Serene Landscape Sketches

Delicate sketches portraying tranquil landscapes, featuring rivers, castles, and figures in harmony with nature, created with subtle strokes and soft colors from the 17th to 19th centuries.

Landscape with the Rest on the Flight into Egypt by Lorrain, Claude (1600-1682) Albertina, Vienna 1660 Pen, brush, watercolour, ink and white colour on paper 27,4x38 France Baroque Landscape Graphic arts

Diana's tarry in Arkadia Ko O Nieborów; Richter, Joseph (1780-1837); around 1820 (1819-00-00-1820-00-00);20 years, nineteenth century (costume), Arkadia (Łódź Voivodeship), 1st quarter of the 19th century, costume, Radziwiłł (family) - residences, romanticism, architecture, garden architecture, aristocracy, classicism (style), Park landscapes, genre scenes, walks, purchase (provenance)

Face on a bowling alley in the Alkmaarder wood; Disses in the wood by the cone court; Faces on Alkmaar; All the main seventies of the Stadt Alckmaar lean in West Vriesland. View of a cone alley in the Alkmaarder wood. At the front walking a few figures with children and dogs. Under the show the title in Dutch and French.

Ruins of Messenia Near Sparta, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige, wove paper, Sheet: 8 7/8 × 11 1/4 inches (22.5 × 28.6 cm)

Drawing by Nicolas Poussin showing a panoramic view of Rome from Monte Mario, executed with lead point, pen, ink, and brush wash.

Bridge with four figures, anonymous, 1700 - 1800, draughtsman: anonymous, draughtsman: Adriaen Pietersz. van de Venne, (rejected attribution), 1700 - 1800, paper, pen, brush, h 82 mm × w 82 mm

James Baylis Allen, 1803-1876, British, Stonyhurst, Lancashire, 1827-1838. Open etching.

Album of 1829: Souvenir of Normandy, 1828. Joseph-Louis-Hippolyte Bellangé (French, 1800-1866). Lithograph; sheet: 22.7 x 29.1 cm (8 15/16 x 11 7/16 in.); image: 16.4 x 20.9 cm (6 7/16 x 8 1/4 in.).

Print made by Bradshaw & Blacklock, active ca.1850, British, Osborne House, after 1850. Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper.

The gardens of Versailles seen from the grand terrace, France, Historical, Reproduction of an original with a scene from the 19th century.

Woman who took in a tree grift, 1661 Probably Gesina herself who scratches her motto "Virtue Beauty" in the tree, with a reference to her heart description, Henrik Jordis. Zwolle Paper. Watercolor (Paint). Deck Paint. Framework lines:. Lines: Ink brush Probably Gesina herself who scratches her motto "Virtue Beauty" in the tree, with a reference to her heart description, Henrik Jordis. Zwolle Paper. Watercolor (Paint). Deck Paint. Framework lines:. Lines: Ink brush

Robert Wallis, 1794-1878, British, Warwick Castle, Warwickshire, 1827-1838. Line engraving, engraver's proof.

Landscape with River and Boats 1837 Auguste Bouquet. Landscape with River and Boats. Auguste Bouquet (French, Abbeville 1810-1846 Lucca, Italy). 1837. Colored lithograph. Prints

Kruskopf, Pehr Adolf, printer: F.Tengström, work name: Hämeenlinna, 1837, lithography, graphics, image width 28 cm, image height 18.4 cm

Bradshaw & Blacklock, active ca.1850, British, Tintern Abbey, after 1850. Aquatint and etching, with color woodcut on cream card mounted on beige card.

Etched by Joseph Mallord William Turner, 1775-1851, British, Juvenile Tricks, 1811. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper.

At coffee bucket Jacques-Fran�ois Swebach-Desfontaine (1769-1823). "At coffee bucket". Drawing.

William Hincks, 1752-1797, Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction, 1791. Stipple engraving.

