Sketches of Landscapes and Interiors

A collection of pencil sketches depicting various scenes including landscapes, buildings, and interiors, showcasing a range of artistic styles and tones.

Inn with signboard, draughtsman: Jan van Goyen, 1650 - 1651, paper, brush, h 98 mm × w 156 mm

Sketches from Constantinople. Card fragment. Reverse: fragment of the sketch Matejko, Jan (1838 1893)

Inn with signboard, draughtsman: Jan van Goyen, 1650 - 1651, paper, brush, h 98 mm × w 156 mm

Interior with a figure at a table. Leaf 6 Recto from a sketchbook with 20 sheets.

Capt. Thomas Hastings, 1778-1854, British, 27 May 1826, 1826. Graphite on medium, slightly textured, cream wove paper.

Arcadian landscape. Design for a painting.

Study sheet with stirring from sailing ships, Hendrik Abraham Klinkhamer, 1820 - 1872 drawing paper. pencil brush parts of ship's exterior: rudder. sailing-ship, sailing-boat (BOYER). sailing-ship, sailing-boat (KOFF)

Sir Robert Smirke the younger, 1781-1867, British, Lyons - From the Bridge at the Junction of the Rhone & Soane, 1802. Graphite on moderately thick, moderately textured, beige, wove paper.

Figures in a two-storey house. Figures are located around a table in the house. Leaf 31 Recto from a sketchbook with 58 sheets.

Studies in pencil by Ferdinand Georg Waldmüller showing figures, natural scenery, and compositional sketches from the early 19th century.

James McNeill Whistler, Quai de Montebello, 1893 Quai de Montebello

La Salute: Dawn. James McNeill Whistler; American, 1834-1903. Date: 1878-1880. Dimensions: 125 x 203 mm (plate); 275 x 380 mm (sheet, sight, bound). Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Figure with freight on a country road. Along the path some farms. Page 58 From a sketchbook with 43 sheets.

Sketchbook Jan Matejko from a trip to Constantinople. Double sided drawing. Obverse: fragment of the wall with towers, below the outline of buildings with minarets; Part of the drawing, the beginning of which is presented on the reverse of the previous sketchbook card. Reverse: outline of Constantinople's architecture; Part of the drawing, whose continuation is presented on the obverse of the next sketchbook card. Matejko, Jan (1838 1893)

A series of pencil sketches by Ferdinand Georg Waldmüller from 1827, documenting figures, objects, and compositions in a sketchbook.

British Isles Sketchbook Francis William Edmonds (American, 1806-1863). British Isles Sketchbook, 1841. Graphite on cream, moderately thick, slightly textured wove paper, 4 3/4 x 6 5/16 x 1/4 in. (12.1 x 16 x 0.6 cm). Francis William Edmonds used this sketchbook during his three-week journey through the British Isles, recording important monuments he encountered along the way in places such as Warwick, Liverpool, Glasgow, Edinburgh, and Stratford-upon-Avon. In one of the most striking sketches, combining precise outlines and exacting details, Edmonds rendered the Romanesque and Gothic architectural styles of Jedburgh Abbey, looming over the Scottish town. Since he was primarily a genre painter, this sketchbook provides a rare example of his work in land- and townscape composition. American Art 1841

On the Medina, 27 May 1826, Capt. Thomas Hastings, 1778-1854, British, 1826, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 1/2 × 6 3/4 inches (11.4 × 17.1 cm)

Pronk, Cornelis, Aerdenhout, Haen, Abraham de (II), View of Aerdenhout, handwritten in gray pen, Sheet 25 recto from a sketchbook with 78 sheets., sketchbook sheet, drawings, 1732., the aerdenhout from the dunes to be seen, under Tetrode, 1707-04-06 - 1748-08-08, draughtsman, draftsman, 1732 - 1732, second quarter 18th century, paper, pencil, ink, pen, Northern Netherlands, 1691-12-10 - 1759-09-29

Sketches of Landscapes, Arnold William Brunner, American, 1857-1925, Graphite on blue-grey paper, Three sketches top and center, houses of town with mountains beyond. Bottom, mountain and valley., USA, 1883, landscapes, Drawing, Drawing

Furniture Shop. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 3 3/4 × 6 7/16 in. (9.6 × 16.3 cm)Sheet: 3 3/4 × 6 7/16 in. (9.6 × 16.3 cm). Date: 1887. Museum: Metropolitan Museum of Art, New York, USA.

