Sketches of Nature and People

A collection of pencil drawings depicting imaginary landscapes and resting travelers, demonstrating a soft, detailed approach to nature and figures.

Man with a Walking Stick by a Waterfall, Man by a Waterfall, print maker: Reinierus Albertus Ludovicus baron van Isendoorn à Blois, (mentioned on object), intermediary draughtsman: F. Bosch, (mentioned on object), Vaassen, 1834, paper, etching, h 135 mm × w 219 mm

Drawing, Imaginary Landscape with; Frederic Edwin Church (American, 1826-1900); Attributed to Thomas Cole (1801 - 1848); USA; pen and dark brown ink support: paper; 9 x 11.1 cm (3 9/16 x 4 3/8 in.) 3 1/2 x 4 3/8 in. Mat: 40.6 x 55.9 cm (16 x 22 in.)

Alphonse Legros, Travelers Resting (Les voyageurs fatigues) Travelers Resting (Les voyageurs fatigues)

A pencil drawing by Joseph Holzer titled 'SOME', depicting an unspecified scene or subject in a study format.

Print made by Frederick Christian Lewis the Elder, 1779-1856, British, Colebrook Dale, 1825. Mezzotint; engraver's proof (a).

Man with a Walking Stick by a Waterfall, Man by a Waterfall, print maker: Reinierus Albertus Ludovicus baron van Isendoorn à Blois, (mentioned on object), intermediary draughtsman: F. Bosch, (mentioned on object), Vaassen, 1834, paper, etching, h 135 mm × w 219 mm

An ink and feather drawing by Valentin Wagner from 1631-1638 in his travel sketchbook depicting Wolffsrit, showing figures, landscape, and composition details.

19th-century landscape by an anonymous artist showing shepherds, drawn in black coal with gray lavings and white heightening on blue paper.

Travelers Resting (Les voyageurs fatigues). Medium: drypoint on rose paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Riverbank (Bord de la riviere). Medium: drypoint and (etching). Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Design for a Stage Set at the Opéra, Paris 1840-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358450

Les Charbonniere, 1887. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Capt. Thomas Hastings, 1778-1854, British, In Bradley Vale, May 1833, 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper.

Klomp Johannes Franziskus (1865-1946), unaffected drawings and travel sketches (January 20, 1888): Landscape with Burg. Pencil on paper, on cardboard, 28.2 x 42.9 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Unzugeordnete Zeichnungen und Reiseskizzen

Alphonse Legros, Corner of a Path (Au coin d'un chemin) Corner of a Path (Au coin d'un chemin)

swainson drawing

Print, Three Children Playing; Designed by Jean-Baptiste Pillement (French, 1728-1808); Print Maker: Pierre-Charles Canot (French, 1710 - 1777); France; etching on laid paper

Houses on the water, Anonymous, 1700 - 1800 drawing paper. ink. pencil pen / brush

Landscape with a Figure Herding Cattle, and a Shepherd Resting May 1, 1789 Thomas Rowlandson. Landscape with a Figure Herding Cattle, and a Shepherd Resting. Imitations of Modern Drawings. After Thomas Gainsborough (British, Sudbury 1727-1788 London). May 1, 1789. Etching, soft-ground etching and aquatint, printed in brown ink. John Thane (British, London 1748-1818). Prints

A series of pencil sketches by Ferdinand Georg Waldmüller featuring figures, landscapes, animals, and compositional arrangements on paper.

Inside an Indian jungle. Bachman, Wilhelm (Moskwa ; zakład litograficzny ; fl. ca 1850-1870), lithography atelier, E A S (litograf rosyjski ; fl. ca 1850-1870), graphic artist

La grande chaumière Kercassier.. 1875. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

House in a landscape, 1783 Page 159 from a sketchbook with 175 pages. paper. pencil. ink. watercolor (paint) pen / brush Page 159 from a sketchbook with 175 pages. paper. pencil. ink. watercolor (paint) pen / brush

Sir George Howland Beaumont seventh Baronet, 1753-1827, British, Lane with Figures, May 1802, 1802. Graphite on medium, slighlty textured, cream wove paper.

Thomas Sunderland, 1744-1828, British, Stone Byres, Lanarkshire, undated. Graphite, black chalk, gray wash, and blue wash on thin, slightly textured, cream laid paper.

A bath scene by Wilhelm Busch, drawn with pen and brown brushes over pencil on light brown primed paper in 1865, showing figures in water.

Souvenir: Roman Landscape with the Colosseum. Dated: 1865/1870. Dimensions: overall: 27.5 x 45.4 cm (10 13/16 x 17 7/8 in.). Medium: charcoal on blue paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste-Camille Corot.

