Serene River Landscapes

Elegant river scenes featuring pastoral settings, shepherding activities, and historical architecture, depicted through detailed etchings.

River landscape Landscapes to Marco Ricci (series title), River landscape with small settlements. In the foreground a shepherd with his flock on the waterfront, landscapes, city view, and landscape with man-made constructions, river, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc, herd, flock, Davide Antonio Fossati (mentioned on object), Italy, 1743, paper, etching, h 254 mm × w 365 mm

River landscape Landscapes to Marco Ricci (series title), River landscape with small settlements. In the foreground a shepherd with his flock on the waterfront, landscapes, city view, and landscape with man-made constructions, river, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc, herd, flock, Davide Antonio Fossati (mentioned on object), Italy, 1743, paper, etching, h 254 mm × w 365 mm

Print made by George Cooke, 1781-1834, British, Hythe, Kent, 1824. Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper.

Romagna. Via d'Imola sul Santerno. 1801 - 1900. Massai, Pietro (Artist). Salucci, Litografía, active 19th century. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Crossing the Brook, Print made by Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1842, Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, Sheet: 30 1/8 × 22 5/8 inches (76.5 × 57.5 cm), Plate: 25 1/8 × 19 1/4 inches (63.8 × 48.9 cm), and Image: 18 3/8 × 15 inches (46.7 × 38.1 cm)

In Classical Land, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, brush and grey watercolor and black ink on paper, A road winds backwards, where a snow-covered mountain is shown beyond a valley. A classical sarcophagus stands at left in a group of trees., France, Paris, France, 1793-1877, Drawing, Drawing

The Castle above the Meadows, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1808, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper, Sheet: 10 × 15 inches (25.4 × 38.1 cm), Plate: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm), and Image: 7 × 10 1/4 inches (17.8 × 26 cm), castle, cliff, cows, flutist, hill, landscape, trees

Saint George fighting the dragon. Engraving by D. Lerpinière after Claude Lorrain.

Solitude, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by William Say, 1768-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1814, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper, Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 × 10 1/8 inches (17.8 × 25.7 cm)

Bridge over Meuse at Namur, Print made by Thomas Goff Lupton, 1791-1873, British, after George Arnald, 1763-1841, British, undated, Mezzotint with etching (proof) on moderately thick, moderately textured, cream laid paper, Sheet: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm) and Image: 6 3/8 × 10 inches (16.2 × 25.4 cm)

Etched and engraved by Joseph Mallord William Turner, 1775-1851, British, Junction of Severn and Wye, 1811. Etching, aquatint, and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

engraver/etcher: Both, Jan, Crossing the Tiber (Le Trajet), (1000 - 2003), line etching, graphics, plate width 28 cm, plate height 20 cm

William Bernard Cooke, 1778-1855, British, Plymouth, from Mount Batten, 1817. Engraving and etching on moderately thick, slightly textured, cream, laid paper.

Untitled (Fishing in the Inlet) Rafaello Morghen (Italian, 1758-1833). , 1894. Etching, Sheet: 22 1/16 x 30 1/16 in. (56 x 76.4 cm). European Art 1894

Opening the Fold, Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), 1880, Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper, Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm), Plate: 6 3/8 x 9 inches (16.2 x 22.9 cm), and Image: 4 5/8 x 6 15/16 inches (11.7 x 17.6 cm), animal art, birds, bugle, clouds, farming, genre subject, hat, herd, hills, horn, labor, landscape, light, mountains, pipe, river, roof, sheep, shepherd, sky, smoke, sunrise, thatch, town, trees

View of the tomb of Cellius near Tivoli, Albert Christoph Dies, 1795 print Rome paper etching landscapes. grave, tomb. 'en route', traveller under way Tivoli

Etched by Joseph Mallord William Turner, 1775-1851, British, Winchelsea, Sussex, 1812. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper.