Rivier de Brenta Bij Oriago, Giovanni Francesco Costa, c. 1750 - c. 1760 print View of the River Brenta running through Oriago. On the water a barge on which cooking is done. Numbered in the middle: XIV and bottom right: Tom: I. This print is part of an album. print maker: ItalyVenice paper etching river. tow-boat, towing-barge Brenta

Robert Mabon, died 1798, British, View in Panwell, undated. Watercolor and graphite on medium, slightly textured, cream wove paper.

Company in a garden with fountain and wine press, Jean Audran, After Jean Antoine Watteau, 1732 print print maker: Francepublisher: Paris paper etching / engraving autumn landscape; landscape symbolizing autumn (the four seasons of the year). autumn ~ human activities (the four seasons of the year). pressing grapes. garden fountain

Valle Crucis Abbey, near Llangollen. Date/Period: Between 1798 and 1801. Landscape. Watercolor over graphite on medium, moderately textured, beige, antique laid paper. Height: 210 mm (8.26 in); Width: 294 mm (11.57 in). Author: Thomas Girtin.

Thomas Gaugain, 1748-1812, French, An Airing in Hyde Park, 1796. Engraving.

Carlisle, Print made by Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving; touched engraver's proof on medium, slightly textured, cream wove paper

Face on mcon; Macon. .

Saint Albans Grand Steeple Chase 1817-1900 England. Etching and aquatint, with hand-coloring, on paper . James Pollard

Lambinet, Emile Charles (n.1815-01-13-D.1877), the Château de Madrid around 1824. Court hunting scene. (Faithful title), 1824. Carnavalet Museum, History of Paris.

Face to Oudelande. Draughtsman: Cornelis Pronk. Dating: 1746. Measurements: h 174 mm × w 240 mm. Museum: Rijksmuseum, Amsterdam.

Rethel in 1846, vintage engraved illustration. Magasin Pittoresque 1846.

Woman gretching names in a tree. Draughtsman: Gesina ter Borch (signed by artist). Dating: 1661. Place: Zwolle. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Miles City, Montana. Date: 1879. Watercolor on paper. Museum: Smithsonian American Art Museum.

Waterloo, Antonie, work, Woman and girl on a wooden bridge, (1000 - 2000), etching, graphics, 23.6 cm x 29, 5 cm

Artist: N.B. Abbott, American, After: Henry C. Eno, American, Camp of 20th Conn. Vol.s, Stafford Court House,Va., Lithograph in colors, sheet: 25.8 × 33 cm (10 3/16 × 13in.), Made in United States, American, 19thcentury, Works on Paper -Prints

Gottlob Friedrich Thormeyer depicts the area of Pillnitz as seen from a bridge, including the bridge railing, using pen and brown brushes over pencil with black edging lines, 1806-1808.

1861 Exhibition of Painting. Route Waben Berck, Pas de Calais, vintage engraving. 1861 Exhibition of Painting. Route Waben Berck, Pas de Calais, vintage engraved illustration. Magasin Pittoresque 1861. Copyright: xZoonar.com/PatrickxGuenettex 10678083

Beresteczko. The Tomb of Aleksander Frydrykowicz. (TEKA Wołyń) Orda, Napoleon (1807 1883)

HISTORIA DE FRANCIA. REVOLUCION FRANCESA. 1789 - 1799. ATAQUE DE NANTES POR LOS HABITANTES DE LA " VANDEE " , EL 29 DE JUNIO DE 1793. GRABADO. BIBLIOTECA NACIONAL. MADRID.

Lithographer: Unknown, St. Johns Chapel, New York, Lithograph, sheet: 24.3 × 30.4 cm (9 9/16 × 11 15/16 in.), Made in United States, American, 19th century, Works on Paper - Prints

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Bedford, Bedfordshire, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1831, Line engraving, 1st state on thick, smooth, cream, wove paper, with gray chine colle, Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm), Plate: 10 3/8 × 12 11/16 inches (26.4 × 32.2 cm), Chine collé: 9 3/16 × 11 3/4 inches (23.3 × 29.8 cm), and Image: 6 7/16 × 9 1/16 inches (16.4 × 23 cm)

Considered to Het Chteau the Marly; Of are prospecting you chateau rle. the marly. .

