British A French peasant wearing huge wooden clogs smiles as he walks beside a monk. The latter figure, and right half of the image, are left unfinished. The satire was inspired by figures the twenty-year old Bunbury saw in France during a European tour in 1769-70, when he took a break from studies at St. Catharine's College, Oxford.. Happy Peasant and Monk. Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). 1770. Drypoint. Prints

Soldier who puts his stir with his right hand on his shoulder (no. 32), about 1600. A soldier, full, to the right, which places a stir (a certain type of firearm) with his right hand on his left shoulder, the loop Pointing up (no. 32), ca. 1600. In his outstretched left hand, a burning wick (with the smoke in this second state). Plate 32 in the instructions for handling the rudder. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

Jacques Callot (1592-1635). "The whims, the lady with ample clothing. Twentieth issue of the suite of 50 pieces engraved in Nancy" (Lieure 447, Meaume 807). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99606-12 Etching, engraving

Jacques Callot (1592-1635). "The whims, the peasant carrying his shovel on the shoulder. Twenty-sixth number of the suite of 50 pieces engraved in Nancy" (Lieure 453, Meaume 823). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99606-28 Etching, engraving

Jacques Callot (1592-1635). "The whims, the gentleman from the right hand on the hip. Twenty-third number of the suite of 50 pieces engraved in Florence" (Lieure 236, Meaume 812). Etching. 1617. Museum of Fine Arts of the City of Paris, Petit Palais. 99606-17 Etching, engraving

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Brasil. Thirty-first number of a suite of 52 pieces. (A. de Vesme 592; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Jacques Callot (1592-1635). "The whims, the standard bearer. Forty-second number of the suite of 50 pieces engraved in Florence" (Lieure 255, Meaume 850). Etching. 1617. Museum of Fine Arts of the City of Paris, Petit Palais. 99607-24 Etching, engraving

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Cards of the Kings of France. Mix of good and bad: Childéric, Philippe de Valois, Louis XI. Fifth issue of a suite of 40 pieces. (A. de Vesme 656; Dutuit 119) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

In Officer of Lascarins Sitting On A Beni, Esaias Boursss, 1662 A man is sitting outside on a couch. The sofa is a wooden shelf bricked into a corner of two walls, resting on a wall. The floor is invested with tiles. It may be a seat at a Poortgebouw of the Fort. The man is dressed in a thickly wrapped Singalese hip rug (Kambaya) with a wide band around the waist. Standing the rug would have reached far beyond the knees, but sitting it is suspended. Above it a short -sealed jacket (Hettaya) with long sleeves, pleated bottom edge and a large decorated flat collar. The wide sleeves of the jacket have processed cuffs, from which the sleeves of another shirt seem to protrude. He has long wavy hair, a wide mustache and beard, and wears a high hat with a turned edge, decorative. In the lifted left hand he holds a folded leaf of the Talipot-Palm (Coryypha Umbraculifera; Sinhalees: Tala; Tamil: Kudaipanai). The leaf serves as a rain screen. The man wears sandals at his feet. On a double chain

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Cap. de la Bande, Ciurlo and Fritellino; Titulus Stultorum; Characters from the Dell'Arte Commedia. Three characters from the Dell'Arte Commedia. Left cap. De La Buirde with a Pince-Nez and a scroll are hands. In the middle Ciurlo and on the right a dancing Fritellino.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), suite of eight marines engraved in 1634. Frontispie. First piece (A. de Vesme 810. DUTUIT 31) (main title), 1634. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Dry Nurses. Artist: John Doyle (Irish, Dublin 1797-1868 London). Dimensions: Sheet: 11 5/8 × 17 3/16 in. (29.6 × 43.7 cm). Lithographer: Alfred Ducôte (British, active 1830-40). Publisher: Thomas McLean (British, active London 1788-1885). Series/Portfolio: HB Sketches, No. 551. Subject: William Lamb, 2nd Viscount Melbourne (British, London 1779-1848 Hertfordshire); Henry Peter, 1st Baron Brougham and Vaux (British, 1778-1868); Arthur Wellesley, 1st Duke of Wellington (British, 1769-1852); Sir Robert Peel (British, Bury, 1788-1850); John Singleton Copley (British, Boston, Massachusetts 1772-1863 London); Lord John Russell (British, 1792-1878). Date: July 21, 1838. Museum: Metropolitan Museum of Art, New York, USA.

