← Artworks

Sketches of Nature and People

A collection of pencil drawings depicting imaginary landscapes and resting travelers, demonstrating a soft, detailed approach to nature and figures.

Man with a Walking Stick by a Waterfall, Man by a Waterfall, print maker: Reinierus Albertus Ludovicus baron van Isendoorn à Blois, (mentioned on object), intermediary draughtsman: F. Bosch, (mentioned on object), Vaassen, 1834, paper, etching, h 135 mm × w 219 mm
Man with a Walking Stick by a Waterfall, Man by a Waterfall, print maker: Reinierus Albertus Ludovicus baron van Isendoorn à Blois, (mentioned on object), intermediary draughtsman: F. Bosch, (mentioned on object), Vaassen, 1834, paper, etching, h 135 mm × w 219 mm
226 assets in this story
Mondnacht, Bl. 3 op. VII; Klinger, Max (1857-1920); 1883 (edition); 1881 (matrix) (1883-00-00-1883-00-00);Pencil drawing book by Josef von Führich, begun on May 6, 1807, containing detailed sketches and figure studies.Last. The removal of amymon� Albrecht D�rer (1471-1528). The removal of the amymone. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).Sir George Howland Beaumont seventh Baronet, 1753-1827, British, Romantic Landscape, 1803. Gray wash and pen and black ink on medium, slightly textured, cream laid paper.De Travel Bagage, Herman Frederik Carel ten Kate, 1832 - 1891 drawing Design for a book illustration. paper. pencil brushKauterskill Clove. Dated: 1860. Dimensions: sheet: 38.42 × 27.94 cm (15 1/8 × 11 in.). Medium: graphite with gouache on wove paper. Museum: National Gallery of Art, Washington DC. Author: Jervis McEntee.Woman bent over a horizontal man. The woman holds her right hand on the chest and looks at the man. Page 11 from a sketchbook with 72 pages.People at the Seashore, plate one from Landscapes. Ker-Xavier Roussel (French, 1867-1944); printed by Auguste Clot (French, 1858-1936); published by Ambroise Vollard (French, 1867-1939). Date: 1898-1900. Dimensions: 235 × 418 mm (image); 405 × 527 mm (sheet). Lithograph in yellow green, dark green, lavender, and salmon on grayish-ivory China paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Wm. Littlefield's mural at the Falmouth High School , Football, Football players. The Massachusetts WPA Federal Art Project Photograph CollectionRichard Parkes Bonington, 1802-1828, British, Road Workers, near Lillebonne, undated. Brown wash over graphite on thick, cream, slightly textured wove paper.Print, Cephalis and Procris; Print Maker: Giovanni Volpato (Italian, 1733 - 1803); After Claude Lorrain (French, 1600-1682); engraving on paper; Plate: 64.4 × 46.7 cm (25 3/8 × 18 3/8 in.) Paper: 69.9 × 50.2 cm (27 1/2 × 19 3/4 in.)Finch, Alfred William, Woodwork, pencil and marker, drawing, 28 cm x 38 cmJosi, Christiaan, Hackaert, Jan, Brouwer, Cornelis, Mountain landscape with shepherds on a riverbank, verso cardboard and verso print - stamped, Mountain landscape with pine trees. On the right side of the riverbank are some shepherds., print, prints, height 215 mm, width 270 mm, Northern Netherlands, 1735 - 1803-03-31, print maker, printmaker, 1795 - 1821, paper, print drawing, etching, etchings, 1628 - 1705, intermediary draughtsman, after a drawing by, Dutch, 1768 - 1828-11, supervisionWilliam Finden, 1787-1852, British, The Drachenfels, 1833. Line engraving, engraver's proof on thick, slightly textured, beige, wove paper, with gray chine colle.No. 5. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, FrenchAntonio Lafreri, 1512-1577, French, Speculum Romanae Magnificentiae, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.Rocky Promontory with Ruins and Cascades (recto); Sketch of Cliff with Buildings (verso) Artist's working dates 1716-1760 France. Brush and gray wash over black chalk (recto) and black chalk (verso) on ivory laid paper . Giles Edme PetitUne Matinée d'autommne (Autumn Afternoon). Dated: 1875. Dimensions: plate: 10.6 × 16.8 cm (4 3/16 × 6 5/8 in.) sheet: 21 × 32.5 cm (8 1/4 × 12 13/16 in.). Medium: etching, aquatint and drypoint on chinese paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.Vision in the clouds , Hallucinations & illusions, Cities & towns. The Massachusetts WPA Federal Art Project Photograph CollectionPrzeszo Przyszoci Norblin, Jan Piotr (1745 1830)Louis XIV (king of France), Swanevelt, Herman van, Variae campestru fantasiae a Hermano van