Sketches of Daily Life and Nature

Pencil sketches depict scenes of a man with a horse, country heaters, a greengrocer's shop, and harbor views, showcasing a mix of everyday life and natural settings.

Berndtson, Gunnar, work, Sketch book, 1876, pencil and black chalk, drawing, 12 cm x 20 cm, Berndtson, Gunnar, 1876, pencil and black chalk

Man and a horse in a doorway. Also a study possible from a cart. Page 61 from a sketchbook with 78 pages.

Heaters on the country. Page 42 From a sketchbook with 49 sheets.

Little Greengrocer's Shop, Chelsea. James McNeill Whistler; American, 1834-1903. Date: 1886. Dimensions: 69 x 102 mm (image, trimmed within plate mark); 72 x 102 mm (sheet). Etching and drypoint with foul biting in brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Berndtson, Gunnar, work, Sketch book, 1876, pencil and black chalk, drawing, 12 cm x 20 cm, Berndtson, Gunnar, 1876, pencil and black chalk

Harbor face, Carel Nicolaas Storm van 's-Gravesande, 1907 drawing paper. chalk Hamburg. Germany

Kneeling figures on the land, c. 1882 - c. 1884 They harm them. Page 13 from a sketchbook with 19 sheets. Ewijkshoeve (possibly) paper. chalk cultivated land (+ landscape with figures, staffage). kneeling figure - AA - female human figure. reaping, picking, mowing ~ harvest

The Yachts Kitchen (Kroo) and Cleveland (Kilevelant) during the journey of the English King Charles II over the Thames to Sheerness and Chatham on August 27, 1681, Willem van de Velde (I), 1681 drawing paper. chalk. pencil brush visiting; receiving guests; elegant company. sailing-ship, sailing-boat (with NAME). historical events and situations. names of artefacts and man-made objects (buildings excluded) Thames

Scene with Horses Standing in Stream. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: George Hendrik Breitner.

Drawing, View of Venice, Italy; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 10.4 × 17.4 cm (4 1/8 × 6 7/8 in.)

Murano - Glass Furnace 1879-1880 United States. Drypoint in black ink on off-white laid paper . James McNeill Whistler

Lying woman at a source, Joseph Israëls, 1834 - 1911 drawing paper. ink. pencil pen well

Drawing by Ferdinand Boberg. Skåne, Villand and Gärds hd., Åhus sn., Åhus Nordic

Handkar at a storage place in the open air, 1863 - c. 1864 Page 22 Recto from a sketchbook with 41 sheets. Brussels paper. pencil hand-cart

Fontainebleau Forest: Manufacturer of Slats (La Forêt de Fontainebleau: Le Fabricant de lattes), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 7.4 x 9.5 cm (2 15/16 x 3 3/4 in.).

A Wharf, 1859. James McNeill Whistler (American, 1834-1903). Etching;

Landscape with figures on a hay wagon, 1913 Page 14 Recto from a sketchbook with 30 sheets. paper. chalk landscapes (+ landscape with figures, staffage). landscapes (+ landscape with figures, staffage)

Cat scratches a seated woman.

Drawing by Ferdinand Boberg. Uppland, Åkers Skplg., Kulla sn., Vira Nordic

A Miller's Carriage, c. 1895. Albert-Charles Lebourg (French, 1849-1928). Black and white chalk with stumping ; sheet: 33.2 x 49.7 cm (13 1/16 x 19 9/16 in.).

Dorsen van Graan, in front of a building, Johan Daniël Koelman, 1841 - 1857 drawing paper. chalk threshing

Waterloo Bridge Made 1896 United States. Transfer lithograph in black on cream laid paper . James McNeill Whistler

Drawing by Ferdinand Boberg. Västergötland, Kåkinds hd., Kyrkefalla sn., Åreberg Nordic

Conversation under the statue, Luxembourg Gardens, James Abbott McNeill Whistler, 1893 print Seen two people on the back, sit on chairs at a statue in the Jardin du Luxembourg in Paris. London paper public gardens, park Jabin u Luxembourg

Wever behind his loom, 1634 - 1636 drawing A weaver behind his loom in his store, in the background his assistant, seen on the back. Haarlem paper. chalk

Gaiety stage door, 1887, by James McNeill Whistler (1834-1903). Lithograph; image size 378 x 540 mm