Two men, Anonymous, c. 1700 - c. 1799 drawing The bare -fetish man on the left is wearing a basket on his back, the man on the right is wearing fishing nets. Netherlands paper. ink pen

A young man who walks straight into a butcher delivery boy's meat tray (poking his eye out), while the boy looks the opposite way. Etching by Richard Dighton.

Walking Boerpaar, Adriaen van Ostade, 1646 - 1649 print paper etching farmers

Copy of Le Duel a l'Épée et au Poignard (The Duel with the Sword and Dagger), from Les Caprices 17th century Anonymous. Copy of Le Duel a l'Épée et au Poignard (The Duel with the Sword and Dagger), from Les Caprices. Les Caprices. Anonymous. 17th century. Etching. Prints

7. Man preparing to pull his sword. Masked man with twisted legs (dummy title) | Gobbi. (Title of all)

Two Pantaloons Dancing. Dated: 1621. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Edouard Eckman after Jacques Callot.

Print made by James Bretherton, ca. 1730-1806, British, A Modern Spread Eagle, 1782. Etching with hand coloring on medium, moderately textured, blued white laid paper.

Three Englishmen, a stage in the background Ingallesi Costumes of different peoples , print maker: Johann Wilhelm Baur, Johann Wilhelm Baur, Johann Wilhelm Baur, Rome, 1636, paper, etching, h 81 mm - w 110 mm

January / 1821. (registered title (letter))

Copy of Scapino and Capitano Zerbino, from Balli di Sfessania (Dance of Sfessania) after 1622 Jacques Callot French This is a copy of a print from a series of 24 plates designed in Florence and published in Nancy. The figures depicted are Italian performers, dancing the "Sfessania.". Copy of Scapino and Capitano Zerbino, from Balli di Sfessania (Dance of Sfessania). Balli di Sfessania. Jacques Callot (French, Nancy 1592-1635 Nancy). after 1622. Etching. Prints

Man Cutting a Balm-Tree. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Dwarf with sword, in attacking attitude, Jacques Callot, 1621 - 1625 print Dwarf, seen on the right, a weak hat with bontrand on the head, the right hand on the sheath of his sword, the left hand on the hilt. This print is part of a series of 21 prints with grotesque figures; Almost all of those figures are dwarfs, many are bought. Nancy paper etching / engraving little people. hacking and thrusting weapons: sword

Two Figuren, Johannes Taventrate, 1840 - 1880 drawing Sketches of a woman with a suit on the back and a man walking with a stick, te Kleef. Cleves paper. pencil standing figure. standing figure - AA - female human figure Cleves

Autumn, anonymous, 1600 - 1699, draughtsman: anonymous, 1600 - 1699, paper, brush, h 138 mm × w 89 mm

Interior with three smoking and drinking soldiers, c. 1654 drawing Zwolle paper. ink. chalk

Man with beard (land unknown), 1569 A man with beard, walking to the right, dressed in hat with long side flaps, with legwinds. Part of the costume book entitled 'Omnium Fere Gentium Nostrae Aetatis Habitus, Nunquam Ante Hac Aediti', Venice 1569. Re -issue from 1569 of the first edition from 1563. paper engraving fashion plates

Rouddans, Jacques Callot, 1621 print Nine commedia dell'arte figures dance hand in hand around a man with a tambourine. This print is part of a series of 48 prints (50 incl. Title page and dicing sheet) with various topics (including men and women in different postures, landscapes, buildings and festivities in Florence). These prints may have been intended as drawing examples. Nancy paper etching group dancing around someone or something (folk dancing). types in 'commedia dell'arte'. tambourine

Twee vechtende mannen met zwaarden en dolken; Capricci di varie Figure di Jacopo Callot; Diverse figuren en voorstellingen.Two men fight against each other with swords and daggers. The judge is precisely to the face of the left. This print is part of a series of 48 prints (50 incl. Title and dedication sheet) with various topics (O.A. men and women in different attitudes, landscapes, buildings and festivities in Florence). These prints may have been meant as drawing examples.

