Sketches and Drawings of Figures

Artistic sketches of human figures and scenes, showcasing expressive lines and studies of movement from various historical periods.

The final according to Mikha A. Resurrection of the body; Beatrizet, Nicolas (1507 cars 1515-Ca 1565), Buonarroti, Michelangelo (1475-1564); 1562 (1562-00-00-1562-00-00);Sistine chapel (Vatican), Rome (Italy), Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, final court (iconogr.), Vatican, Italy (state), resurrection (iconogr.), Polychrome, renaissance (renaissance ( style), religious scenes

Sketch of the upper body of a muscular man, Pieter Idserts (Possible), 1708 - 1781 drawing paper. chalk

The final according to Mikha A. Resurrection of the body; Beatrizet, Nicolas (1507 cars 1515-Ca 1565), Buonarroti, Michelangelo (1475-1564); 1562 (1562-00-00-1562-00-00);Sistine chapel (Vatican), Rome (Italy), Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, final court (iconogr.), Vatican, Italy (state), resurrection (iconogr.), Polychrome, renaissance (renaissance ( style), religious scenes

Study. Page 96 From a sketchbook with 48 sheets.

Abklatsch of the chalk drawing on page 41. Page 42 from Sketchbook XLIV with 43 pages.

Sketches for Grotesque Wall Decorations. 1501-56 Girolamo da Carpi (Girolamo Sellari) Italian. Sketches for Grotesque Wall Decorations. 344680

Study, 1864 - 1865 Page 28 Verso from a sketchbook with 44 sheets. paper. pencil

Sailboats, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Sketch of two sailboats under sail., USA, n.d., seascapes, Drawing, Drawing

Abkatsch of the chalk drawing on leaf 18 verso. Leaf 19 Recto from sketchbook LV with 21 sheets.

Sketchbook Peter Frederick Rothermel (American, 1817-1895). Sketchbook, 1857. Graphite with ink and watercolor on cream, medium-weight, slightly textured wove paper, 5 11/16 x 8 5/8 x 3/8 in. (14.4 x 21.9 x 1 cm). This forty-two-page sketchbook contains drawings by the history painter Peter Frederick Rothermel of scenes in Genazzano, Italy, forty miles east of Rome. He documented the local architecture, sculpture, landscape, and people, while also including sketches for narrative subjects. The costumes and daily life of the townfolk are captured in several skillful figure studies, including this image of a man leaning against a stone wall. American Art 1857

Sketch of a sitting figure. Draughtsman: anonymous. Dating: 1580 - 1620. Place: Midden-Italië. Measurements: h 235 mm × w 340 mm. Museum: Rijksmuseum, Amsterdam.

Abklatsch of the chalk drawing on page 57. Page 56 from a sketchbook with 29 sheets.

Abklatsch of the chalk drawing on page 37. Page 36 from a sketchbook with 29 sheets.

Woman, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Partial sketch of a female figure draped in fabric with her head covered., USA, 1876, figures, Drawing, Drawing

La Sainte Famille au Repos (The Holy Family at Rest) 19th century Rodolphe Bresdin French. La Sainte Famille au Repos (The Holy Family at Rest) 429721

Abklatsch of the chalk drawing on page 13, c. 1882 - c. 1884 Page 12 from a sketchbook with 19 sheets. paper

Old man's head and other sketches, Avanzino Nucci, 1561 - 1629, draughtsman: Avanzino Nucci, 1561 - 1629, paper, h 282 mm × w 197 mm

Abklatsch of the chalk drawing on page 19. Page 18 from a sketchbook with 44 sheets.

Sketchbook William Merritt Chase (American, 1849-1916). Sketchbook, 1872. Graphite and black, red and white Conté crayon on cream and tan medium-weight, slightly textured wove paper, 11 7/8 x 9 7/16 x 11/16 in. (30.2 x 24 x 1.7 cm). William Merritt Chases knack for realistic characterization is evident in these deftly executed informal portraits, possibly representing his fellow students at the Royal Academy in Munich. This sketchbook contains numerous other portraits, as well as figure studies from a life class, rendered with different approaches—the linear style seen here and a softer, tonal one used on other pages. American Art 1872

Seating reading woman, 1834 - 1911 Page 19 Recto from a sketchbook with 26 sheets. paper. pencil sitting figure - AA - female human figure. reading

Woodcut by Jacques Stella between 1620 and 1657 illustrating the biblical parable of the wise and foolish virgins.

Draped figure, almost frontal view, draughtsman: Polidoro da Caravaggio, (possibly), 1502 - 1543, paper, brush, h 202 mm × w 90 mm

Annotations, George Hendrik Breitner, 1881 - 1883 Annotations. Page 86 from a sketchbook with 43 sheets. South-Holland paper. chalk

Abklatsch of the chalk drawing on page 81, c. 1884 - 1891 Page 80 from a sketchbook with 49 sheets. paper

Abklatsch of the chalk drawing on page 30. Page 31 from Sketchbook XLI with 38 pages.

