Sketches of Character Studies

Pencil sketches illustrating a variety of human figures, showcasing diverse postures, clothing styles, and scenes from everyday life.

Roman sketchbook, Gauffier, Louis, 1761-1801, pencil, pen and black and brown ink, grey and brown wash, and black and white chalk, 1784-1789, executed during the artist's stay in Rome at the Acadeìmie de France as a recipient of the Grand Prix de Rome. Twenty-four drawings depict urban views of Rome, some inscribed by monument (including S. Gregorio, S. Lorenzo Fuori delle Mura, S. Giovanni Laterano, Villa Negroni, Villa Mattei). The remaining sketches are landscapes and figure studies, some after classical sculpture.

Friedrich Gauermanns pencil sketches include a nobleman, a noblewoman, and a study of a rider falling from a horse, highlighting figure posture and action.

Roman sketchbook, Gauffier, Louis, 1761-1801, pencil, pen and black and brown ink, grey and brown wash, and black and white chalk, 1784-1789, executed during the artist's stay in Rome at the Acadeìmie de France as a recipient of the Grand Prix de Rome. Twenty-four drawings depict urban views of Rome, some inscribed by monument (including S. Gregorio, S. Lorenzo Fuori delle Mura, S. Giovanni Laterano, Villa Negroni, Villa Mattei). The remaining sketches are landscapes and figure studies, some after classical sculpture.

Jacques Callot (1592-1635). "The fantasies, a lady with a right fist on the hip and the tense left hand seen from the back between two men. Ninth number of a suite of 14 pieces" (Lieure 1380, Meaume 876). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99608-21 Etching, engraving

Scenes from Landleven, Anonymous, 1792 print Leaf with six different scenes from life in the countryside or in a village. At the top right marked: pl. 13. paper etching country dwellers. rural life. rest during harvest (eating, dancing, making love, etc.). political caricatures and satires

Petites figures III. Artist: Paul Gavarni, French, 1804-1866

WILLEM IV, 1752, plate 9, Jan Punt, after Pieter Jan van Cuyck, 1755 print The Dutch Garde. In the margin a caption in Dutch, French and English. The print is part of an album. paper etching / engraving cortege, funeral procession. military parade, pageant (+ infantry) Delft

Album Adventures and Disappointments of Mr de la Nabe: Plate # 12 Jean-Victor Adam, said Victor Adam (1801-1866), French painter and lithographer. Album Adventures and disappointments of Mr de la Nabini�re: board # 12. Lithograph, nineteenth century.

M. de Matenville accepting an invitation. Mother Michel. The Baron Emile of Emile. (Dummy title)

StraScene with working men and playing boys, c. 1656 drawing Men who are working and boys who play on a sidewalk. Zwolle paper. ink. chalk

Vendor of Horoscopes. Artist: Ercole Setti (Italian, documented Modena, late 16th century). Dimensions: 11 x 16-5/8 in. (27.9 x 42.2 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

The dey-chess. (IT)

Cartoon on the Douaniers, 1813; Speaking out, find out six customs for a contribution. A cattle dealer with orange cooked decorated sells French customs as they were cattle. The customsers are waiting behind a deposition, a little boy mocks them. There were 1513, 1813 riots in Amsterdam after the news of the Napoleon's defeat at Leipzig.

Sketch sheet with street types. Draughtsman: August Allebé. Dating: 1848 - 1927. Measurements: h 130 mm × w 102 mm. Museum: Rijksmuseum, Amsterdam.

Le Gentilhomme au Manteau Posé sur la Hanche (Gentleman with his Mantle on his Hip), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Le Gentilhomme au Manteau Posé sur la Hanche (Gentleman with his Mantle on his Hip), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Ridder te paard in wapenuitrusting, anonymous, after Sébastien Leclerc (I), in or after 1647 - in or after 1714 print France engraving / etching riding a horse, ass, or mule; rider, horseman. armour

Two Figures, One Dressed in French Louis XIII Style and the Other in Spanish Seventeenth Century Style. Luis Paret y Alcázar; Spanish, 1746-1799. Date: 1766-1799. Dimensions: 127 x 156 mm. Pen and brown and black ink on off-white laid paper. Origin: Spain. Museum: The Chicago Art Institute, FLORENCIA, USA.

