Shipyard Scenes and Maritime Art

Various depictions of shipbuilding and maritime life, showcasing detailed craftsmanship and historical settings, primarily in sepia tones.

Buhot, Félix (n.1847-07-09-D.1898-04-26), a pier in England (Boucard-Goodfriend 132) (Main title), 1879. Eau-tie, dry point, roulette and aquatin on paper Verga. Petit Palais, Museum of Fine Arts of the City of Paris.

Shipyard. Artist: Émile Frédéric Nicolle, French, 1830-1894

Buhot, Félix (n.1847-07-09-D.1898-04-26), a pier in England (Boucard-Goodfriend 132) (Main title), 1879. Eau-tie, dry point, roulette and aquatin on paper Verga. Petit Palais, Museum of Fine Arts of the City of Paris.

Sacrophagus from the Mausoleum of Helena; Grand 'Urna di Porfido (...); Archaeological finds in and around Rome; Le Antichità Romane. A large porchier sarcophagus from the mausoleum of Helena, the later stated mother of Constantijn de Grote, to the Via Labicana outside of Rome. Title and list of explanatory letters in undermarge. Numbered above: Tom. III. / XIX.

Etching and copper engraving by Louis Jacques Cathelin created between 1758 and 1804 showing a landscape with a mill during a thunderstorm.

Charles François Daubigny, Cabin Boy Pulling the Rope (Le Mousse tirant le cordeau), 1862 Cabin Boy Pulling the Rope (Le Mousse tirant le cordeau)

Af Stafá Brck. Dated: 1879. Dimensions: image: 7.3 × 20.64 cm (2 7/8 × 8 1/8 in.) plate: 10.32 × 22.23 cm (4 1/16 × 8 3/4 in.) sheet: 17.15 × 30.8 cm (6 3/4 × 12 1/8 in.). Medium: etching in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Otto Henry Bacher.

Village face with Landweg in De Kempen, Frans van Kuyck, 1862 - 1911 print paper etching prospect of village, silhouette of village. road, path. four-wheeled vehicle drawn by one animal Campaign

Venice, Canaletto, Vedute altre prese da i Luoghi altre ideate da Antonio Canal, Views of existing and imaginary places, Landscape with a woman at a well, Landscape with a large barn on the left. In the barn a woman is drawing water from a well. In the foreground on the left a man and a woman. On the right a bridge over water., print, prent, prints, height 134 mm, width 205 mm, Italian, 1697 - 1768-04-20, print maker, printmaker, 1707 - 1768, paper, papier, etching, etchings, Work conception, after own design by

Nocturnal Landscape with Horse and Church Spire. Dated: probably c. 1660. Medium: mezzotint and drypoint. Museum: National Gallery of Art, Washington DC. Author: ALLART VAN EVERDINGEN.

A pencil drawing by Johann Adam Klein showing wishers and a little girl with a dog on a Danube ship, created 1818-19.

Drawing, Clapboard Shack; Winslow Homer (American, 1836-1910); USA; graphite, brush and white gouache on blue paper; 15.5 x 24.1 cm (6 1/8 x 9 1/2 in.)

The Vistula banks. Piastuszkiewicz, Kazimierz (fl. 1876-1891), graphic artist, Gierymski, Aleksander (1850-1901), draughtsman, cartoonist

Drawing by Ferdinand Boberg. Västergötland, Vartofta hd., Nykyrka sn., Ryfors, Herrg. Nordic

A Squall at Trouville 1874 Félix-Hilaire Buhot French. A Squall at Trouville. Félix-Hilaire Buhot (French, Valognes 1847-1898 Paris). 1874. Etching, aquatint, and roulette; fourth of seven states. Prints

The Drawbridge, from Carceri d'invenzione (Imaginary Prisons) ca. 1749-50 Giovanni Battista Piranesi Italian. The Drawbridge, from Carceri d'invenzione (Imaginary Prisons) 337060

The poor condition of the Zeedijk from Diemen to Jaap Hannes (first part), 1705, 1705 print The poor condition of the Diemerdijk from Diemen to Jaap Hannes; First part of the performance from Diemen. Following the storm and flood of the dike in June 1705. With upper and caption that runs over both plates. Marked at the top right: to be added between p. 20 and p. 21. Northern Netherlands paper etching dikes, levee DiemerZedijk. Jaap Hannes

W. R. Smith, active 1819-1851, Whitehaven, Cumberland, 1827-1838. Line engraving, first published state.

Le Criard (The Shrieker). Dated: 1879/1880. Dimensions: plate: 17.5 x 11.5 cm (6 7/8 x 4 1/2 in.) sheet: 23.5 x 16.5 cm (9 1/4 x 6 1/2 in.). Medium: etching, drypoint, aquatint (dust ground and spirit ground), salt lift, and possibly sugar lift in black on Japanese paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