Richmond, Yorkshire, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1818-1823, Line engraving and etching, engraver's proof (touched) on moderately thick, smooth, cream, wove paper, with cream, chine colle, Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm), Plate: 12 1/4 × 17 5/8 inches (31.1 × 44.8 cm), Chine collé: 8 1/4 × 11 1/4 inches (21 × 28.6 cm), and Image: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)

Bangor in the County of Caernarvon. Paul Sandby; English, 1731-1809. Date: 1776. Dimensions: 239 × 315 mm (plate); 320 × 463 mm (sheet). Etching and aquatint in sanguine on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Italianate River Landscape with an Inn. Artist: Gaspar Adriaensz. van Wittel (Dutch, Amersfoort 1652 or 1653-1736 Rome). Dimensions: sheet: 10 1/2 x 16 1/16 in. (26.7 x 40.8 cm). Date: mid-17th-mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.

Nineveh, Moussul on the Tigris, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1835-1836, Line engraving, engraver's proof

Liber Studiorum: Plate 6, The Judgment of Midas, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 32 x 49.6 cm (12 5/8 x 19 1/2 in.); platemark: 19.8 x 25.2 cm (7 13/16 x 9 15/16 in.).

Bliżej Kultury Dubois de Montpéreux, Frédéric (1798 1850), Popp (Fl. CA 1840 1843), lithography of H. Nicolet (Neuchtel)

A Study, Print made by Richard Earlom, 1743-1822, British, after Claude Lorrain, 1600-1682, French, Published by Boydell & Co., 1720-1804, British, 1817, Mezzotint and etching in brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 10 9/16 x 16 9/16 inches (26.8 x 42.1 cm), Plate: 9 3/8 x 13 inches (23.8 x 33 cm), and Image: 7 11/16 x 11 3/4 inches (19.5 x 29.9 cm), buildings, castle, cliffs, coastline, fortress, landscape, mountains, sailboats, sea, shore (landform), towers (building divisions), towns, trees, villages, water mill

Wolf's Hope, James H. Kernot, active early 19th century, after Joseph Mallord William Turner, 1775-1851, British, 1843, Line engraving

William Woollett, 1735-1785, British, The Haymakers, c. 1800. Line engraving and etching on wove paper.

No. 128. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Etcher: Unknown, Untitled (Portsmouth, N.H.), ca.1777, Etching, hand colored, sheet: 55.5 × 76.4 cm (21 7/8 × 30 1/16in.), Made in United States, American, 18thcentury, Works on Paper -Prints

Nako w Himalajach. Bellermann, Ferdinand (1814-1889), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Wycliffe, near Rokeby, John Pye, 1782-1874, British, after Joseph Mallord William Turner, 1775-1851, British, 1823, Line engraving and etching on moderately thick, slightly textured, cream, laid paper, Sheet: 10 15/16 × 16 1/2 inches (27.8 × 41.9 cm) and Image: 7 9/16 × 10 3/4 inches (19.2 × 27.3 cm)

. Color aquatint on paper . Francis Jukes

Italy, Morghen, Filippo, View of Lago d'Averno, verso - stamped, View of Lago d'Averno (west of Naples), the Temple of Juno, the Grotto of the Cumaean Sibyl, the 'Castello' and a second lake. At the far left the island of Capri. The various topographical components are indicated with capital letters and explained in the text below the representation. Numbered top right: 25., print, prints, height 290 mm, width 392 mm, 1730 - 1817, print maker, printmaker, 1740 - 1807, second quarter 18th century, third quarter 18th century, paper, engraving, engraving (printing process)

Reproduction of a painting: Brochocki, Walery (1847-1923), From the Vistula shores; excerpt from a magazine. Brochocki, Walery (1847-1923), draughtsman, cartoonist, Nicz, Edward (1851-1916), engraver, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Third View of the Surroundings of Naples ca. 1760-80 After Joseph Vernet. Third View of the Surroundings of Naples. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1760-80. Engraving; first state of two. Pierre François Basan (French, Paris 1723-1797 Paris ()). Prints

Bliżej Kultury Hellmuth (Fl. CA 1840 1843), Dubois de Montpéreux, Frédéric (1798 1850), lithography of H. Nicolet (Neuchtel)

Etched by Joseph Mallord William Turner, 1775-1851, British, The Straw Yard, 1808. Etching and mezzotint, printed in brown ink on thin, slightly textured, cream laid paper.

