Sketches and Portrait Studies

Collection of pencil and ink sketches depicting various head studies of men and women. The artworks focus on facial expressions and details in diverse styles.

Study sheet with five different heads of men and women, Study sheet with different heads, print maker: Cornelis Kruseman, (mentioned on object), Amsterdam, 1818, paper, etching, h 95 mm × w 114 mm

Study sheet with twelve heads.

Study sheet with six heads. Study sheet with six different heads of men and women.

Study sheet with five different heads of men and women, Study sheet with different heads, print maker: Cornelis Kruseman, (mentioned on object), Amsterdam, 1818, paper, etching, h 95 mm × w 114 mm

Six studies for Corréard and Savigny in the "Raft of the Medusa" before 1818 Théodore Gericault French. Six studies for Corréard and Savigny in the "Raft of the Medusa" 337181

Woman head with a hat with ear hurters. Page 97 From a sketchbook with 48 sheets.

Four faces (clockwise from top left): laughing, weeping, showing sadness, and compassion. Etching by A.-J. Defehrt after C. Le Brun.

Sentimens des plus Habiles Peintres sur la Pratique de la Peinture et Sculpture, mis en Tables de Preceptes, avec Plusieurs discours Accademiques. Author: Henri Testelin (French, Paris 1616-1695 The Hague). Designer: Frontispiece designed by Louis Testelin (French, Paris 1615-1655 The Hague); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome); After Charles Le Brun (French, Paris 1619-1690 Paris); After Nicolas Poussin (French, Les Andelys 1594-1665 Rome). Dimensions: Overall: 15 3/4 x 11 7/16 in. (40 x 29 cm). Engraver: Sébastien Leclerc I (French, Metz 1637-1714 Paris). Publisher: La Veuve Mabre-Cramoisy , Paris. Date: 1696. Museum: Metropolitan Museum of Art, New York, USA.

Seven Caricatures of Heads. Jean Louis André Théodore Géricault (French, 1791-1824); or Horace Vernet (French, 1789-1863). Date: 1818-1819. Dimensions: 223 × 280 mm. Graphite on cream wove paper, perimeter mounted on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Study of Faces, Benjamin Robert Haydon, 1786-1846, British, undated, Pen and brown ink on medium, slightlyy textured, blued white, laid paper, Sheet: 11 1/8 × 7 13/16 inches (28.3 × 19.8 cm)

Plate 4: two profiles and three mouths, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner) ca. 1649 Stefano della Bella Italian. Plate 4: two profiles and three mouths, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner) 412320

Etching by Jean Pesne between 1643 and 1700 titled 'Various Heads' depicts multiple head studies, exemplifying 17th-century European printmaking techniques.

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum) 1786 After Wenceslaus Hollar Bohemian. Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum) 411920

Eight caricatural heads of types from Noord-Brabant, Eight caricatural heads, draughtsman: Johannes Tavenraat, Noord-Brabant, Sep-1868, paper, pen, brush, h 95 mm × w 160 mm

Heads and hands, Anonymous, After Frederick Bloemaert, After Abraham Bloemaert, c. 1679 - c. 1750 print Study of three heads and five hands in different gestures. Copy to a performance from the drawing book by Abraham Bloemaert. Netherlands paper engraving monsters of mixed human and animal shape; 'Mostri' (Ripa) (+ head or (parts of) face)

Heads of an old and a young woman; Collection of different scribbles and etchings part 2; Recueil De Divers Griffonen et Preuves d'eau forte part 2. .

Sheet of Studies of Heads 1615-41 Anthony van Dyck Flemish. Sheet of Studies of Heads 335445

Study sheet with two heads, Anthonie van den Bos, 1778 - 1838 print Above the head of a young man with a helmet on, under an old man with beard and glasses. paper etching

Performances of different emotions, Bernard Picart, After Charles Le Brun, 1711 print Uncuted leaf with four prints with representations of men's heads that express different emotions. From left to right, from top to bottom: La Colere, La Colere, Colere, La Joie. The prints have a title in French and are marked with a page number and a letter. Amsterdam paper etching / engraving morphology of facial expression

Two busts of men, a woman on a horse, a horse head, a standing man and a sitting woman; Various figures and scribbles; Diverses figures et cliffs ..

