Social Interactions in Historical Art

Engravings and lithographs depicting candid social scenes and interactions, with an emphasis on women in historical contexts and expressive gestures.

From Aphstamming, Francisco de Goya, 1797 - 1799 print A woman with a mask in front, her hands cover the horns on the head on her lap. Opposite her writes a woman in a book. Fifty -seventh print in the Los Caprichos series. Spain paper etching adolescent, young woman, maiden. mask. (civil) marriage ceremonies

From Aphstamming, Francisco de Goya, 1797 - 1799 print A woman with a mask in front, her hands cover the horns on the head on her lap. Opposite her writes a woman in a book. Fifty -seventh print in the Los Caprichos series. Spain paper etching adolescent, young woman, maiden. mask. (civil) marriage ceremonies

... - Hein...Non, j'aime pas ce ruban-là...Ça te va mieux - quand tu te coiffes comme m'ame Henri ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Le Pipelet du Lendemain Honoré Daumier (French, 1808-1879). , January 1, 1867. Lithograph on newsprint, Sheet: 12 7/8 x 11 7/8 in. (32.7 x 30.2 cm). European Art January 1, 1867

M'ame Bonneau... J'aime m'ame Bonneau moi!... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Ma chere, jel’aime!…. Artist: Paul Gavarni, French, 1804-1866

Arthur-Joseph Guéniot (1866-1951). Study for drama: "wood your blood". Feather. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Francisco de Goya (1746-1828), humble earners, 1797-1798

On rend des comptes au gèrant ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Prends garde, cheri, tu mas deja conte cte machine-la, pas la meme chose.. Artist: Paul Gavarni, French, 1804-1866

Judic , Actresses, Composers, Judic, Anna, 1849-1911, Dihau, Désiré. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Les chevaliers de la belle-étoile. - Suzanne ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Qu'est-ce que c'est donc que ce bacchanal-là - C'est la du rez-dechaussée, ma chère, et M'am d'Ostende qui se massacrent - et qui s'agonisent...pour un homme! - V'là-t'-i pas! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

SATAN.. Artist: Paul Gavarni, French, 1804-1866

SCENE OF THE OPERA IL BARBIERE DI SIVIGLIA by Gioachino Rossini ENGRAVING 1876

Tal para qual. (Two of a Kind.), pl. 5 from the series Loscaprichos. Artist: Francisco Goya, Spanish, 1746-1828

Je crois qu'on bat le rappel.... Honoré Daumier (1808-1879). Lithographs

Marriage proposal. Grandville, Jean-Jacques (1803-1847), draughtsman, cartoonist

Pas de cheveux ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Monsieur le sergentmajor…. Artist: Paul Gavarni, French, 1804-1866

Moi jai signe pour cinq cent francs…. Artist: Paul Gavarni, French, 1804-1866

Jacques Callot, Old Woman with Cats, c 1622 Old Woman with Cats

The skeleton of Death and the mother. A skeleton feeds a baby on its knee, while the mother examines embroidered fabric and a young servant holds up a hat. The room is decorated with a chair, harpsichord with sheet music, and lute. Illustration drawn and engraved on steel by Richard Dagley from his own Deaths Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

Woman on a spinning wheel, Félicien Rops, After Jean François Millet, 1876 print Paris paper etching / drypoint spinning-wheel. distaff. adult woman

Masks and faces: Mme. Beauminet. Paul Gavarni; French, 1804-1866. Date: 1857-1858. Dimensions: 201 × 160 mm (image); 228 × 183 mm (chine); 399 × 286 mm (sheet). Lithograph in black on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Francisco de Goya y Lucientes / 'Hush'. 1797 - 1799. Etching, Aquatint, Japanese chisel on ivory laid paper. Museum: Museo del Prado, Madrid, España.

ALICE PERRERS AT THE DEATHBED OF EDWARD III.

Honoré Daumier, Une famille mélomane , 19th century Une famille mélomane ...

