Ships and Maritime Scenes

Various artworks showcasing ships at sea, from battles to everyday sailing, highlighting maritime life with dramatic skies and turbulent waters.

Amsterdam, Blaeu, Willem Janszoon, Wieringen, Cornelis Claesz. van, Haarlem, Goltzius, Hendrick, Ships on a coast, verso lower left - stamped, A large ship on a coast. On the right in the foreground three people are rowing to the beach in a small sloop. In the background a number of sailing ships. The sun breaks through the clouds at the top right., print, prints, verso bottom center - stamped, height 136 mm, width 215 mm, Noord-Nederlands, 1558-01 - 1617-01-01, print maker, printmaker, 1605 - 1620, first quarter 17th century, paper, deck paint, chiaroscuro woodcut, 1577 - 1633-12-29, Work conception, after own design by, Publication (Event), Publication, 1571 - 1638-10-21, publisher

A etching depicting a boat filled with men preparing to board a galley, which is visible in the distance to the right. Created in 1634, the plate mark measures 5 1/16 x 8 1/8 inches (12.8 x 20.6 cm), and the paper/sheet dimensions are the same. The paper is cream laid

Sailing ships at sea, c. 1825 - c. 1875 Page 23 Recto from a sketchbook with 44 sheets. paper. pencil. ink. watercolor (paint) pen / brush Page 23 Recto from a sketchbook with 44 sheets. paper. pencil. ink. watercolor (paint) pen / brush

Amsterdam, Blaeu, Willem Janszoon, Wieringen, Cornelis Claesz. van, Haarlem, Goltzius, Hendrick, Ships on a coast, verso lower left - stamped, A large ship on a coast. On the right in the foreground three people are rowing to the beach in a small sloop. In the background a number of sailing ships. The sun breaks through the clouds at the top right., print, prints, verso bottom center - stamped, height 136 mm, width 215 mm, Noord-Nederlands, 1558-01 - 1617-01-01, print maker, printmaker, 1605 - 1620, first quarter 17th century, paper, deck paint, chiaroscuro woodcut, 1577 - 1633-12-29, Work conception, after own design by, Publication (Event), Publication, 1571 - 1638-10-21, publisher

Sea battle; Anthonisz., Aert (1579/1580-1620); XVII century (1600-00-00-1699-00-00);Amsterdam (Netherlands), baroque (style), battles, Dutch painting, sea, ships, sea landscapes, purchase (provenance)

Amsterdam, Ships at the IJ on Choppy Waters, c. 1685-1697, color etching inked à la poupée on laid paper, sheet (trimmed within platemark): 40.9 × 52.2 cm (16 1/8 × 20 9/16 in.), New Hollstein, no. 150, Johann Teyler (artist) Dutch, 1648 - after 1697, Johannes van den Aveele (artist after) Dutch, died 1727, Jan van Call I (artist after) Dutch, 1656 - 1703

The Hornet (U.S.) and the Peacock(British). Artist: George Thresher, American, active 1806-17

Ships on a Stormy Sea, 1698. Date/Period: 1698. Brush and gray ink, wash. Author: Ludolf Bakhuizen.

'Vues d'Italie' Bay of Naples, Dufour et Leroy, Block-printed, In sepia tones. Elaborate fountain with obalisque, tall ships in a harbor, many figures carrying on business in the foreground., Paris, France, 1815-20, Wallcoverings, Scenic, Scenic

Shipping at the Mouth of the Thames. Date/Period: Ca. 1806. Painting. Oil on canvas. Height: 857 cm (28.1 ft); Width: 1,168 cm (12.7 yd). Author: J. M. W. Turner.