Four physiognomies expressing the propensity to command. Drawing, c. 1792.

Head of an old man with a turban and beard, four smaller heads of young people at the corners, plate 9 from 'I principii del disegno' (The Principles of Design), c. 1641, Stefano della Bella; Publisher: Pierre Mariette I, Italian (Florence), Italian (Florence), 1610-1664, 4 5/8 × 6 in. (11.75 × 15.24 cm) (plate)5 5/8 × 6 11/16 in. (14.29 × 16.99 cm) (sheet), Etching, France, 17th century, The accomplished Florentine etcher and draftsman Stefano della Bella produced this drawing manual in France, where he spent over a decade of his career. The book, now disassembled, comprised 25 etchings and was published by della Bellas principal French publisher Pierre Mariette.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various figures and scratches. Several heads, a peasant sitting on a horse, a standing man and a seated woman. Second issue of a suite of 23 pieces. (A. de Vesme 460; Dutuit 123) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), second collection of various scratches. Woman's head in a circle. Fourth issue of a suite of 47 pieces. (A. de Vesme 415; Dutuit 122) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Lower parts of the face: outlines. Engraving after C. Le Brun.

Hamlet Winstanley, 1698-1756, British, Sketches of Two Heads, and a Man Reading a Book, between 1715 and 1720. Pen and brown ink and graphite on medium, slightly textured, cream laid paper.

Copper engraving by Giovanni Luigi Valesio, 1606-1616, showing a study sheet of eyes, ears, nose, and mouth for drawing instruction.

Five studies of men's heads displaying various hair styles, beards and mustaches; one seated figure, half-length. Rubens, Peter Paul, 1577-1640. Prints. 1773. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Anatomy, Artistic, Heads (Anatomy), Hairstyles, Mustaches, Men , Anatomy

Walt Whitman. Date: 1881. pencil on paper. Museum: NATIONAL PORTRAIT GALLERY.

. Two plates with bustroets of a man and a woman printed next to each other on a piece of parchment.

Tronies of an old man and an old woman, Anonymous, 1678 print Tronie from an old man and an old woman from a series entitled 'Nuova Scelta de Varii Celebri Autori della Pittura (...)'. Two plates printed on one leaf. paper etching old man. old woman

Study sheet with heads and women's bodies, print maker: D. van den Bosch, (mentioned on object), Netherlands, 1817, paper, etching, h 88 mm × w 115 mm

Portraits of Stefan George and Albert Verwey (Pressure Atelier Toorop). .

French Revolution: study of the main protagonists of the scene representing Louis XVI and his confessor Edgeworth before his execution, on January 21, 1793. (Title)

Four men's heads, Frederick Bloemaert, after Abraham Bloemaert, c. 1679 - c. 1701 print Four men's heads. Two with hat, and two with a long beard. Utrecht paper engraving head (human)

Young and old deceased warrior, in or before 1759 print Two mascarons on a leaf. On the left a young man with long hair, turned to the right. On the right an old man with beard and band in the hair, seen from the front. paper etching mask, mascaron ~ ornament. the soldier; the soldier's life

Men's heads and a women's head. Leaf 36 Recto from a sketchbook with 65 sheets.

Studies of heads. Studies of men's and women's heads in different age categories and in different views. Also two studies of a woman with a baby on her arm.

Study magazine with seven heads in two rows.

Matka z dwojgiem dzieci oraz szkice głów, w tym autoportret. Pillati, Henryk (1832-1894), draughtsman, cartoonist

Seven male heads, all with beards, two wearing caps. Rubens, Peter Paul, 1577-1640. Prints. 1773. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Anatomy, Artistic, Heads (Anatomy), Men , Anatomy

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

Old Man with a Beard and a Bare Head, Turk Seen from Behind, Turk with a Turban, Turk Seen from Behind. Giovanni Domenico Tiepolo; Italian, 1727-1804. Date: 1775. Dimensions: 113 x 84 mm (image, upper left); 116 x 86 mm (plate, upper left); 121 x 89 mm (image, upper right); 125 x 92 mm (plate, upper right); 120 x 85 mm (image, lower left); 124 x 87 mm (plate, lower left); 118 x 87 mm (image, lower right); 123 x 91 mm (plate, lower right); 544 x 387 mm (sheet). Four etchings on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Copper engraving and etching by Jacob Matthias Schmutzer from 1748-1811 depicting head studies, showing facial features, expressions, and artistic composition.

