Sketch Studies of Figures

An array of pencil sketches showcasing studies of women and everyday scenes, emphasizing fluid lines and expressive forms from various artists and periods.

Studies of a standing woman, seen from the back, Simon Andreas Krausz, 1770 - 1825

Pencil sheet by Peter Fendi circa 1840 depicting a mother playing with children, showing figures, gestures, and interactions from the Liechtenstein album.

Jean-Baptiste Carpeaux (1827-1875). Study for a statue of pain. Man leaning forward. Black stone on brown paper. Museum of Fine Arts of the City of Paris, Petit Palais. Pain, study, man, pain, black stone, leaning, curls up, soufrance, statue, 19th XIX 19th 19th 19th 19th century

Le secret , Cats, Fireplaces. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Woman walking with a child on reins and a dog, Gesina ter Borch, c. 1660 - c. 1661, A woman teaching a child to walk. The child is wearing a drop hat, a lined headgear that was meant to protect him if he fell., draughtsman: Gesina ter Borch, Zwolle, c. 1660 - c. 1661, paper, h 182 mm × w 140 mm

Jean Louis Forain, Lourdes, the Paralytic (second plate), 1912 1913 Lourdes, the Paralytic (second plate)

A pencil drawing by Ignaz Unterberger showing Hebe and Jupiters eagle, focusing on figures, gesture, and mythological composition.

Portrait of a woman with a veil, print maker: Anonymous, Hendrick Goltzius, 1591 - 1600.

Honoré Daumier, The Smoker The Smoker

Five Representations of Women, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Left row: two circular, above a half-figure of a girl, seen from the front, with the right arm before the breast put into the shawl around the shoulders, the left arm being put behind the back; below is a sketch of a girl with praying raised hands and eyes, turned toward the left. Framed by a circular line. In the center: three-quarter figure of a young woman with a diadem sitting in a side chair, turned toward the right, but looking at the front. Her right arm leans upon the arm of the chair, her left hand holds a circular, only partly visible relief. IN the background are two lower parts of columns with a curtain between them and a view of the sky. Right row: above, rectangularly, a woman sits in a side chair, turned toward the left, with the head turned toward the front. She wears gloves. Her right foot is upon the base, her right arm upon the top of a table, upon which a vase with flowers sta

Peinzende Circe, sitting next to a monument, Giovanni Benedetto Castiglione, 1648 - Before 1653 drawing paper. ink pen Circe

Sketches of a Café Singer; Edgar Degas (French, 1834 - 1917); about 1877; Graphite;

The Little Dressing Room. Edgar Degas; French, 1834-1917. Date: 1879-1880. Dimensions: 119 × 77 mm (image/plate); 205 × 150 mm (sheet). Drypoint in black on tan Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Scene from Literature (from McGuire Scapbook) Tompkins Harrison Matteson American. Scene from Literature (from McGuire Scapbook) 11522

Two Children and a dog, called Marcellus and John Laroon, Marcellus Laroon the Younger, 1679-1772, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 9 9/16 x 7 1/2in. (24.3 x 19.1cm) and Sheet: 10 5/8 × 7 3/4 inches (27 × 19.7 cm), Bow and arrow, children, dog (animal), figure study, genre subject

Study for the Death of Messalina. Francesco Solimena (Italian, 1657 - 1747)

Figures on the street. Draughtsman: George Hendrik Breitner (signed by artist). Dating: 1886 - 1923. Place: Amsterdam. Measurements: h 137 mm × w 147 mm. Museum: Rijksmuseum, Amsterdam.

Family piece, Caspar Netscher (Possible), 1649 - 1684 drawing paper. chalk family group, especially parents with their child(ren). anonymous historical persons portrayed in a group, in a group-portrait

Drawing - The Slave Robert Harris (1849 - 1919)

Bliżej Kultury Hadziewicz, Rafał (1803 1886)

Allegorial Painting; Head of the Virgin. Date: 1800-1825. Pen and bistre ink, brush and ink wash on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Draped Figure, Reclining Made 1892 United States. As the current exhibition Impressionism, Fashion, and Modernity demonstrates, women in the late 19th century were regularly defined by their attire. Clothing, makeup, and accessories frequently reflected not only a womanís social status but also her character and morality. Scholar Justine De Young has observed of the period, ìDressing fashionably and in good taste thus became one of the central concerns of a bourgeois womanís daily life, as not merely her appearance but also her reputation was at stake.î The same strict rules of public presentation did not necessarily apply, however, to the private, domestic sphereóas the images in this gallery illustrate. Shown here are women in the process of dressing or undressing; relaxing in their underclothes, nightgowns, or morning dress; or in the most private of moments sleeping or reclining nude. Henri de Toulouse-Lautrecís print portfolio Elles most likely depicts prostitutes during the cours