Group of Figures, with a Flying Figure Above, George Romney, 1734-1802, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 4 3/4 x 7 1/4 inches (12.1 x 18.4 cm), dance, figure (illustration), figure study, flying

Two running men and a woman wear objects, 1650 drawing Threading sheet with three running figures, a man with a basket on the arm, a woman with a basket on her head and a man wearing a ton. Zwolle paper. ink. chalk

Men, a drawing with a monument in Denon, Gaught and Boichot Guillaume Boichot (1735-1814). Men, including a drawing with a monument in Denon, Gaught and Boichot. Feather and ink of China on clear light cream paper, 1735-1815.

Philip van Vlaanderen and Poorters in clothing from the fourteenth century, Anonymous, 1857 print Numbered at the top right: XIV. Philip van Vlaanderen may be Philip the Bold. paper clothes, costume. parents with their children

Twee figuren.A standing boy and a kneeling man. Leaf 8 from a sketchbook with 44 sheets.

Etcher: Saint-Non (Jean-Claude-Richard, Abbé de), French, 1727-1791, After: Hubert Robert, French, 1733-1808, Laquais napolitain portant lepée de son maitre à la promenade, Etching, platemark: 13.3 × 10.8 cm (5 1/4 × 4 1/4in.), Made in France, French, 18th century, Works on Paper - Prints

Sketch of circumstance. / 1. (IT)

Thirteen people, sitting or working.

Bliżej Kultury Chodowiecki, Daniel Nikolaus (1726 1801)

Reproduction of sketch with a pen by Juliusz Kossak (1824-1899); Z: "Juljusz Kossak: 260 drawings in the text, 8 rusts, 6 facsimili colored with watercolor, portraits under L. Wyczórkowski and St. Witkiewicz", p. 9; Anczyc, W Adys Aw Ludwik and Spóża (Kraków; Drukarnia; 1875-1948), Gebethner and Wolff (Warsaw; Publisher; 1857-1950); 1900 (1900-00-00-1921-00-00);

Le Gentilhomme de Face, la Main Droite sur la Hanche (The Gentleman Facing the Front, his Right Hand on his Hip), from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. Le Gentilhomme de Face, la Main Droite sur la Hanche (The Gentleman Facing the Front, his Right Hand on his Hip), from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

Study sheet with men with tools in nature, 1859 - 1864 Among other things, studies from a mowing farmer and men with a kick and a bunch of Sprokkelhout. Also studies from a man who fills a jug on a waterfront and a sleeping woman in the open air. Page 44 Recto from a sketchbook with 77 sheets. paper. pencil container of textile material: bag, sack. sleeping; unconsciousness - BB - out of doors. tools, aids, implements ~ crafts and industries

Woman on a ladder and sweeping woman, Moses ter Borch (attributed to), c. 1656 - c. 1657, Woman on a ladder and sweeping woman; on verso a sketch of legs (cut off)., draughtsman: Moses ter Borch, (attributed to), Zwolle, c. 1656 - c. 1657, paper, h 81 mm × w 143 mm

Four painters (De Gebroeders Koekkoek) Enter the landscape, Barend Cornelis Koekkoek, 1813 - 1862 drawing Four painters (the Koekkoek brothers) Stay, loaded with drawing and painting utensils in the landscape. paper. pencil portrait, self-portrait of artist. portrait, self-portrait of painter. brothers or sisters (second degree family relationships). historical persons

Twice the same man with a sheath and sword, overlooked the right arm, seen on the back; Capricci di Varie Figure Di Jacopo Callot; Various figures and performances. A gentleman with a hat on and a cloak over the left shoulder, a sword in the left, outlined the right arm, seen on the back, twice pictured: right as a line figure, left more worked out with shadows. This print is part of a series of 48 prints (50 incl. Title and dedication sheet) with various topics (O.A. men and women in different attitudes, landscapes, buildings and festivities in Florence). These prints may have been meant as drawing examples.

