Serene Landscape Sketches

Delicate sketches portraying tranquil landscapes, featuring rivers, castles, and figures in harmony with nature, created with subtle strokes and soft colors from the 17th to 19th centuries.

Landscape with the Rest on the Flight into Egypt by Lorrain, Claude (1600-1682) Albertina, Vienna 1660 Pen, brush, watercolour, ink and white colour on paper 27,4x38 France Baroque Landscape Graphic arts

View of a Town near a River, Roelant Roghman, 1657 drawing City on a river with a rider in the foreground. Album magazine with accompanying leaf on which a verse and the signature. Augsburg paper. ink. chalk pen / brush prospect of city, town panorama, silhouette of city. landscapes with waters, waterscapes, seascapes (in the temperate zone)

Capt. Thomas Hastings, 1778-1854, British, Sketch of a Park Scene with East Cowes Castle in the Distance, Isle of Wight, between 1826 and 1830. Graphite on medium, slightly textured, cream wove paper.

Landscape with the Rest on the Flight into Egypt by Lorrain, Claude (1600-1682) Albertina, Vienna 1660 Pen, brush, watercolour, ink and white colour on paper 27,4x38 France Baroque Landscape Graphic arts

Rivierlandschap puts Muzikant Dancing, Gérard Audran, After Gaspard Dughet, 1650 - 1703 print print maker: Francepublisher: Paris paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). female dancer. making music; musician with instrument - CC - out of doors

Farmers in Overveen, Franciscus Andreas Milatz, 1774 - 1808 drawing paper. chalk. watercolor (paint) brush hotel, hostelry, inn Overveen

No. 16. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

The West Gate of Cardiff in Glamorshire. Paul Sandby; English, 1731-1809. Date: 1776. Dimensions: 237 × 314 mm (plate); 320 × 463 mm (sheet). Aquatint on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Image reproduction: Walery Brochocki (1847-1923), from the Vistula area; From "Tygodnik Illustrowany" 1875, No. 404 (September 25), p. 196; Brochocki, Walery (1847-1923), Nicz, Edward (1851-1916), Weekly Ilustrowany (Warsaw; magazine; 1859-1939); 1875 (1847-00-00-1872-00-00);

Landscape with ruin, Nicolas Perelle, 1613 - 1657 print In the middle of numbered: 2. publisher: ParisFrance paper etching

Sheep shearers in a landscape: the summer season, Pieter Nolpe, After Pieter Symonsz Potter, 1640 - 1706 print In a hilly landscape the sheep are within a fence. A man shaves a sheep, another man catches the sheep. On the left a stable and a overgrown building. At the bottom of the margin a two -way verse in Dutch and a two -way verse in French. Numbered in the bottom right: 2. Print from a series of different months, which also depict an element or season. Amsterdam paper etching / engraving summer landscape; landscape symbolizing summer (the four seasons of the year). shearing (sheep). landscapes in the temperate zone

Face Emmen, draughtsman: Gerrit Hendrik Gobell, 1832, paper, brush, h 268 mm × w 374 mm

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

Print made by James Bromley, 1801-1838, British, Kirkstall Abbey, on the River Aire, 1823 to 1827. Mezzotint and soft ground etching; engraver's proof.

A Peasants Dwelling in Woody Country, Carlo Marchionni, Italian, 1702-1786, Black chalk, pen and ink, brush and watercolor on paper, A house and round stable with a straw roof are at right in the middle ground with sheep nearby. Cloudy sky., Italy, 1750-1770, landscapes, Drawing, Drawing

Claude Lorrain, A View of the Caffarella near Rome, 1667, Black chalk, pen and brown ink, and gray and brown wash, with pen and brown ink framing lines on cream laid paper.

Landscape with Elegant Figures by a River, with Boats to the Right and a Town Behind Trees Beyond 1641-1675 The Netherlands. Evocative of a blustery spring day, this drawing by landscape specialist Everdingen includes a church with cloisters in the left background, a tower by the waterís edge at center, several boats navigating choppy water, and a group of figures looking into the composition instead of out toward the viewer. Everdingen is known to have created several series describing the months of the year, and a number 4 on the verso of this drawing suggests that it may have belonged to such a series, likely representing the month of April.. Brush and gray wash, with touches of white wash, over touches of charcoal, ruled in pen and brown ink, on ivory laid paper . Allart van Everdingen

Attributed to John Preston Neale, 1771/80-1847, British, Canons Park, 1828. Graphite and watercolor on slightly textured, moderately thick, cream wove paper.

