Sketches of Landscape Scenes

Pencil sketches capturing serene landscapes, trees, and rural settings, showcasing the artistic styles of various British artists from the 18th and 19th centuries.

On the Banks of the Loing: The Cart, 1890, etching with bitten tone and burnishing on laid paper, plate: 14.7 × 22.5 cm (5 13/16 × 8 7/8 in.), sheet: 22.1 × 30.8 cm (8 11/16 × 12 1/8 in.), Delteil, no. 1, state i/iv, Alfred Sisley (artist) French, 1839 - 1899

George Romney, 1734-1802, British, Small Sketchbook, 1784. Various media on laid paper, including: brown ink over graphite; graphite; brown and gray wash over graphite; gray wash over graphite on medium, slightly textured, cream laid paper.

Entrance of Appuldurcombe, Capt. Thomas Hastings, 1778-1854, British, between 1826 and 1830, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)

The Long Walk, Windsor. Drawing. Black and white chalk on medium, blue, smooth wove paper. Height: 181 mm (7.12 in); Width: 270 mm (10.62 in). Author: Peter DeWint.

Capt. Thomas Hastings, 1778-1854, British, Within the Walls of Carisbrooke Castle, Isle of Wight, June 1829, 1829. Graphite on medium, slightly textured, cream wove paper.

A black chalk drawing by Jan Josefsz. van Goyen depicting a Dunting landscape with three figures, showing small missing areas at the top, brownish discoloration on the left, and brown spots at the bottom.

Near Newport, 12 August 1826, Capt. Thomas Hastings, 1778-1854, British, 1826, Graphite on medium, slightly textured, cream wove paper, Sheet: 6 7/8 × 10 1/4 inches (17.5 × 26 cm)

Sketch of a Road Descending to the Shore with Docked Ships, Capt. Thomas Hastings, 1778-1854, British, between 1826 and 1830, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/2 × 9 1/8 inches (14 × 23.2 cm)

Landscape. Czyżewski, Tytus (1880-1945), draughtsman, cartoonist

On the Banks of the Loing: The Cart, 1890, etching with bitten tone and burnishing on laid paper, plate: 14.7 × 22.5 cm (5 13/16 × 8 7/8 in.), sheet: 22.1 × 30.8 cm (8 11/16 × 12 1/8 in.), Delteil, no. 1, state i/iv, Alfred Sisley (artist) French, 1839 - 1899

Capt. Thomas Hastings, 1778-1854, British, Holne Chase Bridge and River, 30 May 1833, 1833. Graphite on medium, slightly textured, cream wove paper.

Bridge over the water at a village.page 11 from a sketchbook with 74 pages.

Henry Swinburne, 1743-1803, British, Bord du Loiret, undated. Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Capt. Thomas Hastings, 1778-1854, British, In Bradley Vale, 30 May 1833, 1833. Graphite on medium, slightly textured, cream wove paper.

General View of Naples, unknown artist, ca. 1780, Gray wash and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/8 × 17 5/8 inches (15.6 × 44.8 cm), Naples, Napoli, Golfo di

Near West Cowes, Capt. Thomas Hastings, 1778-1854, British, between 1826 and 1830, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 5/8 × 7 3/4 inches (11.7 × 19.7 cm)

Figure study and a cloudy sky ..

Drawing, Rough Sea Breaking upon Shore; Winslow Homer (American, 1836-1910); USA; black and white chalk on cardboard ; 31.8 x 55 cm (12 1/2 x 21 5/8 in.)

Rowing boats in a canal. On the waterfront is a cabin with a chimney. Drawing is part of an album, Boats in a canal., draughtsman: Jan Weissenbruch, 1832 - 1888, paper, h 77 mm × w 178 mm

Capt. Thomas Hastings, 1778-1854, British, Near Swainstone, Isle of Wight, August 1829, 1829. Graphite on medium, slightly textured, cream wove paper.

Henry Swinburne, 1743-1803, British, Paladi Pontine da Velletri, 1777 to 1778. Gray wash and graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Spectators on theater bars, 1875 - 1934 Page 50 and Page 51 from sketchbook XLVIII with 62 pages. The Hague (possibly) paper. chalk the audience ~ art performance. boxes, loges ~ theatre, etc.

Sailing ships on the water. Verso-side of a loose leaf between page 27 and the rear bract from a sketchbook with 27 sheets.

Grete Weisgerber-Pohl depicted a resting woman using feather, showing figure, posture, and drapery details.

Repin, Ilja Jefimoviš, Sailboats, Vitebsk, 1892, pencil drawing, drawing, 41.2 cm x 30 cm, Ilya Yefimovich Repin 1844 - 1930, Ukrainian-born Russian painter.