Suanevelt invent et in lucem edita, Oval fantasy landscapes, Landscape with two figures under a tree, verso center - stamped, In an oval frame two figures sit along a path under a tree., print, prints, height 47 mm, width 73 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1650 - 1655, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener van privilegeFlorence, Sarto, Andrea del, Rome, Alberti, Cherubino, Saint Philip Benizi of the Servites punishing the blasphemers, verso - stamped, A jet of fire strikes a tree. Upper half of a larger print., print, prent, prints, height 301 mm, width 490 mm, 1553 - 1615, print maker, printmaker, 1582 - 1582, paper, papier, engraving, engraving (printing process), Italian, 1488 - 1531, after a painting byJohn Robert Cozens, 1752-1797, British, Near St. Michele, Savoy, October 21, undated. Graphite on thin, slightly textured, cream laid paper.Figures around a statue in a garden, Dionys van Nijmegen (Possibly), 1715 - 1798 drawing Design for a painting. paper. pencil gardenafter George Chinnery, 1774-1852, British, Rocks, River and Boats, undated. Graphite, pen and brush and brown ink on smooth, moderately thick, cream wove paper, backed with Chinese paper..After Dinner Made 1834 France. Lithograph in black on ivory wove paper . Paul GavarniNoah and the Animals Entering the Ark. Giovanni Benedetto Castiglione; Italian, 1609-1664. Date: 1650-1655. Dimensions: 206 x 405 mm (plate); 217 x 412 mm (sheet). Etching on ivory paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.Wright, Ferdinand von, work, Sketchbook, pencil, drawing, 16.5 cm x 25.8 cm, Wright, Ferdinand von, pencil. Rectangular plaque of porcelain, painted on the glaze in black. Pictured a hunting performance with hunters with horses and dogs, standing in front of a forest next to a wide landscape. Decoration to a print of Thomas Burford. Original gold plated list. European performance in Encre de Chine.For a cart stretched horse on a street. Leaf 10 Recto from a sketchbook with 56 sheets.Rocky Cliff. Artist: Johann Christian Reinhart (German, Hof 1761-1847 Rome). Dimensions: sheet: 12 7/8 x 11 1/8 in. (32.7 x 28.3 cm). Date: 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA.Artist: Samuel Finley Breese Morse, American, 1791-1872, B.A. 1810, M.A. 1816, LL.D. 1846, Scene from Scotts Lay of the Last Minstrel, Graphite on paper, 20.1 × 26.4 cm (7 15/16 × 10 3/8 in.), Made in United States, American, 19th century, Works on Paper - Drawings and WatercolorsDonato Creti, Apollo Standing in a River Landscape, 1720 1730 Apollo Standing in a River LandscapeRoche, Pierre (n.1855-D.1922-01-18), colossi of Memnon (Thebes) (main title), 1911. Gypsography, drawing in brown, green and orange .. Petit Palais, Museum of Fine Arts of The city of Paris.Hermitage by a pine-covered bluff second half of the 12th century Attributed to Yan Ciyu Chinese Like the other paintings, this one originally adorned the surface of a silk fan (see the marks of the stave that once ran up the middle). A small creek babbles by the rustic gate of a humble residence hidden in the dense foliage at the right. This lyrical image would have been matched with a poem on the reverse of the fan. Listen to experts illuminate this artwork's story Listen Play or pause #7601. Hermitage by a Pine-covered Bluff Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Hermitage by a pine-covered bluff. Attributed to Yan Ciyu (Chinese, act. ca. 1164-81). China. second half of the 12th century. Fan mounted as an album leaf; ink and color on silk. Southern Song dynasty (1127-1279). PaintingsRider in the Countryside. Dimensions: overall: 21.4 x 29 cm (8 7/16 x 11 7/16 in.). Medium: charcoal heightened with white on brown paper. Museum: National Gallery of Art, Washington DC. Author: French 19th Century (Possibly Alexandre-Gabriel Decamps).Winslow Homer, Intrepid (recto), 1862 Intrepid rectoUntitled: Classical scene with man and tree, Arthur Pond, ca. 1705-1758, British, after Salvator Rosa, Italian, 1615-1673, Italian, 1740, Plate: 16 1/2 x 12 5/8in. (41.9 x 32.1cm)Design for wallpaper painting with Hollands Landschap, Jurriaan Andriessen, c. 1752 - c. 1819 drawing Design for a wall painting. paper. watercolor (paint). ink. pencil. graphite (mineral) pen / brushHaarlem, Barbiers, Pieter Bartholomeusz., Landscape with fisherman, verso - stamped, The fisherman is standing under a tree. In the distance a village., print, prent, prints, prenten, height 35 mm, width 63 mm, Noord-Nederlands, 1772-01-23 - 1837-09-10, print maker, prentmaker, 1809 - 1837, first quarter 19th century, second quarter 19th century, paper, lithography (technique)Sketches G. Hayter, Hayter, Sir George, 1792-1871, graphite, ink, watercolor, 1816Crayfish Looking at the Sun. Dated: 1628. