Sketches and Architectural Designs

Artistic sketches showcasing architectural concepts and designs, capturing the essence of structures and creative thoughts from various historical periods.

Ponte del Piovan 1879-80 James McNeill Whistler American. Ponte del Piovan 372586

Study for Lambeth Palace, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1808. Dimensions: 220 × 266 mm. Graphite on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Ruïne.Ruin of a castle, two figures at a water basin in the foreground.

Sketch of the chassis of a table, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. pencil table

Collection of sketches executed in pencil, ink feather, and colored pencil around 1900, showing figures, objects, and compositional studies.

Hugo, Victor (n.1802-02-26-D.1885-05-22), Chinese and pagoda temple (dummy title), 1837-02-15. Plume and brown ink wash on wike paper with J -Whatman watermark. House of Victor Hugo - Hauteville House.

Artist: John Trumbull, American, 1756-1843, Sketch for the Interior of the Maryland State House,Annapolis, Graphite, sheet: 6.3 × 9.5 cm (2 7/16 × 3 3/4in.), Made in United States, American, 18thcentury, Works on Paper - Drawings andWatercolors

La fête nationale au Boulevard Clichy (The National Holiday on the BoulevardClichy). Artist: Félix Hilaire Buhot, French, 1847-1898

Study for Royal Institution, Albemarle Street, from Microcosm of London 1807-1809 England. Graphite on cream wove paper . Augustus Charles Pugin

Atelier of Hendrik Willem Mesdag, Barbara Elisabeth van Houten, 1872 - 1950 print On the left a curtain. On the right in the background ship models on a fireplace. paper etching workshop, studio ~ painter. ship-model

Diebitsch Carl von (1819-1869), St. Anna, Barcelona. () (Without Dat.): Capital. Pencil on paper, 10.3 x 11.2 cm (including scan edges) Diebitsch Carl von (1819-1869): St. Anna, Barcelona ()

Walking figures. In the background cars and carriages behind trees. Loose drawing, found between page 23 Verso and Leaf 24 Recto in sketchbook XXXVI with 26 sheets.

John Scarlett Davis, 1804-1845, British, The Tomb of Van Balen, Antwerp, September 7, 1832, 1832. Graphite and watercolor on medium, slightly textured, pale orange wove paper.

James McNeill Whistler, The Doorway, 1880 The Doorway

follower of John Sell Cotman, 1782-1842, British, Caister Castle, Norfolk, undated. Graphite on medium, moderately textured, beige wove paper.

Also party, Albert Funke Küpper, 1923 drawing paper. chalk door. flag, colours (as symbol of the state, etc.)

Watercolor and pencil drawing by Eduard Swoboda depicting studies of a dog, table, and room, showing figures, objects, and interior composition.

Within the Ferry, Cortlandt Street, New York. Dated: 1919. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

In view of LI exit the lain-emang bactete a descendant you chateau the healing grudge. Incum stenience despresents this giant glos player giviant facilitated Lidder play Route will regle: Datedered : Dateiate um Allosse the laval par of Son cousin ch.es the graimberg

Study for Stamp Office, from Microcosm of London 1807-1809 England. Graphite on ivory wove paper . Augustus Charles Pugin

, RAMSAY 621, Simberg, Hugo, Piruparka with twins, 1898, (636 Saarikivi, 44 Malme), image reference: R9395100, image: Janne Mäkinen 150199, size: 2023x1600 pixels/inch, scanner: Hietanen, Nana, device: Duoscan PS 5.0, scan, 27.08.1999,

Title Page, from Carceri d'invenzione (Imaginary Prisons) ca. 1749-50 Giovanni Battista Piranesi Italian. Title Page, from Carceri d'invenzione (Imaginary Prisons) 362797

Edelfelt, Albert, work, Sketch book, drawing, 9 cm x 15.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Lepère, Auguste (n.1849-11-30-D.1918-11-20), Lavoir Quai d'Anjou (dummy title). Pencil. Carnavalet museum, history of Paris.

Album Page, Sketches from Coucy-le-Chteau; Whitney Warren Jr. (American, 1864-1943); France; graphite on off-white wove paper tipped into binding with fabric; 31.4 x 23.9 cm (12 3/8 x 9 7/16 in.), irregular

Giovanni Battista Piranesi (Italian, 1720 - 1778), The Smoking Fire, published 1749-1750, etching, engraving, sulphur tint or open bite, burnishing

A variation of 1938-88-1306, the plan of the structure being octagonal. The inscription stands in the entablature, above which are the crestings in the shape of those of a sarcophagus. The short shaft of the pedestal stands upon high moulding; a convex one of them is fluted. On the top very sketchy a group as in 1938-88-1329. Date: 1793. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

King Herod Receiving the Three Magi. Artist: Circle of Martin Schongauer (German, Colmar ca. 1435/50-1491 Breisach). Dimensions: 11 5/8 x 10 13/16 in. (29.6 x 27.5 cm). Former Attribution: Formerly attributed to Israhel van Meckenem (German, Meckenem ca. 1440/45-1503 Bocholt). Date: 1440-91. Museum: Metropolitan Museum of Art, New York, USA.