The Hague, Fuhri, Koenraad, Amsterdam, Arum, Rombertus Julianus van, Character types, The young Netherlands, Engagement and debut, verso middle - stamped, A woman stands with her hands in her pockets in a doorway. Opposite her are three men in a row., print, prints, height 278 mm, width 185 mm, Dutch, 1812-02-03 - 1883-10-06, print maker, printmaker, 1847 - 1847, paper, papier, houtgravure, letterpress printing, boekdruk, 1814 - 1858, printer, drukker

Guess My Name 1816-1826 United Kingdom. Brush and gray wash on off-white wove paper, discolored to beige, laid down on off-white wove card with gilt border, laid down on cream laid paper . David Wilkie

An Unpleasant Aspect of the New Type of Omnibus, plate 13 from Croquis Parisiens. Honoré Victorin Daumier; French, 1808-1879. Date: 1856. Dimensions: 264 × 207 mm (image); 359 × 272 mm (sheet). Lithograph on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

A Little Cheque (The Small Plate). Artist: Walter Richard Sickert (British, Munich 1860-1942 Bathampton, Somerset). Dimensions: plate: 5 15/16 x 3 15/16 in. (15.1 x 10 cm)sheet: 8 11/16 x 6 1/8 in. (22.1 x 15.5 cm). Date: 1915. Museum: Metropolitan Museum of Art, New York, USA.

Toujours jolie! - C'est mon état ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Toujours jolie! - C'est mon état ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Moyens coercitifs ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Il n'est pas question de la question d'Orient. Vous me devez - sept livres dix sous! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Savez-vous, vous, Partage, dans quelle ville de France les horlogeres sont les pluscagneuses?…. Artist: Paul Gavarni, French, 1804-1866

Madame Duruflé ménageant une surprise a son époux. Honoré Daumier (1808-1879). Lithographs

Alchemist, Eberhard Cornelis Rahms, after Jan Hendrik van de Laar, 1860 print In a room an alchemist reads a letter sitting in a chair. In front of him is a machine where a plume of smoke comes out. Oudewater paper etching alchemist at work

Untitled (Young Girl With Hat, In Chair, Reading). Dated: c. 1880s. Dimensions: image: 286 x 195 mm sheet: 491 x 357 mm. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Edward Percy Moran.

2027: Caprichos: You Will Not Escape. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Schröder-Devrient, Wilhelmine.

Two love savings, Jacob Gole, After Richard Brakenburg, 1670 - 1724 print There are two love couples at a table in an inn. There is a print on a wooden intermediate wall. Amsterdam paper engraving couple of lovers. pipe ~ tobacco

The Menu. Théodule Augustin Ribot; French, 1823-1891. Date: 1865-1875. Dimensions: 281 × 200 mm (image); 318 × 236 mm (plate); 440 × 327 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The one who waiting for you

David in Prayer, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching on paper, Interior: figure of David is shown kneeling in prayer, at right, facing left. Harp on ground beside him, in the foreground. Signed and dated, lower left: 'Rembrandt f. 1652.', Netherlands, 1652, Print, Print

Honoré Daumier, Un Retour de jeunesse, 1845 Un Retour de jeunesse

Pygmalion, from Histoire Ancienne, published in Le Charivari, December 28, 1842 December 28, 1842 Honoré Daumier French. Pygmalion, from Histoire Ancienne, published in Le Charivari, December 28, 1842 355847

Baby in bed with the parents cries father, Auguste Danse, after Honoré Daumier, 1896 print paper etching / drypoint waking up. watching a sleeping child. hearing, listening (one of the five senses)

Lezende Sibille met kind, anonymous, after Antonio da Trento, after Ugo da Carpi, after Rafaël, in or after c. 1516 print A sitting Sibille, reading in a book. Next to the Sibille is a child with a burning torch in his hand. Italy paper sibyls (SIBYLS). boy (child between toddler and youth) (+ holding something). torch (+ kindling a light; lit, burning light, lamp, candle). reading

- Adolphe! Adolphe! vous voulez donc faire mourir votre Eugenie!. Artist: Paul Gavarni, French, 1804-1866