Isherah - Water Procession of the Image of Doorga Previous to Her Immersion at Sunset, William Prinsep, active 1819-1850, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 12 1/16 inches (12.7 × 30.6 cm), boats, genre subject, marine art, natives, procession

Teyler, Johan, Aveele, Johannes Jacobsz van den, Lowering the sail, Two men lower the sail of a flat-bottomed ship. In the background on the left a city and other ships. This print is part of an album., print, picture, album sheet, prints, pictures, height 144 mm, width 242 mm, 1655 - 1727-05-18, print maker, printmaker, 1665 - 1698, paper, etching, etchings, à la poupée, color printing, hand coloring, Northern Netherlands, 1648 - 1712, supervision

Roelof van Salm, Painting with whaling in operation, painting visual material oil paint linen, Oil on canvas (pen painting) lying rectangular format lower left signature: RVd Salm trade whaling fishing Noordse Compagnie Groenland Het Bonte Kalf De Faam De Vergulde Whale Rotterdam Loan National Service for Cultural Heritage

View of the old marina in Amsterdam, seen towards the Bolwerk Leeuwenburg or Blauwhoofd, Pierre Fouquet, after Simon Fokke, 1753 - 1799 print In the background the IJ. Amsterdam paper. cardboard. watercolor (paint) etching / brush canals, waters (in city) (+ city(-scape) with figures, staffage). harbour. rowing-boat, canoe, etc.. sailing-ship, sailing-boat. windmill Amsterdam. Ij

The caravels of Christopher Columbus

Sailboats on Sea. Unknown Artist; Dutch, 16th century. Date: 1501-1600. Dimensions: 132 × 186 mm. Brush and black ink, with brush and gray wash, over traces of graphite, on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Study for the "Attack on Copenhagen" 1801-2 Edward Francis Burney British Burney's study relates to a finished watercolor engraved by William Angus for "The Stationer's Almanack" in 1802. The central panel depicts the naval Battle of Copenhagen and is framed by lightly drawn portraits. At right, Vice-Admiral Horatio Nelson is supported by an allegory of the Nile, refering to his triumph over the French at the Battle of the Nile in 1797. At left, an allegory of Hispania near John Jervis, Earl St. Vincent refers to the defeat of the Spanish at Cape St. Vincent in the same year. The primary focus is the British victory over a Danish-Norwegian fleet off Copenhagen on April 2, 1801 by Admiral Sir Hyde Parker. On this occasion, Nelson famously held a telescope to his blind eye so that he could not see, and thus ignore, a signal to withdraw. He stands here on the poop deck of the "Elephant" at right, holding a document as a lieutenant hails an officer in a boat below. This refers to Nelson's

'Ducks Hunting in the Swampland' (detail), 18th century. Author: ANTONIO CARNICERO MANCIO (1748-1814). Location: PALACIO DE LA ZARZUELA. MADRID. SPAIN.

A Seascape with Men-of-War and Small Craft, Attributed to Francis Holman, 1760-1790, British, ca. 1780, Oil on canvas, Support (PTG): 38 1/4 x 56 inches (97.2 x 142.2 cm), boats, clouds, flags, marine art, men-of-war, ocean, sailboats, sea, seascape, ships, sloops (sailing vessels)

The 'Victory' Coming Up Channel, Print made by Sir Frank Short, 1857-1945, British, after Joseph Mallord William Turner, 1775-1851, British, 1891, Etching printed in brown ink, with graphite, pen and black ink, gouache, and brown wash (touched proof) on medium, slightly textured, cream wove paper, Sheet: 8 1/2 × 12 3/4 inches (21.6 × 32.4 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 3/4 × 11 inches (19.7 × 27.9 cm)

Harbor Scene: An English Ship with Sails Loosened Firing a Gun. Artist: Peter Monamy (British, London 1681-1749 London). Dimensions: 48 x 59 in. (121.9 x 149.9 cm). Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Danckerts, Justus, Nooms, Reinier, Nederland, Diverse inschipingen en anderen, Divers Embarquements et autre Faicts, Zeegezicht bij nacht, Netherlands, verso top right - pencil, Three figures around a fire on the coast, two figures with a lantern in a boat and sailing ships at sea with a setting sun., print, prent, prints, enten, verso bottom right - stamped, verso bottom left - stamped, height 80 mm, width 177 mm, Noord-Nederlands, 1624 - 1664, print maker, prentmaker, 1651 - 1652, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, engraving, engraving (printing process), Work conception, Northern Netherlands, after own design by, Publication (Event), Publication, 1635-11-11 - 1701-07-16, publisher

Sailing ships on Ruwe Zee, Pieter Coopse, 1668 - 1677 drawing paper. ink pen / brush

Painted series telling the story of Nicosia under siege, which happened in 1570 AD. Wherein Turks under the command of Lala Mustafa Pasha landed unopposed near Limassol on July 2, and laid siege to Nicosia. On the day the city fell, 20,000 Nicosians were put to death, and churches, public buildings, and palaces were looted.

