Sketches and Studies

Loose sketches and studies of landscapes and figures, characterized by their exploratory lines and varied artistic techniques.

Holmberg, Werner, work, Sketch book, pencil and marker engraving, drawing, 17.5 cm x 26 cm, Holmberg, Werner, pencil and marker engraving

Thomas Daniell, 1749-1840, British, active in India, Jaunpur, ca. 1789. Graphite on medium, moderately textured, blued white, laid paper.

Capt. Thomas Hastings, 1778-1854, British, As Much Underneath, Before the Road, Hastings, 1820. Graphite on medium, slightly textured, cream wove paper.

Attributed to Thomas Lindsay, 1793-1861, British, Sky Study, No. 3, undated. Watercolor over graphite on moderately thick, slightly textured, cream wove paper.

Plate six, from A Harlot's Progress Made 1732 England. Hogarth engraved these six copper plates (1964.254ñ59) with a burin, a sharp metal tool used to incise swelling lines directly into a flattened copper surface. He worked in reverse of the final printed images, which were produced by inking the plates and running them through a roller press with dampened sheets of paper on top. The small cross at the bottom of each plate was added when Hogarth issued the second state, released over a decade after the first, much copied edition. The prints on view nearby are early second state impressions, made before the addition of other changes and noticeable wear.. Copperplate . William Hogarth

Left: grotesque figure, seen on right side, with hunchback, playing a hurdy-gurdy, hat with two feathers on head. Right: dwarf, seen on the right side, with a hunchback, playing a lattice as if it were a violin, a cap with two feathers on the head, a sword on his left side. These two prints, printed side by side on 1 sheet, are part of a series of 21 prints (printed on 11 sheets, so except for the title print always 2 sheets per sheet) with grotesque figures, almost all of these figures are dwarfs, many are hunchbacks, Grotesque figure with hurdy-gurdy, Dwarf with grate and sword Varie figure gobbi di Jacopo Callot (series title) Various grotesque figures (series title) Dwarfs and hunchbacks (series title), Jacques Callot, print maker: Abraham Bosse, Paris, 1621 - 1676, paper, etching, engraving, h 66 mm × w 87 mm, h 61 mm × w 87 mm, h 152 mm × w 274 mm

Gate of the Highlands, Mohonk, 1871 (from Sketchbook) Daniel Huntington American ca. 1870 The leading portraitist in New York during the post-Civil War period--and president of the National Academy of Design from 1862 to 1870 and from 1877 to 1890--Daniel Huntington was a conservative painter, a man highly respected by his clients and colleagues throughout his long career. Although he traveled widely and frequently during the mid- and late nineteenth century, he shunned new artistic concepts and styles. As a staunch academician in technique and manner, Huntington understood that proper draftsmanship was at the core of accomplished painting. He sketched throughout the course of his life and his extant drawings number over a thousand. This page is from one of Huntingtons sketchbooks that contains forty-one drawings in graphite, some in a panorama format. The sketches are primarily of scenic locations in New York State including, Cornwall, Walton, and Mohonk subjects. Many of the drawing

SIN IDENTIFICAR - SIGLO XX. Author: SANTIAGO SERRANO (1942-). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358551

Holmberg, Werner, work, Sketch book, pencil and marker engraving, drawing, 17.5 cm x 26 cm, Holmberg, Werner, pencil and marker engraving

1951-52. Clyfford Still; American, 1904-80. Date: 1951-1952. Dimensions: 301.8 x 396.2 cm (118 3/4 x 156 in.). Oil on canvas. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Study For The Dance. Henri Matisse (1869-1954). Pencil on tracing paper. Drawn 1931-32. 26.6 x 63.2cm.

(SIN IDENTIFICAR). Author: SOLEDAD SEVILLA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

SERIE "NO TE ACUERDES" 1999 - A/T - 125x125. Author: VICKY HERREROS (1964-). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Set dolls in a decor, representing the entertainment in hell, anonymous, c. 1850 - c. 1880 stereograph For the staging is the text: Amusements du Diable Europe cardboard. photographic support albumen print hell and purgatory Europe

Album 11, David, Jacques-Louis, 1748-1825, pencil, charcoal, ink and wash, 1775-1785

Horace, Anonymous.