Hamlet Winstanley, 1698-1756, British, Various Sketches of Heads and Hands, February 8, 1715 or 1716. Pen and brown ink on medium, slightly textured, cream laid paper.

Sheet of Sketches: Riders, Mermaids and Two Portraits of Young Men. Jean Louis André Théodore Géricault; French, 1791-1824. Date: 1813-1814. Dimensions: 170 × 229 mm. Graphite on tan wove paper, perimeter mounted on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Performances of different emotions, Bernard Picart, After Charles Le Brun, 1711 print Uncuted leaf with four prints with representations of heads that express different emotions. From left to right, from top to bottom: La Veneration, Autre Veneration, Profonde Veneration, La Frayeur. The prints have a title in French and are marked with a page number and a letter. Amsterdam paper etching / engraving morphology of facial expression

Jean Pesne's etching from around 1670 depicts multiple head studies, focusing on facial features and proportions.

Copies to Michelangelo and Frans Hals. Copy of the 'Bacchus' from Michelangelo, free copy to 'the luit player' from Frans Hals and a possible copy to an unknown sculpture. Also a caricature and studies of a woman in a red velvet house jacket that is deposited with fur and a dwarf with a key forest. Page 25 from a sketchbook with 34 sheets.

This drawing shows ten female and six male heads, rendered in gray and brown ink, focusing on facial features and expressions.

Study of Four Heads. Artist: Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). Dimensions: Sheet: 12 5/16 × 8 7/8 in. (31.2 × 22.5 cm)Plate: 9 5/16 × 7 5/16 in. (23.6 × 18.6 cm). Date: 1770. Museum: Metropolitan Museum of Art, New York, USA. Author: Jean Jacques de Boissieu.

Keizer Augustus, 1819 - 1849 Also studies of two Roman soldiers and a woman in a fur -sealed house jacket. Page 23 Recto from a sketchbook with 58 sheets. paper. pencil (story of) Augustus, the Roman emperor. the soldier; the soldier's life

Head of a man looking up; Recueil Dyck's testes d'Antoine (...) ..

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

Study sheet with seven heads in two rows, print maker: D. van den Bosch, (mentioned on object), Netherlands, 1817, paper, etching, h 78 mm × w 118 mm

Two Deformed Heads Facing Inwards Wenceslaus Hollar Bohemian after Leonardo da Vinci Italian ca. 1645 View more. Two Deformed Heads Facing Inwards. Varie Figurae et Probae after Leonardo da Vinci, Antwerp, 1645 (New Hollstein 737-751). Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). ca. 1645. Etching. Prints

Study of an old man, Jan Weissenbruch, 1837 - 1880 print Three performances on one plate. At the top left a study of a middle -aged man with a beard. At the bottom left a study by a young man and on the right a study of a bearded old man, possibly a monk in a habit. In the middle above is the printed French -speaking text 'Liberte Republe Fran'. The Hague (possibly) paper. etching monk(s), friar(s). habit, frock. beard. adult man. old man

Study sheet with three figures. On the left is a man in an armchair, under a soldier with a hat on the right a bust of an older gentleman with glasses.

Key to the print "The body of Sultan Tippoo is recognized by his family" (and another print), Luigi Schiavonetti, After Robert Ker Porter (SIR), 1804 print Portraits of the various figures that occur on the print "The body of Sultan Tippoo is recognized by his family." Below that an explanatory list of numbers. London paper etching head (human)

Sketches of Various Female Heads, October 24, 1716, Hamlet Winstanley, 1698-1756, British, 1716, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 12 1/8 × 7 3/4 inches (30.8 × 19.7 cm) and Binding: 13 inches (33 cm)

Facial expressions of love, smallness, desire, respect, delight and smart, Pieter Schenk (i), After Sébastien Leclerc, after Charles le Brun, 1692 - 1711 print At the top three faces with facial expressions of love, smallness and desire. At the bottom of three faces with facial expressions of respect, delight and physical smart. Amsterdam paper etching morphology of facial expression

Eyes and noses. Engraving by B.L. Prevost.