Amsterdam Harbor Scene. Dated: c. 1658. Dimensions: overall: 61 x 81.8 cm (24 x 32 3/16 in.) framed: 81.9 × 102.2 × 5.72 cm (32 1/4 × 40 1/4 × 2 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: called Zeeman Reinier Nooms.

England, London, Greenwich, The Queen's House, Painting titled 'Shipping in an Estuary' by Adam Willaerts dated 1640

Cutter Close Hauled in a Fresh Breeze, with Other Shipping. Date/Period: Ca. 1750. Painting. Oil on canvas. Height: 1,067 mm (42 in); Width: 1,676 mm (65.98 in). Author: Charles Brooking.

Line engraving of Henry VIII's departure from Dover. The Henry Grace à Dieu is depicted in the background. Engraved by James Basire. Dated 150

William Marlow, 1740-1813, British, Rochester, 1780. Watercolor, gouache, pen and black ink, and graphite on medium, slightly textured, beige laid paper.

Fishing boat with the wind in the sails, Pieter Mulier (I), 1625 - 1640

View on the Nile, Charles Dyce, active 1848, British, ca. 1849, Watercolor and graphite on medium, slighlty textured, cream wove paper, Sheet: 9 5/8 × 13 7/8 inches (24.4 × 35.2 cm), bank, marine art, men, river, sailboats, Africa, Nile

Calshot Castle On The Solent, 1794 John Thomas Serres, Boat, Seascape, Coast, Waves

Trafalgar: painting by James Mallord William Turner (1775-1851). Oil on canvas. Battle of Trafalgar, 21 October 1805, between British and Franco-Spanish fleets. Britain victorious but Admiral Horatio Nelson on his flagship Victory was mortally wounded by a French sniper.

Harbor scene 1775-1827 Thomas Rowlandson British. Harbor scene 363990

'Sea Harbour'. Flanders. Dimensions: 36x39 cm. Museum: State Hermitage, St. Petersburg. Author: Peeter van den Velde.

Galeass With Paddles and Galleon. 16th century. Madrid, musée naval. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Bout, Pieter, work, Venesatama, line etching, graphic, 18.5 cm x 30.2 cm, Photo no. 29146, dating : 20.9.95, photographer: Pirje Mykkänen, photo type: LAAKADIA,

François Louis Thomas Francia, 1772-1839, French, active in Britain, Running before the Wind, undated. Watercolor over graphite on medium, slightly textured, cream laid paper.

George Rowney & Co., 1792-1870, British, Sheerness, 1894. Chromolithograph.

Thomas Rowlandson, 1756-1827, British, Selling Fish on a Beach, undated. Watercolor with pen and gray and red-brown ink, and graphite; verso: watercolor blots on moderately thick, moderately textured, beige, wove paper.

Shipping off the Isle of Wight, Alfred Gomersal Vickers, 1810-1837, British, undated, Watercolor and graphite with pen and black ink and pen and brown ink on medium, moderately textured, cream wove paper, Sheet: 7 1/2 × 13 1/16 inches (19.1 × 33.2 cm), marine art, ocean, sailors, sea, ship, waves, tidal, England, English Channel, Europe, Isle of Wight, United Kingdom, Vectis

View of the Bosporus, taken from the Height of Beykoz to the northwest, with the Aqueduct of Justinian in the background. Dating: c. 1770 - 1780. Measurements: h 75 cm × w 106 cm; d 8.8 cm. Museum: Rijksmuseum, Amsterdam. Author: Antoine van der Steen.