The French physicist Denis Papin's (1647-1712) steamboat being wrecked, 1707. The boatmen on the river Weser saw it as a threat to their jobs and destroyed the engine. From 'Vies des Savant Illustres', Louis Figuier, (Paris, 1870).

'De Fontein van Hercules, met die van de Groote Sprong, voor 't Amphitheater', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. Dimensions: Plate: 6 11/16 × 8 1/16 in. (17 × 20.5 cm). Engraver: Engraved by Lorenz Scherm (Dutch, active 1619-1707). Publisher: Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Date: n.d..Depiction of the fountain of Hercules and the fountain called 'the Big Leap' inn front of the amphitheater in the gardens of the Loo Palace. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century. Museum: Metropolitan Museum of Art, New York, USA.

Winter face, Wijnand Nuijen, 1823 - 1839 drawing paper. ink. chalk pen / brush city-view, and landscape with man-made constructions. ice ~ freezing weather

Tuileries Garden, Apollo and Daphne. / 6 (title registered (letter)) | Tuileries Garden (title of all)

Isaac Weld, 1774-1856, Irish, American Stage Wagon, undated. Pen and black ink and gray wash on Medium, slightly textured, cream laid paper.

Edward Goodall, 1795-1870, British, Richmond Hill, 1826. Line engraving, First published state on moderately thick, moderately textured, beige, wove paper, with gray chine colle.

James Wilcox, active 1830, Buckingham Palace from St. James's Park, 1830. Pen and brown ink and watercolor on medium, slightly textured, cream wove paper.

Study for a Stable Court of Kirkdale, Wigtownshire, Scotland, Robert Adam, 1728-1792, British, between 1770 and 1780, Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, blued white laid paper, (3 sheets of paper hinged together), Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm), architectural subject, castle, cattle, children, cows, genre subject, grazing, hats, hills, horses (animals), landscape, livestock, men, mountains, paths, riders, horseback, staff, steeple, study (visual work), travel, trees, walking, walls, women, Dumfries and Galloway, Kirkdale, Scotland, United Kingdom, Wigtownshire

A Laan on a country estate (Velserbeek), Johann Goll van Frankenstein (I), 1732 - 1785 drawing paper. chalk brush garden Velserbeek. Velsen

George Bickham, 1684-1769, British, A View from Cap't Grenvilles Monument to the Grecian Temple in the Gardens of Earl Temple at Stow, in Buckinghamshire. Hand-colored engraving on wove paper.

Doctor Syntax looks from his window to a man in the pond, Thomas Rowlandson, 1820 print paper etching pond, pool. human figure at (open) window, seen from outside. laughing

Robert Havell, 1769-1832, British, Coaching: The Reading Coaches. Aquatint, hand-colored.

Fountain with eagle in the gardens of the Villa Celimontana in Rome; Fontana e Piazza del Aquila Nel Giardino del Signor Duca Mattei (...); Le Fontane Ne Palazze E Ne Giardini di Roma; Fountains in the palaces and gardens of Rome. Numbered at the bottom right: 18. The print is part of an album.

Landscape with Hamlet and Cart, William Brockedon, 1787-1854, British, 1800, Watercolor over graphite, Sheet: 7 5/8 x 11 1/2in. (19.4 x 29.2cm)

Face on the pill; T 'Dorp DYL to the Linge. View of the pill from the other side of the Linge, in the foreground on the right some boats and anglers. At the top right numbered "2".