Le Gentilhomme au Grand Manteau, Vu de Face (The Gentleman with a Large Mantle, Viewed from the Front), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Le Gentilhomme au Grand Manteau, Vu de Face (The Gentleman with a Large Mantle, Viewed from the Front), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Maskerade of the Leiden students, 1850 (plate 11), 1850 Historically costumed parade of the students of the Leidse Hogeschool on 11 June 1850. The parade depicts the entry of Frederik Hendrik in Den Bosch in 1629. Eleventh plate with the groups numbered 99-108. Part of the series of thirteen sheets stuck. print maker: Netherlandsafter drawing by: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper Suffer. the Bosch Historically costumed parade of the students of the Leidse Hogeschool on 11 June 1850. The parade depicts the entry of Frederik Hendrik in Den Bosch in 1629. Eleventh plate with the groups numbered 99-108. Part of the series of thirteen sheets stuck. print maker: Netherlandsafter drawing by: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper Suffer. the Bosch

Chinese man and a European - comedy types. Orłowski, Aleksander (1777-1832), draughtsman, cartoonist

Three Dutch Figures Eastman Johnson (American, 1824-1906). Three Dutch Figures, ca. 1852. Graphite, watercolor and white chalk on brown, medium weight, moderately textured wove paper, 6 1/2 x 10 7/8 in. (16.5 x 27.6 cm). This sheet contains preparatory figure studies for a genre painting of peasants begging for alms at the door of a castle. Eastman Johnsons handling of the medium enhances his characterization: the loose, energetic quality of his line conveys the nervous desperation and bedraggled appearance of the beggars. American Art ca. 1852

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), collection of various pieces very necessary for fortification, a nickname and a standard bearer. Fifth issue of a series of 14 pieces (A. de Vesme 217. Dutuit 76th) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Study sheet with a standing man, a half figure of a rider and a hand, Charles Parrcel, 1698 - 1752 drawing Study magazine with a standing man, seen on the back, a semi -figure of a rider on horseback, and a pointing left hand. paper. chalk standing figure. riding a horse, ass, or mule; rider, horseman. postures and gestures of hand and fingers

Outlines of figures, landscape, & cattle, etched by T. Rowlandson, for the use of learners, no. 6 or 8 , Horses, Horseback riding, Donkeys, Soldiers, Carriages & coaches. Thomas Rowlandson (1756-1827). Prints and Drawings

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), collection of various pieces very necessary for fortification, four beggars or vivanders carrying their children. Fourteenth number of a suite of 14 pieces (A. de Vesme, dutuit 76n) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Blad Met Drie Etsen Met Figuurstudies, Michał Płoński, 1802 print paper etching adult man

Scena satyryczna - " Théatre français". Adam, Victor (1801-1866), draughtsman, cartoonist

Man in Harness, a helmet and a head, 1819 - 1849 Page 27 Recto from a sketchbook with 60 sheets. paper. pencil armour. helmet. head (human)

The Sirens, 1878-1880. Sir Edward Burne-Jones

Jacques André Portail (French, 1695 - 1759), Sketches of a Gentleman, red and black chalk on laid paper

The Moblots & Firefighters / N ° 8

Bliżej Kultury Wyspiański, Stanisław (1869 1907)

Man surrounded by figures, Carel Christiaan Antony Last, c. 1836 - 1876 print The man wears a top hat and has a whip in his left hand. Around him scenes from the life of a Lord, possibly the same man. This print is tied together with a brown sheet of paper that was part of the cover. Leiden paper bourgeoisie, middle class, citizens, burghers. head-gear: top hat. whip

Unknown (1900-1900), two illustrations for C. M. Bellman "Fredman's Saanger", (1844)

Jacques Callot, Gentleman Viewed from the Side, c 1617 Gentleman Viewed from the Side

Den Haag, Nijhoff, Martinus, Arnhem, Thieme, Dirk Anthonie, Nederland, Spanier & Zn, widow Elias, Schmidt Crans, Johan Michaël, Het Brielse feest, Cartoon about the disputes with the Catholics about the upcoming Brielse April festivities, 1872, The Hague, Netherlands, Cartoon about the disputes with the Catholics about the upcoming celebration of 300 years of the capture of Den Briel. In three consecutive scenes the relationship between the rebel and the Jesuit. Plate published in the weekly De Nederlandsche Spectator, no. 6, 1872., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1872 - 1872, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1830 - 1879, publisher, uitgever, 1826-12-26 - 1894-09-24

Two men with bundles of fur on their backs, Harmen ter Borch, 1650, Study sheet showing two men carrying bundles of fur on their backs., draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 4-Dec-1650, paper, brush, h 143 mm × w 187 mm

Let's go ! My Louis, goodbye! Tell your mother, that you bravely received the baptism of fire ... (IT)

The feast of the craftsmen by Boas and Jüdels / Kermis in Utrecht Julij 1848.