Prince Willem van Oranje on the beach of Scheveningen, Emmanuel Jean Nepomucene de Ghendt, after Adriaen van de Velde, 1748 - 1815 print The Royal Carriage drives over the beach of Scheveningen. Inside the carriage the young Prince of Orange, Willem III. It is low tide and the villagers of Scheveningen look at the parade. To a painting by Adriaen van de Velde. The print has a French caption. Paris paper etching / engraving beach. four-wheeled vehicle drawn by more than three animals Scheveningen

On the Newport Road, April 1826, Capt. Thomas Hastings, 1778-1854, British, 1826, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)

Isis, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by William Say, 1768-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1819, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm), Plate: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)

Theobald Michau drawing of a landscape with numerous figures, a ladder cart, and a windmill, executed in pen and brush with gray wash and white heightening over black chalk on brown paper.

Landscape with more and men working on shipbuilding, Richard Earlom, After Claude Lorrain, 1774 print London paper etching shipyard-workers. building a ship, ship under construction. lake

Brouwer Kolk at Overveen The Netherlands, Leendert Overbeek, 1792

The Ancient Archiepiscopal Palace at Maidstone, from Edward Hasted's, The History and Topographical Survey of the County of Kent, vols. 1-3. Artist: Drawn and etched by Richard Bernard Godfrey (British, probably London ca. 1728-1795 after). Dimensions: Book: 17 5/16 × 11 × 13/16 in. (44 × 28 × 2 cm)Sheet: 16 15/16 × 10 5/8 in. (43 × 27 cm)Plate: 10 1/16 × 14 in. (25.5 × 35.5 cm). Date: 1782.Plate 9, vol. II, published 1782. See 2014.599.1-.30 for comments. Museum: Metropolitan Museum of Art, New York, USA.

Pope Pius VII on the Saône near Lyons. Etching by J.J. de Boissieu.

In a landscape, hunters on horseback ride along the road. Some of them rest in the grass with the hunting dogs. On the jetty is a fisherman with a fishing net. At the bottom in the margin a two-line verse in Dutch and a two-line verse in French. Print from a series of different months, also depicting an element or season, Landscape with hunters: the element earth Terra (title on object) Landscapes with the months, elements and seasons (series title), print maker: Pieter Nolpe, (mentioned on object), Pieter Symonsz. Potter, (mentioned on object), publisher: Frederik de Wit, (mentioned on object), Amsterdam, 1640 - 1706, paper, etching, engraving, h 406 mm × w 527 mm

Summer landscape with figures and cattle, on fire, ablaze, church (exterior), Ghent, St Bavo's Cathedral, Nicolaes Aartman, 1759, paper, chalk, watercolor (paint), brush, h 219 mm × w 325 mm

No. 41. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Polish Army at Pułami; Frey, Jan Zachariasz (1769-1829); 1809 (1809-00-00-1809-00-00);1800-1815 (history), 1800-1815 (army), Czartoryski (family), Czartoryski (family)-residences, Duchy of Warsaw (1807-1815), Puławy (Lubelskie Voivodeship), Smolikowski, Seweryn (1850-1920), Smolikowski, Seweryn (1850-1920) - collection, architecture, gift (provenance), riders, horses, museums (archite. Duchy of Warsaw (1807-1815)

William Woollett, 1735-1785, British, Shooting, Plate III, 1770. Engraving with etching.

Leicester, Leicestershire, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof

John Inigo Richards RA, 1730/31-1810, British, Cowes Castle, Isle of Wight, undated. Watercolor and pen and black ink on moderately thick, moderately textured, cream laid paper.

La Colonnade du Palais a Tzarskoé-Sélo, from the series Vues pittoresques des palais & jardins impériaux aux environs de St. Petersbourg. Artist: After J. Meyer (active mid 19th century); C. Schultz. Dimensions: Image: 9 1/2 x 13 11/16 in. (24.2 x 34.8 cm)Sheet: 15 3/8 x 19 1/8 in. (39 x 48.6 cm). Printer: Printed by Lemercier (Paris). Published in: St. Petersburg. Publisher: Published by J. Velten. Date: ca. 1850. Museum: Metropolitan Museum of Art, New York, USA. Author: C. SCHULTZ. After J. Meyer.