View of Dresden; Christian Gottlieb Hammer, German, 1779 - 1864; Germany, Europe; 1810; Watercolor over graphite; 50.5 x 74.6 cm (19 7/8 x 29 3/8 in.)

George Bryant Campion, 1796-1870, British, Dedham, undated. Watercolor over graphite on medium, slightly textured, beige wove paper.

Veües and prospect of the course of the Reyne Mother. (registered title)

View of the Salle des Marronniers in the garden of Versailles; La Salle Aux Marronniers. In the bottom margin two rules French text.

View of a Parthie in the Thiergarten and the waterfall to Lazieneck Bey Warsaw Title on the cover page

Spotlight on the ring of Circus Carr. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 280 mm × w 387 mm. Museum: Rijksmuseum, Amsterdam.

'Liege', 1850. Artist: R Brice.

On the left bank of the river are trees, on the right bank a farm with a hay barn. On the shore are two figures including a fisherman. In the center, on the water, a sailboat sails. River Landscape with Sailboat, print maker: Jan Willem van Borselen, (mentioned on object), Jan Willem van Borselen, (mentioned on object), printer: Koninklijke Nederlandsche Steendrukkerij, (mentioned on object), print maker: Netherlands, Netherlands, printer: The Hague, 1867 - 1874, paper, h 265 mm × w 355 mm

The Grenadier Caserne and the Kayszerl, Marstall , La Caserne de Grenadiers e lEcurie Imperiale st budget, Johann Andreas Ziegler -, Artist, Artaria , Co, Verlag, Publishing House

The Maria Theresien Bad, origin bath and original source. The suffering humanity devoted the benefit of nature.

The Chteau of Count Woronzoff, Aloupka, Crimea, August 12, 1837 Made 1840 France. Lithograph in black on ivory chine laid down on ivory wove paper . Denis Auguste Marie Raffet

Painting by John Constable; "Salisbury Cathedral"; English School; Oil on Canvas

Colored etching by Josef Schaffer showing the Josefsruhe, created around 1810. The print presents architectural and landscape details typical of early 19th-century Austrian colored etching.

The great boulevards in frieze: Boulevard des Capucines. Philippe-Marie Chaperon (1823-1907). "The Great Boulevards in Frieze: Boulevard des Capucines". Colorful Lithograph, 1848.

St. Quintin's Castle near Cowbridge in Glamorgan Shire, from Twelve Views in Aquatinta from Drawings taken on the Spot in South Wales. Paul Sandby; English, 1731-1809. Date: 1773-1775. Dimensions: 180 × 255 mm (image); 238 × 314 mm (plate); 356 × 530 mm (sheet). Etching and aquatint on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Pierre Lelu, Fantasy on the Villa Medici with Fountains, c 1768 Fantasy on the Villa Medici with Fountains

Twierdza w Patras. Bellermann, Ferdinand (1814-1889), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

De tuin van het huis Offem, bij Noordwijk. Gezigt naar het Terras, uyt het huys te OFFEM by Noordwyk (title on object). Draughtsman: Jan Baptist van Eeckhout (mentioned on object). Dating: 1782. Measurements: h 426 mm × w 518 mm. Museum: Rijksmuseum, Amsterdam.

Winter scene, Wijnand Nuijen, 1823 - 1839, draughtsman: Wijnand Nuijen, 1823 - 1839, paper, pen, brush, h 249 mm × w 311 mm

Thomas Rowlandson, The Post House, c. 1778-80, pen and gray ink, gray wash and watercolor on laid paper.

A View of the Grand Walk, Marylebone Gardens, 1778-86 John Donowell, 18th Century, Watercolour, Garden, London, Regency

Village face in Driebergen, 1754, Paulus van Liender, 1763 - 1799 print View on a road in the village of Driebergen. Two women on the left hang the wax to dry, further on figures are at a covered wagon. Print numbered at the bottom right: 1. Amsterdam paper etching village. hanging the wash to dry Driebergen

Pamiatnik Sv. Vladimiru v Kieve.. Timm, Vasili Fëdorovich, 1820-1895. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

John Cheney, Reward of Merit, 1821 Reward of Merit

Print made by John Robert Cozens, 1752-1797, British, Bath: The South Parade, 1773. Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper.

