Social Scenes at the Ale-House

Charming historical depictions of gatherings outside an inn, featuring musicians, dancers, and villagers enjoying leisurely pastimes in warm colors.

Company of three standing men and one seated woman, draughtsman: anonymous, Netherlands, c. 1700 - c. 1799, paper, pen, brush, h 86 mm × w 104 mm

Plate 6: The Ale-House Door, from "World in Miniature" 1816 Thomas Rowlandson One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." A scene outside of an inn. A man plays violin and holds out his hat towards groups of drinking men and women.. Plate 6: The Ale-House Door, from "World in Miniature". "World in Miniature". Thomas Rowlandson (British, London 1757-1827 London). 1816. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Dance in a Village Square. Dated: c. 1770/1775. Dimensions: overall: 26.7 x 33.1 cm (10 1/2 x 13 1/16 in.). Medium: pen and black ink with gray wash over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: LUIS PARET Y ALCAZAR.

The Tinker and Swinging August 15, 1800 Thomas Rowlandson. The Tinker and Swinging. Thomas Rowlandson (British, London 1757-1827 London). August 15, 1800. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Set of four: Fox Hunting. 1. Going Out, Edward Bell, active 1794-1847, after George Morland, 1763-1804, British, 1800-1801, Mezzotint, printed in color and hand colored, Sheet: 21 3/4 x 26 7/8in. (55.2 x 68.3cm)

Meeting of artists deroters and rags.

Music: Composition in a Garden, John James Chalon, 1778-1854, French, active in Britain, ca. 1832, Brown and gray wash, graphite on textured, moderately thick, cream wove paper, Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm) and Mount: 16 11/16 × 20 11/16 inches (42.4 × 52.5 cm)

Company of three standing men and one seated woman, draughtsman: anonymous, Netherlands, c. 1700 - c. 1799, paper, pen, brush, h 86 mm × w 104 mm

, and noon,or this piece you dont know how much it did,quodlibet by Carl, Theatrical picture gallery for the theater newspaper, Jg, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Standing people of which one with wheelbarrow, draughtsman: anonymous, Netherlands, c. 1700 - c. 1799, paper, pen, brush, h 71 mm × w 90 mm

Guy Fawkes and Humphrey Chetham rescuing Father Oldcorne and Viviana Radcliffe from the pursuivant , Rescues, Priests, Fawkes, Guy, 1570-1606, Ainsworth, William Harrison, 1805-1882. George Cruikshank (1792-1878). Prints and Drawings

A watercolor by Jean-Baptiste Le Prince depicting a Russian family in front of their house, created around 1764-1765.

Joseph Stannard, 1797-1830, British, Exterior of a Cottage with a Woman in a Poke Bonnet, c. 1826. Etching.

View of the decoration from Die Räuber Gallerie Droller Scenen for the theater newspaper, th year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

One Day's Sport of Three Real Good Ones Numbers will beat Science...The Corinthians bear the brunt. Artist: Henry Thomas Alken (British, London 1785-1851 London). Dimensions: Image: 8 7/8 × 12 11/16 in. (22.6 × 32.2 cm)Sheet: 11 7/16 × 15 7/8 in. (29 × 40.4 cm). Publisher: Thomas McLean (British, active London 1788-1885) Repository of Wit and Humor. Date: 1823. Museum: Metropolitan Museum of Art, New York, USA.

Plate 16, from "World in Miniature" 1816 Thomas Rowlandson One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." A potato harvest on a farm, with five figures outside a barn standing beside a large tub being filled with potatoes. At left, two men load sacks of potatoes onto a horse-drawn cart.. Plate 16, from "World in Miniature". "World in Miniature". Thomas Rowlandson (British, London 1757-1827 London). 1816. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Pierre François Basan created an etching between 1740 and 1797 depicting an allegorical scene with a couple dancing in front of a tavern.

Scene from The Kobold, Fairy ballet in two divisions and five tableaux of Mr, Perrot, Costümbild No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Thomas Rowlandson, 1756-1827, British, A Potter Going Out, between 1815 and 1820. Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper.

Sir David Wilkie, 1785-1841, British, Study for "Reading the Will", 1820. Watercolor with gray ink on medium, smooth, cream wove paper.