Landscape with Anchored Boat and Figure, Henry Swinburne, 1743-1803, British, undated, Pen and balck ink, gray ink, gray wash, and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm) and Sheet: 4 9/16 × 6 1/2 inches (11.6 × 16.5 cm)

Winchelsea, Sussex, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by J. C. Easling, fl.1788-1815, after Joseph Mallord William Turner, 1775-1851, British, 1812, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper, Sheet: 11 5/8 × 17 3/4 inches (29.5 × 45.1 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 1/8 × 10 1/4 inches (18.1 × 26 cm)

Amsterdam, Danckerts, Justus, Nooms, Reinier, Netherlands, Various embarkations and the like, Divers Embarquements et autre Faicts, Landscape with a man on a donkey, verso top left - pencil, Hilly landscape with a man riding a donkey along a river. A bridge near a building on the bank., print, prints, verso center - stamped, verso center right - stamped, verso lower left - stamped, two interlocking C's, height 80 mm, width 178 mm, Northern Netherlands, 1624 - 1664, print maker, printmaker, 1651 - 1652, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1635-11-11 - 1701-07-16, publisher

William Miller, 1796-1882, British, St. Cloud, 1834. Etching and engraving, engraver's proof.

Bonneville, Savoy, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Henry Dawe, 1790-1848, British, after Joseph Mallord William Turner, 1775-1851, British, 1816, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper, Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm), Plate: 8 3/8 × 11 3/8 inches (21.3 × 28.9 cm), and Image: 7 3/8 × 10 3/4 inches (18.7 × 27.3 cm)

Der König-See gegen den Untersberg bei Salzburg (Königsee toward the Untersberg near Salzburg). Dated: 1830. Dimensions: plate: 16.2 x 20.7 cm (6 3/8 x 8 1/8 in.) sheet: 22.5 x 29 cm (8 7/8 x 11 7/16 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: Ludwig Richter.

No. 183. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Print made by John Pye, 1782-1874, British, Pope's Villa, 1811. Etching and line engraving on medium, slightly textured, cream wove paper.

Geged an der Havel bey Potsdam. Zingg, Adrian (1734-1816), graphic artist, Reinhart, Johann Christian (1761-1847), draughtsman, cartoonist, Tauchnitz, Christian Bernard von (1816-1895), publisher

Pierre Charles Canot, ca. 1710-1777, French, active in Britain, The Great Bridge over the Taafe, 1775. Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper.

Okehampton Castle on the River Okement, Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1823-1827, Mezzotint

The Poor Fisherman 1770-97 Jeanne Deny. The Poor Fisherman. Jeanne Deny (French, 1749-ca. 1815). 1770-97. Etching and engraving. Pierre François Basan (French, Paris 1723-1797 Paris ()). Prints

Plate 79 from Voyages Pittoresques...Auvergne vol. 1: Picturesque and Romantic Journeys in Old France: Auvergne (vol. II), Gorge of Royat, Plate 79 , 1830. Eugène Isabey (French, 1803-1886). Lithograph on chine collé; sheet: 35 x 53.8 cm (13 3/4 x 21 3/16 in.); platemark: 21 x 31 cm (8 1/4 x 12 3/16 in.).

Bridge of the Sambre at Namur, Print made by William Ward, 1766-1826, British, after George Arnald, 1763-1841, British, 1821, Mezzotint with etching (proof) on moderately thick, moderately textured, cream laid paper, Sheet: 9 × 11 5/8 inches (22.9 × 29.5 cm) and Image: 7 5/16 × 10 3/16 inches (18.6 × 25.9 cm)

Trematon Castle, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1830, Line engraving, 3rd state on moderately thick, slighlty textured, cream, wove paper, Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm), Plate: 9 7/16 × 12 1/2 inches (24 × 31.8 cm), and Image: 6 9/16 × 9 7/16 inches (16.7 × 24 cm)