Obra Sin documentar. Author: JUAN USLE. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 199r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Simberg, Hugo, work, Sketch book (154 pp.+covers), 1906, drawing, 21.5 cm x 14.5 cm, Simberg, Hugo, 1906

Sitting shepherd, c. 1885 - c. 1886 copper (metal) etching

Edelfelt, Albert, work, Sketch book, drawing, 22 cm x 30 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

INTEMPORALIDAD I - 1989 - TECNICA MIXTA SOBRE CARTON - 35X25 CM. Author: MIGUEL JUAN AROCHA ISIDRO-PINTOR SIGLO XX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Nursemaids Promenade, Frieze of Carriages , 1895. Pierre Bonnard (French, 1867-1947), Molines, Galeries Lafayette. Color lithograph; sheet: 137.4 x 47.3 cm (54 1/8 x 18 5/8 in.); image: 137.4 x 47.3 cm (54 1/8 x 18 5/8 in.).

Portrait of a Man. Jacob Byerly (American, 1807 - 1883)

Copper plate with a map of the area between Wieringen and Callantsoog, Frederik de Wit, 1672 copper (metal) engraving Wieringen. Callant eye

'Black Square'. Russia, Moscow, late 20th - early 21st century. Dimensions: 30x42,3 cm. Museum: State Hermitage, St. Petersburg. Author: Dmitry Prigov.

Yellow, Charcoal, Brown, 1953. Museum: WHITNEY MUSEUM OF AMERICAN A / NEW YORK / ES. UNIDOS. Author: MARK ROTHKO.

Indistinct image. Date: May-July 1890. Dimensions: 13.4 cm x 8.5 cm. Museum: Van Gogh Museum, Amsterdam.

SIN TITULO - SIGLO XX. Author: JOSE MARIA LARRONDO (1958-). Location: GALERIA JUANA DE AIZPURU. MADRID. SPAIN.

1 Soldo of Marie Louise, Empress of France 1810 1815 fromUnknown . Ruler: Marie Louise, Empress of France, French, 1791-1847 Artist: Unknown

PUERTA DEL GARAJE DE UNA DE LAS SUCURSALES DEL BANCO EXTERIOR - SIGLO XX. Author: AMADEO GABINO (1922-2004). Location: BANCO EXTERIOR-COLECCION. MADRID. SPAIN.

Landscape in the Snow, first half 19th century, Imaōji Yūzan, Japanese, 1790 - 1849, 49 7/8 × 22 1/4 in. (126.68 × 56.52 cm) (image)73 5/16 × 26 11/16 in. (186.21 × 67.79 cm) (mount, without roller), Ink on paper, Japan, 19th century

Panel early 18th century French. Panel. French. early 18th century. Wood, painted and gilded. Woodwork

Sutra Cover. China. Date: 1590-1599. Dimensions: 34.8 × 12.1 cm (13 3/4 × 4 3/4 in.). Silk, gauze weave with supplementary patterning wefts. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

LUGAR DE LAS LINEAS CLAVADAS- 1993 - 100x70- CARTON/TABLE- SERIE LUGARES. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Modern Bucolic. Louis Auguste Lepère (French, 1849-1918); commissioned by and final state published by Graphischen Künste (Austrian, active 19th-20th centuries). Date: 1901. Dimensions: 362 × 425 mm (image/plate); 363 × 543 mm (sheet). Woodcut from two blocks in tan/fawn and peach on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

OMPHALO V - 1965-1967. Author: PABLO PALAZUELO (1916-2007). Location: MUSEO DE ARTE ABSTRACTO. BASIN. CUENCA. SPAIN.

