Sketches and Architectural Designs

Artistic sketches showcasing architectural concepts and designs, capturing the essence of structures and creative thoughts from various historical periods.

Ponte del Piovan 1879-80 James McNeill Whistler American. Ponte del Piovan 372586

Retablo Design with Figures 18th century Anonymous, Spanish, 18th century Spanish. Retablo Design with Figures 337154

Little Court, Cloth Fair , Courtyards. James McNeill Whistler (1834-1903). Lithographs

Walker at a villa, c. 1819 - c. 1870 A man with a walking stick and basket stands for a villa. Drawing in a frame. Also a study of a tree branch with leaves. Page 8 Recto from a sketchbook with 39 sheets. paper. pencil country-house. trees (+ branch, stick). 'en route', traveller under way

Ponte del Piovan 1879-80 James McNeill Whistler American. Ponte del Piovan 372586

Street with figures and an elephant at a portal. Page 29 From a sketchbook with 75 sheets.

Study, possibly from seated figures. Rear bract from a sketchbook with 75 sheets.

Ex-Libris Edwin Edwards , Coats of arms, Greyhounds, Houses, Alphonse Legros (1837-1911)

Pencil sketches by Ferdinand Georg Waldmüller from around 1827 depicting various compositional studies of figures, landscapes, and objects.

Drawing by Ferdinand Boberg. Skåne, Torna hd., Borgeby sn., Borgeby Nordic

Figure and Doorway 1890-1894 England. Transfer lithograph in black on cream wove paper . Theodore Roussel

Study for The Hall and Staircase, British Museum, from Microcosm of London 1807-1808 England. Graphite on ivory wove paper . Augustus Charles Pugin

Sketch of Kalveren en Landschap, George Hendrik Breitner, 1867 - 1923 drawing paper. chalk cow

Interior of the Seville Cathedral. Page 32 From a sketchbook with 30 sheets.

Street scene, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Street scene with a figure., USA, 1881, architecture, Drawing, Drawing

Figures in an alley. Page 14 from a sketchbook with 27 sheets

Singel with the Munttoren in Amsterdam. Leaf 27 Recto from a sketchbook with 47 sheets.

A Fragment of Piccadilly (Piccadilly) 1884-86 James McNeill Whistler American. A Fragment of Piccadilly (Piccadilly) 372607

Quast Ferdinand von (1807-1877), triptych with a rock through view of Vulkan (Vesuv or similar) with rock chapel and grotes' grain): Design for a wall painting In the middle of the perspective view with a rock staircase and three sculptures, flanked on the outside by outlined grotes' grain. Pencil on paper, 13.7 x 22.5 cm (including scan edges) Quast Ferdinand von (1807-1877): Triptychon mit Felsdurchblick auf Vulkan (Vesuv o.ä.) mit Felskapelle und Groteskornamentik

A pencil sketch by Emerich Alexius Swoboda providing detailed notes and depiction of inventory item 30308/15V, showing figures and design elements.

Drawing by Ferdinand Boberg. Västergötland, Kållands hd., Kållandsö sn., Leckö Nordic

The Rialto 1879-1880 United States. Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper . James McNeill Whistler

Design for a garden view with a peacock on a fence.design for a painting.

Study for The College of Physicians, from Microcosm of London 1807-1808 England. Graphite on ivory wove paper . Augustus Charles Pugin

Two bomb barges on the beach, 1827 Page 77 Recto from a sketchbook with 95 sheets. paper. pencil pen beach. sailing-ship, sailing-boat

Bunting. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 174 x 125 mm (image, trimmed within plate mark); 177 x 125 mm (sheet). Etching and drypoint with foul biting in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Attributed to John Carter, 1748-1817, British, View in Basement Story under House of Lords, between 1800 and 1807. Graphite and pen and black ink on slightly textured, medium thickness, cream wove paper.

Thomas Daniell, 1749-1840, British, active in India, Dewan Awm, undated. Graphite on medium, moderately textured, beige laid paper.