Paris, Bes et F. Dubreuil, A., Lory, Mathias Gabriel, France, Bird (printmaker), Le Vésuve pris de Torre dell'Annunziata., Landscape with Vesuvius seen from Torre Annunziata, verso - stamped, Numbered top right: No. 21., print, prent, prints, prenten, height 228 mm, width 285 mm, print maker, printmaker, 1800 - 1899, paper, papier, aquatint, etching, etchings, 1784-06-21 - 1846-08-25, after, after painting by, printer, Publication (Event), Publication, publisher

Bliżej Kultury Dubois de Montpéreux, Frédéric (1798 1850), Unknown, lithography of H. Nicolet (Neuchtel)

Brussels - Distant View, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof

Margate, Kent, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1832, Line engraving and etching, 3rd state on moderately thick, smooth, beige, wove paper, Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm), Plate: 9 15/16 × 12 inches (25.2 × 30.5 cm), and Image: 6 5/16 × 9 5/8 inches (16 × 24.4 cm)

Landscape with ruins and shepherds with herd in the foreground, Jean Morin, After Cornelis van Poelenburch, 1625 - 1650 print publisher: ParisFrance paper etching landscapes in the temperate zone (+ landscape with figures, staffage). landscape with ruins

Amos Green, 1735-1807, British, Pass of Glyndiffis, undated. Gray and brown wash with pen and brown ink over graphite on medium, beige, moderately textured wove paper.

The Poor Fisherman 1770-97 Jeanne Deny. The Poor Fisherman. Jeanne Deny (French, 1749-ca. 1815). 1770-97. Etching and engraving. Pierre François Basan (French, Paris 1723-1797 Paris ()). Prints

Richmond Hill and Bridge, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1832, Line engraving, 2nd state on moderarely thick, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 10 13/16 × 14 5/8 inches (27.5 × 37.1 cm), Plate: 9 3/16 × 12 inches (23.3 × 30.5 cm), Chine collé: 9 1/16 × 11 13/16 inches (23 × 30 cm), and Image: 6 5/16 × 9 1/16 inches (16 × 23 cm)

A drawing by Robert Griffier, titled Rhonicity, shows human forms or figures (possibly herdelves) drawn in black chalk and washed in gray and brown. Three brownish spots (oxidation of white medium) appear in the middle of the composition. Dated 1719.

Watercolour depicting Tiberius (Galilee); in Palestine; ca. 1837 by Thomas Allom (1804 - 1872); English architect, artist, and topographical illustrator.

Passage du Rhòne par Annibal Hannibal crossing the Rhone Martinet, Aaron, 1762-1841. still image. Conjectural works. 1836. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Elephants, Military leadership, Rafts, howdahs, Armies , To 499, Punic wars, Rome , History , Republic, 265-30 B.C, Carthage (Extinct city) , History, Hannibal, 247-182 B.C, Rhône River (Switzerland and France)

The Hurduar Looking Up the River, Samuel Davis, 1757-1819, British, undated, Watercolor, pen and black ink, gray ink, graphite, and scratching out on moderately thick, moderately textured, beige, laid paper, mounted on, thick, moderately textured, cream, wove paper, Mount: 21 5/8 × 30 1/2 inches (54.9 × 77.5 cm) and Sheet: 21 1/8 × 30 inches (53.7 × 76.2 cm), architectural subject, figures, hills, marine art, river

Worcester, William Walker, 1791-1867, British, after Edward Francis Burney, 1760-1848, British, 1792

Print made by Samuel Alken, 1756-1815, British, The Windings of the Forth, 1802. Aquatint on medium, slightly textured, cream wove paper.

Environs of Venice -15. Ricci, Marco, 1676-1729. 1743. D. A. F. (Davide Antonio Fossati), 1708-1780. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Diogenes Throwing Away his Bowl on Seeing a Peasant Drink from his Hand, Woodcut Engraving from the Original Painting by Nicolas Poussin, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

Print made by John Cousen, 1804-1880, British, Approach to Thiers, France, 1836. Etching and line engraving on medium, slightly textured, cream wove paper.