Kwakelburg, Edam, Sir Frank Short, 1857-1945, British, 1892, Etching, Sheet: 4 7/8 x 2 3/4in. (12.4 x 7cm)

Füssen (Germany). Bayk in the crops; Lesser, Aleksander (1814-1884); 1835-1836 (1835-00-00-1836-00-00);Füssen (Germany), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection , Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, architecture, gift (provenance), cloisters, bayouts

Persius Reinhold (1835-1912), fountain: view. Pencil on transparent, 22.8 x 21.5 cm (including scan edges)

Quast Ferdinand von (1807-1877), bouquet chair with wood carvings (1872): Perspective view (through the illustrated newspaper, 1872, 1492). Ink on transparent, 21 x 18.7 cm (including scan edges) Quast Ferdinand von (1807-1877): Prachtsessel mit Holzschnitzerei

James Henry Moser, Paintings, 1890 1891 Paintings

Rococo Portaal in the town hall in The Hague with a man in seventeenth -century costume, Johannes Bosboom, 1827 - 1891 drawing Netherlands paper. pencil. ink. watercolor (paint) pen / brush interior of the house. townhall The Hague

Lix, Frédéric Théodore (N.1830-12-18-D.1897), Episode of the town: Barricade rue des Précheurs ). (Dummy title). Carnavalet museum, history of Paris.

Ruins of Archway. Richard Parkes Bonington; English, 1802-1828. Date: 1822-1833. Dimensions: 148 × 123 mm. Graphite with white gouache on gray wove paper, laid down on board. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Motyw ze starego Lwowa. Goryńska, Wiktoria (1902-1945), graphic artist

Shepherd at Ruin.

Pencil sketch by Blasius Höfel showing a girl and a boy in the Mödling castle ruin, dated June 4, 1843, from a sketchbook covering 1830 to 1844, depicting figures, ruined walls, and surrounding landscape.

Abba Gumba, James Heath, 1757-1834, British, after James Bruce, 1730-1794, British, 1789, Engraving

The Forge, Passage du Dragon. James McNeill Whistler; American, 1834-1903. Date: 1894. Dimensions: 223 x 159 mm (image); 285 x 227 mm (sheet). Transfer lithograph in black with stumping, on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Study for An Oratorio-Covent Garden Theater, from Microcosm of London 1807-1808 England. Graphite on ivory wove paper . Augustus Charles Pugin

Landscape with flight to Egypt, 1527 - 1567 print A landscape with antique ruins. On the left an open plain with a few farms and figures. Rots in the background. In the foreground on the right a grazing cow, Maria on a donkey and Joseph. whole: Paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass. landscape with ruins - II - ideal landscapes

Feast of the Nativity. Hopfer, Hieronymus (ca 1500-1563), graphic artist, Dürer, Albrecht (1471-1528), graphic artist, Funck, David (1642-1709), publisher

The well.. Piranesi, Giovanni Battista, 1720-1778. Charrington, John, 1856-1939. Prints. 1750 - 1751. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Prisons, Capricci, Chains

Scheppig Carl (1803-1885), sketchbook "Travel notes collected on the Rhine in France and Italy" (1833-1835): Pencil on paper, 16.6 x 10.3 cm (including scan edges) Scheppig Carl (1803-1885): Skizzenbuch »Reisenotizen gesammelt am Rhein in Frankreich und Italien«: Kapelle

Design for a theater. Leaf 1 Verso from a sketchbook with 17 sheets.

Draftsman in the Colosseum. View of the tongues of a ruin, which is halfway through a person with a sketch sheet.

A guide in a catacomb at Pozzuoli. Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli).

The Smith's Yard James Abbott McNeill Whistler (American, 1834-1903). The Smith's Yard, 1895. Lithograph, 13 1/16 x 8 3/8 in. (33.2 x 21.3 cm). American Art 1895

Painting by balustrade by Johannes Bosboom.