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: sheet: 11 15/16 x 19 13/16 in. (30.4 x 50.4 cm). Date: 1828-90. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with the ruins of the castle in Bochotnica, the end; Verso: The ruin of this castle, sketch; Andriolli, Micha Elwiro (1836-1893); 1880 (1880-00-00-1880-00-00);Bochotnica (Lubelskie Voivodeship), Méyet, Leopold (1850-1912) - collection, gift (provenance), Gothic (archite.

Forest face, c. 1865 - c. 1874 Page 2 Verso from a sketchbook with 39 sheets. paper. pencil forest, wood

Anton Hansch illustrated wood fencing in Strobl using pencil around 1850.

A Snow-clad Landscape with Gray Clouds ca. 1800 Katsushika Hokusai Japanese. A Snow-clad Landscape with Gray Clouds. Katsushika Hokusai (Japanese, Tokyo (Edo) 1760-1849 Tokyo (Edo)). Japan. ca. 1800. Woodblock print; ink and color on paper. Edo period (1615-1868). Prints

View of Ponte Nomentano. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Sailboat Sketch, Thomas Daniell, 1749-1840, British, active in India, William Daniell, 1769-1837, British, undated, Graphite on medium, slightly textured, beige, laid paper; mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 5 3/8 × 8 1/4 inches (13.7 × 21 cm) and Mount: 6 1/4 × 9 1/8 inches (15.9 × 23.2 cm), marine art, sail, sailboat, sketch

Zeevlot on which an obelisk is transported.

Capt. Thomas Hastings, 1778-1854, British, On Board the "Stag," 17 March 1826, 1826. Graphite on medium, slightly textured, cream wove paper.

Album with Views of Rome and Surroundings, Landscape Studies, page 44a: Figures in a Landscape. Franz Johann Heinrich Nadorp (German, 1794-1876). Graphite on brown paper;

Thomas Creswick, 1811-1869, British, Ed Bucks, undated. Pen and brown ink on medium, slightly textured, cream wove paper.

Landscape. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Bar Harbor, Maine, Arnold William Brunner, American, 1857-1925, Graphite and white heightening on brown paper, Scene from low shore, sailboats and land beyond. Sailboat, upper right., USA, 1887-88, seascapes, Drawing, Drawing

Luxor, 7:00 am, 20 January 1867 (198), Edward Lear, 1812-1888, British, 1867, Watercolor with pen and brown ink and gouache over graphite on moderately thick, slightly textured, gray-green wove paper, Sheet: 3 9/16 x 10 3/8 inches (9 x 26.4 cm), boats, camels (mammals), figures (representations), landscape, marine art, monument, river, river, structures (single built works), temples, water, Africa, Egypt, Luxor, Nile, Qina, Upper Egypt

Drawing, Imaginary River Landscape; Frederic Edwin Church (American, 1826-1900); Attributed to Thomas Cole (1801 - 1848); USA; pen and dark brown ink support: paper; 8.8 x 11 cm (3 7/16 x 4 5/16 in.) 3 7/16 x 4 3/8 in. Mat: 40.6 x 55.9 cm (16 x 22 in.)

Wolkenlucht bij maanlicht.Page 57 and page 58 from a sketchbook with 32 sheets.

Studie, c. 1876 - c. 1879 Page 1 Verso from a sketchbook with 33 sheets. paper. chalk

Figures in the Branding, Johan Antonie de Jonge, 1884 - 1927 In the surf are figures with a toy boat. Leaf 12 from a sketchbook with 33 sheets. South Holland (Possible) paper. chalk in or beside the water (on the beach). (playing with) boats (+ out of doors (sports, games, etc.))

Capt. Thomas Hastings, 1778-1854, British, In Padmore Garden, May 1833, 1833. Graphite on medium, slightly textured, cream wove paper.

Dieppe 1885 United States. Etching and drypoint in black ink on ivory laid paper . James McNeill Whistler

Cień wulkanu Teide. Loeillot, Wilhelm (1827-1876), draughtsman, cartoonist, Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

Figures on the Waterkant near Wijk bij Duurstede, Willem Witsen, 1906 - 1907 In the background buildings. Page 13 from a sketchbook with 25 magazines. Wijk bij Duurstede paper. chalk landscapes with waters, waterscapes, seascapes (in the temperate zone). civic architecture; edifices; dwellings Wijk bij Duurstede

View From the Mountains, Henry Swinburne, 1743-1803, British, undated, Pen and brown ink, over graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm) and Sheet: 2 11/16 × 5 1/8 inches (6.8 × 13 cm)

John Robert Cozens, 1752-1797, British, Promontory of Porto Fino, between 1782 and 1783. Graphite and varnish on thin, slightly textured, beige laid paper.