Sir Richard Colt Hoare, 1758-1838, British, At Larici near Albano in Italy, 1786 to 1819. Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper.

Georgin, work, 1000, drawing, 19.7 cm x 16.4 cm

Design for a Stage Set. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

A woodcut by Jacopo de' Barbari from the late 15th to early 16th century depicting a view of Venice, showing buildings, canals, and landscape details.

Rome, Anesi, Paolo, Varie Vedute, Veduta che và a muro-torto, Landscape with the Muro Torto in Rome, verso - stamped, Landscape with the Muro Torto in Rome on the right. The title below the image. Numbered top right: 6., print, prent, prints, prenten, height 133 mm, width 190 mm, Italian, 1700 - 1761, print maker, printmaker, 1725 - 1725, paper, papier, etching, etchings, Work conception, after own design by

Pollard Willow, Gerard ter Borch (II), c. 1634 - c. 1635, Sheet 55 verso from a sketchbook with 55 sheets., draughtsman: Gerard ter Borch (II), Haarlem, c. 1634 - c. 1635, paper

Capt. Thomas Hastings, 1778-1854, British, Lord Henry Seymour's from West Cowes, 1825. Graphite on medium, slightly textured, cream wove paper.

The Seminary of Agrigento, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 15/16 × 11 3/8 inches (22.7 × 28.9 cm)

Le soir.. Buhot, Félix Hilaire (1847-1898). 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Sunrises & sunsets, Trees

Dudley Castle, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and black and gray ink and wash over graphite; verso: graphite on medium, slightly textured, blued white, wove paper, Sheet: 5 13/16 x 16 13/16 inches (14.8 x 42.7 cm), bushes, castle, landscape, ruins, trees, Dudley, Dudley, Dudley Castle, England, Europe, United Kingdom

View of the Rock Bridge, Isaac Weld, 1774-1856, Irish, between 1795 and 1797, Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 9 x 6 1/2in. (22.9 x 16.5cm)

Genoels, Abraham (II), Boulders and trees near a stream, drawing, drawings, height 115 mm, width 159 mm, draughtsman, draftsman, 1686 - 1688, fourth quarter 17th century, paper, papier, ink, inkt, chalk, krab, pen, brush, Borstel, Expression creation

Alphonse Legros, Return of the Peasants (Le retour des paysans) Return of the Peasants (Le retour des paysans)

"The Social Day" from the "World of Miniature". Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: sheet: 6 x 9 1/2 in. (15.2 x 24.1 cm). Date: 1775-1827. Museum: Metropolitan Museum of Art, New York, USA.

Evening, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Etching and engraving, 3rd state on medium, smooth, beige, wove paper, Sheet: 10 9/16 × 6 1/16 inches (26.8 × 15.4 cm) and Image: 3 × 4 inches (7.6 × 10.2 cm)

Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), Ruined Temple of Minerva, Two Figures on River Bank, undated. Black chalk and graphite on medium, slightly textured, blued white wove paper.

Print made by Robert Wallis, 1794-1878, British, St. Maurice (vignette), 1827. Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

Etching by Hendrik Schwegman showing a landscape with a wooden bridge, produced and laved in 1796.

Study of a fireplace with bellows in a smithy. .

A Study, with Ancient Ruins, Print made by Richard Earlom, 1743-1822, British, after Claude Lorrain, 1600-1682, French, Published by Boydell & Co., 1720-1804, British, 1810, Aquatint and etching printed in brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 16 15/16 x 10 3/8 inches (43 x 26.4 cm), Plate: 9 3/16 x 6 inches (23.4 x 15.2 cm), and Image: 8 1/2 x 5 11/16 inches (21.6 x 14.5 cm), arches, architectural subject, ruins, stairs, steps, trees, wall

Duvivier, Ignace, Various Subjects graves and drawings by Ignace du Vivier: after his tableaus, Prints after paintings by Ignace Duvivier, Landscape with ruins and cattle, verso - stamped, print, prints, height 221 mm, width 295 mm, print maker, printmaker, 1793 - 1832, paper, papier, etching, etchings, drypoint, dry needle, French, 1758 - 1832, after, after painting by, 1793 -

Design for a Stage Set 1830-90 Eugène Cicéri French. Design for a Stage Set 387304

José Camarón / 'Landscape of Hermitages and Hermits'. XVIII century. Grey-brown wash, Pencil on laid paper. Museum: Museo del Prado, Madrid, España.