Drawing, Niagara Falls from the American Side; Frederic Edwin Church (American, 1826-1900); USA; graphite, brush and white gouache on green wove paper; Sheet: 15.2 x 8.4 cm (6 x 3 5/16 in.) Frame H x W x D: 39.7 x 50.2 cm (15 5/8 x 19 3/4 in.)

Abklatsch of the chalk drawing on leaf 35 verso. Leaf 36 Recto from a sketchbook with 45 sheets.

Abkatsch of the chalk drawing on leaf 26 verso. Schutblad B, rear bract, from sketchbook VII with 26 sheets.

Pencil study by Carl von Hasenauer of volutes, showing decorative and structural forms for architectural applications.

Boat in Rain. Okamoto Toyohiko (Japan, 1773-1845). Japan, late 18th-early 19th century. Paintings; scrolls. Hanging scroll; ink on paper

Annotation, George Hendrik Breitner, 1906 Page 1, Voorste Schutblad, from a sketchbook with 14 sheets. Amsterdam paper. chalk

The Captivity of Cai Wenji (four scenes). Origin: China. Ink on silk. Date: 1279-1368. Period: Possibly Yuan dynasty. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Les camelots de la Pensee, illustration, p.35. Artist: Maurice Delcourt, French, 1879-1916

Deraisme, Pierre -Georges (n.1859 - D.1932), XVIIIth motif (main title), 1900. Graphite on layer paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Sketchbook Page: Man Standing, Kenyon Cox, American, 1856-1919, Graphite on blue-grey laid paper, Sketch of standing man with coat and hat, shown from behind., Paris, France, 1877-78, albums (bound) & books, Sketchbook folio, Sketchbook folio

Nozal, Alexandre (n.1852-08-07-D.1929), drawing notebook n ° 13 (main title), 1913. Watercolor, graphite pencil, pen and black ink, colored pencils on paper. Beige canvas cover. Petit Palais, Museum of Fine Arts of the City of Paris.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Figure study for mural at the State Capitol building in Harrisburg, Pennsylvania, 1902-1911 (completed by John SingerSargent), Black and white chalks, 28.9 × 52 cm (11 3/8 × 20 1/2in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

View of Buildings, possibly in Amsterdam, George Hendrik Breitner, 1893 drawing Recto of a separate drawing between page 161 and page 162 of a agenda used as a sketchbook with 108 sheets. Amsterdam paper. pencil civic architecture; edifices; dwellings. city-view, and landscape with man-made constructions Amsterdam

Sketches of H. Marcus who saves the life of a slaved man, Giulio Carpioni (I), After Jacopo Tintoretto, 1600 - 1699 drawing paper. chalk St. Mark rescues a slave from martyrdom by coming down from heaven; the instruments of torture break. slavery; serfs and the enslaved

Sketch notebook of drawings: very light lines, seeing the candle of a landscape (page 3) Camille-Jean-Baptiste Corot (1796-1875). Sketch book of drawings: very light lines, appearing the draft of a landscape (page 3). Pencil.

Sketch and Sums Artist's working dates 1781-1827 France. Black chalk on cream laid paper . Pierre Antoine Mongin

Abklatsch of the chalk drawing on page 12. Page 13 from sketchbook XXXVII with 52 pages.

Study, c. 1881 - 1888 Page 14 Verso from a sketchbook with 29 sheets. paper. chalk

Capital of a column in Crypt from the Abbey Church in Rolduc, Anonymous (Monumentenzorg) (Attributed to), 1890 photograph Rolduc photographic support. cardboard albumen print capital (~ column, pillar). parts of church interior (crypt) Rolduc

La Sainte Famille au Repos (The Holy Family at Rest) 19th century Rodolphe Bresdin French. La Sainte Famille au Repos (The Holy Family at Rest). Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). 19th century. Etching. Prints

Pen and brush drawing by Wilhelm Busch on light brown primed paper from 1865 showing figures in 'The Warm Bath', emphasizing posture and gesture.

