Sketches of Maritime Life

Pencil sketches capturing boats and coastal scenes, portraying serene harbors and fishing vessels, reflecting the beauty of maritime settings.

Sketch of fishing vessels on the beach, draughtsman: Andreas Schelfhout, 1797 - 1870, paper, h 135 mm × w 173 mm

Sketch of fishing vessels on the beach, draughtsman: Andreas Schelfhout, 1797 - 1870, paper, h 135 mm × w 173 mm

Munsterhjelm, Hjalmar, Sketch book, 1873-1892, pencil on paper, drawing, see parts of the work, 21 cm x 33 cm, Munsterhjelm, Hjalmar, 1873-1892, pencil on paper, Magnus Hjalmar Munsterhjelm 1840 - 1905 was a Finnish landscape painter, who worked in Finland.

View of the harbor in Sint-Anne, Frans Hens, 1885 print paper etching harbour. pier, quay, wharf. ship bound for the harbour. landscapes with waters, waterscapes, seascapes (in the temperate zone) Belgium

Early Morning Made 1878 United States. Lithotint with scraping, on a prepared half-tint ground, in black ink on cream wove paper . James McNeill Whistler

James McNeill Whistler, Lindsey Houses, 1877 Lindsey Houses

Landscape with a mill on a Vaart, Willem Hendrik Stam, after Jan Weissenbruch, 1841 - 1874 print The Hague paper. canal. windmill in landscape

Early Morning James McNeill Whistler American 1878

The moored ship; Six Dutch faces. View of a speed in which a boat is moored. Two men are in a slop that is next to it. This print is part of a series of six etched Dutch faces (the first two numbered), the whole preceded by a title page.

Capt. Thomas Hastings, 1778-1854, British, From East Cowes, 7 August 1826, 1826 or 1829. Graphite on medium, slightly textured, cream wove paper.

Three studies on one sheet, Willem Bastiaan Tholen, 1870 - 1931 drawing paper. chalk

James McNeill Whistler (American, 1834 - 1903), Price's Candle-Works, c. 1875, etching in black ink on laid paper

The Fishing Boat 1879-1880 United States. Etching and drypoint with foul biting in dark brown ink on ivory laid paper . James McNeill Whistler

View of a puddle with boats, Ernst Willem Jan Bagelaar, after Jan van Goyen, 1798 - 1837 print Netherlands paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone)

Farmer's barge in a speed, in the Veoptie Weesp, Albertus Brondgeest, 1810 drawing paper. chalk brush landscapes with waters, waterscapes, seascapes (in the temperate zone) Weesp

A Zaandam, Hollande (At Zaandam,Holland). Artist: Maxime Lalanne, French, 1827-1886

Battersea Reach Made 1863 England. Etching with drypoint on ivory Japanese paper . Francis Seymour Haden

Print, The Decks; Print Maker: Mortimer L. Menpes (Australian, active London, England, 1860 - after 1915); England; engraving on light brown paper; 21.5 x 13.7 cm (8 7/16 x 5 3/8 in.); Bequest of George Campbell Cooper; 1896-3-409

Sketch of Beached Sailboats and Stilt Cottages, Hastings, Capt. Thomas Hastings, 1778-1854, British, 1820, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm), portrait

Return to Tilbury , Bodies of water, Ships, Arrivals & departures. James McNeill Whistler (1834-1903). Lithographs

Marine with sailboat, print maker: Maurits Frederik Hendrik de Haas, 1856.

Monitors , Bodies of water, Boats, Turret ships, Passengers, Reading. James McNeill Whistler (1834-1903). Lithographs

Billingsgate 1859 James McNeill Whistler American. Billingsgate 377489

View of the Honfleur harbor. Draughtsman: Johan Barthold Jongkind. Dating: 1866. Measurements: h 259 mm × w 331 mm. Museum: Rijksmuseum, Amsterdam.

View of Dordrecht, Auguste Numans, 1833 - 1879 print Brussels paper. etching city-view in general; 'veduta'. sailing-ship, sailing-boat Dordrecht

James McNeill Whistler, The Tiny Pool, 1876 1878 The Tiny Pool

Two Boats at Sail (Les deux Barques a voile). Dated: 1862. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Johan Barthold Jongkind.