Benevolence November 25, 1792 Samuel Alken. Benevolence. Samuel Alken (British, London 1756-1815 London). November 25, 1792. Hand-colored etching. Prints

A Village Scene with Girls Spinning, Thomas Rowlandson, 1756-1827, British, undated, Pen in gray and black ink with gray wash over graphite on moderately thick, moderately textured, blued white, laid paper, Sheet: 13 3/8 x 18 7/8 inches (34 x 47.9 cm), buildings, cat (domestic cat), children, dogs (animals), genre subject, girls, men, piglets, pigs, spinning (textile process), spinning wheels, village, windows, women

Ha, ha, the three-koning festival is happy to celebrate here; / Philippus saw his head decorating with a crown, 1850 - 1870 print Leaf with a large presentation of six children who play the King Drawing game at the Three Kings Festival. Mother watches from a distance. Under the image a six -line verse in two columns. Numbered at the top right: No. 71. publisher: Amsterdampublisher: Amsterdamprint maker: Netherlands paper letterpress printing royal household; courtiers, retinue, train. children's games and plays. Twelfth Night, usually falling on the eve of January 6

Lord and lady on horseback and a pedestrian in a landscape, 1654 Lord and lady on horseback, followed by a pedestrian and two dogs. They follow the stream towards a city, probably Zwolle on the towers. Zwolle paper. ink. watercolor (paint) brush Lord and lady on horseback, followed by a pedestrian and two dogs. They follow the stream towards a city, probably Zwolle on the towers. Zwolle paper. ink. watercolor (paint) brush

Scene from The Kobold, Fairy ballet in two divisions and five tableaux of Mr, Perrot, Costümbild No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Bookseller and Author, Thomas Rowlandson, 1756-1827, British, 1784, Watercolor and gray wash over graphite on moderately thick, moderately textured, beige laid paper, Sheet: 10 3/8 x 12 5/8 inches (26.4 x 32.1 cm), author, books, bookseller, bookshelves, desk, genre subject, interior, library (room), men, quills, reading, stepladder

Thomas Gaugain after Francis Wheatley, Turnips and Carrots Ho, 1797 Turnips and Carrots Ho

A Lying In Visit. Artist: Copy after Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Plate: 5 11/16 × 8 7/16 in. (14.4 × 21.4 cm)Sheet: 7 9/16 × 9 7/16 in. (19.2 × 24 cm). Publisher: J. Harris (British, active 1787-1800). Date: 1798. Museum: Metropolitan Museum of Art, New York, USA.

The high mettled racer , Horses, Horseback riding, Dogs, Carriages & coaches, Taverns Inns. Thomas Rowlandson (1756-1827). Prints and Drawings

Sainte-Pélagie, Pavillon de l'Est in January 1852: Political prisoners ". Drawing. Paris, Carnavalet museum. 55725-7 Borough V, Drawing, Discured, Second Republic, politician, journalist, bookseller, eastern pavilion, Sainte-Pelagie prison, prisoner, 5th 5th, caricature

St. James's Park, Francis David Soiron, Born 1764, after George Morland, 1763-1804, British, 1790, Stipple engraving on moderately thick, moderately textured, cream, wove paper, Sheet: 19 1/16 × 22 inches (48.4 × 55.9 cm), Plate: 18 1/2 × 21 1/2 inches (47 × 54.6 cm), and Image: 15 7/8 × 19 1/2 inches (40.3 × 49.5 cm)

Fra Diavolo or the robbers in Terracina, Opera after the French of Auber theatrical picture gallery for the theater newspaper, Jg, No, After, Johann Christian Schoeller -, Artist, Johann Wenzel Zinke -, Copper Engraver

Administering the Oath at Highgate, Robert Dighton, 1752-1814, British, undated, Pen and black ink and gray wash on medium, moderately textured, cream wove paper, Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm), building, children, genre subject, horse (animal), laughing, men, oath, statue, women

Lorenz Froelich (1820-1908), illustration for Adam Oehlenschl�ger's poem "The two Kirketaarne", (1844)