A winter landscape by Allart van Everdingen showing walkers and ice skating runners on a channel, executed in brown ink and wash over graphite pencil, with vertical folds on the left edge.

Image of Koningin Juliana on the scales of the Heksenwaag (Leeueringerstraat 2) in Oudewater, with the mayor of Oudewater (Arke) To the right of her.

TIPP SUWARD.

Print made by John Scott, 1774-1828, British, Harewood House, 1816. Etching and line engraving on medium, slightly textured, cream wove paper.

MONTEVIDEO DESDE LA AGUADA - SIGLO XVIII - EXPEDICION MALASPINA. Author: Fernando Brambila. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Goejanverwellesluis, Hendrik de Winter, 1745, draughtsman: Hendrik de Winter, 1745, paper, pen, brush, h 151 mm × w 223 mm

It is the sake of Indramago above Beijtenzorg on t 'Pleijn, with desselfs Speelheuijs, Water Fonteijne and Bruggen, Johannes Rach, 1770 drawing View of a square; L.O. A fence with an opening in which some figures, in the foreground man who ascends horse and 4 groups of Javanese with parasols. Behind the square river with 3 bridges and 3 fountains. Inscription; In the middle of the top: it is from Indramago above Beuytenzorg Bin / Op 't Pleyn, with desselfs Speelhuys, Water Fonteyne and / Bruggen. Signed and dated. Outdoor care paper. ink pen / brush landscapes in tropical and sub-tropical regions. river Outdoor care

Landscape with grain harvest: Augustus, Jan van de Velde (II), 1630 - 1699 print A landscape with harvesting farmers and corn sheaves on the land representing the month of August. Figures resting in front left. At the bottom of the astrological symbol of the constellation Virgo. Print from a series of twelve. Northern Netherlands paper etching landscape symbolizing August. Virgo (zodiacal sign of August). cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet). binding ~ harvest. rest during harvest (eating, dancing, making love, etc.). transporting ~ harvest

A Coach and Four (from, Rustic Sketches) 1787 () Thomas Rowlandson. A Coach and Four (from, Rustic Sketches). Thomas Rowlandson (British, London 1757-1827 London). 1787 (). Hand-colored etching and aquatint;. Prints

Sir Richard Colt Hoare, 1758-1838, British, At Marino, near Rome, 1786 to 1819. Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper.

Face at Oudewater. Draughtsman: Gerrit Lamberts. Dating: 1834. Measurements: h 210 mm × w 306 mm. Museum: Rijksmuseum, Amsterdam.

The Gypsy Fortune-Teller, Paul Sandby RA, 1731-1809, British, ca. 1758, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 9 5/8 x 12 1/8 inches (24.4 x 30.8 cm) and Mount: 13 1/2 x 16 1/8 inches (34.3 x 41 cm), boat, building, children, fortune-teller, genre subject, gypsy, horse (animal), landscape, river, road, trees

Terrace at St. Germain-en-Laye, Henry Edridge, 1769-1821, British, between 1817 and 1819, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/8 × 16 3/4 inches (18.1 × 42.5 cm), figures, landscape, river, trees, walking, Europe, France, Saint-Germain-en-Laye, Yvelines, Île-de-France

View of Dodewaard and Hien, Hendrik Hoogers, 1800 drawing paper. ink. pencil pen / brush prospect of village, silhouette of village Waal. Dodewaard. Hien

Paul Sandby RA, 1731-1809, British, The Gypsy Fortune-Teller, ca. 1758. Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper.

Landscape with Haywagen, Johannes Janson, 1783 print Landscape with in the foreground a hay wagon with two farmers and a peasant with rake. Left in the background a farm, cows and a farmer. Eighth print from a series of thirteen with months. Leiden paper etching landscape symbolizing July. hay-wagon (+ labourers ~ crafts, industries, agriculture)

View of Rosomond's pound in the Saint James's Park in London, Robert Sayer, After Chatelain, 1752 print publisher: Londonpublisher: Londonprint maker: England paper. watercolor (paint) etching / brush public gardens, park (+ city(-scape) with figures, staffage). pond, pool St James's Park

Print made by Edward Goodall, 1795-1870, British, Tivoli, a Composition, 1827. Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream laid paper with cream chine-collé.