River landscape with fishermen, Pieter de Molijn, 1610 - 1660, River landscape with a bridge on the left, in the middle fishermen retrieving a net and on the right a fisherman in a rowing boat., draughtsman: Pieter de Molijn, draughtsman: Maerten Fransz. van der Hulst, draughtsman: Jan van Almeloveen, 1610 - 1660, parchment (animal material), pen, h 108 mm × w 146 mm

Proche fiezolè, Dessins, Castellan, A. L. (Antoine Laurent), 1772-1838, Pencil and wash on paper, 1797-1799, The drawings in this album are pasted in and numbered. Title from caption in ink below drawing.

Figure with freight on a country road, c. 1887 - c. 1888 A few farms along the path. Page 58 from a sketchbook with 43 sheets. Diepenheim paper. chalk road, path. farm (building). carrying something

Pencil sketches by Josef Danhauser from 1842 reproducing compositions from famous Dutch and Flemish paintings, showing figure and landscape elements.

Panorama Lubania; verso: panorama Lubania. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Figures at the port and tower of the Irrapat Fort in Delhi. Page 121 from a sketchbook with 84 sheets.

Thomas Girtin, 1775-1802, British, Sharpham, near Totnes, Devon, ca. 1797. Graphite on medium, slightly textured, cream wove paper.

Gangotri, miasto nad Gangesem u podnóża Himalajów. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Klifowy brzeg wyspy Desertas. Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

"The Swan", Chelsea. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1872. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Landscape sketch with characters on the road on Card 34 unknown

Three sketches with faces between Leiden and The Hague; Designs for Series Aquatints Sketches in Flanders and Holland.Three Sketches Drawn at A Speed Between Leiden and the Hague.

A landscape view by Claude-Joseph Vernet depicting Naples with the Castell Nuovo, executed in black ink and brush with brown washes over a lead handle, circa 1750.

John Constable, 1776-1837, British, Two Studies of Dedham Church from the East, between 1806 and 1808. Graphite and white gouache on medium, slightly textured, beige wove paper.

John Linnell, 1792-1882, British, A Scene in the Edgware Road, London, 1806. Black and white chalk on medium, slightly textured, blue-gray wove paper.

Villa aan een waterkant.Also a study of a figure on a country road. Leaf 16 Verso and 17 recto from a sketchbook with 41 sheets.

Bliżej Kultury Stanisławski, Jan (1860 1907)

Ceremonial Guard of Honour. Company HQ. Wyczółkowski, Leon (1852-1936), graphic artist

The Billows. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 119 x 298 mm (image/plate); 123 x 300 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Quay on a canal, 1890 - 1946 Page 5 Recto from a sketchbook with 76 sheets. paper. pencil quay

A pencil sketch by Carl Gauermann from 1829 portraying a standing head figure, focusing on anatomical and artistic rendering.

Street with figures. Leaf 6 Recto from a sketchbook with 25 sheets.

Henry Swinburne, 1743-1803, British, Near Guadix, 1775 to 1776. Pen and gray ink on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Overgrowded gate at a boom.page 27 from a sketchbook with 78 pages.

Face of Westermeer and Joure.Leaf 44 Recto from A Sketchbook with 51 sheets.

Martyrdom of sacred james; Andrea Mantegna frescoes in the Chiesa Degli Eremitani in Padua. The apostle James is located with his head under the block. A soldier raises his hammer to behead him. Soldiers watch. Italian landscape in the background.

Veldbakker, Joannes Bemme, after Dirk Langendijk, 1809 - 1841 print Under a tent, two bakers knead on a counter the dough, opposite them a soldier. In the middle a bakery burns the oven. On the left a cart, a horse and a man with a bag on his back. print maker: Netherlandsafter design by: Rotterdam paper. pencil baker. oven ~ kitchen - CC - in the open air

My (in Europe), Adrianus Johannes Bik, c. 1846 - c. 1872 drawing paper. pencil

Sir Robert Smirke the younger, 1781-1867, British, From the East Gate of Agrigento, 1802-1804. Graphite on moderately thick, moderately textured, beige, wove paper.

Sir Robert Smirke the younger, 1781-1867, British, La Cava, 1802-1804. Graphite on moderately thick, moderately textured, beige, wove paper.