Haven Van La Goulette, Viscount Arthur-Jean Le Bailly d'Inghuem, 1875 print paper. etching pier, quay, wharf. sailing-ship, sailing-boat Tunis. La Goulette

River and Windmill, John Sell Cotman, 1782-1842, British, undated, Graphite on medium, moderately textured, beige wove paper, Sheet: 4 1/4 x 7 inches (10.8 x 17.8 cm), boats, landscape, river, trees, windmill

Deutz and Cologne 1652-77 Wenceslaus Hollar Bohemian. Deutz and Cologne 360680

Free Trade Wharf. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1877. Prints; etchings. Etching and drypoint

Troop ships , Bodies of water, Boats, Ships. James McNeill Whistler (1834-1903). Lithographs

Robert Charles Goff, 1837-1922, British, Harbor Scene, undated. Lithograph on moderately thick, slightly textured, beige laid paper.

Riviergezicht.Page 48 From a sketchbook with 80 pages.

Small Sailboats and aThree-Master. Artist: Johan Barthold Jongkind, Dutch, 1819-1891

Billingsgate. Artist: James McNeill Whistler, American, 1834-1903

Below Chestnut St. Bridge, Philadelphia. Dated: 1884. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Landscape with a mill on a speed. .

Sailing ships for the port of Le Havre, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1924 print paper drypoint harbour. sailing-ship, sailing-boat Le Havre

Un Vieux Port de la Normandie (An Old Port of Normandy), Maxime Lalanne, French, 1827 - 1886, Etching on white mulberry paper, Harbour scene at low tide with fishing boats and figures. Buildings at upper right and left. Inscribed, lower right: 'Lalanne'; lower left: 'Un vieux port de la Normandie (Marée basse)'. Signed (in pencil), lower right: 'Maxine Lalanne.', France, ca. 1880, Print, Print

Boats on a riverbank and soldiers on guard. 24th print of a series of 36 prints of landscapes, divided into six parts, Boats on a riverbank Playsante landscapes and entertaining poems (title series)., print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1639 - 1641, paper, etching, brush, pen, h 150 mm × w 280 mm

View of Rome with the Tiber Island, Willem van Nieulandt (II), 1606 - 1628 print View of the Tiber River in Rome. On the right the Tiber Island. On the left a bridge and different sloops in the foreground. On the right a few people on the bank. At the bottom of the margin two four -line verses in French, two four -line verses in Latin and two four -line verses in Dutch. Antwerp paper etching river. bridge in city across river, canal, etc. Rome

Seascape with a sailing ship and a rowing boat, Louis Meijer, 1846 print Seascape with three figures in a rowing boat. A sailing ship on the horizon. print maker: Netherlandsafter own design by: Middellandse Zee paper. etching rowing-boat, canoe, etc.. sailing-ship, sailing-boat. sea (seascape)

Old Battersea Bridge, No. 2. James McNeill Whistler; American, 1834-1903. Date: 1886-1887. Dimensions: 126 x 177 mm (image, trimmed within plate mark); 129 x 177 mm (sheet). Etching and drypoint with foul biting in brown ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Pool James Abbott McNeill Whistler (American, 1834-1903). , 1859. Etching on paper, Image: 5 7/16 x 8 5/16 in. (13.8 x 21.1 cm). American Art 1859

Price's Candle-Works. Dated: c. 1875. Medium: etching in black ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Ship with firewood on the banks of the Ganges in Benares, Wijnand Otto Jan Nieuwenkamp, 1915 print On the shore men chop the wood into pieces. A few temples and palaces in the background. At the bottom left a few pieces of wood and an ax. paper river. ships (in general). woodcutting, woodcutter ~ forestry. city-view in general; 'veduta' Benares. Ganges

Two performances of ships, Anonymous, 1700 - 1800 drawing Two performances of ships; Above: three herring tubes; Below: a sloop. paper. pencil brush ships (in general). sailing-ship, sailing-boat (with NAME)

Small ferry-boats on the banks oft he Seine, c. 1858. Félix Bracquemond (French, 1833-1914). Drypoint; sheet: 31.1 x 38.8 cm (12 1/4 x 15 1/4 in.); platemark: 25.5 x 35.1 cm (10 1/16 x 13 13/16 in.).

Portrait of an unknown man, Louis le nain, 1861 - 1939 print paper etching historical persons. old man

Nocturne: Shipping. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 6 × 8 9/16 in. (15.3 × 21.7 cm)Sheet: 6 1/16 x 8 9/16 in. (15.4 x 21.7 cm). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.

Attributed to John Sell Cotman, A Barge on a River, c. 1841, black and white chalks on blue wove paper.