Breton Peasants. Paul Gauguin; French, 1848-1903. Date: 1894. Dimensions: 217 × 247 mm. Brush and black ink on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Temploon, Cornelis Ploos van Amstel (Possible), 1736 - 1798 drawing The template is loose in the back of an album. Amsterdam paper snipping

Scenic Panel, Les Portiques D'Athenes; Made by Xavier Mader; Manufactured by Dufour et Leroy (France); France; block-printed on machine made paper, applied border; 181 x 56.5 cm (71 1/4 x 22 1/4 in.); 1936-10-6

Wilhelm Marstrand (1810-1873), pencil ridges of the imported, 1810-1873

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358557

Pressure test with recesses, Cornelis Ploos van Amstel, 1736 - 1798 print The print is loose in the back of an album. paper. oil paint (paint)

Standing Woman Holding a Muff Facing Right (recto); Studies of Heads (verso); Pietro Longhi (Italian, 1701 - 1785); Italy; about 1755 - 1760; Black and white chalk (recto); Black chalk (verso); 27.9 x 17.6 cm (11 x 6 15,16 in.)

Roman Procession 1499-1543 After Polidoro da Caravaggio Italian. Roman Procession 340524

Shepherd at his herd. Page 82 A sketchbook with 45 sheets made around the Ewijkshoeve.

Fragment (Japan)

Study of tiled Floor of the Baptistry, Florence, 1866-69. William Holman Hunt .

Drawing, Study for a woman, Vintage Festival,” Mendelssohn Glee Club, New York, NY; Robert Frederick Blum (American, 1857-1903); USA; pastel crayon on tracing paper; 29.8 × 18.6 cm (11 3/4 × 7 5/16 in.)

Fragment (Japan)

Abklatsch of the chalk drawing on page 118, 1888 - 1907 Page 119 from a sketchbook with 72 sheets. paper

Album with etchings in Aquatint to Mauro Tesi architectural drawings from various Italian collections, Cesare Massimiliano Gini, after Mauro Antonio Tesi, 1787 Band with nine magazines with text in book prints and etchings in Aquatint printed in different colors to drawn architecture designs and fantasy architecture of Mauro Tesi from different Italian collections. The album is incomplete and contains 28 of the 42 plates. paper. kaft: cardboard. marbled paper etching / letterpress printing / marbled paper

Various ornaments. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Drawing (Germany)

Drawing, Figure; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 17.3 × 10 cm (6 13/16 × 3 15/16 in.)

Copper engraving and etching by Mathäus Küsel depicting a Thesenblatt, showing text panels and decorative elements typical of the 17th century.

Quast Ferdinand von (1807-1877), candlestick and chandelier, also from the S. Sebaldus Church in Nuremberg (without date): Five views of richly ornamental candlesticks and a standing chandelier, floor plan of the candlestick from Nuremberg (1696), sketch Partially. Pencil on paper, pencil on transparent, 38.2 x 27.8 cm (including scan edges) Quast Ferdinand von (1807-1877): Kerzenleuchter und Kronleuchter, auch aus der S. Sebaldus-Kirche, Nürnberg

Raffaëlli, Jean-François (n.1850-04-20-D.1924-02-29), Le Rémouleur (Main title), 1907. Etching and dry tip in two colors on Japan paper. Petit Palais, Museum of Fine Arts of the City of Paris.

L'enfant prodigue (5th plate) , Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

Nudes, Manni, Italian, Red crayon on brown paper, a. A standing young man, seen from the back. Figure with legs standing close together, right arm raised. Head is only slightly indicated., b. A seated boy with raised arms and raised left leg. Figure with left foot standing higher than right. Seen from frontside. Outlines stabbed for copying., Italy, ca. 1721, figures, Drawing, Drawing

Sheet with overall splotchy pattern 19th century Anonymous. Sheet with overall splotchy pattern. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

The Channel Sketchbook. Date/Period: Ca. 1845. Painting. Watercolor. Height: 95 mm (3.74 in); Width: 159 mm (6.25 in). Author: J. M. W. Turner.

Linen mark (Type V) ca. 1961-1917 B.C. Middle Kingdom. Linen mark (Type V). ca. 1961-1917 B.C.. Linen. Middle Kingdom. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb MMA 507 (The Slain Soldiers), MMA excavations, 1926-27. Dynasty 12

Painting or drawing with a portrait of a man, Eduard Isaac Asser, 1845 - 1855 photograph Amsterdam paper. photographic support. cardboard salted paper print art (+ reproduction ~ work of art)

"Etching by Hugo Steiner-Prag depicting three stories by Nodier, Flaubert, and Aselineau, showing figures, composition, and illustrative narrative details."

Jean-Marie Michel Cazin (1869-1917). "Medal plate. The lull". Metal, cast iron. Museum of Fine Arts of the City of Paris, Petit Palais. 57558-17 Lull, melting, metal, inventory number, numismatics, medal plate

Abklatsch of the chalk drawing on page 54. Page 55 from sketchbook XXXII with 92 pages.

Anonymous drawing of a bearded figure in a coat with a beret on the left, executed in pen on reddish primed paper around 1450.

Sketchbook with 26 sheets. Sketchbook consisting of 26 sheets with figure studies and forest faces.