The Minister In / The Minister Out, James Gillray, 1757-1815, British, 1782, Etching

Remigio Cantagallina, Two Studies of a Man Two Studies of a Man

Edouard Eckman after Jacques Callot, Gentleman in Large Mantle, Seen from Behind, 1621 Gentleman in Large Mantle, Seen from Behind

Declared figures with different animals; We syn with our sevenen. On a donkey is a man with a bellows. On his shoulders a dwarf dressed. There is a owl with a collar for him. Next to the donkey is a man with a milkbus () On his head, sausages around his neck and a pig under his arm.

17th Century tarot cards by Giuseppe Maria Mitelli (1632-1718). Originating from Bologna.

Dukes of Este 1486, Roberti, Ercole Grandi d'Anton

Jacques Callot, Lady with Large Plumes, and Two Gentlemen, probably 1634 Lady with Large Plumes, and Two Gentlemen

Le Commandant a Pied (The Commander on Foot), from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. Le Commandant a Pied (The Commander on Foot), from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

Study of the Perfonication of Peace with the peace hat and an olive branch; Figure studies to Gerard de Lairesse; Picturae Rudimenta Lairessiana. .

Three friends enjoying true contentment from a single bottle of wine. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.

Ostade, Adriaen van, Netherlands, Bos, Anthonie van den, Two standing men in conversation, verso - stamped, Two men meet on the road. One holds a jug in his hand. He shows the other the way., print, prints, height 102 mm, width 82 mm, 1763 - 1838-01-01, print maker, printmaker, 1778 - 1838, paper, papier, etching, etchings, aquatint, print drawing, Noord-Nederlands, 1610-12-19 - 1685-04-28, intermediary draughtsman

A fat hunchbacked man with two large warts on his nose with hairs growing out, admires his fashionable wig in a hand-mirror; a grinning barber trims his wig in front of a table on which there are various hair-dressing appliances. Engraving, 1773.

Three standing men. Draughtsman: Pieter van Loon. Dating: 1811 - 1873. Measurements: h 215 mm × w 343 mm. Museum: Rijksmuseum, Amsterdam.

Standing man and four sitting men, Herman Saftleven, 1619 - 1685 drawing A standing and a sitting man, on the right three sitting men. paper. chalk brush standing figure. sitting figure. standing figure. sitting figure

Bearded man with a rack over his shoulder, to the right, from behind, Harmen ter Borch, 1652, draughtsman: Harmen ter Borch, Zwolle, 1652, paper, h 95 mm × w 67 mm

A man shoots a woman; Study leaves with fashion phenomena. A woman kneels on the edge of the water to make her full to create. A man shoots her. They wear contemporary clothing.

Officer with Plume, Seen from Behind. Dated: 1617 and 1621. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Two Pantaloons Dancing. Dated: c. 1617. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

unknown artist, Front, Side View, and Back Front, of a Modern fine Gentleman, 1783. Etching.

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

The funeral parent (fragment plate 10), 1615; Bevreefnisse van (...) Walraven, Lord to Bredered, Vry-Heere van Vianen (...) did within the Stede of Vianen den XXIX January. Ano. 1615; Funeral of Walraven van Brederode, 1615.The Funeral Parrot (Small Fragment of Plate 10 Stuck to Plate 11). Part of the Series of Prints of The Funeral Procession of Walraven from Brederode, Mr Van Vianen, on January 29, 1615 in Vianen.

Man seduces a woman with his flute game, Crispijn van de Passe (I), after Jacques Bellange, 1574 - 1637 print A farmer plays the flute and tries to seduce the farmer's wife. She wears a straw hat with a wide edge on the head and a basket on the arm. With her hands she makes a dirty gesture. In the margin a four -line caption in French and in German. unknown paper engraving / etching flute, aulos, tibia. one person playing wind instrument. couple of lovers

Sketches of two standing men and a reading man. Sketches of two standing men in long mantels and a leaning, reading man.

Sketches of three standing men. Draughtsman: Bernard Picart. Dating: 1683 - 1733. Measurements: h 130 mm × w 171 mm. Museum: Rijksmuseum, Amsterdam.

A man ties together a bunch of branches. Fragment from a depiction of the flogging of Christ., Flogging of Christ, print maker: Monogrammist HR (graveur), (mentioned on object), print maker: Monogrammist RH (graveur), (mentioned on object), Hendrick Goltzius, 1597 - 1667, paper, engraving, h 65 mm × w 65 mm

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