Caprices: Beggar Woman with a Baby and a Little Girl, c. 1642. Stefano Della Bella (Italian, 1610-1664). Etching;

Killing Muizens and Dancing with Religious, Leendert Springer (I) (Possible), in Or Before 1844 print Five performances from a death dance, numbered Fig. 1 to 5. Skeletons and resolutive bodies music and dance with religious. Leiden paper dance of Death; Death together with one or more human beings

Devil de Paris, PL.20 Jean-Victor Adam, said Victor Adam (1801-1866). "Devil de Paris", PL.20. Lithography.

Jacques Callot (1592-1635). "The fantasies, a lady with a hat decorated with four feathers and both hands on the hips seen from the front between two men. Seventh number of a suite of 14 pieces" (Lieure 1378, Meaume 874). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99608-19 Etching, engraving

Thétre Italien (Gioacchino Rossini, 1792-1868). Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: sheet: 10 1/2 x 7 1/2 in. (26.6 x 19 cm). Date: 1821. Museum: Metropolitan Museum of Art, New York, USA. Author: EUGENE DELACROIX.

Figures in seventeenth-century clothing. Figures in seventeenth-century clothing from different grades and positions. In the middle a woman with a yoke. Leaf 55 from a sketchbook with 91 sheets.

Emperor Charles V and Jakob Fugger de Rijke, 1885 The emperor and his financier can be seen in an interior by a fireplace. Also studies of various figures at the court of Charles V, including a knight. Page 12 from a sketchbook with 6 sheets. . pen historical costume. ranks ~ rulers, sovereigns. open hearth, fire-place. knight. sitting figure

Corpse of Willem IV, 1752, plate 10; Hollandsche Guardes; Lyk staetie by Zyne brightenight highness The Lord Willem IV Carel Hendrik Friso, Prince of Orange and Nassau (...) held in IV February 1752. The Dutch Guard. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder Willem IV in Delft on 4 February 1752. Numbered at the top right: 10. In the bound edition of 1755.

Studieblad, onder andere met een militair te paard.Also a study of a group of soldiers gathered behind a woman's figure with outstretched arm and a crown. Page 36 from a sketchbook with 34 sheets.

Sketchbook from the years around 1866 OK.1873 card No. 76 (no author's numbering) four drawings obverse: 1. A crowd of men in the Masłowski confectionery; Reverse: 2. Sketch of a dense forest, 3. Sketch of the roof of the cottage, 4. Equinous landscape Łosik, Tomasz (1848 1896)

Frenological Lecture, Anonymous, After Henry Alken (I), 1826 - 1836 print A frenologist gives a lecture for a caricature presented audience. The scientist standing for a bookcase has several bumps on his head with songs. On the wall several performances about 'bumps' (bumps). At his feet, breast images of scholars and writers. paper phrenology. address, talk, lecture (~ meeting). political caricatures and satires

Two boys playing the game of tiepelen, Harmen ter Borch, 1650, The boy on the left is about to strike the tiepelen while the other boy is ready to catch it in his hat., draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 7-Feb-1650, paper, brush, brush, h 108 mm × w 206 mm

Jacques Callot (1592-1635). "The whims, the violin player. Thirteenth number of the suite of 50 pieces engraved in Florence" (Lieure 226, Meaume 792). Etching. 1617. Museum of Fine Arts of the City of Paris, Petit Palais. 99605-27 Etching, engraving

Four leaning naked men, 1658 - 1728 Page 22 Recto from a sketchbook with 33 sheets. paper. ink. pencil pen the (nude) human figure; 'Corpo humano' (Ripa). leaning figure

Pencil and watercolor trait studies by Thomas Ender around 1845, focusing on facial features, expressions, and figure studies.