Trafalgar Square , Plazas, Fountains, Columns, Monuments & memorials. Joseph Pennell (1857-1926). Prints and Drawings

View from the window in Trafalgar Tavern in Greenwich, James Tissot, 1878 print A covered table on a window with a view of a beach with three children, a balcony with four decent dressed men and a boulevard in the background. London paper etching / drypoint restaurant. laid table: table-ware, table-decoration, etc.. balcony. beach Greenwich

Left-up corner of a print of the scene of Cebes; Tabula Cebetis Carta Vitae. Allegory about the Salvation of Man. Life as a city with three walled sites, with a temple in the middle. At the outer gate, the souls of children are waiting, ready to enter the adult life. Before entering, they get something to drink seduction (Seductio), which makes them ignorant. The first walled terrain shows all kinds of and distractions, such as prejudice (Opinio), desire (Cupiduas), doubt (Error) and ignorance (Ignorantia). They prevent the youthful man to penetrate the next circle. Only by following the personifications from repentance (Poenitentia), hope (SPES) and good desire (Bonnem Desiderium) can manage to access the second circle. There he is taught in all forms of worldly knowledge. On the left are the seven artes liberales and on the right arguing different scholars. Man is put to the test in this circle and confronted with false knowledge (Falsa Disciplina). With the help of self-control (con

Use, Charles Rochussen, 1842 print Next to a brick diver bridge is a rod and a girl is standing. There are flowers at the ditch. The Hague paper etching bridge. fisherman. small canal, ditch

Study for Egyptian Hall Mansion House, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1809. Dimensions: 206 × 258 mm. Graphite on cream wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

The Soliloquy of the Broom. William Henry Fox Talbot; English, 1800-1877. Date: 1843. Dimensions: 16.8 × 20.6 cm (image); 17.5 × 21.3 cm (paper). Salted paper print. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Balcony. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1879/1880. Prints; etchings. Etching and drypoint

From the series The Imaginary Prisons (Le Carceri d'Invenzione), Piranesi, Giovanni Battista (1720-1778)

James McNeill Whistler, Passages de l'Opera Passages de l'Opera

The Pantheon. Draughtsman: Thomas Cool. Dating: 1861 - 1904. Measurements: h 48 mm × w 55 mm. Museum: Rijksmuseum, Amsterdam.

Pencil copy by Christian Haldenwang after Carl Philipp Fohr showing Schriesheim on the Neckar with rams in the landscape, including buildings, river, and foreground details, around 1815.

Church Interior, Christiaan Josi, After Hendrick Cornelisz van Vliet, 1795 - 1821 print Church interior with three figures and a dog in the foreground. London paper etching dog. interior of church

Gretiehek. A dark room. A little light comes into light through a grille

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

James Moore, 1762-1799, British, Glamis Castle, 1792. Graphite on medium, slightly textured, beige, wove paper.

Rijtje Huizen, Jan Veth, 1874 - 1925 drawing paper. chalk

Gondolar pounding for the canopy of Venice; Kowalski, Leon (1870-1937); 1910 (1910-00-00-1910-00-00);Venice (Italy), Italy (state), gondolars, sketches of characters, city views, purchase (provenance)

Herodias: Page 13, The tetrarch was awaited by several Galileans, the master of scribes, the chief of the land steward, the manager of the salt mines, and a Jew from Babylon commanding his troops on horse, 1928. William Walcot (British, 1874-1943). Etching; sheet: 30.7 x 24.1 cm (12 1/16 x 9 1/2 in.); platemark: 20.5 x 17.2 cm (8 1/16 x 6 3/4 in.).

Street scenes Batavia, Jan Brandes, 1779 - 1785 drawing Leaf with two performances. At the top of a street sucked with trees, sedior chair, people, a dog, wearers seen from a terrace or landing. At the bottom of Javanese couple followed by, among other things, a man with window saw and a Chinese with parasol. Batavia paper. ink pen street (+ city(-scape) with figures, staffage) Batavia

Jagiello The Board 8 from the Portfoiio: Leon Wyczółkowksi, Wawel Castle , Kraków 1911/1912 Wyczółkowski, Leon (1852 1936)

Stage Design for the Interior of a Palace in Classical Style, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Possibly a public room for teatro versaco. Hall in classical style opening toward garden with one and three windows, sketch with slight alteration at the side., Italy, 1778, theater, Drawing, Drawing

Sir Robert Smirke the younger, 1781-1867, British, Study of a Portion of a Decorative Canopy in Litchfield Cathedral, 1802-1804. Graphite on medium, moderately textured, beige, laid paper.

The Pier with Chains, plate 16 from Imaginary Prisons. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1761. Dimensions: 409 x 550 mm (image); 409 x 550 mm (plate); 585 x 778 mm (sheet). Etching and engraving on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Le Carceri d'Invenzione, pl. 26. Prints. 1750. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Mężczyzna u wejścia do reprezentacyjnej sali. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Schets van een ruïne en hoofd van kind. Schetsboek "A.S.Fe", 1587, blad 2v(12) (series title). Artist: anonymous. Draughtsman: anonymous. Dating: 1585 - 1587. Measurements: h 105 mm × w 78 mm. Museum: Rijksmuseum, Amsterdam.