The Harbor, Alexandria, Charles Dyce, active 1848, British, And: Eliza Dyce, ca. 1849, Watercolor over graphite with scraping out on medium, slightly textured, cream wove paper laid down on contemporary mount with trompe l'oeil frame, Sheet: 9 3/4 × 13 7/8 inches (24.8 × 35.2 cm), buildings, harbor, marine art, ocean, ships, Africa, Alexandria, Misr

Portuguese colonialism. Brazil. Bay of Rio de Janeiro. 16th century. Engraving. 19th century. Color. Author: Weltkunde de Harnisch.

Sausset, surroundings of Marseille, tuna fishing F�lix Ziem (1821-1911). Sauseset, around Marseille, tuna fishing. Watercolor on paper. Nineteenth century.

The Opening of the First Eddystone Lighthouse in 1698. Date/Period: Ca. 1703. Painting. Oil on canvas. Height: 616 mm (24.25 in); Width: 1,372 mm (54.01 in). Author: Peter Monamy.

Etching with watercolor on paper from circa 1615-1619 depicting Emperor Karl V's funeral service in Brussels on December 29, 1558, showing the state ship, allegorical virtues, and ceremonial figures.

Seascape with Two Sailing Vessels. Medium: chiarscuro woodcut in two shades of olive and black. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius.

Marine Ludolf Bakhuyzen (1631-1708 Dutch)

Eduardo de Martino, combate naval , óleo sobre tela, Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argentina, cono sur, South America...

Harbour Scene With Man-Of-War And Figures On A Quay, 1825. School of Claude Joseph Vernet

William Alexander, 1767-1816, British, View Near the City of Tientsin, 1800. Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper.

Hand painted tile, Sintra, Portugal

MARINA DE ORIENTE - ACUARELA SIGLO XIX. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Study of two fishing boats with figures, Willem van de Velde (II) (attributed to), 1652, draughtsman: Willem van de Velde (II), (attributed to), draughtsman: Jan van de Cappelle, 1652, paper, pen, brush, h 175 mm × w 373 mm

BATALLA DE LEPANTO (AÑO 1571). S. XVI. Fresco del Palacio de Santa Cruz. El Viso del Marqués. Provincia de Ciudad Real. Castilla-La Mancha. España.

Amsterdam, Nolpe, widow of Pieter, Northern Netherlands, Pieter, Battle of Terheide, 1653, The battle of Terheide (Battle of Katwijk) during the First English War between the Dutch fleet under Maarten Tromp and the English fleet under George Monck, 10 August 1653. At the top the portraits of the admirals Maarten Tromp and William Penn. The includes a text sheet with a description of the events and the legend ao., print, picture, news print, prints, pictures, Frederik Muller Historieplaten, height 402 mm, width 540 mm, height 147 mm, width 530 mm, Noord-Nederlands, 1614 - 1653, print maker, printmaker, 1649 - 1649, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher, uitgever, 1653 - 1653

Don Michele Getting Up the Ship's Side, from "Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802" June 1, 1815 Thomas Rowlandson. Don Michele Getting Up the Ship's Side, from "Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802". "Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802". Thomas Rowlandson (British, London 1757-1827 London). June 1, 1815. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

LA ALBUFERA Y EL GRAO - VALENCIA - 1563 -255X911MM. Author: ANTON VAN DEN WYNGAERDE 1512 o. Location: BIBLIOTECA NACIONAL-COLECCION. WIEN. AUSTRIA.

George Rowney & Co., 1792-1870, British, Mouth of the Humber, c.1894. Chromolithograph.

Warships in a Heavy Storm, Ludolf Bakhuysen, c. 1695 painting Dark storm clouds pull together above the sea. Five ships are attacked under the coast by this heavy storm. Of the second ship from the left, only the breeding mast is still standing, in the waves floats. canvas. oil paint (paint) storm at sea Street of Gibraltar

Near Honfleur, Richard Parkes Bonington, 1802-1828, British, ca. 1823, Watercolor and graphitre on medium, moderately textured, cream wove paper, Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm), boats, coastline, marine art, people, Europe, France, Honfleur

CONSTRUCCIONES NAVALES - DROMON Y PAMPHILIO DEL BAJO IMPERIO ROMANO - ACUARELA SIGLO XIX. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Shipping. Date/Period: Between 1828 and 1830. Painting. Watercolor. Height: 136 mm (5.35 in); Width: 187 mm (7.36 in). Author: J. M. W. Turner.