Three Head Studies, 1600s. Italy, 17th century. Red and black chalk; sheet: 8.4 x 18.6 cm (3 5/16 x 7 5/16 in.).

Performances of different emotions. Needed leaves with four prints with performances of heads that express different emotions. From left to right, from top to bottom: La Veneration, Autre VENERATION, Professional Veneration, La Frayeur. The prints have a title in French and are marked with a page number and a letter.

France, French Crown, Paris, Mariette, Pierre (II), Bella, Stefano della, I principii del disegno, The principles of drawing, Seven eyes, two mouths and a nose, verso - stamped, print, prints, height 126 mm, width 155 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, uitgever van privilege

The Ane of Sedan / German Bulldog.

This illustration of The Furies dates to 1898. It is a sketch by British artist and deisgner Edward Burne-Jones (died 1898). The Furies are also known as the Erinyes (Erinys - singular) and were the ancient Greek goddesses of vengeance. The Romans called them the Dirae. Burne-Jones added two words to his sketches - Crudelitas (Latin for cruelty) and Saevitia (Latin for violence, intense rage). They were honored as hounding people who committed crimes - never stopping in their pursuit of them.

Pencil head studies by Josef von Führich focusing on human facial features and expressions.

Print, Studies of a Head; Designed by Pierre Thomas Le Clerc (French, ca. 1740 - ca. 1796); Print Maker: Jean-François Janinet (French, 1752 - 1814); Published by Chez Le Pere et Avaulez; Dedicatee: Jean Baptiste-Marie Pierre (French, 1714 - 1789); France; crayon-manner with red ink on laid paper

Sketchbook of Roman antiquities, Dupasquier, Antoine-Léonard, 1748-1832, pen and ink, pencil, wash, 1779, Drawings after antiquities in the Vatican, including Roman bas-reliefs and processional friezes, vases, classical busts, household utensils and instruments of worship and war

Heads of men with Haak Neuzen, 1868 Also a study of a tree. Leaf 11 Verso from a sketchbook with 48 sheets. paper. ink. watercolor (paint). pencil pen / brush adult man. head (human). head-gear: hat (+ men's clothes)

Two farmers.

Four Studies of a Woman's Head and Two of a Seated Woman, Four Studies of a Woman., draughtsman: Jean Antoine Watteau, 1705 - 1721, paper, brush, h 229 mm × w 350 mm

Heads of a dark man, a Turkish man and of a woman seen on back; Collection of different scribbles and etchings; Recueil De Divers Griffonements & Preuves d'eau forte ..

. Four etchings on ivory laid paper . Giovanni Domenico Tiepolo

Roman comedy masks still image. Illustrations. 1736. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Masks , Roman+

Group portrait of thirty characters, in bust

Two deceased warriors, 1759 print Two mascarons on a leaf. On the left a man with cloth around the head, turned to the right. On the right a man turned to the left. paper etching mask, mascaron ~ ornament. the soldier; the soldier's life

Three sculptures of a face and a memorial, anonymous, c. 1920 - c. 1940 photograph These photos are part of an album. Netherlands paper. photographic support gelatin silver print piece of sculpture, reproduction of a piece of sculpture. head (human). sculpture (+ relief ~ sculpture). other memorial structures

Two men with feathered hats, seen on the back, Stefano della Bella, 1620 - 1664 print print maker: Francepublisher: ParisFrance paper etching adult man (+ back view). head-gear: hat (+ feathers used for clothes)

Twelve heads from Women, Daniel Nikolaus Chodowiecki, 1775 print In the top row: Catharina the Great, Christine van Sweden and Jeanne d'Arc. Below that: Adrienne Lecouvreur, a woman from Dantzig and Maria Theresia of Austria. The other women are unknown. paper etching historical persons - BB - woman