On the Water, 1869 - 1882 print Leaf with 6 performances of Christoffel Columbus and ships at sea. A caption under each image. Numbered in the middle: XXV. print maker: Europeprint maker: Europeprint maker: Europepublisher: KampenNetherlandsafter painting by: Europe paper letterpress printing ships (in general). seaman: sailor

Rome, Piranesi, Giovanni Battista, Description and Design of the Drainage Channel of Lake Albano by Giovanni Battista Piranesi, Dimostrazioni dell'Emissario del Lago Albano, Drainage Canal of Lake Albano, verso - stamped, View of the remains of the drainage canal of Lake Albano. Title on banderole lower right. Numbered above: Tav. IX., print, prints, height 412 mm, width 560 mm, Italian, 1720-10-04 - 1778-11-09, print maker, 1762 - 1762, paper, etching, Work conception, own design of

Calendar for the year 1883, Daniel Charles Marie Mordant, 1882 print. calendar Calendar on the side of a terrace, next to a staircase towards a park. On the balustrade is a picture of a figure with a dog. On the stairs is a woman with a fan. In the background a face on a bridge over the Seine. paper etching / drypoint calendar, almanac. park. bridge Seine

Night scene showing two touring cars stopped in front of a homestead, drawn with gray, brown, and black brushes over black chalk.

Cabin Boy Fishing (Le Mousse a la peche). Dated: 1862. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles-Francois Daubigny.

Zeegezicht bij nacht; Divers Embarquements et autre Faicts; Diverse inschepingen en dergelijken.Three figures around a fire on the coast, two figures with a lantern in a boat and three sailing ships at sea at a setting sun.

Fishermen with creatures, Félix Cogen, 1848 - 1907 print paper etching / drypoint fisherman. fishing net

Standing and seated figures around a campfire. Possibly a design for a print.

Félix-Hilaire Buhot (French, 1847-1898), Un Grain à Trouville (Squall at Trouville), 1874-1875, etching and aquatint in black on wove paper

Invenzioni Capric di Carceri; Hind 13, First State of Three Giovanni Battista Piranesi (Italian, Venetian, 1720-1778). , ca. 1749. Etching on laid paper, 16 1/16 x 21 11/16 in. (40.8 x 55.1 cm). Around 1749-50 Giovanni Battista Piranesi published an ambitious series of fourteen large etchings known as The Imaginary Prisons. These plates depict vast, labyrinthine spaces spanned by vaults and arches, crossed by seemingly endless staircases, and filled with hooks, chains, and ropes that suggest machines of torture. The enormous chambers dwarf the mysterious figures that populate them, evoking an oppressive and unrelenting atmosphere of privation and despair. Piranesi was trained as an architect, and the design of his fantastical dungeons was informed by his knowledge of ancient Roman ruins. Classical architecture was a symbol of Western civilization and its achievements, but here, it represents something dark and irrational. The human agency so valued by Enlightenment principles appears

Etching by Rembrandt van Rijn from 1641 depicting a windmill, created with etching techniques and traces of a cold needle.

Jules Dupré, Mill of the Sologne (Moulin de la Sologne), 1835 Mill of the Sologne (Moulin de la Sologne)

Julian Fałat, Sketches from Samogitia. Julian Fałat (1853-1929), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Antoszewicz, Stanisław (fl. 1873-1887), woodcutter

Fishing Harbor at Low Tide ca. 1864 Rodolphe Bresdin French. Fishing Harbor at Low Tide 343509

Seascape with ship and sloops, Théodore Gudin, 1824 print Paris paper sea (seascape) (+ landscape with figures, staffage). ships (in general). rowing-boat, canoe, etc.

Drawing by Ferdinand Boberg. Bohuslän, inland and freckle hd., Ljungs sn., Brattefors Nordic

Flood at the Molenwater and the harbor in Veere, 1808, Izaak Jansz. de Wit, after Johannes Hermanus Koekkoek, 1808 - 1810 print Flood at the Molenwater and the Haven in Veere. Illustration for a publication about the flood in Zeeland on January 14, 1808. Netherlands paper etching / engraving flood Veere

Study 1833 France. Pen and iron gall ink, with brush and brown wash, over graphite, on ivory laid paper, laid down on ivory wove paper . Denis Auguste Marie Raffet

Hamlet on a Hill. Dated: probably c. 1645/1656. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ALLART VAN EVERDINGEN.