Channel of the Ourcq and Basin of La Villette

Ernst Ludwig Kirchner, Harbor at Burgstaaken, 1913 Harbor at Burgstaaken

Whistler, James Abbott McNeill, Boats, Dordrecht, Boats at Dordrecht, verso middle left - stamped, Sailing ships on the water at Dordrecht., print, prints, verso middle - stamped, The Oude Maas with the Groothoofdspoort on the right and the Welgelegen mill on the left. Mirror image., height 66 mm, width 98 mm, American, 1834-07-10 - 1903-07-17, print maker, printmaker, 1884 - 1884, fourth quarter 19th century, paper, etching, etchings, drypoint, dry needle, color printing, Work conception, after own design by

Upright Venice 1879-80 James McNeill Whistler American. Upright Venice. Second Venice Set ("A Set of Twenty-Six Etchings by James A. McN. Whistler," 1886). James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1879-80. Etching and drypoint, printed in dark brown ink on medium weight ivory laid paper; fourth state of seven (Glasgow). Prints

Francis Seymour Haden, 1818-1910, British, Egham, 1859. Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper.

Zeilschepen voor de kust.Before the coast are sailing ships. Figures are located in the sea. Leaf 3 verso and leaf 4 recto from a sketchbook with 31 sheets.

James McNeill Whistler, Nocturne, 1879 1880 Nocturne

Little Salute. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 3 3/16 × 8 3/8 in. (8.1 × 21.2 cm)Sheet: 5 1/8 × 8 9/16 in. (13 × 21.8 cm). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.

Dutch river scene, by Petrus van der Velden. Gift of the New Zealand Academy of Fine Arts, 1936.

Ships on the Thames. Draughtsman: Jan Toorop. Dating: c. 1868 - c. 1928. Measurements: h 98 mm × w 159 mm. Museum: Rijksmuseum, Amsterdam.

Battersea: Early Morning. James McNeill Whistler; American, 1834-1903. Date: 1874-1875. Dimensions: 114 x 227 mm (plate); 239 x 380 mm (sheet). Etching and drypoint with foul biting, with drypoint and scraped cancellation, in black ink on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Edelfelt, Albert, work, Sketch book, drawing, 14 cm x 9.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

River face, Joseph Hartogensis, c. 1836 - 1865 print River face with figures in a sloop and mills on the horizon in the foreground. unknown paper etching / drypoint river (+ landscape with figures, staffage). windmill in landscape

View of a wide river with fishermen on the bank and on the water, Evening Landscape with Fishermen., draughtsman: Hendrick Avercamp, (possibly), in or after 1624, paper, pen, h 190 mm × w 279 mm

View of the beach with ships and various figures, draughtsman: Willem Bastiaan Tholen, 1870 - 1931, paper, h 126 mm × w 210 mm

Afternoon on the Maas. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 13 3/16 x 17 1/16 in. (33.5 x 43.3 cm)sheet: 17 5/8 x 21 in. (44.8 x 53.3 cm). Date: 1885. Museum: Metropolitan Museum of Art, New York, USA.

Drawing ('La Mer Calmme') in the style of Claude-Joseph VERNET.

Landscape with mills and a rowing boat, Elias Stark, 1886 print Nieuwer-Amstel paper etching windmill in landscape. rowing-boat, canoe, etc.

Sketch of a dock andsailboat. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

The Inn, Purfleet. Sir Francis Seymour Haden (England, London, 1818-1910). England, 1869. Prints; etchings. Etching and drypoint

Colombo van de Reede der Compagnie Seen by C. Steiger, Hübner & Van Santen Roeloffzen, 1890 - 1910 photograph Amsterdam paper. photographic support. cardboard drawing, sketch Colombo

Antwerp: Sunset Anversa: Tramonto. Dated: 1893-1894. Dimensions: sheet: 36 × 49.4 cm (14 3/16 × 19 7/16 in.) plate: 18 × 34 cm (7 1/16 × 13 3/8 in.). Medium: aquatint and softground etching with monotype inking on chine collé. Museum: National Gallery of Art, Washington DC. Author: Vittore Grubicy.

Amsterdam from the Tolhuis, 1863. James McNeill Whistler (American, 1834-1903). Etching;

Peat shuff in 't IJ. Page 26 From a sketchbook with 18 sheets.