Sir George Howland Beaumont seventh Baronet, 1753-1827, British, Temple of Venus Monday, March 18th, 1782, 1782. Graphite and gray wash on medium, slightly textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Bliżej Kultury Dubois de Montpéreux, Frédéric (1798 1850), Popp (Fl. CA 1840 1843), lithography of H. Nicolet (Neuchtel)

Gezigt van 't Hommeltje by Utrecht.

Happy Fishing After Joseph Vernet French Engraver Adrian Zingg Swiss ca. 1760 View more. Happy Fishing. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1760. Engraving. Adrian Zingg (Swiss, St. Gallen 1734-1816 Leipzig). Prints

Edward Francis Finden, 1791-1857, British, The Castle Rhine, 1832-1834. Line engraving, engraver's proof.

Waterloo, Antonie, work, Travelers along the great road, (1000 - 2000), etching, graphic, 15.2 cm x 20, 3 cm

Lake of Thun, Switzerland, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Charles Turner, 1774-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1808, Etching and mezzotint, printed in brown ink Engraver's proof (a) on medium, slightly textured, cream laid paper, Sheet: 7 7/8 × 11 inches (20 × 27.9 cm), Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm), and Mount: 12 × 17 5/8 inches (30.5 × 44.8 cm), landscape, lightning, men, sailboats, seascape, waves (natural events), Lake Thun, Switzerland

Tancarville, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Etching and engraving

The Castle, from "Poetical Sketches of Scarborough" 1813 Thomas Rowlandson Twenty-one plates etched by Thomas Rowlandson after James Green. The aquatint was added by John Bluck and Joseph Stadler. The sketches by Green were made as souvenirs and not intended for publication, but were ultimately published due to popular demand.. The Castle, from "Poetical Sketches of Scarborough". "Poetical Sketches of Scarborough". Thomas Rowlandson (British, London 1757-1827 London). 1813. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Landscape (Going to Market) after Rubens John Browne (1741-1801). "Going to Market", landscape after Pierre-Paul Rubens (1577-1640). Engraving (Forter, Burin). 1783. Museum of Fine Arts of the city of Paris, small palace.

Landscape with a tunnel, Pieter Nolpe, After Adriaen van Nieulandt (I), 1623 - 1653 print A tunnel carved in the rocks with a few travelers on the road and a man with a donkey. On the right in the tunnel wall two doors. A landscape in the offing. Print from a series of landscapes. Amsterdam paper etching / engraving underground road, tunnel. 'en route', traveller under way. ass, donkey

Garigliano Passage (Italy). Artist: Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). Dimensions: Sheet (trimmed): 8 1/2 × 12 13/16 in. (21.6 × 32.5 cm). Date: 1793. Museum: Metropolitan Museum of Art, New York, USA. Author: Jean Jacques de Boissieu.

Seven Views in Salzburg and Berchtesgaden: Monday: Rosenecker Garden Salzburg, 1823. Ferdinand Olivier (German, 1785-1841). Lithograph;

Approach to Thiers, France, Print made by John Cousen, 1804-1880, British, after James Duffield Harding, 1798-1863, British, Published by Fisher, Son & Co., active 1821-1848, British, 1836, Etching and line engraving on medium, slightly textured, cream wove paper

Cite Lointaine. Dated: 1868. Dimensions: image: 9.9 x 18.2 cm (3 7/8 x 7 3/16 in.) sheet: 22.6 x 31.6 cm (8 7/8 x 12 7/16 in.). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Rodolphe Bresdin.

Brienne, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving, engraver's proof (touched)

Convento del Carmine, at Isola di Sora, Sir Richard Colt Hoare, 1758-1838, British, 1790, Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper, Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm) and Contemporary drawn border: 16 1/16 x 21 1/2 inches (40.8 x 54.6 cm), architectural subject, convent, Grand Tour, island, landscape, river, trees, waterfall, Europe, Frosinone, Italia, Lazio, Sora

Ferdinand Olivier, Montag Rosenecker Garten vor Salzburg (Monday Rosenecker Garden near Salzburg), 1823 Montag - Rosenecker Garten vor Salzburg (Monday - Rosenecker Garden near Salzburg)