Figure on throne, flanked by two figures, sketch for an unidentified Shakespeareplay. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Peasant Woman Seated near a Hedge (Paysanne assise pres d'une haie). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Sketch of landscape with monumental building, draughtsman: Adrianus Eversen, 1828 - 1897, paper, h 177 mm × w 251 mm

Ryde Pier , Spectators. James McNeill Whistler (1834-1903). Lithographs

The yachts Kitchen (kroo) and Cleveland (clevelant) during the journey of the English king Charles II over the Thames to Sheerness and Chatham on 27 August 1681. Draughtsman: Willem van de Velde (I). Dating: 17-Aug-1681 - 27-Aug-1681. Measurements: h 305 mm × w 211 mm. Museum: Rijksmuseum, Amsterdam.

View of Venice, Italy, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Sketch of the Grand Canal in Venice from a promenade with the outline of churches and gondolas along the horizon., Venice, Italy, 1880, seascapes, Drawing, Drawing

Sir Robert Smirke the younger, 1781-1867, British, Near Vicenza, 1802-1804. Graphite on medium, slightly textured, beige, wove paper.

James McNeill Whistler (American, 1834 - 1903), The Butcher's Dog, 1896, lithograph

Cat scratching a seated woman, draughtsman: Gesina ter Borch, Zwolle, c. 1660 - c. 1669, paper, h 208 mm × w 150 mm

Drawing by Ferdinand Boberg. Uppland, Örbyhus hd., Tierps sn., Ullfors Nordic

Depicts a scene from Gil Blas by August Xaver Karl von Pettenkofen using ink, brush, and possibly pencil, showing figures, clothing, gestures, architectural details, and landscape elements.

The Traghetto, No 2 1880 United States. Etching and drypoint with foul biting in black ink on ivory Japanese paper . James McNeill Whistler

Drawing by Ferdinand Boberg. Västmanland, Snevringe hd., Sura sn., Surahammar Nordic

Spectators in conversation on the racecourse in Boitsfort. Draughtsman: Rik Wouters. Dating: 1892 - 1916. Measurements: h 303 mm × w 435 mm. Museum: Rijksmuseum, Amsterdam.

Vegetable market at evening. Draughtsman: Gerard ter Borch (II). Draughtsman: Pieter de Molijn (rejected attribution). Dating: 1634. Place: Haarlem. Measurements: h 163 mm × w 197 mm. Museum: Rijksmuseum, Amsterdam.

George John Pinwell, 1842-1875, British, Study for "The Goose", 1867: Interior of a Barn, 1866. Graphite on medium, slightly textured, cream wove paper.

Drawing by Ferdinand Boberg. Uppland, Frösåkers hd., Hargs sn., Harg Nordic

Untitled (Girls Saying Grace). Robert Frederick Blum; American, 1857-1903. Date: 1885. Dimensions: 169 x 241 mm (image/plate); 315 x 662 mm (sheet). Etching on tan wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Man kneels for a Gothic tomb, Gustave Buschmann, 1840 print paper etching grave, tomb

James McNeill Whistler (American, 1834-1903), The Smithy, c. 1880, etching and drypoint

Wheelwright. James McNeill Whistler; American, 1834-1903. Date: 1880. Dimensions: 126 x 176 mm (image, trimmed within plate mark); 132 x 176 mm (plate). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Dombstickers. Page 40 from a sketchbook with 49 sheets.

Temple. Dated: c. 1880/1881. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Drawing by Ferdinand Boberg. Västmanland, Norrbo hd., Haraker sn., Svanå Nordic

Landscape. Dated: probably c. 1858. Dimensions: overall: 13 x 13.1 cm (5 1/8 x 5 3/16 in.). Medium: pen and ink on tracing paper. Museum: National Gallery of Art, Washington DC. Author: Rodolphe Bresdin.

View of Dordrecht. Draughtsman: Aelbert Cuyp. Dating: 1630 - 1691. Measurements: h 190 mm × w 445 mm. Museum: Rijksmuseum, Amsterdam.

Set a lady at the door of a country house, c. 1659 drawing Zwolle paper. pencil

Landscape with two figures. From: A Marken sketchbook., circa 1874, Netherlands, by Petrus van der Velden. Gift of W. Fergusson Hogg, 1967.