Study into the armpits of St.-Jan in Den Bosch, Johannes Bosboom, after Hendrick de Keyser (I), c. 1827 - c. 1891 drawing paper. pencil brush rood-screen, choir-screen; iconostasis. Sint-Jans Cathedral. Den Bosch

Kayser & von Großheim, residential building Geisberg, Berlin (November 4, 1905): Bayer wall in the hall: average 1:20. Pencil, coal over a break on paper, 52.7 x 57.4 cm (including scan edges) Kayser & von Großheim : Wohnhaus Geisberg, Berlin

Design for a sepulchral monument in the form of a pulpit; verso: Fragment of a text late 17th-early 18th century Pieter Verbruggen the Younger Flemish. Design for a sepulchral monument in the form of a pulpit; verso: Fragment of a text 394929

Woman in traditional costumes who are knocking on a front door in Edam, Wijnand Otto Jan Nieuwenkamp, 1914 print A woman in traditional costume is correct on the front door of a home in Edam. She has a basket with her. In the foreground climbing plants and two images of lions on pedestals. paper etching folk costume, regional costume. knocking at the door. statues, sculptures in garden Execution

Alfred E Hubbard, Title Page for Kensworth Title Page for Kensworth

Wilhelm Leibls pencil study from 1866-1869 reproduces Adriaen Ostades etching 'The Family Man,' rotated 90 degrees, with an additional head study of a man wearing a cylinder hat from behind, primed with brown wash.

Print made by Thomas Shotter Boys, 1803-1874, British, La rue des Prouvaires et l'église saint Eustache, Paris, 1833. Soft-ground etching on moderately thick, slightly textured, cream wove paper.

Drawing by an anonymous artist depicting a theater performance at the imperial house theater of Schönbrunn Palace around 1765, showing stage, actors, and audience.

Title Page for Kensworth. Dimensions: sheet (approximate): 28 × 21.1 cm (11 × 8 5/16 in.). Medium: graphite with gray wash. Museum: National Gallery of Art, Washington DC. Author: Alfred E. Hubbard.

Drawing, Niche with statue; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper; 1977-110-4-7

Darbhanga Ghat nad Gangesem w mieście Waranasi. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Doorway and Vine. James McNeill Whistler; American, 1834-1903. Date: 1878-1880. Dimensions: 232 x 168 mm (plate); 380 x 275 mm (sheet, sight, bound). Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Turkish bazaar with tense sailing, Marius Bauer, 1892 print paper etching market-hall. head-gear. persons engaged in trade and commerce

Study for St. Martin's in the Fields, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1809. Dimensions: 198 × 264 mm. Graphite on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Victor Hugo (1802-1885). "Orléans. Museum". Graphite pencil on woven paper. 1834. Paris, house of Victor Hugo. Hauteville House. 74627-9 Graphite pencil, drawing, romantic movement, museum, vellum paper, romanticism

Study for Fire in London, from Microcosm of London 1807-1808 England. Graphite on ivory wove paper . Augustus Charles Pugin

The Embroidered Curtain. James McNeill Whistler; American, 1834-1903. Date: 1889. Dimensions: 238 x 160 mm (image, trimmed within plate mark); 241 x 160 mm (sheet). Etching in dark brown ink on ivory Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Face in Veghel, Cornelis Pronk (Possible), 1701 - 1759 Leaf 33 Recto from a sketchbook with 65 sheets. Veghel paper. pencil prospect of village, silhouette of village Veghel

View of a street in Amsterdam, George Hendrik Breitner, 1887 - 1891 Page 6 from a sketchbook with 17 sheets. Amsterdam paper. chalk street Amsterdam

Chelsea rags , Stores & shops. James McNeill Whistler (1834-1903). Lithographs

Henry Swinburne, 1743-1803, British, Tomb of the Scipios near Tarragona, 1775 to 1776. Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

James McNeill Whistler (American, 1834 - 1903), Hotel Lallement, Bourges, 1888, etching