Sir David Young Cameron, 1865-1945, British, Roslyn, 1899. Etching.

The Doorway James Abbott McNeill Whistler (American, 1834-1903). The Doorway, 1880. Etching and drypoint on paper, Sheet (trimmed to plate): 11 9/16 x 7 15/16 in. (29.4 x 20.2 cm). American Art 1880

Study for the House of Lords 1807 England. Pen and brown ink over graphite (recto), and graphite (verso), on ivory wove paper . Augustus Charles Pugin

Rohscan

The Green Bridge. Lyonel Feininger; American, 1871-1956. Date: 1911. Dimensions: 268 x 192 mm (image); 470 x 340 mm (sheet). Hand-colored etching on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Traghetto, No 2 1880 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

Sunday, Lyme Regis. James McNeill Whistler; American, 1834-1903. Date: 1895. Dimensions: 196 x 122 mm (image); 285 x 230 mm (sheet). Transfer lithograph in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

New Fish Market , Markets, Boats, Harbors. Joseph Pennell (1857-1926). Prints and Drawings

The Well. Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, 1761. Prints; etchings. Etching

"The miserables seized of vertigo having been elevated at the height of Notre-Dame" Cham (1819-1879). "The miserable seized of vertigo having been raised at the height of Notre-Dame". Feather and ink on paper. 1832. Paris, Victor Hugo House.

Houses in the Courtyard. Artist: Pierre Bonnard (French, Fontenay-aux-Roses 1867-1947 Le Cannet). Dimensions: image: 13 9/16 x 10 1/8 in. (34.5 x 25.7 cm)sheet: 20 7/8 x 15 9/16 in. (53 x 39.5 cm). Date: 1895-96. Museum: Metropolitan Museum of Art, New York, USA.

The Tempietto in San Pietro in Montorio, Italy, Henry Swinburne, 1743-1803, British, 1777 to 1778, Graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm) and Sheet: 6 9/16 × 4 3/16 inches (16.7 × 10.6 cm)

Sketchbook Jan Matejko from a trip to Constantinople. One sided drawing. Obverse: sketches of several sailing vessels. Matejko, Jan (1838 1893)

Lower with smoking fire, Giovanni Battista Piranesi, 1761 print Face in a monumental room, a dungeon, with a smoking fire, arches and a pulley. Numbered at the top right: VI. Rome paper etching / engraving prison, jail. instruments of torture, execution or punishment

Study for Exhibition Room, Somerset House, from Microcosm of London 1807-1808 England. Graphite on cream wove paper . Augustus Charles Pugin

Bandbox. Dated: 1935/1942. Dimensions: overall: 27 x 21.8 cm (10 5/8 x 8 9/16 in.) Original IAD Object: 10 1/2" high; 14 1/4" long; 11" wide. Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Samuel O. Klein.

Peristyle with drawn convergent perspective lines, draughtsman: anonymous, Italy, 1500 - 1599, paper, pen, h 248 mm × w 197 mm

A travel sketch by Valentin Wagner from 1631-1638 depicting Lichtenberg Castle in Hesse, executed in ink and feather.

A Fountain in the Park 1831 Karl Blechen German. A Fountain in the Park 382639 Artist: Karl Blechen, German, Cottbus 17981840 Berlin, A Fountain in the Park, 1831, Black and white chalk, and graphite, sheet: 10 13/16 x 8 5/8 in. (27.4 x 21.9 cm). The Metropolitan Museum of Art, New York. Purchase, Bequest of W. Gedney Beatty, by exchange, 2008 (2008.266)

Cartoon on the late credit laws, 1866, 1866 print Cartoon on the Pas at the end of December by the Minister of Finance submitted credit laws. Man standing in front of a closed door 1866/1867. Plate appeared at the Weekblad de Nederlandsche Spectator, no. 52, December 29, 1866. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper

Temple of Amenhotep III and Tomb of Paheri, Elkab Edwin Howland Blashfield (American, 1848-1936). Temple of Amenhotep III and Tomb of Paheri, Elkab, 1887. Graphite on preprinted graph paper mounted to paperboard, Sheet: 5 5/8 x 3 9/16 in. (14.3 x 9 cm). American Art 1887

Edelfelt, Albert, work, Sketch book, drawing, 45.5 cm x 30 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Scheppig Carl (1803-1885), sketchbook "Travel notes collected on the Rhine in France and Italy" (1833-1835): Pencil on paper, 16.7 x 10 cm (including scan edges) Scheppig Carl (1803-1885): Skizzenbuch »Reisenotizen gesammelt am Rhein in Frankreich und Italien«: Mobilar und Innendekorationen, Lousberg, Sulzbürg

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