Face at Venice, draughtsman: Wilhelm Cornelis Bauer, 1872 - 1904, paper, pen, h 248 mm × w 352 mm

View of Bordeaux. Maxime Lalanne; French, 1827-1886. Date: 1866. Dimensions: 211 × 301 mm (image); 236 × 318 mm (plate); 276 × 358 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Souvenir, Adolphe Appian, French, 1818 - 1898, Etching in dark brown ink on cream paper, A shallow body of water is bordered by two windmills, near which is a small sailboat. Buildings, right distance., France, ca. 1880, Print, Print

Face over the water on Dordrecht, Jan van Goyen (Possibly), 1606 - 1656 drawing paper. chalk brush quay Dordrecht

Thomas Girtin, 1775-1802, British, St. Mary Redcliff, Bristol, ca. 1797. Graphite on medium, slightly textured, blued white laid paper.

Southwick, Edgar M. Wilson, 1861-1918, undated, Etching on laid paper, Plate: 3 3/4 x 5 1/8in. (9.5 x 13cm) and Sheet: 6 x 8 1/4in. (15.2 x 21cm)

James McNeill Whistler, The Thames, 1896 The Thames

James McNeill Whistler, Upright Venice, 1879 1880 Upright Venice

Barges on the Seine. Armand Guillaumin (1841-1927). Barges on the Seine. Pastel on paper. Museum of Fine Arts of the city of Paris, small palace.

Félix Hilaire Buhot, La Petite Marine Souvenir de Medway (counterproof), 1879 La Petite Marine - Souvenir de Medway (counterproof)

Unknown Dramatic Scene. Charles Étienne Pierre Motte (French, 1785-1836); after Auguste Xavier Le Prince (French, 1799-1826). Date: 1822. Dimensions: 133 × 166 mm (image); 247 × 193 mm (primary support); 348 × 274 mm (secondary support). Lithograph in black on gray wove chine, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

BridgeportShanties. Artist: John Henry Twachtman, American, 1853-1902

Scheepstimmerwerf, Gerrit Lamberts, c. 1786 - c. 1850 drawing Design for a print. pencil. paper. ink. chalk pen / brush repairing, caulking, careening (~ ship). shipbuilding industry

Ships in the harbor, Theo van Rysselberghe, 1872 - 1926 print paper etching harbour. ship bound for the harbour

London, Willem Adrianus Grondhout, 1888 - 1931 print A bridge over the Thames in London. In the background the silhouettes of buildings. paper etching bridge in city across river, canal, etc. London. Thames

Remy, Quai de Bercy. (Faithful title), 1860. Carnavalet Museum, History of Paris.

Troopships. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 126 x 175 mm (sheet excluding tab); 130 x 175 mm (sheet including tab). Etching in black ink on off-white laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Thames Fishermen, No. I. Francis Seymour Haden; English, 1818-1910. Date: 1859. Dimensions: 145 × 217 mm (image/plate); 230 × 331 mm (sheet). Drypoint with etching on ivory Japanese paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

La Passerelle, Boulogne Made 1902 United States. Etching in black on cream wove paper . Donald Shaw MacLaughlan

Winter Quarters - Cape Ann. Dated: 1886. Dimensions: image: 11.3 x 15.6 cm (4 7/16 x 6 1/8 in.) plate: 12.6 x 12.1 cm (4 15/16 x 4 3/4 in.) sheet: 27.3 x 34.8 cm (10 3/4 x 13 11/16 in.). Medium: etching in black on imitation Japan paper. Museum: National Gallery of Art, Washington DC. Author: Prosper Louis Senat.

The journey of the English king Charles II over the Thames to Sheerness and Chatham on August 27, 1681, Willem van de Velde (I), 1681 drawing The journey of the English king Charles II over the Thames to Sheerness and Chatham on August 27, 1681. The departure of the king; The king switches from the Henrietta to the 'Baersje' (Barge) between Woolwich and Blackwall. The ships Mary and the hunt of Lord Dunblane are indicated. paper. chalk. pencil brush sea (seascape). visiting; receiving guests; elegant company. sailing-ship, sailing-boat (with NAME). historical events and situations. names of artefacts and man-made objects (buildings excluded) Thames

Thames Fishermen, No I 1859 England. Drypoint with etching on ivory Japanese paper . Francis Seymour Haden

Hastings, 30 September 1820, Capt. Thomas Hastings, 1778-1854, British, 1820, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm)

Francis Seymour Haden, 1818-1910, British, Battersea Bridge, 1868. Etching and drypoint, with plate tone on moderately thick, slightly textured, beige wove paper.

Studies of Sailing Ships and Coastal Landscapes. Date/Period: Ca. 1850. Drawing. Graphite, brush and white gouache on laminated paper(Top layer is green/ lower layer is off-white wove). Height: 251 mm (9.88 in); Width: 179 mm (7.04 in). Author: FREDERIC EDWIN CHURCH.

of 3