Umbria Terni Acquasparta Palazzo Cesi5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Plate made for an Exhibition at the Dunthorne Home (Planche faite pour une exposition chez Dunthorne). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Two Peasants and their Dog, c. 1650. Jacob van Ruisdael (Dutch, 1628/29-1682). Etching;

Lettrines au Palmier, au Paravent, au Caniche et Prêtre Russe. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Hercules focuses his arrow on Nessus who kidnaps Deïanira, Willem van Mieris, 1672 - 1747 drawing paper. chalk Hercules shoots Nessus, the centaur, who attempts to carry off Deianira

The Gipsy, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving on moderately thick, slightly textured, beige, wvoe paper with gray chine colle, Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm), Plate: 10 11/16 × 5 3/4 inches (27.1 × 14.6 cm), Chine collé: 10 5/16 × 5 7/16 inches (26.2 × 13.8 cm), and Image: 2 3/4 × 3 1/4 inches (7 × 8.3 cm)

Etching by Rudolf Jettmar from 1932 depicting the mythological fall of Phaeton, showing a dynamic composition with human and celestial elements.

Cloud air above a tower, presumably the Drommedaris van Enkhuizen. Leaf 46 Recto from a sketchbook with 55 sheets.

Lithography 'Sapho' by Jean-Baptiste Camille Corot, autograph edition on Chinese paper, created in 1871, depicting a figure subject.

Low relief representing two shepherds, a cow and sheep (unfinished) (Hollstein 48) Berchem, Nicolaes Pietersz. Low relief representing two shepherds, a cow and sheep (unfinished) (Hollstein 48). Etching.

Revolution, decorations on the Koningsplein, 1795, Jurriaan Andriessen

Jean Baptiste Camille Corot, The Gust of Wind (Le Coup de vent), 1871 The Gust of Wind (Le Coup de vent)

Westerholm, Victor, W. Holmberg's grave, unfinished, etching, graphics, leaf width 17.1 cm, leaf height 27.2 cm, image width 8.8 cm, image height 22, 7 cm

A pair of young people; Smokowski, Wincenty (1797-1876); around 1841-1842 (1840-00-00-1845-00-00);

This 1827 pencil sketch collection by Waldmüller includes human figures, landscapes, animals, and compositional studies emphasizing form and observation.

Ostaniec skalny z okolic Lubania. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Capt. Thomas Hastings, 1778-1854, British, Lower Lake Killarney, from Lord Kenmare's Grounds, September 1841, 1841. Graphite and pen and brown ink on medium, slightly textured, cream wove paper.

Twilight. Moran, Thomas, 1837-1926. 1888. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A hollow old tree trunk. Charcoal drawing.

The Good Samaritan (Le bon samaritain) Rodolphe Bresdin (French, 1822-1885). The Good Samaritan (Le bon samaritain), 1861. Lithograph on chine colle; primary paper and thick, slightly textured plate paper, 29 3/4 x 23 3/4 in. (75.6 x 60.3 cm). European Art 1861

Two Sketches of Sailboats at St. Lawrence, Arnold William Brunner, American, 1857-1925, Graphite on paper, Above, bank with church on it. Below, a wide bend, ridge at left., USA, ca. 1881, seascapes, Drawing, Drawing

Design for mural with Dutch landscape, Jurriaan Andriessen, c. 1752 - c. 1819, draughtsman: Jurriaan Andriessen, c. 1752 - c. 1819, paper, pen, brush, h 274 mm × w 110 mm

Stormy landscape with bard on the edge of a cliff, John Raphael Smith, after Thomas Jones (painter), 1775 print The bard is about to jump and looks back at the approaching army of Eduard I. Illustration at the poem 'The Bard' by Thomas Gray. London paper bard, lyric poet. coastal cliff or crag. storm. army 'en route'

Punishment of the children who mock Elisa, Anonymous, After Schelte Adamsz. Bolswert, after Peter Paul Rubens, after Nicolaes Ryckmans, after Pieter de Jode (II), 1630 - 1702 print Elisa is scolded by children on the way to Betel because of his bald head and he curses them. Two bears then devour the children. To the Bible text in 2 Kon. 2: 23-24. paper engraving the cursing of the children: when Elisha is on his way some children mock him for his baldness; Elisha curses them (2 Kings 2:23-25). two bears come out of the woods and tear the children who were mocking Elisha to pieces

Birgsbach next to winding street around a boulder by Johann Georg Wagner, executed with pen in light brown in 1762, showing terrain, street, and rock formations.

Thomas Gainsborough RA, 1727-1788, British, Wooded Landscape with Country Cart and Figures, between 1785 and 1788. Black and white chalk, gray wash and black wash on medium, slightly textured, antique buff wove paper prepared with gray.