Modern architecture, I raised it in Master Allweil, the building is Zsamstürzn and the Böhmische , Werns Uibergwicht warn caricature on the nationality conflicts , Karl Carl Lanzedelli Lancedelli Lanzedelly -, Lithographer, Jakob Loder, Printer, Anton Paternos widow, publishing house

W. P. Snyder, Outlet of a Natural Gas Well, near Pittsburgh, 1885, wood engraving on paper.

Lazio Viterbo Tuscania S. Maria del Riposo17. Hutzel, Max 1960-1990 Post-medieval: Renaissance architecture (1495) with sculpted portal (1522); paintings on panel and canvas; sculpture (ceramic); 15th-16th century frescos; sculpture in wood; architectural sculpture. Views of the adjacent cloister of the Convento Francescano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Le Figaro card. Recto: Reproduction of the image of Léon Augustin Lhermitte "Au Pressir", Verso: text with illustrations by Charles Henri Pille; Quantin, Albert (1850-1933), Pille, Charles Henri (1844-1897), Lhermitte, Léon Augustin (1844-1925); 1884-1885 (1884-00-00-1885-00-00);

In the foreground a man and a woman pulling a barge. In the background on the right the silhouette of Amsterdam, including the towers of the Rijksmuseum., Farmhouse with hay barn on the Jaagpad in Amsterdam, print maker: Pieter Dupont, (signed by artist), Amsterdam, c. 1895, paper, h 200 mm × w 335 mm

Fish market. Teniers, David II (Flemish, 1610-1690) (designed after) painter Borcht, Pierre van der (Flemish, act.1712-d.1763) (workshop, attr.) weaver Borght, Franz van der (Flemish, act.1720-1765) (workshop, attr.) weaver Vos, Josse de (Flemish, act.1700-1721) (workshop, attr.) weaver c. 1700-1725 Tapestry Dimensions: H 10'3 5/8" x W 8'4 3/4" Tapestry Materials/Techniques: wool (undyed, warp: 7/cm); wool & silk (weft) Culture: Flemish Weaving Center: Brussels Ownership History: Sold at American Art Association, New York, 12/3-8/1928, lot 1444. French & Co. William de Craft coll., New York, gift to museum in 5/9/1940. United States, Massachusetts, Boston, Museum of Fine Arts, accno. 40.238. 2 women with baskets select fish from 3 fishermen who kneel by their tubs & baskets while boy on cane watches next to man smoking pipe (L, middle ground); man leading donkey (center, middle ground); man leans over basket of fish, while another man stands above him (L, foreground); quay with buildi

Hector's Farewell to Andromache and Astyanax 1676-1741/46 Sebastiano Galeotti Italian. Hector's Farewell to Andromache and Astyanax. Sebastiano Galeotti (Italian, Florence 1676-1741/46 Mondovì). 1676-1741/46. Pen and brown ink, brush and gray wash, highlighted with white, on brown washed paper. Drawings

A pear wood relief by Hans Burgkmair (1514-1516) depicting the old white king aiding the young white king with ships and people on the Rhine, from the Weißkunig series.

A Jetty in England 1879 Félix-Hilaire Buhot French. A Jetty in England. Félix-Hilaire Buhot (French, Valognes 1847-1898 Paris). 1879. Etching, drypoint, and roulette; second state of eight. Prints

View of Argijn, Jan van Broesterhuyzen, After Frans Jansz Post, 1645 print Possibly this is a face on the West African city of Archin. There are forts on the coast where large plumes of smoke take off. In the foreground a ship with Dutch flags. Above a banner with the title. In the margin letters with names that match locations in the landscape. Netherlands paper etching / engraving

At Sea - Signalling a Passing Steamer - Drawn by Winslow Homer (Every Saturday, Vol. II, New Series) April 18, 1871 After Winslow Homer American. At Sea - Signalling a Passing Steamer - Drawn by Winslow Homer (Every Saturday, Vol. II, New Series). After Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). April 18, 1871. Wood engraving. James R. Osgood & Co. (Boston, Massachusetts). Prints

Wojska pod murami Lahaur. Bellermann, Ferdinand (1814-1889), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Two carriages, a coup, print maker: Victor Adam, (mentioned on object), printer: Charles Etienne Pierre Motte, (mentioned on object), publisher: Charles Etienne Pierre Motte, (mentioned on object), Paris, 1827 - 1828, paper, h 264 mm - w 346 mm

Jan van Schaffelaar Jumps Van de Toren, 1482. Jan van Schaffelaar jumps (upright) from the tower of Barneveld, July 16, 1482.