Shipwrecked sailors , Sailors, Boats. Thomas Rowlandson (1756-1827). Prints and Drawings

Schuit, seen in the shortened ..

PUEBLO DE ARMADORES - DETALLE - 1929-1934 - 10 x 10 m - OLEO/ORO SOBRE LIENZO. Author: SERT JOSE MARIA. Location: MUSEO DE SAN TELMO. DONOSTI-SAN SEBASTIAN. Guipuzcoa. SPAIN.

River landscape with sailing boats and a towing barge, Salomon van Ruysdael, 1660

View of Grave, Roelant Roghman (possibly), 1637 - 1692, The rampart of Grave., draughtsman: Roelant Roghman, (possibly), 1637 - 1692, paper, pen, brush, h 163 mm × w 251 mm

Thomas Goff Lupton, 1791-1873, British, Ramsgate, 1826-1828. Engraver's proof (a).

Hanseatic Cog cargo ship, 13th cent. Woodcut.

Boats in a Rainstorm, Sawrey Gilpin, 1733-1807, British, undated, Gray wash, black wash, sponging, graphite, pen and brown ink and black ink on medium, moderately textured, beige, laid paper, Sheet: 6 × 9 1/4 inches (15.2 × 23.5 cm)

Opposite Beni Hassan, Looking North, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, beige, wove paper, mounted on thick, moderately textured cream paper, Sheet: 3 3/16 x 10 5/8 inches (8.1 x 27 cm), boats, figures (representations), marine art, river, river, riverbank, sand, sky, water, Africa, Egypt, Nile

The Alexander Nicol, Artist Unknown

Joseph Cartwright, c.1789-1829, British, Side View of Single Brig and Bow of Another, undated. Watercolor, pen and black ink, and graphite on medium, moderately textured, brown, wove paper, mounted on, moderately thick, smooth, beige, wove paper.

Della Bella, Stefano, work, Proposals for coats of arms and their decorative motifs (9 leaves from the series), (1000 - 2000), technique text: line etching, graphics, plate: width 9.9 cm, plate: height 11.8 cm, width 8 8.9 cm, width 7 9.1 cm, width 6 9.4 cm, width 5 9.3 cm, width 4 8.9 cm, width 3 9.3 cm, width 2 9.4 cm, width 9.2 cm, height 8 12.4 cm, height 7 12.6 cm, height 6 12.6 cm, cap

Mouth of the Humber, George Rowney & Co., 1792-1870, British, after Joseph Mallord William Turner, 1775-1851, British, c.1894, Chromolithograph, Sheet: 8 x 4 1/2in. (20.3 x 11.4cm)

Perspective box of black lacquered wood with three painted glass plates: river view with sailboats, ships and walkers, perspective box glass plate glass wood oak wood brass, handpainted Perspective cupboard made of black lacquered oak (circa 1875-1900). Metal wackets on both sides; on one side brass knob to pull the box out of the storage chest. In the closet at equal distances from each other three painted glass plates (circa 1775-1810): foreground center and background giving rise to three-dimensional effect optics perspective glass painting diafanorama

'Mediterranean Landscape with a Fort and Ships Wearing Ensigns of the Netherlands'. Holland. Dimensions: 64x118 cm. Museum: State Hermitage, St. Petersburg. Author: ORAZIO GREVENBROECK.

Ludolf Bakhuizen (or Backhuysen) (December 28, 1630 - November 17, 1708) was a German-born Dutch Golden Age painter who was the leading Dutch painter of maritime subjects after the two Willem van de Veldes (father and son) left for England in 1672.