The Wave, George Romney, 1734-1802, British, undated, Black ink and gray wash over graphite on medium slightly textured cream laid paper, Sheet: 13 1/4 x 19 inches (33.7 x 48.3 cm), children, landscape, waves (natural events)

Krater wulkanu Teide. Loeillot, Wilhelm (1827-1876), draughtsman, cartoonist, Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

Etching by Victor Marie Picot created between 1760 and 1802 titled 'The Pleasures of Summer' in Dotier manner illustrates leisurely summer activities in 18th-century French printmaking.

Red chalk drawing by Christian Wilhelm Ernst Dietrich around 1743 depicting an Italian garden fountain with ornamental details.

Henri Rivière (1864-1951). "Old woman wearing a fagot". Eat, 1910. Museum of Fine Arts of the City of Paris, Petit Palais. 24403-8 Tree, etching, Fagot, woman, rock, old, wood, peasant

Sir George Hayter, Bandits on the Lookout, 1839 Bandits on the Lookout

Fountain in the gardens of Villa Borghese in Rome; Blaschnik, Arthur (1823-1918); 1854 (1854-00-00-1854-00-00);Rome (Italy), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Villa Borghese (Rome), Italy (state), fountains, gardens, German drawings

George Romney, 1734-1802, British, The Witches' Cavern, between 1792 and 1793. Graphite on moderately thick, slightly textured, cream wove paper.

The road to Heemstede, Claes Jansz. Visscher (II), 1612 print View of a narrow country road that leads to Heemstede. The road is surrounded by trees and on the left is a farm. In the foreground a man with a few sheep. This print is part of the 'Faces near Haarlem' series. Amsterdam paper etching / engraving road, path. sheep. forest, wood. farm (building)

Two characters at the waterfall in the Struary Valley; SchouPpé, Alfred (1812-1899); 1893 (1893-00-00-1893-00-00);Poland, SchouPPé, Alfred (1812-1899), SchouPpé, Alfred (1812-1899) - collections, Society for the Encouragement of Fine Arts (Warsaw - 1860-1940), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, gift ( Protency), trees, mountains, recovered war losses, landscapes, mountain landscapes, Poland (culture), transmission (provenance), Polish drawings, waterfalls

A Dying Hindu Brought to the River Ganges, Johan Joseph Zoffany RA, 1733-1810, German, active in Britain (from 1760), 1788, Black chalk, red chalk and white chalk on moderately thick, slightly textured, blue laid paper, Sheet: 10 5/8 x 13 5/8 inches (27 x 34.6 cm) and Frame: 15 1/4 x 20 1/4 x 1 1/8 inches (38.7 x 51.4 x 2.9 cm), children, death, fort, games, genre subject, Hinduism, landscape, rivers, roots, stone, swing, tree, Ganges

Souvenir of Antibes (Souvenir d'Antibes). Dated: 1874. Medium: cliche-verre. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Camille Corot.

Drawing (Italy)

Holmberg, Werner, work, Sketch book, pencil and marker engraving, drawing, 17.5 cm x 26 cm, Holmberg, Werner, pencil and marker engraving

Near Blair Athol, Scotland, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by William Say, 1768-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1811, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm) and Mount: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)

Work by Jean-Honoré Fragonard around 1775 using brush in brown with wash over black chalk, depicting a couple in an embrace and kiss.

Ride to the Hounds, Mont-Gérard. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1908. Dimensions: 128 × 160 mm (image); 212 × 267 mm (sheet). Wood engraving in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Print made by Joseph Mallord William Turner, 1775-1851, British, Bridge and Monument, 1820 to 1825. Mezzotint (Engraver's proof b).

Sorrento, Isaac Weld, 1774-1856, Irish, ca. 1818, Graphite and brown wash on moderately thick, moderately textured, beige, wove paper, Sheet: 13 1/8 × 8 11/16 inches (33.3 × 22.1 cm), landscape, Campagna

Along the Thames (Sur la Tamise). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Maria Leycester, 1798-1870, Alderley, New Lodge, June 19th, 1821. Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper.

A Fallen Tree with Ruins. Artist: Paul Troger (Austrian, Welsberg 1698-1762 Vienna). Dimensions: sheet: 9 1/16 x 13 3/8 in. (23 x 33.9 cm). Date: 1700-1762. Museum: Metropolitan Museum of Art, New York, USA.

Pencil drawing by Joseph Holzer, 1836, depicting the old Jewish cemetery in Prague, including tombstones, pathways, and surrounding trees.

Woodland Scene with Light Sketch of a Madonna and Child. Artist: attributed to Girolamo Muziano (Italian, Acquafredda, Brescia 1528-1592 Rome). Dimensions: 8 1/8 x 10 7/8in. (20.6 x 27.6cm). Date: 1528-92. Museum: Metropolitan Museum of Art, New York, USA.

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