Thétre de leurope, -, Caricaturist, Carl Angerer -, realization

The dante, at the story of the fatal loves of Francoise de Rimini and Paul, falls without knowledge at their feet. (Omdlenie Dantego Dowiadującego sę o historii nieszczęęliwej miłości Franceski z rimimi i paola, z: the divine comedy of the dante ), w: oeurvre de Flaxmann Collection of his serious compositions by back, with analysis of the divine comedy of the Dante and notice on Flaxman. Various subjects. Paris 1847 . FERRERI, Vincenzo (Fl. 1845), Flaxman, John (1755 1826), Audot, bookseller editor, Paris rue du Paon 8, school of medicine

Jean-Victor Adam, known as Victor Adam (1801-1866), French painter and lithographer. Album "Le Bien et le Evil", (Pl.54). Lithography, 19th century. Paris, Carnavalet museum. 78055-1 Album Le Bien et le evil, hunting, hunting, hunter, drawing, forest, illustration, lithography, character, boar, 19th 19th 19th 19th 19th 19th century, wood, dog, house, scene

Josef Neugebauers feather drawing depicts floral allegories, showing stylized flowers arranged decoratively in ornamental compositions.

Joffre, père du soldat, 1914. Auguste Louis Lepère (French, 1849-1918). Black crayon with touches of black ink;

Warriors, engraving by Lemaitre after the Triumph of Maximilian I by Albrecht Durer (1471-1528), from Allemagne by Philippe Le Bas (1794-1860), L'Univers pittoresque, Europe, published by Firmin Didot Freres, Paris, 1838.

Sketches of Horses, Groom Holding Horse, a Cavalry Battle. Jean Louis André Théodore Géricault; French, 1791-1824. Date: 1813-1814. Dimensions: 172 × 231 mm. Graphite with pen and brown ink on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Gentleman with a Large Cane, from The Caprices 1617-1627 France. Etching on ivory laid paper . Jacques Callot

November 15, 1865 / About Hunting / 2nd year 2nd Delivery (registered title) | Everywhere or ridiculous life. 2nd delivery. 2nd year (dummy title)

Ridder te paard in wapenuitrusting, anonymous, after Sébastien Leclerc (I), in or after 1647 - in or after 1714 print France paper etching / engraving riding a horse, ass, or mule; rider, horseman. armour

Caricature of a Gentleman and Other Studies 1727-1804 Giovanni Domenico Tiepolo Italian Domenico Tiepolo's proficiency as a caricaturist is well exemplified by this sheet, which if it were not signed, might easily be taken for the work of his father, Giovanni Battista Tiepolo. Above the standing gentleman appears a bouquet of the character heads that occur in many of Domenico's paintings and etchings; at the left border there are sketches of a hand and the tip of a quiver.As Filippo Pedrocco observed in 1990, at least two of the character heads seem to have been preparatory for the series of engraving named "Raccolta di teste" (Collection of heads): the barbed head on the top right corresponds to one in no. 30 and the old man's head on the top left corresponds to one in no. 21 of the "Raccolta di teste" series (see Aldo Rizzi, The Etchings of the Tiepolo, London, 1971, pp. 404-5, no. 221, fig. 221; pp. 396-7, no. 212, fig. 212). As both sheets belong to the second part of the "Raccolta

Le roi Pierre de Serbie, 1914. Auguste Louis Lepère (French, 1849-1918). Pencil with touches of black crayon;

Bliżej Kultury Matejko, Jan (1838 1893), Salb, Marcin (Fl. 1862 1899)

Study for Napoleon Bonaparte, Benjamin Robert Haydon, 1786-1846, British, undated, Pen and brown ink and brown wash on medium, smooth, cream, wove paper, Sheet: 7 3/8 × 6 1/16 inches (18.7 × 15.4 cm)

Bliżej Kultury Matejko, Jan (1838 1893)

Sculptures van Venus, Keizer Augustus and Diana, Anonymous, 1641 print Captions in Latin. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Venus (Aphrodite). (story of) Diana (Artemis). (story of) Augustus, the Roman emperor

Tsar side guard in Russia. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Four children who do their needs, 1649 - 1650 Zwolle paper. ink. watercolor (paint) brush Zwolle paper. ink. watercolor (paint) brush