Het Molentje (The Little Mill), 1670-1800, After Aert de Gelder; Artist: Formerly attributed to Anthonie van Borssom, Dutch, 7 1/8 × 12 in. (18.1 × 30.48 cm), Pen, brush and brown ink, Netherlands, 17th century

Mount Carmel, near New Haven,Ct.. Artist: Unknown

James C. Allen, active 1821-1831, British, Orfordness, ca. 1830. Line engraving and etching on moderately thick, slightly textured, cream, wove paper, with cream, chine colle.

Figure at a port.Leaf 14 verso and 15 recto from a sketchbook with 41 sheets.

Two figures on a shit.Also studies or houses. Leaf 12 recto from a sketchbook with 43 sheets.

House in Klausen in Tirol. Leaf 33 Recto from a Los Katern from a sketchbook with 27 loose sheets.

John Varley, 1778-1842, British, From an Album of Sixty-one Topographical Sketches. Graphite.

A Well near the Bridge of Kedron (Le puits du pont du Cédron) James Tissot (French, 1836-1902). , December 1886. Pen and ink on paper mounted on board, Sheet: 4 11/16 x 7 3/16 in. (11.9 x 18.3 cm). European Art December 1886

The Billows Made 1909 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

Print, Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry"; copper engraving in gum paste on grey/buff laid paper ; 36.2 x 57.2 cm (14 1/4 x 22 1/2 in. )

Southampton, Hampshire, Capt. Thomas Hastings, 1778-1854, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 6 7/8 × 10 1/4 inches (17.5 × 26 cm)

Ekman, Robert Wilhelm, work, View of Ceroburo, 1841, engraving, drawing, 21.5 cm x 33.5 cm

Bliżej Kultury Stanisławski, Jan (1860 1907)

Guillaume Lethière, Aqueduct (Aqueduc), early 19th century, Counterproof.

Between Bolzano and Trent, June 8, John Robert Cozens, 1752-1797, British, undated, Graphite and varnish on thin, slightly textured, cream laid paper, Sheet: 10 x 7 3/8 inches (25.4 x 18.7 cm), buildings, cliffs, hills, landscape, rocks (landforms), trees, Bolzano, Europe, Italy, Trent

Washing machines on the rivers; Smokowski, Wincenty (1797-1876); around 1841-1842 (1840-00-00-1845-00-00);

Tall cross against the background of landscape. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Shells looking for girl. .

House in a landscape and a woman, 1834 - 1903 Page 28 Recto from a sketchbook with 39 sheets. paper. pencil farm or solitary house in landscape. adult woman

View along the Amstelveense Weg. Draughtsman: Pieter van Cranenburgh. Dating: 1801. Measurements: h 208 mm × w 320 mm. Museum: Rijksmuseum, Amsterdam.

Sail of a ship. Leaf 14 Recto from a sketchbook with 34 sheets.

Pont Marie in Paris, Stan II; Pankiewicz, Józef (1866-1940); around 1903 (1902-00-00-1904-00-00);France, Paris (France), Seine (France - River), Propus Bohdan (1858-1933), Wydżga, Bohdan (1858-1933) - collection, dedications, Polish graphics, bridges (archite.), Poland (culture), purchase (provenance)

View of Hattem, 1907 Page 2 Verso and 3 Recto from a sketchbook with 41 sheets. Hattem paper. chalk city-view, and landscape with man-made constructions Hattem

Sketch in An 1893 sketchbook, 1893, Christchurch, by Petrus van der Velden. Gift of W. Fergusson Hogg, 1967.

Footbridge with Cross before Trees at a River, c.1803. Caspar David Friedrich (German, 1774-1840). Etching; sheet: 19.9 x 28 cm (7 13/16 x 11 in.); image: 8.8 x 14 cm (3 7/16 x 5 1/2 in.); platemark: 9.2 x 15.2 cm (3 5/8 x 6 in.).

Landscape, George Hendrik Breitner, c. 1900 - 1901 Landscape. Page 9 from a sketchbook with 46 sheets made in Amsterdam. Noord-Holland (possibly) paper. pencil landscapes

Sketchbook, Conway, New Hampshire David Johnson (American, 1827-1908). Sketchbook, Conway, New Hampshire, July-October 1851. Graphite, chalk, and opaque watercolor on medium-weight, beige, wove paper, sketchbook, sketchbook: 4 7/8 x 6 3/4 x 5/16 in. (12.4 x 17.1 x 0.8 cm). A landscape painter who devoted himself to the careful study of nature, Johnson traveled throughout the Northeast collecting sketches that he would then use to create highly detailed paintings in his studio. Some of his haunts included the Catskill and Adirondack mountains in New York and the White Mountains in New Hampshire, where this sketch was made. American Art July-October 1851