Sheet with overall splotchy pattern 19th century Anonymous. Sheet with overall splotchy pattern. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Anonymous drawing showing two women, a naked boy, and a floating angel, executed with feather and white highlights, with a cross kink and elevated marks.

August Xaver Karl von Pettenkofen created a head study using ink and watercolor.

Piece 17th century Japan. Piece 71750

Study, possibly from a horse in a landscape, George Hendrik Breitner, c. 1883 - c. 1885 Page 56 from a sketchbook with 48 sheets. Drenthe paper. chalk horse. landscapes Drenthe

PINTURA - SIGLO XX. Author: ANTONI TAPIES (1923-2012). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Joseph Mallord William Turner, 1775-1851, British, The Channel Sketchbook, ca. 1845. Watercolor on medium, slightly textured, white wove paper.

Chrysanthemums. Study for a print. Łopieński, Ignacy (1865-1941), draughtsman, cartoonist

German 15th Century, Saint Catherine Saint Catherine

Landscape with a Waterfall, First Version.First version of the landscape with a waterfall. Etched on a fragment of an originally much larger irisselage, on which a ship was proposed.

Asch, Sholem: The mother: Roman

Design for embroidery, Medium: silk, ink, graphite Technique: embroidery on ink drawn pattern on satin weave, A free hand drawing of floral swags on cream color satin with part of the embroidery completed., England, ca. 1750, embroidery & stitching, Design for embroidery

Landscape (recto); Landscape (verso). Artist: Perugino (Pietro di Cristoforo Vannucci) (Italian, Città della Pieve, active by 1469-died 1523 Fontignano). Dimensions: 8 1/16 × 11 in. (20.4 × 28 cm). Date: 1489-90.Discovered by George Goldner at auction in 1992, this view of wooded hills descending toward a river is an extremely rare example of a landscape drawing by the artist, and is drawn in a delicate chiaroscuro technique with brown ink and white on a dark ground, full of atmospheric effects. A very similar motif appears in the background of Perugino's Vision of Saint Bernard (Alte Pinakothek, Munich), an altarpiece painted about 1489 for the Nasi Chapel in the Cistercian church of Santa Maria Maddalena di Cestello, known now as Santa Maria Maddalena dei Pazzi, near Florence. The teacher of Raphael (whom he outlived) and one of the painters in highest demand by patrons throughout Italy in the late fifteenth century, Perugino produced major works in Rome, Perugia, Bologna, Cremona,

The Vision of Saint William of Aquitaine late 1650s Giovanni Angelo Canini Italian This monumental and spirited composition sketch of stark chiaroscuro contrasts portrays the kneeling, praying figure of William, Duke of Aquitaine, at lower right before a rocky landscape, as the saint is about to be led by one of the angels to the desolate valley of the Gellone, where he would found the Benedictine monastery of Saint Guilhem-du-Desert (some of which stone-remains are today in the Cloisters, The Metropolitan Museum of Art). The drawing shows the elements of the story of Saint William as told in the twelfth-century biography, the Vita Sancti Wilhelmi.The sheet may be dated in the late 1650s, based on comparison to the composition of Christ's Charge to Peter’ (San Giovanni dei Fiorentini, Rome), dated 1659, and based on the more significant evidence of its distinctive drawing technique. The brush drawing technique with brown wash and strong thick white highlights is exactly that of a shee

Edward Alfred Goodall, 1819-1908, British, A Tempest - voyage of Columbus, 1834. Line engraving on thick, slightly textured, cream, wove paper, with gray chine colle.

Sketch sheet with studies of monkeys, draughtsman: Guillaume Anne van der Brugghen, 1821 - 1891, paper, h 323 mm × w 510 mm

Old Letter Germany

Capital of a column in the crypt of the Abbey Church in Rolduc, Anonymous (Monument Care) (Attributed to), 1890 photograph Rolduc photographic support. cardboard albumen print capital (~ column, pillar). parts of church interior (crypt) Rolduc

A Café-Concert Singer 1877-1878 France. Drypoint and aquatint in black on ivory laid paper . Hilaire Germain Edgar Degas

Woodcut by Hans Burgkmair the Elder from 'Weißkunig', depicting Emperor Maximilian I receiving news of the defeat of the Croatians, on wooden stick, 1514-1516.

Illuminated Leaf 16th century This fully illuminated page depicts a landscape of monkeys, birds, hares and a lion painted in gold with blue detailing on a plain ground. The reverse bears a qasida, or ode, by Jami about the mysteries of the letters of the bismallah. The text is arranged in two columns of calligraphy bordered by three bands of floral motifs, and the kufic text of the heading reads and blessing upon him Muhammad and his family”.. Illuminated Leaf 451088

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