MARINA DE LA EDAD MEDIA DIVERSAS NAVES DEL S XIII - ACUARELA SIGLO XIX. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

The Embarkment of Manon Lescaut, Photogravure Print from the Original 1875 Painting by Charles Edouard Delort, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

Willem Barents (d1597) Dutch navigator who led expeditions in search of Northeast Passage. Barents' ship among the Arctic ice. Illustration after Gerard de Veer's account of Barents' three voyages, published 1598

Egypt and Nubia: Volume I - No. 12, Hadjar Silsilis, 1838. Louis Haghe (British, 1806-1885). Color lithograph;

George Rowney & Co., 1792-1870, British, Portsmouth, c.1894. Chromolithograph.

MAP No.11 - PORT ATLAS 1568 - NEW ETHIOPIA, DISCOVERED BY MAGALLANES - DETAIL OF THE BOAT. Author: FERNAO VAZ DOURADO (1520-1580). Location: PRIVATE COLLECTION. MADRID. SPAIN.

The board of salvation / it is the Republic (IT)

Print made by Bradshaw & Blacklock, active ca.1850, British, Constantinople, after 1850. Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card.

English carrack Henry Grace a Dieu, 1514, drawing. United Kingdom, 16th century.

REVISTA PASADA POR LA REINA REGENTE MARIA CRISTINA EN EL PUERTO DE BARCELONA - EXPOSICION UNIVERSAL DE BARCELONA EN 1888 - L 1,20x2,45 - Nº INV 8. Author: CAULA Y CONCEJO ANTONIO. Location: SENADO-PINTURA. MADRID. SPAIN. MARIA CHRISTINA OF AUSTRIA. ALFONSO XIII MADRE. ALFONSO XII 2ª ESPOSA. MARIA CRISTINA HABSBURGO (1858-1929). MARIA CRISTINA DE AUSTRIA MARIA CRISTINA. MARIA CRISTINA DE HABSBURGO (1858-1929).

Europe. Medieval period. French vessel. 12th century. Engraving.

Ship de Princesse Royale of vice admiral Witte de With. Draughtsman: Willem van de Velde (I). Draughtsman: Willem van de Velde (II). Dating: 1621 - 1693 and/or 1643 - 1707. Measurements: h 463 mm × w 371 mm. Museum: Rijksmuseum, Amsterdam.

Side View of Single Brig and Bow of Another, Joseph Cartwright, c.1789-1829, British, undated, Watercolor, pen and black ink, and graphite on medium, moderately textured, brown, wove paper, mounted on, moderately thick, smooth, beige, wove paper, Mount: 7 11/16 × 16 1/16 inches (19.5 × 40.8 cm) and Sheet: 6 3/8 × 8 7/16 inches (16.2 × 21.4 cm)

To-eagerly met sheeps a boot in the wind; Of the lava we're au vent woman's. .

Prince of Wales Island, Penang, Ensign Caldwell, c.1800, undated, Watercolor, pen and black ink, graphite and gouache on moderately thick, moderately textured, blued white, laid paper, Sheet: 14 3/8 × 22 7/8 inches (36.5 × 58.1 cm), Contemporary drawn border: 11 3/4 × 20 9/16 inches (29.8 × 52.2 cm), and Image: 10 11/16 × 19 7/16 inches (27.1 × 49.4 cm)

Spanish galleons attempt to ward off rivals for the New World Date: circa 1550

Burning of the English Fleet near Chatham (19-24 June 1667). Dating: 1667 - 1678. Place: Amsterdam. Measurements: support: h 111 cm × w 168 cm × t 3.0 cm; frame size: d 5.2 cm. Museum: Rijksmuseum, Amsterdam. Author: Willem Schellinks. Willem van de Velde (II) (rejected attribution).

Antiquity. A Greek Gallery. 500 BC. Mediterranean sea. Engraving, 19th century.

The Boston Tea Party. 16 December 1773. History of the United States for Schools, 19th century. Engraving. Later colouration.

'Embarco para una fiesta', 1688, Dutch Baroque, Oil on canvas, 70 cm x 167 cm, P02105. Author: HENDRICK VAN MINDERHOUT (1632-1696). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPANIEN.

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