(REINA MARIANA) - 2000 - GRABADO - AGUAFUERTE Y COLLAGE. Author: MANUEL VALDES BLACO (1942-) MANOLO VALDES. Location: PRIVATE COLLECTION. MADRID. SPAIN. MARIANA DE AUSTRIA. FELIPE IV 2º ESPOSA. CARLOS II MADRE.

'Untitled', 1988, Acrylic on canvas, 70 x 300 cm. Author: JOSE MARIA SICILIA.

PINTURA. Location: FUNDACION MAPFRE VIDA. MADRID. SPAIN.

S.T. - AÑOS 90. Author: ANTONIO MURADO (1964-). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Ships in a Storm. Dating: 1600 - 1652. Measurements: h 38 cm × w 106.5 cm; d 6.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Andries van Eertvelt (attributed to).

Chinese Official and Dragon. China, Qing dynasty, 1644-1911. Paintings. Hanging scroll, ink and color on paper

FORMA DE 8 SOBRE GRIS NEGRO-1968. Author: ANTONI TAPIES (1923-2012). Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.

Thomas Daniell, 1749-1840, British, active in India, Danes Island, China, undated. Graphite on medium, slightly textured, blued white, laid paper; mounted on, moderately thick, slightly textured, cream, wove paper.

Ise-katagami stencil; pattern of vertical stripes against camellia flowers. warsztat Osugi, author

Ochre and Red on Red, Mark Rothko, 1954, Phillips Collection, Washington DC, USA, North America

Watanabe, seitei n.1851 - D.1918, Le Fifth Monsilis (title awarded), 1900. Ink and colors on silk. Cernuschi Museum, Asia Museum of Asia in the city of Paris.

Abklatsch of a chalk drawing. The drawing of the head and shoulders of a man is no longer present in the sketchbook. Page 76 from a sketchbook with 158 pages.

EL FLUJO DE LA SANGRE II - 2004 - ACRILICO SOBRE TELA - 200x230. Author: SUSY GOMEZ 1964/. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

William Blake, Fragment of cancelled plate for A Prophecy (recto), 1793 William Blake (British, 1757 - 1827), Fragment of cancelled plate for A Prophecy recto, 1793, relief etched copper plate, Rosenwald Collection 1943.3.1848.a

Gabrielle Ella Gallia, Otto Friedrich, circa 1910, Osterreichische Galerie, Belvedere Museum, Vienna, Austria

, Wolfrathplatz - Ober -St, -Veiter Castle - Interior view - Detail - Ceiling painting in the garden room, August Stauda -, photographer

At the Door 1885-1887 France. Blue crayon and brush and black and gray wash, with touches of orange crayon, heightened with touches of white oil paint, on tan wove card . Henri de Toulouse-Lautrec

The Footman. William Henry Fox Talbot (English, 1800 - 1877)

William Miller, 1796-1882, British, A Garden, 1834. Line engraving on moderately thick, slighlty textured, beige, wove paper, with gray chine colle.

Panel (China); silk

'Cadmium', 1966, Oil on panel, 73 x 60 cm. Author: PABLO PALAZUELO (1916-2007). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Edelfelt, Albert, work, Sketch book, drawing, 10 cm x 15.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Penetración/1974. Museum: COLECION PARTICULAR / MADRID / ESPAÑA. Author: JOSE GUERRERO.

Kyoto, Yamada Naosaburo, Sekka, Kamisaka, Momoyogusa, vol. 1, Flowers of a Hundred Worlds, Tatsunami, High Wave, verso - stamped, High Wave against Dark Blue Background with Silver Moon., print, prints, Japan (collection), height 301 mm, width 460 mm, Japanese, 1866 - 1942, print maker, printmaker, 1909-05-05 - 1909-05-05, first quarter 20st century, first quarter 20th century, paper, color woodcut, Publication (Event), Publication, publisher

Mountains and Distant Boats, late 1700s. Nagasawa Rosetsu (Japanese, 1754-1799). Hanging scroll; ink and slight color on paper; painting only: 119.3 x 28 cm (46 15/16 x 11 in.); including mounting: 187 x 32.1 cm (73 5/8 x 12 5/8 in.).