Saperlotte!que je voudrais donc que ma femme ait fini d’improviser son quatrain sur les beautés de la nature dans la plaine St-Denis! nous marchons toujours, mais ses vers n’avancent pas! (Good Lord!how I wish that my wife would finish improvising her quatrain on the beauties of nature on the plain of St. Denis! we keep walking, but her verses don’t advance at all!), from the series Les bas-bleus (The Bluestockings). Artist: Honoré Daumier, French, 1808-1879 Publisher: Aubert et Cie, Paris, founded 1829

There they are going to pick, Francisco de Goya, 1797 - 1799 print Two women chase the picked men with chicken body with a broom. There are two monks behind them. Twentieth print from the Los Caprichos series. Spain paper etching / drypoint plucked fowl. adolescent, young woman, maiden. monk(s), friar(s)

Si le parterre est gentil, mon bonhomme, y a dequoi…. Artist: Paul Gavarni, French, 1804-1866

Qu'est-ce donc qui la inventée la poudre, monsieur...Que papa dit que ce n'est pas vous ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Simson a Delila, Claude between, 1624 - 1636 print print maker: RomeFrance paper engraving Samson's hairlocks are cut off by Delilah

Femino socialist banquet. In the abolition of the familie!, Bed Bed Z Serii News W: The Charivari Unknown, Aubert, Place de la Bourse

Edward Francis Burney, 1760-1848, British, Illustration for The New Doll: Untitled, 1825. Graphite, pen, brown ink, brown wash and gray wash on medium, slightly textured, cream wove paper mounted to card.

News. / 254. / Time. -Dex, 1855, it's near midnight ... you have to go! ... (registered title) | News (1855) (Title of all)

Alfredo Muller, Les Confidences, 1904, etching and drypoint on paper.

Reading by lamplight , Reading, Sisters. James McNeill Whistler (1834-1903). Lithographs

Robes de chambres de Humann ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The Woman Behind the Mask. Dated: 1830s. Dimensions: overall: 34.5 x 26 cm (13 9/16 x 10 1/4 in.). Medium: lithograph on buff chine coll. Museum: National Gallery of Art, Washington DC. Author: Célestin Nanteuil.

Ferdinand Meets Miranda, illustration for Act III, Scene i, TheTempest. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

"- Eh! my Didine, have we danced enough - Oh, don't mention it any more, I am completely worn out - Then take off your stockings and get to bed! - Good grief, no.. really, I'm just too tired!," plate 56 from Moeurs Conjugales. Honoré Victorin Daumier; French, 1808-1879. Date: 1842. Dimensions: 253 × 225 mm (image); 324 × 248 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

A circa 1657 etching and copper engraving by Rembrandt depicting Abraham France, printed on Japanese paper with a light flat tone, showing figure, attire, and composition with a ledge.

Honoré Daumier, Oui, madame Chaboulard vingt quatre épiciers (recto), 1850 Oui, madame Chaboulard... vingt-quatre épiciers... recto

At the armoury". Strzałecki, Wandalin (1855-1917), draughtsman, cartoonist

Le Feuilleton. - L'enfant en permettra la lecture à sa bonne ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Paul Adolphe Kauffmann (Peka, 1849-1940). "Title vignette for the chapter" L'Homme qui rit ". Illustration for the" Golden Book of Victor Hugo ". Ink on paper. 1882. Paris, house of Victor Hugo. 102268-23 Courize, costume, disguise, drawing, ink, woman, man, illustration of literary work, mask, seduce, 19th 19th 19th 19th 19th 19th century

Pygmalion. Dated: 1842. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

In the times of terror "; Froment, Eugene (1820-1900), Macquoid, Percy (1852-1925); approx. 1880 (1875-00-00-1885-00-00); was downloaded from the Muse of the National Museum in Warsaw; graphics / convex printing / woodcut; products with wuns / paper; height 30 cm, width 22.5 cm; Gr.Pol.6000 / 324 MNW; all rights reservations.