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Boulevard Van Iseghem in Ostend, James Ensor, 1889 print paper etching street Oostende

Figures at a well, 1800 - 1899 Landscape with a gate, trees and well. At the well there are three girls with vases and a man with a donkey. Page 1 recto from a sketchbook with 13 sheets. paper. ink. chalk brush landscapes (+ landscape with figures, staffage). well. gate, entrance

Le mendiant , Beggars, Alphonse Legros (1837-1911)

Ink and brush illustration by August Xaver Karl von Pettenkofen depicting a scene from Gil Blas with figures, gestures, and environment details.

While words of learned length and thundering sound,” illustration for Oliver Goldsmith’s The Deserted Village (London and New York: 1902), p. 57. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Pierrot 1889 James McNeill Whistler American In an old district of Amsterdam, Whistler represents two figures emerging from a shadowed workshop at the edge of a canal. Leaning against a slender post, a young man clad in an apron looks across the water as his female companion dips a cloth into it. The still, dark, reflective surface fills the foreground and doubles the forms, and the title, Pierrot, evokes a tragicomic commedia dellarte character suggested by the pallor of the mans face. The print belongs to a set the artist made in Amsterdam during a two-month stay in early fall 1889, following his summer marriage to Beatrice Philip, the widow of architect Edward William Godwin.. Pierrot 372622

Horse coil and figures on a street. Also two figure studies. Leaf 12 Recto from a sketchbook with 26 sheets.

Episode from the Good Samaritan: the wounded man is carried into the inn, draughtsman: Johannes Hendricus Jurres, 1885 - 1946, paper, h 420 mm × w 344 mm

Munsterhjelm, Hjalmar, Sketch book, 1873-1892, pencil on paper, drawing, see parts of the work, 21 cm x 33 cm, Munsterhjelm, Hjalmar, 1873-1892, pencil on paper, Magnus Hjalmar Munsterhjelm 1840 - 1905 was a Finnish landscape painter, who worked in Finland.

Regent's Quadrant 1880-81 James McNeill Whistler American. Regent's Quadrant 372599

The Dog on the Kennel. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1858. Prints; etchings. Etching

Moonlight , Moonlight, Boats, Helms, Sailboats. Frank W. Benson (1862-1951). Prints and Drawings

Edelfelt, Albert, work, Sketch book, 1888-94, marker, pencil and watercolor, drawing, 22.5x30; 72 numbered pages; 16 cut-out leaf, Edelfelt, Albert, 1888-94, marker, pencil and watercolor, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Bliej Kultury Wyczózó Kowski, Leon (1852 1936)

Sole Valley Made 1890 France. Wood engraving in black on cream laid Japanese paper . Louis Auguste Lepère

Berndtson, Gunnar, work, Sketch book, drawing, 9 cm x 15.5 cm, Berndtson, Gunnar

Sketch of calves and landscape. Draughtsman: George Hendrik Breitner. Dating: 1867 - 1923. Measurements: h 340 mm × w 299 mm. Museum: Rijksmuseum, Amsterdam.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Battle Scene. Dated: 1840. Dimensions: overall: 9 x 13.5 cm (3 9/16 x 5 5/16 in.). Medium: pen and black ink on wove paper. Museum: National Gallery of Art, Washington DC. Author: Sir David Wilkie.

te Barricade, Märzstrasse on May , Design, Eduard Ritter -, drawer

Alphonse Legros, Woodcutter (Le bucheron) Woodcutter (Le bucheron)

Three women on a bridge in rain and wind, Willem Witsen, 1891 print Amsterdam paper etching walking - AA - female human figure. bridge in city across river, canal, etc. - II - ideal city. walking Amsterdam

Ships are pulled on the beach, Frans Hens, 1866 - 1910 print paper etching ships, boats on land, beached

StaircaseMossley Hall, Arnold William Brunner, American, 1857-1925, Graphite and white heightening on brown paper, Left, desk with flower vase, bust of a woman, and books on top. Next to desk, chair with fabric thrown on, behind chair, painting of a figure. Chair and desk, under staircase., USA, 1883, architecture, interiors, Drawing, Drawing

Lobster Pots - Selsea Bill 1880-1881 United States. Etching with foul biting in black ink on ivory laid paper . James McNeill Whistler