La Tige, Moulin Rouge 1894 Henri de Toulouse-Lautrec French. La Tige, Moulin Rouge 334398

The Horoscope, 1890. James McNeill Whistler (American, 1834-1903). Lithograph;

The Baroness Duperré and Her Daughters 1841 Théodore Chassériau French. The Baroness Duperré and Her Daughters 334306

Percival Frees Belisane from the Spell of Urma, Henry Fuseli, 1741-1825, Swiss, active in Britain (1766-70; 1779 on), 1811, Graphite and gray wash; verso: pen and black ink and graphite on thin, slightly textured, cream laid paper, Sheet: 7 1/4 x 8 3/4 inches (18.4 x 22.2 cm), bed, drapes, dress, men, nude, religious and mythological subject, sandals, soldiers, soldiers, swords, woman

Woman at a table. Artist: Wijnand Nuijen. Draughtsman: Andreas Schelfhout (signed by artist). Dating: 1797 - 1870. Measurements: h 180 mm × w 151 mm. Museum: Rijksmuseum, Amsterdam.

(BASQUES.). Artist: Paul Gavarni, French, 1804-1866

Henry Thomas Alken, 1785-1851, British, Study of Children, undated. Graphite on medium, slightly textured, cream wove paper.

Folding Linen (Le pliage du linge). Dimensions: 32.4 cm x 50 cm, 24 cm x 32.2 cm. Museum: Van Gogh Museum, Amsterdam. Author: EDOUARD VUILLARD.

Supper in London. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1896. Dimensions: 310 × 362 mm (image); 346 × 475 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Two sketches of a child and two adults (), Jurriaan Andriessen, after Louis Bernard Coclers, 1808, draughtsman: Jurriaan Andriessen, after: Louis Bernard Coclers, 13-Feb-1808, paper, pen, brush, h 127 mm × w 139 mm

Nicolai Abildgaard (1743-1809), Agrippina asks Tiberius give her an Eggman, 1743-1809

Rudolf Weyr pencil sketch sheet showing preliminary studies of figures, forms, and compositional layouts.

Lovis Corinth, Was der blitz! Das ist ja die gustel von blasewitz (How she flashes! Ya, it's Gustel von Blasewitz), 1923 Was der blitz! Das ist ja die gustel von blasewitz (How she flashes! Ya, it's Gustel von Blasewitz)

Study of a Madonna with child. Madonna with child. An apple in the hands of the Christ child.

Man sitting, leaning on a table to which a girl is based Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), draftsman and French painter. Sitting man, leaning on a table to which a girl relies. Feather, pencil.

Lindgren, Harald E., work, Two women at a table, etching, graphics

Mieris, Frans van, Brouwer, Cornelis, Amsterdam, Ploos van Amstel, Card players, verso - stamped, A card player with playing cards in his hand and on the table. In the background a man., print, prent, prints, enten, height 194 mm, width 149 mm, Noord-Nederlands, 1726-01-04 - 1798-12-20, supervision, 1777 - 1777, paper, papier, engraving, crayon method, transfer, 1735 - 1803-03-31, print maker, prentmaker, intermediary draughtsman

Anicet Charles Gabriel Lemonnier, Studies of Figures (verso) Studies of Figures verso

Beggar Man and Woman Behind A Bank, Rembrandt van Rijn, c. 1630 print paper etching / drypoint Begin

GOYA Y LUCIENTES, Francisco de (1746-1828). Of what ill will he die. 1797 - 1798. Preparatory red wash and sanguine drawing for plate 40 of 'Los Caprichos'. Romanticism. Drawing. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Portrait of Elizabeth Siddal Resting, Holding a Parasol. Dante Gabriel Rossetti (British, 1828 - 1882)

Madame Lisle and Madame Loubens. Edgar Degas; French, 1834-1917. Date: 1869-1872. Dimensions: 284 × 320 mm. Graphite on tan wove paper, squared in black crayon, laid down on cream Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Three studies of a sitting woman.

Jakob Gauermann's 1798 drawing depicts a seated elderly couple, Tobias and his wife, using red chalk, feather, and black ink, emphasizing posture, facial expression, and clothing details.

Above a man on horseback, under a man and a woman. Above a man on horseback, who says goodbye to a lady and under a man and a woman who walked.

Study of a back woman walking. Jean-Baptiste Carpeaux (1827-1875). Study of a back woman walking. Drawing, around 1874. Museum of Fine Arts in the city of Paris, small palace.