Landscape. Yasuo Kuniyoshi; American, born Japan, 1893-1953. Date: 1927. Dimensions: 225 x 295 mm (image); 287 x 404 mm (sheet). Lithograph on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Limeburner, 1859 James A McNeill Whistler, Workshop, Drypoint, Male, Full-length, Work

Comparison of the old fire extinguishers with Van der Heyden's snake fire extinguisher, Jan van der Heyden, 1685 - 1690, Comparison between the operation and application of old fire extinguishers and the new snake fire extinguishers. Design for illustration in Jan van der Heyden's Book of Fire Sprays, 1690., draughtsman: Jan van der Heyden, Northern Netherlands, 1685 - 1690, paper, pen, brush, h 334 mm × w 233 mm

SCENE OF THE MAMELUKE'S LEAP, Egypt, engraving 1879

Print, A Plate of Mechanics, ca. 1795-1805; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); Italy; line engraving in brown ink on white paper; Bequest of George Campbell Cooper; 1896-3-296

Intérieur de cour. François-Joseph-Léo Drouyn (France, Izon, 1816-1896). France, 1857. Prints; etchings. Etching

The g'hals of Boston; or, Pen and pencil sketches of celebrated courtezans. By one of 'em. Thompson, George, b. 1823. text. Books, Portraits. 1850. General Research Division. Prostitution , Massachusetts , Boston

Resumption of "Angelo, tyrant of Padua" (Orfeo, Gaboardo and Max in Homodeï, day III, part I, scene 3), at the Sarah-Bernhardt theater (currently theater of the city). Paris (IVth arr.), February 7, 1905. Photography by Henri Manuel (1874-1947). Paris, house of Victor Hugo. 50735-5 ACTEUR, COMEDIEN, DECOR, DECORATION, JOURNEE III, REPRESENTATION, SCENE 4, THEATRE SARAH-BERNHARDT, piece

THE CINQUE PORTS, DOVER, HYTHE, ROMNEY, HASTINGS, SANDWICH, WINCHELSEA, RYE

The Limeburner, 1859. James A McNeill Whistler

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Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "La Meslée." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101781-14 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Umbria Terni Amelia Palazzo Venturelli9. Hutzel, Max 1960-1990 Post-medieval: Palazzo built by Cardinal Venturelli in 15th century by Antonio da Sangallo on remains of a roman palace from 1st century B.C. Roman mosaic floor. Frescoes, stucco decorations. A few exterior views, several views of cellar that focus on mosaic floor and many views of Salon of the Venturelli Cardinals, including furniture, floors, ceiling, and frescoes. General Notes: No entry for Palazzo Venturelli in TCI; information from Hutzel's notes and attributions. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Ital

Sir George Hayter, 1792-1871, British, Kitchen: Interior, Stone Crouch, 1822. Black chalk and white chalk on medium, slightly textured, beige wove paper.

Fishermen on the Venetian, Venice, Italy. Europe. Old 19th century engraved illustration from El Mundo Ilustrado 1879

Landscape with woman with child standing in front of a house. Draughtsman: Leo Gestel. Dating: 1927 - 1929. Measurements: h 480 mm × w 633 mm. Museum: Rijksmuseum, Amsterdam.

Construction of fox traps at the preserved huys, 1596, 1615 - 1617 print The construction of fox traps at the Keveren Huys, December 7, 1596. Copies to the original illustrations in the travel report of the journey of Willem Barendsz and Jacob van Heemskerck in 1596-1597 and the stay on the island of Nova Zembla, No. 17. Northern Netherlands paper engraving exploration, expedition, voyage of discovery. landscapes in polar regions. sports, games ~ animals (+ trap) Nova Zembla. Saving Huys

SparShop. Artist: Childe Hassam, American, 1859-1935

Street in Tirnów; Bart Omiejczyk, Edmund Ludwik (1885-1950); 1937 (1937-00-00-1937-00-00);

Copper Mine, Butte. James Brooks; American, 1906-1992. Date: 1936. Dimensions: 305 x 427 mm (image); 400 x 580 mm (sheet). Lithograph in black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Arles: View from the Wheatfields, by Vincent van Gogh, 1888, Dutch drawing, pen and brown ink on paper. Farmers work in a field in the city of Arles. In the vertical composition, the drawing marks as well as the drawing marks grow smaller and denser as th (BSLOC_2016_6_35)

Perspectival Drawing with Three Cubes 1528 Peter Flötner German For Renaissance artists, the representation of geometry was often a means of testing and perfecting their ability to work convincingly in perspective. Some drawings, such as this perspectival study by Flötner, depict physical models set into landscapes in order to emphasize their graphic three-dimensionality and as a means of displaying the makers skill at visualizing an object from multiple angles within a single image.. Perspectival Drawing with Three Cubes 380379

Shutting Off the Croton at the Central ParkReservoir. Artist: William St. John Harper, American, 1851-1910

Wine Press. Hubert Robert; French, 1733-1808. Date: 1754-1764. Dimensions: 289 × 366 mm. Red chalk on buff laid paper, laid down on cream laid card. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

This early 1900s illustration shows a medieval German castlein the 13th century A.D. It clearly shows how the Germans used natural waterways as a defense system for their castles.