Drawing, Stage Design, Royal Palace in Classical Style; Designed by Angelo Toselli (ca. 1765 - 1826); Italy; pen and brown ink over black chalk on wove paper, laid down

Martyrdom of Saint Christoffel, 1776 print Saint Christoffel is tied to a pillar. In front of him is a group of soldiers looking up at a window where the king of Lycia has just shot in his eye with an arrow that was meant for Christoffel. paper etching / counterproof forty archers fail to harm St. Christopher, the arrows being miraculously deflected; one of the arrows returns and strikes the king in the eye

A Doorway, Toledo. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 254 x 193 mm. Oiled charcoal with stumping, on cream wove paper, perimeter mounted on off-white wood pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, USA.

Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso). Artist: Francesco Guardi (Italian, Venice 1712-1793 Venice). Dimensions: 9 15/16 x 6 1/4in. (25.3 x 15.8cm). Date: 1712-93. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by Ferdinand Boberg. Uppland, Åkers Skplg., Kulla sn., Vira Nordic

Still lifes with different objects, such as a jug and book, 1858 Also studies of a niche. Page 16 Recto from a sketchbook with 19 sheets. paper. pencil still life of miscellaneous objects

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

Sketch of a farmyard, with ahorse. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

The Doorway. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1879/1880. Prints; etchings. Etching, drypoint, and roulette

Part of a richly decorated interior with colonnades, Giuseppe Galli Bibiena, c. 1706 - c. 1756 drawing Design for a theater decor. paper. graphite (mineral). ink pen / pen

Bead Stringers 1880 United States. Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper . James McNeill Whistler

Park face with girls at a herme. Design for a painting.

Classical architecture in Rome. Draughtsman: Thomas Cool. Dating: 1861 - 1904. Measurements: h 133 mm × w 111 mm. Museum: Rijksmuseum, Amsterdam.

James McNeill Whistler, The Butcher's Dog, 1896 The Butcher's Dog

St Anne's, Soho Made 1896 United States. Transfer lithograph in black on ivory laid paper . James McNeill Whistler

Blades with a canopy; Verso: two women's studies, sketch of a man's character; Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);canopies, curtains, paintings, artistic crafts, studies (sketches), studies of architectural details, fabrics, interiors, interior equipment, purchase (provenance), bed

A series of sketches by Alexander Rothaug from around 1928 including a composition titled '...Drive Out of Sleep', executed in pencil, ink, and colored pencil.

John Flaxman, Sheet of Sketches (recto and verso) Sheet of Sketches recto and verso

Drawing, Window; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 14.8 × 11.2 cm (5 13/16 × 4 7/16 in.)

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

The Grand Piazza, plate 4 from Carceri dInvenzione (Imaginary Prisons). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Sunday, Lyme Regis. James McNeill Whistler; American, 1834-1903. Date: 1895. Dimensions: 196 x 122 mm (image); 240 x 209 mm (sheet). Transfer lithograph in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Thomas Daniell, 1749-1840, British, active in India, Pilibhit, undated. Graphite on medium, slightly textured, cream, laid paper.

Face in a garden with an open door in the foreground. Draughtsman: Dionys van Nijmegen (possibly). Dating: 1715 - 1798. Measurements: h 205 mm × w 165 mm. Museum: Rijksmuseum, Amsterdam.

Study for Drurylane Theater, from Microcosm of London 1807-1808 England. Graphite with pen and brown ink on cream wove paper . Augustus Charles Pugin

A Romanesque Ruin. Jan van Goyen; Dutch, 1596-1656. Date: 1650-1651. Dimensions: 98 x 158 mm. Black chalk, with brush and gray wash, on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Damocles. Illustration from the Charles Dickens novel Little Dorrit by H.K. Browne known as Phiz