Francisco de Goya y Lucientes / 'Nada nos ynporta. Álbum C, 84'. 1808 - 1814. Wash, Brush, Pencil, Grey-brown ink, Iron gall ink on laid paper. Museum: Museo del Prado, Madrid, España.

Benjamin Robert Haydon, 1786-1846, British, Figure Study of a Woman, undated. Pen and brown ink on medium, smooth, cream, wove paper.

Design for a print, The knight and the dog, draughtsman: Adrien Joseph Verhoeven-Ball, c. 1834 - c. 1882, paper, h 104 mm × w 81 mm

Woman with a Tray--Breakfast (Madame Baron and Mademoiselle Popo), plate two from Elles. Henri de Toulouse-Lautrec (French, 1864-1901); published by Gustave Pellet (French, 1859-1919); probably printed by Auguste Clot (French, 1858-1936). Date: 1896. Dimensions: 397 × 504 mm (image); 402 × 507 mm (sheet). Color lithograph on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Study sheet with standing and seated figures and a drapery, Hendrik Valkenburg, after Jacob Ernst Marcus, 1859 - 1864, Study of a peasant girl with a jug and basket, a seated and standing pipe-smoking man and seated figures, including a seated nude woman. Sheet 33 recto from a sketchbook containing 77 sheets., draughtsman: Hendrik Valkenburg, Jacob Ernst Marcus, May-1859 - Dec-1864, paper, pen

Romeo and Juliette in 15th century costume, Rodolphe Bresdin, 1832 - 1885 drawing Romeo and Juliette in 15th century costume, in embracing on the threshold of a portal. France tracing paper. ink pen Romeo. Juliet

John Flaxman, 1755-1826, British, Two Women and a Child, undated. Gray ink, graphite, and gray wash on medium, slightly textured, cream laid paper.

Print, The Dead Caesar; France; etching in black ink on cream colored paper; 21 × 29 cm (8 1/4 × 11 7/16 in.)

Study of the wife of Carel Adolph Lion Cachet, Handwerkend, from the side. .

Venus En Cupid, Giuseppe Cesari, 1600 - 1699 drawing paper. chalk Venus and Cupid (Cupid not being mere attribute)

Le compliment du jour de l'an ,. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

The Horoscope. James McNeill Whistler; American, 1834-1903. Date: 1889. Dimensions: 160 x 157 mm (image); 311 x 210 mm (sheet). Transfer lithograph in black on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Le Déjeuner (ou Maternité heureuse) Lunch (or, Happy Maternity). Artist: Albert Besnard, French, 1849-1934

Studies of a woman writing a letter. .

Woman next to a sick child, Edvard Munch, 1894 print Under the show a landscape with tree and cloudy sky. paper drypoint patient, sick person. taking care of children

Ladies of the ballet. Sterner, Albert, 1863-1946. 1932. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Female, Two Studies of a Young Woman in eighteenth-century Costume, 1849 Ford Madox Brown, Art Movement, Pre-Raphaelite, Costume, Drawing, Furniture, Chair, Pencil, Sketch, Female, Full-length, Study, Young, Clothing, Dress, Seated

Jealousy scene; verso: sketch of the women's act and the figure act of a woman in a world; Andrieux, Clément-Auguste (1829-1881); 1877 (1877-00-00-1877-00-00);Andrieux, Auguste Clément (1829-1880) - legacy, Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, female acts, men, French drawings, genre scenes, jealousy

Our Ladye of Good Children - Angel Holding a Child, 1847. Ford Madox Brown

Study magazine with figures, Johannes Tavenraat, 1865 drawing Study magazine with a different caricatural figures. On the left a standing woman with open mouth. Signed about the text of the first page of a letter of 19 Feb. 1865. paper. ink pen caricatures (human types)

The Grandmother. Pierre Bonnard; French, 1867-1947. Date: 1895. Dimensions: 190 × 226 mm (image); 279 × 381 mm (sheet). Lithograph in black on buff wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Morphine Addicts. Artist: Paul-Albert Besnard (French, Paris 1849-1934 Paris). Dimensions: Image: 9 5/16 × 14 9/16 in. (23.7 × 37 cm). Date: 1887.Paul-Albert Besnard (1849-1934) was a student of the academic painter Alexandre Cabanel (1823-1889), won the prix de Rome in 1874 and was among the founders of the Société Nationale in 1890. Throughout his career his style remained in between academic and impressionistic. During the last thirty years of his life he held important positions in the Académie de France in Rome, the Ecole des Beaux-Arts, the Académie française, the Académie de Saint Luc and the Royal Academy.Besnard's deeply incised etching lines cast his feline women in dark shadows and gave them a tragic accent. Melancholy, bored, and dramatically alluring (in a Gloria Swanson way), they help to define for us the decadence of the century. Museum: Metropolitan Museum of Art, New York, USA.