The road to Leiden, Claes Jansz. Visscher (II), 1612 print View of a wide country road, possibly the Wagenweg, seen in a northerly direction in the direction of Haarlem. The Wagenweg was previously referred to as 'the road to Leiden'. In the foreground a farmer with two cows and a few farm pairs. Low houses, trees and mills are on the road. This print is part of the 'Faces near Haarlem' series. Amsterdam paper etching public road. windmill. cow Wagenweg

Design for Almanakprent: Attraction of Leyden in Junij 1850, Carel Vosmaer, 1836 - 1888 drawing Design for a print. paper. ink. pencil pen university. names of organizations, companies, trade unions, etc.. historical events and situations University of Leiden. To lead

Landscape 18th century Anonymous, Italian, first half of the 18th century Italian. Landscape 342003

The Poor Fisherman, 1897. Pierre Puvis de Chavannes (French, 1824-1898). Color lithograph;

Well at a stable, 1839 In the foreground, among other things, get a wooden bucket for the water and a broom. Page 5 Recto from a sketchbook with 37 sheets. Gin paper. pencil pen barn. well. wooden container: barrel, cask, bucket

Abklatsch of the chalk drawing on page 13 Recto, c. 1886 - 1934 Leaf 12 Verso from sketchbook LXX with 17 sheets. Amsterdam paper

Houses and Trees. Artist: Boris Grigoriev (Russian, Rybinsk 1886-1939 Cagnes-sur-Mer). Dimensions: Overall: 10 1/16 x 16 3/4in. (25.5 x 42.5cm). Date: 1922. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Shepherdess Resting Under a Tree; Winslow Homer (American, 1836-1910); USA; graphite, brush and gouache on gray-green wove paper; Sheet: 13.3 x 21.8 cm (5 1/4 x 8 9/16 in.)

Chteau Sainte-Marie, France, Henry Swinburne, 1743-1803, British, undated, Pen and gray ink on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm) and Sheet: 6 1/4 × 7 9/16 inches (15.9 × 19.2 cm)

Gebel Silsila Edwin Howland Blashfield (American, 1848-1936). Gebel Silsila, n.d. Graphite on preprinted graph paper mounted to paper and then to paperboard, Sheet: 5 11/16 x 7 1/4 in. (14.4 x 18.4 cm). American Art n.d.

Three figures on a waterfront, possibly the Zuidkolk in Delft, 1907 One of the figures is wearing a yoke. Leaf 9 Verso and 10 Recto from a sketchbook with 41 sheets. Delft (possibly) paper. chalk landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage). sailing-ship, sailing-boat Delft

Drawing, Two Fishermen, England; Winslow Homer (American, 1836-1910); USA; graphite on gray paper; Sheet: 13 x 16.3 cm (5 1/8 x 6 7/16 in.)

Small sailboat in the water near the dunes, Jan Toorop, 1901 print paper drypoint dune coast. sailing-ship, sailing-boat Katwijk aan Zee

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Water scene withlandscape, Watercolor, graphite, Wove, 25.7 × 36 cm (10 1/8 × 14 3/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Sketch of people on the street, draughtsman: George Hendrik Breitner, 1867 - 1923, paper, h 119 mm × w 192 mm

Drawing, Sketch for Scene 3 of cartoon for cotton printing:The History of Heny IV L'Histoire de Henri IV; Manufactured by Hartmann et Fils (France); France; pencil on cream-colored paper; 28.5 x 44.9 cm (11 1/4 x 17 11/16 in.)

A landscape drawing by Carlo Antonio Tavella around 1700 showing two monks near a river, executed with black-brown pen.

Print made by James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), Monitors, 1887. Etching on moderately thick, slightly textured, greened white laid paper.

Gampola. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Finch, Alfred William, work, Landscape exercise, pencil, drawing, 32 cm x 41 cm

The Channel Sketchbook, Joseph Mallord William Turner, 1775-1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body component), marine art, sea, sketchbook

Sketch of Fishermen in a Boat, Capt. Thomas Hastings, 1778-1854, British, between 1826 and 1830, Graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/2 × 11 1/8 inches (19.1 × 28.3 cm)

Sketch of a man. From: A Marken sketchbook., circa 1874, Netherlands, by Petrus van der Velden. Gift of W. Fergusson Hogg, 1967.

Düsseldorf, Hartogensis, Joseph, Road along a river, verso - stamped, print, prints, height 74 mm, width 108 mm, Dutch, 1822-05-07 - 1865-07-16, print maker, printmaker, 1850 - 1850, paper, papier, chine collé, etching, etchings

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