Aske Hall, John Scott, 1774-1828, British, after Joseph Mallord William Turner, 1775-1851, British, 1821, Line engraving and etching on medium, smooth, cream, wove paper

No. 17. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Anne Rushout, ca. 1768-1849, British, Clayberry from Field, May 1829, 1829. Watercolor on moderately thick, slightly textured, cream wove paper.

Brussels, Gérard, H., Loose plates from a series of lithographs of the area around Waterloo, Vue Général du Champ de Bataille de Waterloo, 18 Juin 1815, Battlefield of Waterloo, verso - stamped, View of the battlefield of Waterloo. On the right the monument. Part of a series of twelve plates (supplemented to fourteen) with views from around 1840 of the area where the Battle of Waterloo took place on 18 June 1815., print, prints, Frederik Muller Historieplaten, height 213 mm, width 280 mm, Belgian, print maker, printmaker, 1842 - 1842, paper, papier, lithografie (techniek), printer, drukker

Coach And Highwayman, Peter Tillemans, 1684-1734, Flemish, active in Britain (from 1708), undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)

Le Petit Parc. Dated: 1763/65. Dimensions: plate: 11 x 15.5 cm (4 5/16 x 6 1/8 in.) sheet: 11.2 x 15.5 cm (4 7/16 x 6 1/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean Claude Richard de Saint-Non after Jean-Honoré Fragonard.

William Elliot, active 1774, died 1792, British, Horse-racing Set of six: 4. Subduing Shoeing, the Cavison and Pillar, 1758. Engraving.

Samuel Palmer, 1805-1881, British, active in Italy (1837-39), The Wayside Smithy, undated. Watercolor and graphite on medium, moderately textured, cream wove paper.

Bowling Green Unknown. Bowling Green. Lithograph, hand painted with watercolor on paper, sheet: 7 3/8 x 8 1/2 in. (18.7 x 21.6 cm). American Art

Print made by James Bromley, (or John ), 1801-1838, British, Kirkstall Abbey, on the River Aire, 1823 to 1827. Mezzotint and soft ground etching.

Andreas Pic de Leopold (Lithographer) (After Wouwerman, Philips); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'A Stop at an Inn'. 1832 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Les oies' by Félix Hilaire Buhot (1847-1898), created between 1874 and 1888, specifically in 1887. The artwork features geese among trees and includes graphite notes and sketches in the margins of the paper, employing drypoint and aquatint techniques. The state is noted with a standard reference number

1875 Engraving, by Victor GuA©rin (1821 1891), depicting a view of Gaza in Palestine

James Fittler, 1758-1835, British, Mail Coach, ca. 1787. Etching and stipple engraving on moderately thick, slightly textured, beige wove paper.

EXHIBITION OF THE NEW SOCIETY OF PAINTERS WATER COLOURS, 'ITALY, LA SALTARELLA' BY CHARLES VACHER

Australia (18th c.). English colony of New South Wales. Drawing by Fernando Brambila illustrating the scientific expedition of Alejandro Malaspina (1789-1794). Litography. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Navy Museum.

W. R. Smith, active 1819-1851, Leicester Abbey, 1834. Line engraving and etching, 2nd state on moderately thick, sligltly textured, cream, wove paper, with cream, chine colle.

Landscape with woman and boy on a country road, Johann Heinrich Keller (II) (possibly), 1702 - 1765, draughtsman: Johann Heinrich Keller (II), (possibly), 1702 - 1765, paper, pen, brush, h 178 mm × w 235 mm

Bridges of St. Cloud and Seures, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Etching and engraving, third state

A holiday in the park, Jean Honoré Fragonard, 1775 - 1780 drawing paper. graphite (mineral) brush park

River landscape with fisherman, draughtsman: Francesco Zuccarelli, 1712 - 1788, paper, pen, brush, h 261 mm × w 425 mm

Etched by Joseph Mallord William Turner, 1775-1851, British, Christ and the Woman of Samaria, 1819. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Joseph Mallord William Turner, 1775-1851, British, Autumn Sowing of the Grain, ca. 1794. Watercolor and graphite on medium, slightly textured, cream wove paper.

Widok Koszyk. Vogel, Zygmunt (1764-1826), painter

Edward Edwards, 1738-1806, British, Barn Elmes, 1793. Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, moderately textured, cream laid paper (contemporary mount).