Rome Richard Cooper II British, Scottish 1774-75 Born in Edinburgh, Cooper II trained as an engraver under his father, then studied in Paris with Jacques Philippe le Bas (1707-1783). He made these drawings during a visit to Italy in 1771-76 and, until recently, they were preserved in an album that descended in the family. Interestingly, each composition relates closely to a drawing in a sketchbook that Joseph Wright of Derby (1734-1797) used in Rome in 1774-75 (57.102.1(1-44)). These visual links suggest that the two artists sketched together and took it in turns to use an optical instrument. While the outlines of their related compositions are close was then developed in markedly different ways. This drawing relates to Wright's sketchbook page 57.102.1(6). View more. Rome. Richard Cooper II (British, Edinburgh, Scotland 1740-1822 Eltham, Kent). 1774-75. Graphite, pen and iron gall ink with grey ink and touches of wash. Drawings

Nursemaids: "Les Bonnes du Luxembourg" 1894 James McNeill Whistler American. Nursemaids: "Les Bonnes du Luxembourg" 372826

Sir Robert Smirke the younger, 1781-1867, British, Sketch of a Ruined Temple, With a Figure Standing by the Remains of a Standing Pillar, 1802-1804. Graphite on moderately thick, moderately textured, beige, wove paper.

Sir Robert Smirke the younger, 1781-1867, British, Vicenza, 1802-1804. Graphite on medium, slightly textured, beige, wove paper.

Price's Candle-Works. Dated: c. 1875. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

View of Constantinople and the Bosphorus, 1892 The Sultan Ahmetmoskee, also known as the Blue Mosque, can be seen. Page 91 from a sketchbook with 54 sheets. Istanbul chalk city-view, and landscape with man-made constructions. landscapes with waters, waterscapes, seascapes (in the temperate zone). sailing-ship, sailing-boat. temple, shrine ~ Islam, Mohammedanism Istanbul

Lynwood, 1866 , by Nicholas Chevalier. Gift of Mrs Caroline Chevalier, the artist's widow, England, 1912.

Droga wśród drzew, w tle zamek Chojnik na szczycie góry; verso: panorama Kotliny Jeleniogórskiej z Cieplicami i zamkiem Chojnik u podnóży Karkonoszy. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Farms, c. 1780 - c. 1800 Page 6 Recto from a sketchbook with 25 sheets. Low Countries paper. pencil. watercolor (paint) brush farm (building)

Buildings Amid Ruins in Roman Campagna. Guilliam Dujardin; Dutch, c. 1597-after 1647. Date: 1642-1678. Dimensions: 258 x 400 mm. Black chalk on ivory laid paper with a watermark. Origin: Holland. Museum: The Chicago Art Institute, USA.

Sketches for Scenes Four and Five of Cartoon for Cotton Printing: L'Histoire de Henri IV, Graphite on cream-colored paper, mounted, Island scene from Voltaire's epic, La Henriade. Henri the IV before his tent on the field of battle, outside the walls of Paris, counsels the Chevalier d'Aumale before his duel with Henri, Vicomte de Turenne (Canto X, lines 48-49)., possibly Munster, France, ca. 1820, textile designs, Drawing, Drawing

Giovanni Battista Bracelli, From Bizzarie di varie Figure, 1624 From Bizzarie di varie Figure

Study for Sadlers Wells Theater 1807-1809 England. Graphite on ivory wove paper . Augustus Charles Pugin

Sir Robert Smirke the younger, 1781-1867, British, Part of Lyons From the Convent of the Chartreux, Mont Blanc in the Distance, 1802-1804. Graphite on medium, moderately textured, beige, laid paper.

Sketches of workmen in a carpenter's workshop, c. 1770 drawing The Hague paper. pencil interior of church Sint-Eusebiuskerk. Arnhem

Długie Pobrzeże Street, the Swan Tower in the background. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Wyczółkowski, Leon (1852-1936), graphic artist

Bliej Kultury Wyczózó Kowski, Leon (1852 1936)

Capt. Thomas Hastings, 1778-1854, British, Rydal, 1836. Graphite and pen and brown ink on medium, slightly textured, cream wove paper.

Round tower at a harbour, draughtsman: Salvator Rosa, 1640 - 1659, paper, pen, h 54 mm × w 72 mm

View of Dinther.Leaf 30 recto from a sketchbook with 65 sheets.

The Castle and Town of Salzburg, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 10 9/16 × 13 9/16 inches (26.8 × 34.4 cm)

Drawing by Ferdinand Boberg. Dalsland, Tössbo hd., Fröskogs sn. K: n Nordic

Edelfelt, Albert, work, Sketch book, drawing, 22.5 cm x 30 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Winter Landscape with Tower; Esaias van de Velde (Dutch, 1587 - 1630); Holland, Europe; about 1613 - 1614; Pen and brown ink, brown and gray wash, incised for transfer; 11.5 × 17.6 cm (4 1,2 × 6 15,16 in.)

Ericsson, Henry, work, Lövö villa, 1932, line etching and drypoint, graphics, plate width 39.9 cm, plate height 22, 5 cm, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

Landscape sketch; view of Starnberg; verso: sketch of a mans head, study of the figure of a man in a hat; double page from a sketchbook (broken). Czachórski, Władysław (1850-1911), draughtsman, cartoonist

Edelfelt, Albert, work, Sketch book, drawing, 17 cm x 10.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

John Robert Cozens, 1752-1797, British, Between Castel del Bosco and La Scala, undated. Graphite on thin, slightly textured, cream laid paper.