Village Scene, c. 1870, Jean-Baptiste Millet, French, 1831 - 1906, 10 1/2 x 14 in. (26.67 x 35.56 cm), Charcoal on cream paper, France, 19th century

Training for the First Revival of Olympic Games at the Dromos (Race Course) at Sparta Artist Unknown

Verkiai. Palace Courtyard. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Adam, Victor (1801-1866), graphic artist, Bichebois, Louis-Pierre-Alphonse (1801-1850), graphic artist, Sadovnikov, Vasilij Semënovič (1800-1879), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Gezigt, to be seen on the Maliepoort in Utrecht later addition: Van Af Zonnenburg

Fight at an inn or house with a straw roof on a hill. Draughtsman: Josephus Augustus Knip. Draughtsman: Matthijs Dirk Knip. Dating: 1787 - 1847 and/or 1785 - 1845. Measurements: h 396 mm × w 518 mm. Museum: Rijksmuseum, Amsterdam.

Bandbox paper, Block-printed paper on pasteboard support, House and tree in foreground, church tower in background. In brown, green and white on a light green ground. Fragment of a bandbox. Note on verso: 'Given to Carolena Maley Stickle, May 29, 1935 by Mrs. George Edward Follensbee of 615 Miles Ave., Cleveland, Ohio'., USA, 1825-30, Wallcoverings, Bandbox paper

Ludwig II of Bavaria (1845-1886). King of Bavaria. Castle and Lake Starnberg, last residence and place of his death. Engraving. The Spanish and American Illustration, 1886.

Yarn Picture. Dated: c. 1941. Dimensions: overall: 49.6 x 57.1 cm (19 1/2 x 22 1/2 in.) Original IAD Object: 16 1/2" high' 20" wide. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Edward Unger.

Michael "Angelo" Rooker, 1746-1801, British, A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire, undated. Watercolor and graphite on moderately thick, slightly textured, cream, wove paper.

St, EitIvy up like vitirs who mbarcate the irlicate ultey , view the st, VIEVING AVEC SES EXPERIES PRES THE VIENGS, ARIZER END, ARRAIA , PUBLISHING HAUSH -, Artist

Anonymous drawing depicting a scene at a wooden bridge, executed with black pen and watercolor, early 19th century.

Iceberg in Ochten, January 24, 1789; To morn the iceberg, in the Lower Betuwe; On and Consider the embarrassed the 24 Jan: 1789;. On a dyke, men and women are looking at the large mountain of raised ice. There are two people on top of the iceberg. Under the show five lines of Dutch text with two coats of arms in the middle above which a crown.

Autumn, evening and water The four seasons, times of day and elements (title series), draughtsman: Jacob Cats (1741-1799), 1797, paper, pen, brush, h 335 mm × w 415 mm

Tahiti, a funerary monument (toupapow) with a corpse on it, encountered by Cook on his second voyage, 1772-1775. Engraving by W. Woollett after W. Hodges, 1 February 1777.

Exhibition of 1844.

Thomas Creswick, 1811-1869, British, Waterloo, ca. 1838. Oil on panel.

Amerique Septentrionale - Etat de New-York. N. 4, pl. 4.Tarry-Town where Major André was captured.. Lithographer: Louis-Pierre-Alphonse Bichebois, French, 1801-1850Lithographer: Victor Adam, French, 1801-1866 After: Jacques Gerard Milbert, French, 1766-1840

The place is shown from the highway leading into it. The signature is similar to 1931-73-155. Date: 1840. Graphite, brush and bistre wash on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

William Byrne, 1743-1805, British, Carnarvon Castle, 1775. Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper.

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