Two deformed heads facing each other 1645 Wenceslaus Hollar Bohemian Two deformed figures face each other, after Leonardo. The attribution to Hollar is doubted by Pennington and tentatively attributed in the New Hollstein.. Two deformed heads facing each other 360765

Drawing examples of four men's faces, Pieter de Jode (I), 1629 print Drawing examples of four men's faces in different positions, three of which are with beard. This print is part of an album. paper engraving head (human) (+ positions (of the human figure)). postures of the head

Three men's heads, Adolph Menzel, 1843 print paper etching face. adult man. adult man

Mostly FYSIONOMIC HOOFDEN, Daniel Nikolaus Chodowiecki, 1797 print In the margin, two more heads were etched in a sketchy way. Berlin paper etching head (human). physiognomy

Sketches of Seven Heads, etc. 1817 France. This lithograph alludes to 16th-century French political and religious history. The War of the Three Henrys (1562ñ98) pitted the royalistsóHenry III of France, Henry III of Navarre, and Henry I, the Duke of Guiseóagainst one another. The inscription in the center translates as ìWhat have you done Sully They believe that I forgive you.î This suggests that the man kneeling on the ground is the Duke of Sully, an advisor to Henry III of Navarre. He significantly contributed to the rehabilitation and unification of France after the war.. Lithograph in black on ivory laid paper . Monogrammist B.D.P.

Plate 10: two heads of old soldiers wearing helmets, both facing left and looking downwards, from 'The principles of design' (I principii del disegno) ca. 1641 Stefano della Bella Italian. Plate 10: two heads of old soldiers wearing helmets, both facing left and looking downwards, from 'The principles of design' (I principii del disegno) 377443

Pacha fatto prigioniero ad Abukir; Teste di Arabi; Teste di Mamelucchi.. Denon, Vivant, 1747-1825. Denon, Vivant (1747-1825). Prints, Illustrations. 1808. General Research Division. Egypt , Description and travel, Mamelukes

Ericsson, Henry, work, Mieskasvoja, drawing, 36.5 cm x 30 cm, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

Performances of different emotions, Bernard Picart, After Charles Le Brun, 1711 print Uncuted leaf with four prints with representations of heads that express different emotions. From left to right, from top to bottom: Mouuement de Douleur, Douleur Aigue de Corps et desprit, Mouuement Composé, Étongement AVEC FRAYEUR. The prints have a title in French and are marked with a page number and a letter. Amsterdam paper etching / engraving morphology of facial expression

Three Studies of the Head of a Youth; Francesco Salvator Fontebasso (Italian, 1707 - 1769); about 1737; Black chalk; 42.3 × 27.6 cm (16 5,8 × 10 7,8 in.)

l'Amour simple, Abattement, Le Desir (from Caractères des passions, gravés sur les desseins de l'illustre Monsieur le Brun). Artist: After Charles Le Brun (French, Paris 1619-1690 Paris). Dimensions: Sheet: 2 15/16 × 5 13/16 in. (7.5 × 14.8 cm). Etcher: Sébastien Le Clerc, le Jeune (French, Paris 1676-1763 Gobelins). Date: 1695-1720. Museum: Metropolitan Museum of Art, New York, USA. Author: After Charles Le Brun.

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

Eyes studies, Jusepe de Ribera, c. 1630 - c. 1640 print Different studies of the human eye. print maker: Naplespublisher: Low Countries paper etching eyes

Ten study heads and a floor plan with sketches and calculations for curvature, drawn with feather by Baldassare Tommaso Peruzzi between 1511 and 1532.

Study for Mr. Bannister and Miss Orser ,. Thomas Rowlandson (1756-1827). Prints and Drawings

Seven eyes, two mouths and a nose, Stefano della Bella, 1620 - 1664 print print maker: Franceafter own design by: Francepublisher: ParisFrance paper etching eyes. mouth. parts of the face: nose

Facial expression of hatred and facial expression of aversion, Pieter Schenk (I), After Sébastien Leclerc, After Charles Le Brun, 1692 - 1711 print At the top a face from the front and from the side with a facial expression of contempt and hatred. At the bottom a face from the front and from the side with a facial expression of fright or aversion. Amsterdam paper etching morphology of facial expression

of 2