Winter landscape with ice entertainment, Anthonie van den Bos, after Louis Meijer, 1778 - 1838 print paper counterproof small sleigh (winter sports)

Abklatsch van de krijttekening op blad 8 recto.The artist has also drawn a cloudy air at the Abklatsch. Leaf 7 Verso from a sketchbook with 25 sheets.

Design for a room painting: perspective sketch of a garden. Draughtsman: Dionys van Nijmegen. Dating: 1715 - 1798. Measurements: h 420 mm × w 330 mm. Museum: Rijksmuseum, Amsterdam.

Sketches by Ferdinand Georg Waldmüller in pencil, including figure studies, landscapes, and compositional layouts.

Figures at moored ships, George Hendrik Breitner, 1887 - 1889 Page 24 from a sketchbook with 27 magazines. Amsterdam paper. pencil ships (in general). quay (+ city(-scape) with figures, staffage) Amsterdam

Dwój Ebrections in front of the chapel; Smokowski, Wincenty (1797-1876); around 1841-1842 (1840-00-00-1845-00-00);

Henry Swinburne, 1743-1803, British, Porto Azzurro, Tuscany, Italy, 1777 to 1778. Pen and brown ink, over graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Sketch of an old dock, with weeds growing up aroundit. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Henry Swinburne, 1743-1803, British, Lectoure, France, undated. Pen and brown ink, black ink and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Abklatsch of the chalk drawing on page 62. Page 63 from a sketchbook with 60 sheets.

Print made by George Arnald, 1763-1841, British, Left Bank, Meuse, between 1818 and 1828. Etching on moderately thick, slightly textured, cream wove paper.

Temple of Castor and Pollux, Anonymous, After Willem van Nieulandt (II), 1594 - 1685 print The ruin of the temple of Castor and Pollux on the Romanum forum in Rome. In addition, some figures and a fountain. On the road a man drives on horseback. Print is part of a series of Roman ruins and coastal landscapes to prints by Willem van Nieulandt. This series is a copy of the series, which Claes Jansz Visscher made to Van Nieulandt. paper etching landscape with ruins Rome

Long Venice 1879-80 James McNeill Whistler American. Long Venice 372587

Capt. Thomas Hastings, 1778-1854, British, Saint Lawrence Church, Isle of Wight, 1826. Graphite on medium, slightly textured, cream wove paper.

City Point Genl. Hd.qts, 1864-5, 1865, drawing on light olive paper pencil, 15.8 x 34.1 cm. (sheet), 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

Michel Paul sen. (1877-1938), sketchbook. 1896. Drawings of the high school student from 8 days in Berlin from July 10th. until July 17, 1896, u. Visit to the trade exhibition and Potsdam (07.1896): Stralau with spree steamer, perspective view. Pencil heighted on paper, 12.4 x 32.7 cm (including scan edges) Michel Paul sen. (1877-1938): Skizzenbuch. 1896. Zeichnungen des Oberschülers aus 8 Tagen in Berlin vom 10.7. bis 17.7.1896, u. a. Besuch der Gewerbeausstellung und Potsdam

La pêche au filet , Fishermen, Fishing nets, Alphonse Legros (1837-1911)

Whitehaven, 23 January 1836, Capt. Thomas Hastings, 1778-1854, British, 1836, Graphite on medium, slightly textured, cream wove paper, Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm) and Binding: 10 5/8 inches (27 cm)

Drawing book of drawings: Landscape or a bridge and red stamp Sale Corot (page 10) Camille-Jean-Baptiste Corot (1796-1875). Drawing book of drawings: landscape where a bridge and red stamp Sale Corot (page 10). Pencil.

View of Oostvoorne, Cornelis Pronk, 1701 - 1759, draughtsman: Cornelis Pronk, 1701 - 1759, paper, pen, h 127 mm × w 200 mm

Vuurbaken in Zandvoort, Claes Jansz. Visscher (II), 1607 drawing Design for a print. paper. ink pen dunes (sea not visible); in the dunes. lighthouse, lightship Zandvoort

William Brockedon, 1787-1854, British, Torbryan, 1800. Graphite.

Study for an arch of Pont Notre-Dame, Paris. Charles Meryon; French, 1821-1868. Date: 1853. Dimensions: 126 × 170 mm. Graphite, with touches of pen and brown ink on cream wove tracing paper (discolored to tan), tipped onto buff wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

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