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.Couples in a landscape outside of Zwolle. Draughtsman: Gesina ter Borch. Dating: c. 1660 - c. 1669. Place: Zwolle. Measurements: h 240 mm × w 363 mm. Museum: Rijksmuseum, Amsterdam.Arched Gateway Into a Ruined Structure, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.Wrkarz on the stream; Thoma, Hans (1839-1924); 1870-1879 (1870-00-00-1879-00-00);Roche, Pierre (n.1855-D.1922-01-18), L'Orage (main title), 1906. Gypsography, black and blue draw. Petit Palais, Museum of Fine Arts of the City of Paris.Design for a vignette, draughtsman: Clément Pierre Marillier, 1775, paper, pen, brush, h 105 mm × w 92 mmSketches G. Hayter, Hayter, Sir George, 1792-1871, graphite, ink, watercolor, 1816Red and black pen drawing by Oskar Laske from 1950 showing a beamfire by the sea, depicting landscape, figures, and light effects.Thomas Rowlandson, 1756-1827, British, A High Waterfall, undated. Watercolor with pen and brown, gray and black ink over graphite; verso: watercolor splotches on medium, moderately textured, cream, wove paper, mounted on moderately thick, moderately textured, cream, wove paper.Bliżej Kultury Hanfstaengl, Fr.A Study of an Ancient Building in Ruin, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Gray wash and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 15/16 × 11 1/2 inches (22.7 × 29.2 cm)The birch. Design for a print.Ker-Xavier Roussel, Landscapes: Venus and Cupid (La Source), c. 1900, lithograph on paper.In the Park at Packington. Artist: Heneage Finch, 4th Earl of Aylesford (British, Syon House 1751-1812 Great Packington, Warwickshire). Dimensions: sheet: 8 3/8 x 11 in. (21.3 x 27.9 cm). Date: 1770-1812.Active as a statesman and patron of British cultural institutions, Aylesford was also a gifted amateur draftsman and etcher. Before he became earl in 1777, the artist studied drawing as an undergraduate at Oxford. The strong ink outlines and assured application of wash in this mature drawing suggest a date in the mid-1780s. Italian precedents influenced his draftsmanship, but his expressive response to a tree found on his Warwickshire estate echoes Rembrandt. (Aylesford collected the seventeenth-century Dutch master's prints and learned to etch in a similar manner.) This drawing anticipates the poetic landscapes of the next century's Romantic era, such as the work by Samuel Palmer that hangs nearby. Museum: Metropolitan Museum of Art, New York, USA.The Marine Painter (Le Peintre de Marine). Dimensions: plate: 13.1 × 20.7 cm (5 3/16 × 8 1/8 in.) sheet: 22.9 × 36 cm (9 × 14 3/16 in.). Medium: etching, drypoint, aquatint, stop-out, sandpaper ground, and spit bite in blue-black and black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.Le Carozze che si usano nella Luna e che vanno alla vela (The Carriages used on the Moon and which move bysails). Artist: Filippo Morghen, Italian, 1730-after 1807Depicts an ancient statue in a landscape, with a shepherd in the foreground accompanied by sheep, goats, and cattle. Created as an aquatint in the second half of the 18th century by Christian Wilhelm Ernst Dietrich.Landscape. Dated: published 1782. Medium: aquatint and stipple in gray and black. Museum: National Gallery of Art, Washington DC. Author: Katharina Prestel after Thomas Wyck.Westerholm, Victor, Haka, oil, painting, 18 cm x 31.5 cmEricsson, Henry, work, Seated man, head resting on hands, drawing, 33.5 cm x 25 cm, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.Drawing, Setting a Squirrel Trap; Winslow Homer (American, 1836-1910); USA; graphite, brush and watercolor on wove paper; 21.2 x 29.2 cm (8 3/8 x 11 1/2 in.)The return to life , Sleeping. George Bellows (1882-1925). Prints and DrawingsRicordi of three door pieces with landscapes and a sea, Carlo Antonio Tavella, 1693 - 1708 drawing Reminder on one sheet of three door pieces supplied by Carlo Antonio Tavella (). The first two give