Different women's hairstyles and headwear, Daniel Nikolaus Chodowiecki, 1779 print paper etching styles of hairdress - AA - ~ women. head-gear: hat (+ women's clothes)

Verso Sketch of Dutch fisherfolk, Amsterdam, 1792 Thomas Rowlandson, On verso: Sketch of Dutch fisherfolk and inscribed by the artist, 'Drawn at Amsterdam 1792' Recto: Pier at Amsterdam., Drawing, Watercolour, Ink, Netherlands, Harbour, Pen

Print made by James Bretherton, ca. 1730-1806, British, Strephon and Chloe, 1801. Etching on medium, moderately textured, beige laid paper.

Willem IV, 1752, plate 19; Commees and Clerquen of Thesaurie and Council of Zyne Highness (...); Lyk staetie by Zyne brilliant highness The Lord Willem IV Carel Hendrik Friso, Prince of Orange and Nassau ... held in the IV February 1752. Members of the stadhopherical administrative device. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder Willem IV in Delft on 4 February 1752. Numbered at the top right: 19. In the bound edition of 1755.

Chauveau, François (n.1613-05-10-D.1676-02-03), table of war cry and motto (sheet cut into nine pieces engraved by François Chauveau), sixth piece (A. de Vesme 1142 . Dutuit 98 bis) (main title), 1645. Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Funeral Product of Archduke Albrecht (Plate Liiii), 1622, 1623 print Participants in the funeral procession. Plate Liiii in the series of the funeral of Archhertog Albrecht of Austria in Brussels on March 12, 1622. Southern Netherlands paper etching cortege, funeral procession Brussels

Twice the same man with mantle and sword, seen on the back; Capricci di Varie Figure Di Jacopo Callot; Various figures and performances. A gentleman with a hat and a cloak, a sword on the left, seen on the back, twice pictured: right as a line figure, left more elaborated with shadows. This print is part of a series of 48 prints (50 incl. Title and dedication sheet) with various topics (O.A. men and women in different attitudes, landscapes, buildings and festivities in Florence). These prints may have been meant as drawing examples.

Songs: "What beau was arm'd completer...". Artist: Henry Thomas Alken (British, London 1785-1851 London). Dimensions: Image: 7 7/8 × 10 1/4 in. (20 × 26 cm)Sheet: 10 13/16 × 15 1/16 in. (27.4 × 38.3 cm). Publisher: Thomas McLean (British, active London 1788-1885). Series/Portfolio: Illustrations to Popular Songs. Date: 1822.One sheet of a series of satires, designed as a song book. Composed of vignette scenes, each scene illustrating in a humourous fashion a single line from a popular song of the day. The imagery derives from hunting, shooting and horses, scenes from domestic life, fashion, town and country life, military and naval life. Museum: Metropolitan Museum of Art, New York, USA.

Songs: "Ye gentle gates that fan the air...". Artist: Henry Thomas Alken (British, London 1785-1851 London). Dimensions: Image: 7 7/8 × 10 1/8 in. (20 × 25.7 cm)Sheet: 10 7/8 × 15 1/16 in. (27.7 × 38.2 cm). Publisher: Thomas McLean (British, active London 1788-1885). Series/Portfolio: Illustrations to Popular Songs. Date: 1822.One sheet of a series of satires, designed as a song book. Composed of vignette scenes, each scene illustrating in a humourous fashion a single line from a popular song of the day. The imagery derives from hunting, shooting and horses, scenes from domestic life, fashion, town and country life, military and naval life. Museum: Metropolitan Museum of Art, New York, USA.

LesCot, actor.

Leaflet with feed is escaping on the ship; around 1908 (1903-00-00-1912-00-00);Semerau-Siemianowski, Władysław (1849-1938), Semerau-Siemianowski, Władysław (1849-1938)-collection, gift (provenance), occasional prints, Islamic art, Turkish art, leaflets

Portraits of Anna Boleyn and Clovis I. Leaf 17 Verso from a sketchbook with 52 sheets.

Women's figure, Félicien Rops, 1863 print paper etching adult woman

Man in a Large Cloak, Seen from the Front. Jacques Callot (France, Nancy, 1592-1635). France, 1617. Prints; etchings. Etching

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