Face in Spa, Pieter van Loon, 1862 drawing paper brush

Bundled faggots leaning against a rack. Monro, Thomas, 1759-1833. 1800. Prints, Drawings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Thames from Greenwich Park, Engraved by William Bernard Cooke, 1778-1855, British, after Peter DeWint, 1784-1849, British, 1822, Engraving, Plate: 6 1/2 x 9 5/8in. (16.5 x 24.4cm) and Sheet: 7 x 10 1/8in. (17.8 x 25.7cm)

Hare Hunting. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 3/8 × 14 5/8 in. (26.3 × 37.1 cm)Plate: 9 3/4 × 13 3/4 in. (24.7 × 35 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: February 1, 1789. Museum: Metropolitan Museum of Art, New York, USA.

The fountain Beym resting Mars in the Dorenbach garden.

W. R. Smith, active 1819-1851, Richmond Hill and Bridge, 1832. Line engraving, 2nd state on moderarely thick, slightly textured, beige, wove paper, with cream, chine colle.

Wolsey's Well at Esher, Surrey, Print made by George Cooke, 1781-1834, British, after James Duffield Harding, 1798-1863, British, Published by Longman, active 1804-1914, British, 1830, Etching and line engraving on medium, slightly textured, cream wove paper

Paul Sandby RA, 1731-1809, British, The Bayswater Turnpike, undated. Watercolor, pen and black and gray ink on medium, slightly textured, wove paper mounted on card.

Print made by Samuel William Reynolds, 1773-1835, British, Namur from the Meuse, undated. Mezzotint proof on moderately thick, moderately textured, cream, laid paper.

Print made by Robert Wallis, 1794-1878, British, Kelso, 1834. Line engraving; engraver's proof on medium, slightly textured, cream wove paper.

Stop in Francolisi before arrival in Capua, 1778 drawing paper. chalk. watercolor (paint) brush / pen

Print made by George Cooke, 1781-1834, British, Chiswick, 1834. Etching and line engraving on medium, slightly textured, cream wove paper.

Bermerside, Print made by John Horsburgh, 1791-1869, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving; touched engraver's proof on medium, slightly textured, cream wove paper with chine-collé

Plate three, from Radierversuche Published 1844 Germany. Etching in black on ivory wove paper . Adolph Friedrich Erdmann von Menzel

Amsterdam, Jonghe, Clement de, Roghman, Roelant, Landscapes in the provinces of Holland and Utrecht, Slooten, View of Sloten, verso - stamped, View of the city of Sloten, with the church tower on the left. In the foreground a road with a number of passers-by and on the right a fisherman at the water's edge., print, prent, prints, prenten, height 133 mm, width 167 mm, Noord-Nederlands, 1627-03-14 - 1692-01-03, print maker, printmaker, 1637 - 1677, paper, papier, etching, etchings, drypoint, dry needle, Publication (Event), Publicatie, 1624 - 1677, publisher

Kelso, Print made by Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving on medium, slightly textured, cream wove paper with chine-collé

No. 78. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Print, Peep-show, Vuë du Canal de Delft à la Haye Ville de Hollande, 16; France; engraving in ink with washes of watercolor on paper, mounted on scrapbook page; 26.2 × 38.8 cm (10 5/16 × 15 1/4 in.); 1901-30-32

Antwerp, Wijngaerde, Frans van den, Baur, Johann Wilhelm, People walking in a park, a country house in the background, verso - stamped, print, prints, height 143 mm, width 196 mm, print maker, printmaker, 1636 - 1679, paper, papier, etching, Work conception, German, 1607-05-31 - 1642-02, after a design by, etchings, Publication (Event), Publication, Zuid-Nederlands, 1614-07-08 - 1679-03-17, publisher

Bairy.

Civita Castellana, Attributed to William Marlow, 1740-1813, British, undated, Pen and brown ink, brown wash and graphite on medium, slightly textured, cream laid paper, Sheet: 9 1/4 × 14 5/8 inches (23.5 × 37.1 cm), Civita Castellana

Giejstuny. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Country road along wall with dome, Jurriaan Andriessen, 1752 - 1819, draughtsman: Jurriaan Andriessen, 1752 - 1819, paper, pen, brush, h 156 mm × w 179 mm

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