a landscape with a man who wears wood and a shepherd again, the last one a turbulent sea. paper. ink pen landscapes in the temperate zone. sea (seascape)Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), An Underground Shrine with Two Figures Kneeling before a Pieta, undated. Graphite and watercolor white gouache on moderately thick, moderately textured, cream laid paper.Eurydice Bitten by a Snake (Eurydice piquée par un serpent). Dimensions: 24.9 cm x 32.4 cm, 12.7 cm x 21.4 cm. Museum: Van Gogh Museum, Amsterdam. Author: KER-XAVIER ROUSSEL.Quinti Horatii Flacci Carminum god with winch muses, Anonymous, 1855.Photo production of a painting, representing menalcas and mopsus, the corpse of Daphnis, scene from Virgilius' Bucolica, Anonymous, c. 1853 - in or before 1858 photograph paper albumen print Daphnis (in Greek mythology a shepherd who invented pastoral poetry. lamentation (~ burial rites)Rihards Zarins (1869-1939). Latvian artist. Sadko, ca. 1912. Coloured etching on paper, 79,7 x 60 cm. Latvian National Museum of Art. Riga. Latvia. Japan, Gekkô, Ogata, Old pine tree, print, prints, Japan (collection), height 240 mm, width 253 mm, Japanese, 1859 - 1920, print maker, printmaker, 1900 - 1910, first quarter 20st century, first quarter 20th century, paper, colour woodcutAlphonse Legros, Angler (Le pecheur a la ligne) Angler (Le pecheur a la ligne)Shields Lighthouse. Date/Period: 1825/1827. Author: J. M. W. Turner.Night Fishing Scene, Frederic Edwin Church, American, 1826-1900, Brush and oil on cardboard, Horizontal drawing of a single figure, knee-deep in water, holds a torch before him and steadies himself with a staff. Either night fishing scene, or interior of a cave., USA, 1868-69, landscapes, Drawing, DrawingFigures in an Outdoor Tavern. Artist: Jan Asselijn (Dutch, Dieppe after 1610-1652 Amsterdam). Dimensions: sheet: 11 1/16 x 8 13/16 in. (28.1 x 22.4 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.La pêche à la ligne (another impression). Daubigny, Charles François (1817-1878). 1861. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Fish, Eating & drinking , France, Boats , France, ArtistsAn Underground Shrine with Two Figures Kneeling before a Pieta, Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), undated, Graphite and watercolor white gouache on moderately thick, moderately textured, cream laid paper, Sheet: 6 1/2 x 5 9/16 inches (16.5 x 14.1 cm), architectural subject, chandelier, kneeling, lamp, painting (visual work), people, pieta, prayer, sculpture, shrineDesign for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3, George Cressal Ellis, ca. 1810-1875, undated, Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount, Sheet: 6 3/4 × 8 3/4 inches (17.1 × 22.2 cm) and Mount: 7 1/2 × 9 7/8 inches (19.1 × 25.1 cm), architectural subject, literary themeSails Set Out to Dry. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1924. Dimensions: 168 × 252 mm (image/plate, sight); 183 × 268 mm (sheet, sight). Etching and drypoint in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.Italy, Cantarini, Simone, Rest on the Flight into Egypt, verso - stamped, The Holy Family rests in a landscape during the Flight into Egypt. Mary suckles the Christ Child. An angel stands by the family., print, prent, prints, height 208 mm, width 174 mm, Italian, 1612-08-21 - 1648-10-15, print maker, printmaker, 1622 - 1648, paper, papier, etching, etchings, Expression creationSwallows by a Waterfall. Artist: Kawanabe Kyosai (Japanese, 1831-1889). Culture: Japan. Dimensions: 14 5/16 x 10 1/2 in. (36.4 x 26.7 cm). Date: ca. 1887. Museum: Metropolitan Museum of Art, New York, USA.Drawing, Stage Design, Tomb in a Cave; Designed by Romolo Achille Liverani (Italian, 1809 - 1872); After Alessandro Sanquirico (Italian, 1777 - 1849); Italy; pen and sepia ink, brush and wash on paperEtching and copper engraving by Rembrandt around 1657 showing the adoration of the shepherds with a lantern, printed with a pinnacle technique.Sidewall, Machine-printed, On cream ground, landscape design printed in shades of beige and brown. Setting includes trees, garden stairs, urns and columns., Chelsea, Massachusetts, USA, 1900-1920, Wallcoverings, SidewallSamuel Middiman, ca. 1750-1831, British, Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc.", 1803. Engraving and etching.View of Zahara de