Downward they move, a melancholy band Pass from the shore, and darken all the land” - illustration for Oliver Goldsmith’s The Deserted Village (London and New York: 1902), p. 99. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Old Peasant CoupleSeated. Artist: Pieter Jansz. Quast, Dutch, 1605/6-1647

Holy Family with Angels (). Dimensions: overall: 8 x 7.2 cm (3 1/8 x 2 13/16 in.). Medium: graphite on laid paper (back of a letter). Museum: National Gallery of Art, Washington DC. Author: JOHN FLAXMAN.

Study for The Two Sisters(watercolor). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Study sheet with two sitting girls, Michel Barthélémy Ollivier (Possible), 1722 - 1784 drawing Study magazine with two sitting girls, one of which is reading a book. paper. pencil sitting figure - AA - female human figure

Henry William Bunbury, 1750-1811, British, A Long-Chinned Man Arm in Arm with a Bosomy Woman in Tall Hat, undated. Graphite on medium, slighlty textured, blued white laid paper.

Studies of a Seated Woman, George Romney, 1734-1802, British, undated, Brown ink and brown wash over graphite on medium slightly textured beige laid paper, Sheet: 10 7/8 x 11 5/8 inches (27.6 x 29.5 cm), figure study, seated, studies, woman

Resting woman in armchair, draughtsman: Jean Michel Moreau, (possibly), 1751 - 1814, paper, h 292 mm × w 289 mm

Sitting, naked man, Willem Adrianus Grondhout, 1888 - 1934 print paper etching sitting on the ground. man (showing himself) undressed, quasi-nude

A child on a couch, no. 1 ,. James McNeill Whistler (1834-1903). Lithographs

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), small ups (title given by the author), 1910. Black Pierre and Blue Pencil on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Promenoir , Walking. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Paysanne portant des seaux, 1889. Camille Pissarro (French, 1830-1903). Etching and drypoint;

Studieblad with two seated girls, one of which reads a book, Studieblad with two seated girls, draughtsman: Michel Barthélémy Ollivier, (possibly), 1722 - 1784, paper, h 178 mm × w 234 mm

Etching and pinion by Rembrandt van Rijn titled 'The Draftsman According to the Model,' created around 1639, showing a figure drawing from a model.

Sjöstrand, Carl Eneas, work, Sketch for Cinderella illustration, 1867, drawing, 37 cm x 22.5 cm

Two Young Women Seated, last third 19th century or first half 20th century. Attributed to Lucien Simon (French, 1861-1945). Black and brown crayon, with white chalk (wetted and stumped in places); sheet: 31.3 x 34.1 cm (12 5/16 x 13 7/16 in.).

Woman with a Tray, Breakfast (Madame Baron and Mademoiselle Popo) (Femme au plateau, petit déjeuner (Madame Baron et Mademoiselle Popo)) from the series Elles. Dimensions: 40.3 cm x 52.5 cm, 40.3 cm x 52.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: Henri de Toulouse-Lautrec.

Jean Louis Forain, Le demobilise, c 1914 1919 Le demobilise

Illustration by Wilhelm Busch showing the old boy being well, part of the Mr. and Mrs. Knopp series, created with brown ink and red pencil on brownish paper between 1875 and 1877.

Etching by Francisco Goya from 'The Disasters of War', titled 'If They Are From Another Lineage', produced 1812-1815, first edition 1863, depicting figures affected by war.

Lifomer Soneman, Cornelis Seftsleven, 1658 drawing paper. chalk lying figure. lying figure

Francisco Goya (1746-1828). Caprices. Plaque 44. They spin finely. 18th century. Prado Museum. Madrid. Spain.

Mother with children. Draughtsman: Hendrik Valkenburg. Dating: 1836 - 1896. Measurements: h 233 mm × w 300 mm. Museum: Rijksmuseum, Amsterdam.

Man Sitting on the Ground with Jars and Food. Artist: Anonymous, British, 19th century. Dimensions: Sheet: 11 9/16 in. × 9 in. (29.3 × 22.9 cm). Date: 1848. Museum: Metropolitan Museum of Art, New York, USA.

Portrait heads of two men. Leaf 27 Verso from a sketchbook with 29 sheets.

A pencil and watercolor drawing by Peter Fendi depicting a monastery duct with a nun, from the Liechtensteinalbum.

The Sick Mother (La mère malade). Dated: 1889. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

Wife lying on a bed

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