Furnerius, Abraham, Eeckhout, Gerbrand van den, Amsterdam, Ploos van Amstel, Cornelis, Draughtsman for a farm, verso cardboard and verso print - stamped, A draughtsman sits on a bench in front of a farm. Two people lean on the lower door., print, prints, height 155 mm, width 204 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1767 - 1767, paper, print drawing, etching, etchings, roulette, hand-colouring, 1621-08-19 - 1674-09-29, intermediary draughtsman, after a drawing by, 1628 - 1654-06-06

Limbourg, Belgium. Date/Period: Between 1791 and 1792. Cityscape. Watercolor with pen and red-brown and gray brown ink, over graphite on medium, slightly textured, cream, wove paper. Height: 149 mm (5.86 in); Width: 241 mm (9.48 in). Author: Thomas Rowlandson.

Monument on the Coast of Syria' by Luigi Mayer, created in 1810, published in London by T. Bensley for R. Bowyer. The image features a depiction of an archaeological site in the Mediterranean region of Syria, rendered in aquatint

November, Simon Fokke, 1722 - 1784 print From a series of twelve prints, the imagination of the month of November. A woman with a child stands at a stall where poultry and fish are sold. Amsterdam paper etching November ~ other concepts

Herberg Te Anrath. Herberg 'to the blue hand at the Kirchhof's Te Anrath.

Plate 7, Outlines of Figures, Landscapes and Cattle...for the Use of Learners June 27, 1790 Thomas Rowlandson. Plate 7, Outlines of Figures, Landscapes and Cattle...for the Use of Learners. Outlines. Thomas Rowlandson (British, London 1757-1827 London). June 27, 1790. Hand-colored etching. S. W. Fores (London). Prints

Near Hackney, unknown artist, follower of Paul Sandby RA, 1731-1809, British, undated, Watercolor, pen and brown ink, pen and gray ink on medium, cream, moderately textured laid paper, Sheet: 17 7/8 x 14 1/8 inches (45.4 x 35.9 cm), cathedral, drinking, genre subject, men, signboard, tankard, tavern, town, trees, women, England, Europe, Greater London, Hackney, London, St. Paul's Cathedral, United Kingdom

Country farm yard, Devon , Farms, Children. Thomas Rowlandson (1756-1827). Prints and Drawings

Thomas Rowlandson, 1756-1827, British, Set of Six Views in London, (Turn Pike series). Aquatint, hand-colored.

The Gardener's Offering, Thomas Rowlandson, 1756-1827, British, between 1803 and 1805, Watercolor, with pen, in brown ink, gray ink and graphite on medium, slightly textured, beige, wove paper, Sheet: 10 7/8 x 14 15/16 inches (27.6 x 37.9 cm), apron (main garment), broom, bushes, dog (animal), dress, flowers (plants), garden, gardener, genre subject, greenhouse, ladder, men, plants, shovel, sundials, trees, wagon, woman

Mittwoch from Sieben Gegenden aus Salzburg und Berchtesgaden Geordnet nach den sieben Tagen der Woche, verbunden durch zwey allegorische Blätter (Seven Places in Salzburg and Berchtesgaden, Arranged According to the Seven Days of the Week) 1800-1841 (Johann Heinrich) Ferdinand Olivier German. Mittwoch from Sieben Gegenden aus Salzburg und Berchtesgaden Geordnet nach den sieben Tagen der Woche, verbunden durch zwey allegorische Blätter (Seven Places in Salzburg and Berchtesgaden, Arranged According to the Seven Days of the Week) 365098

Illustration watercolours, works on paper

Courses de Chantilly, 1841. Clémente Pruche (French, 1831-1870). Lithograph;

Drawing, Laundry in the Mountains Near Rome; Bartolomeo Pinelli (Roman, 1781 - 1835); Italy; pen and gray ink with watercolor and black chalk on off-white wove paper

Nogajska Kniagin. La princesse des Nogais. Laminit, Paul-Jacob (1773-1831), graphic artist, Korneev, Emel'n Mihajlovič (1780-1839), draughtsman, cartoonist, Colas, Dominique (fl. ca 1795-1814), printer

A Carrier's Waggon. Date/Period: Between 1785 and 1790. Painting. Watercolor. Height: 257 mm (10.11 in); Width: 386 mm (15.19 in). Author: Thomas Rowlandson.