la Sierra, 1596 View of Zaharan de la Sierra from the southeast with the fort on top of the mountain. On the left the mountains of Ronda. In the foreground a draftsman on horseback. Print is part of an album. print maker: Cologneprint maker: CologneThe Hague paper etching / engraving / letterpress printing Zahara View of Zaharan de la Sierra from the southeast with the fort on top of the mountain. On the left the mountains of Ronda. In the foreground a draftsman on horseback. Print is part of an album. print maker: Cologneprint maker: CologneThe Hague paper etching / engraving / letterpress printing ZaharaThe Sphinx. Odilon Redon; French, 1840-1916. Date: 1883. Dimensions: 526 × 377 mm. Various charcoals, with touches of black chalk, stumping, wiping, and erasing, on pale-pink wove paper with red and blue fibers altered to a golden tone. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Study sheet with four figures and a landscape. Study sheet with links above three figures of which there is a fishing. In addition, the head of an older man with beard and hat and right at the bottom of a landscape with a river, trees and a farm.François Nicolas figure (1825-1901). "They were spraying". Albumin paper. 1868. Paris, house of Victor Hugo.Défilé de Pir-a-Zan Pîr-i-zan. (Fars.). Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities, Passes (Landforms), Fars (Iran)St Georgsberg near Switzerland in the Tyrol, after Klein. Artist: Johann Christoph Erhard (German, Nuremberg 1795-1822 Rome). Dimensions: plate: 7 9/16 x 11 1/8 in. sheet: 11 1/4 x 14 7/8 in.. Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.Man and woman in rowboat, near riverbank - unidentifiedillustration. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897Mr. Brzezan fights with Tatar - an illustration for "Jan Bielecki" by Juliusz Słącski; Verso: fragment of the poem and sketches of the characters from Recto; Malczewski, Jacek (1854-1929); around 1872 (1867-00-00-1877-00-00);Polish National Museum (Rapperswil-1870-1927)-collections, Słowacki, Juliusz (1809-1849), Słowacki, Juliusz (1809-1849)-Illustration, Słowacki, Juliusz (1809-1849). Jan Bielecki, Tatars, Witke-Jeżewski, Dominik (1862-1944)-collection, illustrations, Juvenilia, sketchesTitle Page , Vignette, and plate one of the first number of Picturesque Views of American Scenery. John Hill (American, 1770-1850); after Joshua Shaw (American, born England, c. 1777-1860); published by Matthew Carey & Son (American, active 1795-1821). Date: 1819-1821. Dimensions: 246 x 366 mm (plate); 380 x 564 mm (sheet). Aquatint with stipple and hand-coloring on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.The Rock Perc� (Bartsch 9) Herman van Swanevelt (1600-1650). The Perc� Rock (Bartsch 9). Etching. 17th century.Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.Sketchbook William Trost Richards (American, 1833-1905). Sketchbook, 1867. Bound sketchbook with drawings in graphite on beige, moderately thick, smooth textured wove paper, Closed: 3 5/8 x 5 1/4 in. (9.2 x 13.3 cm). Richards was a prolific artist who, as a leading member of the American Pre-Raphaelites, embraced the Ruskinian principle of truth to nature. Sketching outdoors played a significant role in his quest for accuracy of representation. Throughout his long career and extensive travels, he seems to have always carried a sketchbook with him, filling the pages with drawings of the places he encountered. The Brooklyn Museum owns more than twenty-five of Richardss sketchbooks, including the ones on view here. Serving as pictorial diaries of his journeys, they also demonstrate the variety of his working methods, ranging from quickly rendered outlines to carefully modulated tonal compositions to finished color studies. American Art 1867Diebitsch Carl von (1819-1869), fountain (without date): View 3-shell fountain with horses that wear the shells. Pencil watercolor on the box, 27.4 x 30.5 cm (including scan edges) Diebitsch Carl von (1819-1869): BrunnenThe Rock of Brother Wolf (Sasso di fra' Lupo). Dated: 1612. Dimensions: book: 43.3 × 30 × 1.8 cm (17 1/16 × 11 13/16 × 11/16 in.). Medium: 1 etched and engraved illustration. Museum: National Gallery of Art, Washington DC. Author: Lino Moroni.A Stag and Two Does. Date: ca. 1870s. oil on gilded leather on canvas. Museum: Smithsonian American Art Museum.