Bolton Abbey, Wharfdale, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1826, Line engraving, first published state on medium, slightly textured, cream, wove paper, with gray, chine colle, Sheet: 6 3/8 × 8 5/16 inches (16.2 × 21.1 cm), Plate: 4 1/2 × 6 9/16 inches (11.4 × 16.7 cm), Chine collé: 4 1/16 × 5 13/16 inches (10.3 × 14.8 cm), and Image: 2 15/16 × 4 1/8 inches (7.5 × 10.5 cm)

Observations on the Theory and Practice of Landscape Gardening. Humphrey Repton (English, 1752-1818); engravings designed by Samuel Shelley (English, c. 1750-1808) and John Adey Repton (English, 1775-1860) and engraved by William Holl, I (English, 1771-1838) and Samuel Porter (English, act. 1792-1842); published by Josiah Taylor (English, 1761-1834); printed by Thomas Bensley (English, 1760-1835); bound by Riviere and Son (English, 1840-1939). Date: 1803. Dimensions: 360 × 615 × 45 (book, open); 360 × 300 × 45 mm (book, closed). Book with aquatints, some with hand-coloring, wood engravings, letterpress, and one stipple engraving, in black on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Samuel William Reynolds, 1773-1835, British, Dartmouth, on the River Dart, 1823-1827. Mezzotint.

James Charles Armytage, 1802-1897, British, Jumieges, 1834. Line engraving, engraver's proof.

Salisbury, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1830, Line engraving and etching, 3rd state on moderately thick, slightly textured, cream, wove paper, Sheet: 10 11/16 × 14 9/16 inches (27.1 × 37 cm), Plate: 9 1/2 × 12 inches (24.1 × 30.5 cm), and Image: 6 5/8 × 9 1/2 inches (16.8 × 24.1 cm)

City of Washington: From beyond the Navy Yards. Dated: published 1834. Dimensions: sheet (trimmed within plate mark): 53.6 x 70 cm (21 1/8 x 27 9/16 in.). Medium: hand-colored aquatint with touches of engraving on wove paper. Museum: National Gallery of Art, Washington DC. Author: William James Bennett after George Cooke.

Cooking sailors in a cave on the coast, Jean Jacques André Le Veau, after Claude Joseph Vernet, 1739 - 1786 print Paris paper etching / engraving cooking food - CC - in the open air. cave, grotto. rocky coast

Print made by Robert Wallis, 1794-1878, British, Kelso, 1834. Line engraving; early engraver's proof on medium, slightly textured, cream wove paper.

Chteau of Amboise, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Etching and line engraving, engraver's proof on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 8 9/16 × 11 11/16 inches (21.7 × 29.7 cm), Plate: 5 15/16 × 8 13/16 inches (15.1 × 22.4 cm), Chine collé: 5 5/8 × 8 9/16 inches (14.3 × 21.7 cm), and Image: 3 11/16 × 5 9/16 inches (9.4 × 14.1 cm)

The Fearful Donkey ca. 1754-1809 After Joseph Vernet. The Fearful Donkey. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1754-1809. Engraving. Pierre François Laurent (French, Marseille 1739-1809 Paris). Prints

Storm op zee, Jean Guillaume Blanchon, After Pieter Frederik de la Croix, 1768 print print maker: Francepublisher: Paris paper etching / engraving storm at sea. ships (in general) - CC - more than one ship

The Chteau of Count Woronzoff, Aloupka, Crimea, August 12, 1837. Denis Auguste Marie Raffet (French, 1804-1860); printed by Auguste Bry (French, 19th century); published by Éditeur Ernest Bourdin (French, active 19th century). Date: 1840. Dimensions: 223 × 320 mm (image); 223 × 320 mm (primary support); 280 × 358 mm (secondary support). Lithograph in black on ivory chine laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

William Miller, 1796-1882, British, Brussels, Distant View, 1834. Etching and engraving, first published state.

Caudebec, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Etching and engraving

Young Neapolitan Woman Fishing ca. 1770 After Joseph Vernet. Young Neapolitan Woman Fishing. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1770. Engraving. Jean Jacques Le Veau (French, Rouen 1729-1786 Paris). Prints

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