The Smoking Fire, 1749, Giovanni Battista Piranesi, Italian (Rome), Italian, 1720-1778, 23 5/8 x 17 15/16 in. (60 x 45.5 cm) (sheet)21 1/16 x 15 5/8 in. (53.5 x 39.7 cm) (plate), Etching with engraving and sulfur tint, Italy, 18th century, In this view of a prison interior, Giovanni Battista Piranesi explored his imagination through architecture realized only on paper, unfettered by practical considerations. The scene revels in the sublimethe flipside of the Age of Enlightenmentin which Romantics opened themselves to the sensation of forces beyond human comprehension and control. Piranesi intended us to lose ourselves as we wander through his maze of stairways, balconies, and catwalks leading to unknown destinations. This is the scary movie of the 18th century.

Bead-Stringers. James Abbott McNeill Whistler (United States, 1834-1903). 1880. Prints. Etching and drypoint

Hugo, Victor (n.1802-02-26-D.1885-05-22), Superest (or fireplace in the dining room of Hauteville House) (registered title (letter)), 1861. Graphite pencil, feather, feather, pen Brush, brown ink and wash, black ink wash, charcoal, red gouache highlights, reserves, striped areas on beige paper. Left and right, fingerprints. House of Victor Hugo - Hauteville House.

The Butcher's Dog 1896 James McNeill Whistler American. The Butcher's Dog 372878

Drawing by Ferdinand Boberg. Blekinge, Medelstads hd., Listerby sn., Herrg. In Listerby Nordic

Edward Alfred Goodall, 1819-1908, British, Captivity, 1834. Line engraving, engraver's proof on medium, smooth, beige, wove paper, mounted on thick, slightly textured, cream, wove paper.

In de barak. Dritten Stock (title on object). Draughtsman: To Frank-Stoltz. Dating: 5-Apr-1943. Place: Ravensbrück. Measurements: h 155 mm × w 150 mm. Museum: Rijksmuseum, Amsterdam.

Ornamented column ..

Garden , Doors & doorways. James McNeill Whistler (1834-1903). Lithographs

Four memory designs by Rudolf Weyr in dark brown ink, showing figure sketches, compositional arrangements, and preliminary motifs.

Drawing by Ferdinand Boberg. Nora, Rådstugugat. 21 Nordic

Umbria Terni Narni Palazzo del Podesta3. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, including detached and fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Street face with two figures at a doorway, Rik Wouters, 1892 - 1916 print paper ETCHING / ROUCH village street

Odilon Redon, Et moi, Jean, Je vis la sainte cite, la nouvelle Jerusalem, qui descendait du ciel, d'aupres de dieu, 1899 Et moi, Jean, Je vis la sainte cite, la nouvelle Jerusalem, qui descendait du ciel, d'aupres de dieu (And I John saw the holy city, new Jerusalem, coming down from God out of heaven)

Rag-Shop, Milman's Row. Dated: c. 1886/1888. Dimensions: overall: 15 x 22.7 cm (5 7/8 x 8 15/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Konijnenburg, Willem van, Watermolen, verso - stamped, print, prints, height 90 mm, width 61 mm, 1868-02-11 - 1943-02-28, print maker, printmaker, 1878 - 1943, paper, papier, etching, etchings

John Linnell, 1792-1882, British, Millbank, 1806. Black and white chalk on moderately thick, slightly textured, beige wove paper.

Gustav garlic (1833-1916), horticultural exhibition 1897, Berlin-Treptow: 2 perspective views. Ink on transparent, 29.9 x 24.1 cm (including scan edges)

Beds. Draughtsman: To Frank-Stoltz. Dating: 10-May-1943. Place: Ravensbrück. Measurements: h 155 mm × w 150 mm. Museum: Rijksmuseum, Amsterdam.

Myles Birket Foster, 1825-1899, British, Study of a Mansion with Gardens, Leonis Hall. Graphite.

Second table of the sisters Etienne FESSARD (1714-77). Second table of the sisters. Eau-strong pulled in blood.

Sir David Young Cameron, 1865-1945, British, Rosslyn Chapel, 1901. Etching and drypoint.

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