Lazio Rieti Toffia S. Lorenzo4. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: Fresco fragments, sculpture, painting, stucco, architecture Antiquities: Architectural fragments, sculptural fragments Object Notes: Already existing in the 10th century, it became for some time, after the devastating incursion of the Saracens, cathedral and seat of the bishops of Sabina. Actual structure dates from the late 1200's and is decorated in the interior with votiv frescoes. Some objects are conserved from the Roman era: inscriptions, relief fragments, tomb sculpture fragments. See TCI, Lazio, p. 481 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance a

LOS SANTOS V - 1989 - ACRILICO SOBRE LIENZO. Author: JOSE MANUEL BROTO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Peter DeWint, 1784-1849, British, Harvesting Scene, Cheddington, 1847. Charcoal and white chalk on medium, smooth, gray wove paper.

SERIE COLMENAS I - 1991- ACUARELA/CERA SOBRE MADERA- 119 X 82 CM. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

River and red sun. Date: early 19th century. Origin: Japan. Period: Edo period. Ink and color on imitation gold. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

SANLUCAR DE BARRAMEDA - 1993 - TECNICA MIXTA SOBRE CERA - 60,2x40,5x6,5. Author: JOSE MARIA SICILIA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

sanpietrini busto arsizio street lombardy italy varese abstract pavement of a curch and marble

Edelfelt, Albert, work, Sketch book, drawing, 9.5 cm x 17.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

SIN TITULO - SIGLO XX. Author: JOSE MARIA SICILIA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

TAMBOR DE LA NOCHE - 1990 - 300 X 295CM. Author: SANTIAGO SERRANO (1942-). Location: PRIVATE COLLECTION. MADRID. SPAIN.

TheLamp. Artist: Édouard Vuillard, French, 1868-1940

Grosso Agontano of Autonomous Rimini fromUnknown . Ruler: Autonomous Rimini, Italian, 1250-1385 Artist: Unknown

Removing the Saddle, Inspecting the Arrows. Origin: China. Date: 12th century. Ink and color on silk. Calligrapher: Kong Guangtao (1832-1890) , colophon. Period: Song dynasty. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

SIN TITULO IV - 1991 - CERA/OLEO/PAPEL. Author: JOSE MARIA SICILIA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Untitled #12. Agnes Martin; American, born Canada, 1912-2004. Date: 1977. Dimensions: 182.9 × 182.9 cm (72 × 72 in.). India ink, graphite, and gesso on canvas. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Victor Hugo (1802-1885), French writer. Chinese lounge, decor from Juliette Drouet's house in Guernsey. South wall, door top. Polychrome engraved wood. 1857-1864. Paris, house of Victor Hugo. 77436-3 Art craftsmanship, arts decoratives, serious wood, Chinese cabinet, chinoiserie, door top, door frame, oriental influence, orientalism, wooden panel, Chinese living room, 19th XIX 19th 19th 19th 19th century, engraving

ESCULTURA-1989. Author: TXOMIN BADIOLA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Remaining stretch of the Berlin Wall called East Side Gallery. Berlin, Germany

Number 16, Mark Rothko, 1960,Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Szkicownik z 1882, tzw. Druga książeczka. Bilińska-Bohdanowiczowa, Anna (1854-1893), painter

Portrait of Gertrude van Limborch Thomas de Keyser (Dutch, 1596/97-1667). Portrait of Gertrude van Limborch. Oil on canvas, 46 1/8 × 34 1/16 in., 92 lb. (117.2 × 86.5 cm). Nine years after their marriage, Gertrude and Frans van Limborch approached Thomas de Keyser to paint a pair of portraits commemorating their union. (The painting of Frans hangs in northern England; see illustration.) In selecting de Keyser, Amsterdams great master of polished and elegant figures, the couple signaled their wealth and social standing, which is reinforced here by Gertrudes rings and costly lace cuffs and ruff. They most likely met the painter in church; all three were Remonstrants, a Protestant sect expelled from the Dutch Reformed Church. European Art

Reproduction of a caricature by Franz Novak, reproduced by Erwin Puchinger around 1908, showing stylized figures and exaggerated features in a humorous artistic style.