Three sculptors carving a colossal marble head. Etching by L. Lowenstam after Sir L. Alma-Tadema.

A Rolling Stone Is Ever Bare of Moss 1821 William Blake British. A Rolling Stone Is Ever Bare of Moss 383513 Artist: William Blake, British, London 17571827 London, A Rolling Stone Is Ever Bare of Moss, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 1/2 x 3 1/16 in. (3.8 x 7.8 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1931 (31.87.22)

Moulins, Montmartre., 1846., Etching, engraving, drypoint, and graining; state noted with standard reference number

Approaches to Gatun Lock Joseph Pennell (American, 1860-1926). Approaches to Gatun Lock, 1912. Lithograph, composition: 22 7/16 x 16 3/4 in. (57 x 42.5 cm). American Art 1912

Woodcut by Hans Burgkmair the Elder from 1514-1516 showing Emperor Maximilian I conquering Arnheim, carved on a wooden stick, including figures, banners, and military actions.

Lazio Viterbo Bagnaia Villa Lante95. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Threshers in a landscape. Draughtsman: Simon Andreas Krausz. Dating: 1770 - 1825. Measurements: h 215 mm × w 180 mm. Museum: Rijksmuseum, Amsterdam.

Heyden, Jan van der, Northern Netherlands, Fire on the Lauriersgracht in Amsterdam, 1669, Fighting of a fire in a sugar factory on the Lauriergracht in Amsterdam with old fire engines and water from the canal, December 29, 1669. Nevertheless, the building burned down completely. On the right, household goods are being taken from an adjacent building. Top left, an open area for an inscription., print, prent, prints, prenten, Frederik Muller Historieplaten, height 193 mm, width 133 mm, print maker, prentmaker, 1690 - 1699, fourth quarter 17th century, vier kwart 17e eeuw, fourth quarter 19th century, vier kwart 19e eeuw, paper, papier, etching, etsen, Work conception, 1637-03-05 - 1712-03-28, after print by, intermediary draughtsman

The paint, James Abbott McNeill Whistler, 1889 print Zaanse paint mill. paper etching / drypoint windmill in landscape Zaanstreek

The Lime Burner James Abbott McNeill Whistler (American, 1834-1903). The Lime Burner, 1859. Etching on paper, Image: 9 7/8 x 6 7/8 in. (25.1 x 17.5 cm). American Art 1859

Reproduction of a painting: Chełmoński, Józef (1849-1914), Autumn storm; from: "Kłosy" 1876, I, 52. Gorazdowski, Edward (1843-1901), engraver, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher

Ship The Turtle on a bank, draughtsman: Martin Monnickendam, 1907, paper, brush, h 145 mm × w 204 mm

Bird's Eye View of a Man and Woman Conversing. Dated: c. 1830. Dimensions: overall: 18.3 x 17.8 cm (7 3/16 x 7 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Ignace-Isidore Grandville.

Paul Sandby RA, 1731-1809, British, Lord Hopetoun's Lead Mines, 1751. Watercolor, pen and black ink and graphite on medium, blued white, slightly textured laid paper.

Robert Polhill Bevan, 1865-1925, British, Timber Hauling, ca. 1917. Black chalk on medium, slightly textured, cream, laid paper.

Deck view of an East Indiaman with a mate at the helm. Draughtsman: Jan Brandes. Dating: 1779 - 1787. Place: Atlantic Ocean. Measurements: h 155 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

The lime-burner. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1859. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Voilà pourtant comme nous serons.... Honoré Daumier (1808-1879). Lithographs

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

'Deadly Rock in the Simplon Tunnel', c1935. Artist: Swiss Federal Railways.

An etching and aquatint by Francisco José de Goya y Lucientes from 1810, first published in 1863, depicting people calling for help in vain during the disasters of war.

Drawing by Ferdinand Boberg. Uppland, Åkers Skplg., Kulla sn., Vira Nordic

NOVA SCOTIA, ENTERING ANTIGONISH, CANADA, NINETEENTH CENTURY ENGRAVING

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