The goloshes of Fortune.. Tegner, Hans (b. 1853). Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Fairy Tales, Andersen, H. C. (Hans Christian), 1805-1875. Tales, Fairies

unknown artist, Seated Woman and Standing Figure, undated. Graphite on very thick, slightly textured, cream wove paper.

Erasmus at the top a staircase with a fallen man at the bottom, Guillaume Joseph Vertommen, 1841 print paper etching adult man (+ two persons). staircase. falling

Honoré Daumier, Clytemnestre poussée par mimi Véron, 1850 Clytemnestre poussée par mimi Véron...

Marchandes au panier, Rue Montorgueil (Merchants with Baskets, RueMontorgueil). Artist: Auguste Lepère, French, 1849-1918

BOSSUS. Artist: Paul Gavarni, French, 1804-1866

Pourtant, grand-père, si Polichinelle de Séraphin n'existe pas, comment - peut-il être menteur et coquin, comme il l'est, et farceur ,. Paul Gavarni (1804-1866). Lithographs and Other Works

A woman in her bedroom kneeling on the floor with her hands raised to her head ca. 1880-1910 José Guadalupe Posada. A woman in her bedroom kneeling on the floor with her hands raised to her head. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Wood engraving. Prints

An etching with pinion by Rembrandt van Rijn around 1652 depicting David praying, illustrating religious expression, figure, composition, and Dutch Golden Age printmaking techniques.

Suivez bien mon raisonnement, Eudoxie.... Honoré Daumier (1808-1879). Lithographs

Alice watches the White Rabbit disappear down the hallway Date: First published: 1865

Pourtant, grand-père, si Polichinelle de Séraphin n'existe pas, comment - peut-il être menteur et coquin, comme il l'est, et farceur ,. Paul Gavarni (1804-1866). Lithographs and Other Works

This 1920 lithograph by Käthe Kollwitz, sheet 1 of the Berlin leaflets against usury, shows a sick woman with her children, printed on Japanese paper.

Enfin, mon cher, au carnaval suivant je lui donnais un fils a cet animal. - Eh bien? - Eh bien, il n’en a pas voulu!. Artist: Paul Gavarni, French, 1804-1866

Le Gage ,. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Because she was susceptible. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints. Aquatint

La Toilette. Alexandre Lunois; French, 1863-1916. Date: 1892-1893. Dimensions: 226 × 161 mm (image); 382 × 284 mm (sheet). Lithograph in rose, pale green-blue and brown on grayish-ivory laid China paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Les lèvres , Kissing. Théophile Alexandre Steinlen (1859-1923). Lithographs

The Danish hunter. (Dummy title)

Clemenceau case (you) | Childhood of Pierre Clemenceau, Plate 1. (You)

Political cartoon, 1882, 1882 print Political cartoon with a cook in the kitchen. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 26, 1882. print maker: Netherlandsprinter: Netherlandspublisher: The Hague paper

A la Conference de la Paix. Dated: 1914/1919. Medium: collotype. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Makerous in Saint-Julien-le-poor (dummy title)

- Eh! my Didine, have we danced enough - Oh, don't mention it any more, I am completely worn out - Then take off your stockings and get to bed! - Good grief, no. really, I'm just too tired!,” plate 56 from Moeurs Conjugales 1842 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

At the Restaurant. Jean Louis Forain; French, 1852-1931. Date: 1890. Dimensions: 243 × 298 mm (image); 385 × 495 mm (sheet). Lithograph in black on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Il y a que cet animal de Margouty ne veut pas me payer mes sept livresdix…. Artist: Paul Gavarni, French, 1804-1866

Jean Louis Forain, The Lawyer Talking to the Prisoner (first plate), 1909 The Lawyer Talking to the Prisoner (first plate)

A. Muller (French, active 19th century). Bouderie, ca. 1898. Collotype on wove paper. Sheet: 405 mm x 308 mm (15.94 in. x 12.13 in.).

Les Nuits de Pénélope. Dated: 1842. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

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