Madrid, 02/06/2023. Presentation of the restored plates of Goya's engravings. Photo: Ernesto Agudo. ARCHDC.

Drawing, Textile Design: Rhombus; Designed by Josef Hoffmann (Austrian, b. Moravia, 1870-1956); Made for Wiener Werkstätte (Austria); brush and gouache on paper

IRIS II - 1965 - OLEO/TELA - 146x89. Author: PABLO PALAZUELO (1916-2007). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Summer Mountains ca. 1050 Attributed to Qu Ding Chinese Between the years 900 and 1100, Chinese painters created visions of landscape that depicted the sublimity of creation. Viewers are meant to identify with the human figures in these paintings. In Summer Mountains, travelers make their way toward a temple retreat. The central mountain sits in commanding majesty, like an emperor among his subjects, the culmination of natures hierarchy. The advanced use of texture strokes and ink wash suggests that Summer Mountains is by a master working about 1050, a date corroborated by collectors seals belonging to the Song emperor Huizong (r. 1101-25), whose paintings catalogue records three works entitled Summer Scenery by the otherwise unknown artist Qu Ding. Listen to experts illuminate this artwork's story Listen Play or pause #7311. Summer Mountains, Part 1 Play or pause #7321. Summer Mountains, Part 2 Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track

PINTURA. Author: JUAN USLE. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

EYCK, Hubert van (1370-1426). The Ghent Altarpiece or Adoration of the Mystic Lamb. 1425-1432. BELGIUM. Ghent. Saint Bavo Cathedral. Eve, from the right wing of the Ghent Altarpiece. Detail of the legs. Flemish art. Oil on wood.

Shadow of a blimp. Fédèle Azari (Italian, 1895 - 1930)

Strange Glance. Paul Klee; German, born Switzerland, 1879-1940. Date: 1930. Dimensions: 25 3/4 x 15 in. (65.4 x 38.1 cm). Oil on canvas. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Four cups of putti. Page 61 from a sketchbook with 158 pages.

Sketchbook #48;: studies for Edward KingTomb. Artist: John La Farge, American, 1835-1910, M.A. (HON.) 1896

Girl Op Ladder, Suzuki Harunobu, 1765 - 1770 Girl on Ladder persistent a blossom branch, while a servant tries to look under her skirt through the reflection in the water. Japan paper color woodcut / nishiki-e Girl on Ladder persistent a blossom branch, while a servant tries to look under her skirt through the reflection in the water. Japan paper color woodcut / nishiki-e

Scene from a Magical Papyrus Scene from a Magical Papyrus, 664-525 B.C.E. Papyrus, ink, Overall: 4 15/16 × 92 11/16 in. (12.5 × 235.5 cm). The standing winged creature seen here is known as the nineheaded Bes figure, a divine protector of the birth of the king and of the sun. This form of Bes was closely associated with the evening and the night part of the solar cycle. He thus also played an important role as guardian of sleeping women and children, particularly against the dangers of the night, represented here by the noxious creatures contained in the oval upon which he stands. The firebrands that surround him represent destructive forces directed at anyone who approaches. Egyptian, Classical, Ancient Near Eastern Art 664-525 B.C.E.

Campania Salerno Nocera Inferiore S. Antonio5. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

PINTURA. Author: ALVARO DELGADO RAMOS (1922-2016). Location: FUNDACION JUAN MARCH COLECCIÓN. MADRID. SPAIN.

NINF VII - 1998 - GOUACHE/ARCHES. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

material exercise, Ljuba Monastirsky, 1927, paper, bauhaus museum, Dessau, Federal Republic of Germany.

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