The Laundress, 1888. Henri de Toulouse-Lautrec (French, 1864-1901). Black and gray wash with white paint, scratched away in places; sheet: 75.9 x 63.1 cm (29 7/8 x 24 13/16 in.). A prolific illustrator, Henri de Toulouse-Lautrec made this drawing as an illustration for an article about "Summer in Paris" published in Paris illustré, a magazine popular among the middle classes. Although the article singled out the laundress as a charming object of the male gaze on the city streets, the stooping posture and dark-circled eyes of the figure seen here give her a worn, tired appearance that invites comparison with the workhorse behind her. The drawing's sharp receding perspective emphasizes the act of street-level spectatorship and a man's top hat visible in the coach behind the woman alludes to her subservient social and sexual role.

Windmill, draughtsman: Willem Maris, 1854 - 1910, paper, h 343 mm × w 255 mm

The smith's yard , Forge shops. James McNeill Whistler (1834-1903). Lithographs

The Smith's Yard, from "The International Studio" 1895 James McNeill Whistler American. The Smith's Yard, from "The International Studio". James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1895. Transfer lithograph drawn on thin, transparent transfer paper; only state (Chicago), as published; printed from a supplementary stone on medium-weight ivory wove paper with a smooth finish. Prints

Double Doorway, Sandwich 1887 United States. Etching and drypoint with foul biting in black ink on cream laid paper . James McNeill Whistler

Figures at a farmhouse next to a group of pine trees, 1858 Leaf 9 Recto from a sketchbook with 44 sheets. Bohemia paper. watercolor (paint). ink pen / brush trees: fir. city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage). rural housing, e.g. country-house, villa, cottage Bohemia

The Good Shoe Made 1895 United States. Transfer lithograph in black on cream Japanese paper . James McNeill Whistler

Pencil drawing by Joseph Holzer depicting a peasant with a horse-drawn cart in motion, created around 1843.

James McNeill Whistler (American, 1834 - 1903), Marbles, c. 1887, etching and drypoint

Study magazine with a hay, dogs and figures. Among other things studies of a farmer with a wheelbarrow and with a bag, a man with a pipe and a praying man. Leaf 10 Recto from a sketchbook with 51 sheets.

Drawing by Ferdinand Boberg. Skåne, Rönnebergs hd., Sireköpinge sn., Sireköpinge Nordic

Badende Knaben; Liebermann, Max (1847-1935), Cassirer, Bruno (1872-1941); 1906 (1906-00-00-1906-00-00);Partage Plus, Sachs, Carl (1868-1943), Sachs, Carl (1868-1943) - collections, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Van Gelder Zonen (Netherlands - Paper - 1685-1784-- 1864-1981), Acts, male acts, boys, bathing (iconogr.), Modernism (style), sea, landscapes, sea landscapes, beaches, characters, genre scenes

Drawing by Ferdinand Boberg. Motala, Nordic

The Pierrot 1889 United States. Etching and drypoint with foul biting in black ink on cream Japanese paper . James McNeill Whistler

Sketch made on Indian Reservation, Montana, 19th century, Walter Shirlaw, American, 1838 - 1909, 4 1/2 x 7 in. (11.43 x 17.78 cm), Graphite, United States, 19th century

John Linnell, 1792-1882, British, Edgware Road, London, 1806. Black and white chalk on moderately thick, slightly textured, blue-gray wove paper.

Drawing by Ferdinand Boberg. Närke, Örebro hd., Tysslinge sn., Garphyttan Nordic

Edelfelt, Albert, work, Sketch book, drawing, 21.5 cm x 17 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

One creezee, petrus franciscus grind, 1821 - 1872 drawing paper. chalk. watercolor (paint) brush farm (building) - AA - civic architecture: inside

Way Uptown, Childe Hassam, American, 1859-1935, Etching on wove paper, Audubon Avenue and 193rd Street, New York City. View from Columbia Heights, looking across Harlem. A man, woman, and three children in the foreground., USA, 1921 and April 18, 1922, landscapes, Print, Print

Place Pigalle in 1878 1860-98 Félix-Hilaire Buhot French. Place Pigalle in 1878. Félix-Hilaire Buhot (French, Valognes 1847-1898 Paris). 1860-98. Etching, aquatint, and stop-out; third () state of six. Prints

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