Fashionable Bores, or Coolers in High Life, Daniel Thomas Egerton, c.1800-1842, British, Peter Quiz, active 1824, 1824, Aquatint, colored by hand, Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)

Scene for a house, Jurriaan Andriessen, 1752 - 1819 drawing paper. ink. graphite (mineral) pen / brush

Farm, Erve Wijsmuller, 1832 - 1850 print A farm with farmers, farmers and animals, including cows, horses, goats and chickens. Numbered at the top right: No. 61. Amsterdampublisher: Rotterdam paper farm (building) - AA - civic architecture: inside. agricultural implements. farmers. cow. horse

View near Newport, Isle of Wight, from "Sketches from Nature" 1822 Etched by Thomas Rowlandson. View near Newport, Isle of Wight, from "Sketches from Nature". "Sketches from Nature". Etched by Thomas Rowlandson (British, London 1757-1827 London). 1822. Hand-colored etching and aquatint. Prints

Alehouse Politicians, 1785-1790. Thomas Rowlandson

Flute and bagpipe player for a house Li Pifferari in Roma, draughtsman: Bartolomeo Pinelli, (mentioned on object), 1816, paper, brush, h 209 mm × w 250 mm

Children Dancing, George Townly Stubbs, 1748-1815, British, after Edward Penny RA, 1714-1791, British, 1798, Watercolor, gouache and graphite on medium, slighlty textured, cream wove paper, Sheet: 17 1/2 × 14 7/8 inches (44.5 × 37.8 cm)

Pot Fair Cambridge May 1, 1803 Thomas Rowlandson. Pot Fair Cambridge. Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). May 1, 1803. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Spectators at the departure from the port of Luogo Vivo, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, brush, h 254 mm × w 363 mm

Julius Caesar Ibbetson, 1759-1817, British, Woodcutter and His Family, undated. Watercolor and pen and black ink on medium, slighlty textured, cream wove paper.

Backswords, Charles Turner, 1774-1857, British, 1810, Watercolor over etched outline on medium, slightly textured, blued white, wove paper, Mount: 11 1/2 × 14 5/8 inches (29.2 × 37.1 cm), Contemporary drawn border: 8 3/8 × 11 1/2 inches (21.3 × 29.2 cm), and Sheet: 7 13/16 × 10 15/16 inches (19.8 × 27.8 cm), genre subject, sporting art

Wilhelm Tell , Große Oper from Rossini Theatrical Image Gallery for the Theaterzeitung, Jg, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

John Frederick Herring, Sr., 11. "By my soul...", 1805-1865, watercolor over pencil on paper.

Attributed to John Absolon, 1815-1895, British, Group of Peasants with Musical Instruments, undated. Watercolor, gouache, graphite, pen, and brown ink on moderately thick, moderately textured, cream wove paper.

Netherlands, Greetings letter with musicians and a bridal couple, recto - handwritten in brown ink, Greetings letter with described cartouche within a decorative frame depicting musicians serenading a bridal couple. Handwritten message in calligraphy (New Year's greeting) a girl to her grandfather and grandmother. Numbered top left: No. 32. Author's name erased., print, engraving, folk print, greetings letter, prints, engravings, folk prints, verso - stamped, New Year's greeting, to my dear, Grandfather and. grandmother, Grandparents! the new year ..., height 409 mm, width 330 mm, print maker, printmaker, 1829 - 1829, paper, papier, ink, inkt, etching, etchings, kleuren, kalligrafie, pen, Publication (Event), Publicatie, publisher

Bath , Eating & drinking. Thomas Rowlandson (1756-1827). Prints and Drawings

Brussels, Gérard, H., Loose plates from a series of lithographs of the area around Waterloo, Monument du Major Arthur Rowley Heyland à Mount St. John, Grave of Arthur Rowley Heyland in Mont-Saint-Jean, verso - stamped, View of the grave of the British soldier Arthur Rowley Heyland in Mont-Saint-Jean near Waterloo. A man, woman and child are standing by the fenced grave. Rowley Heyland was killed during the battle. Part of a series of twelve plates (supplemented to fourteen) with views from around 1840 of the area where the Battle of Waterloo took place on 18 June 1815., print, prent, prints, Frederik Muller Historieplaten, height 213 mm, width 280 mm, Belgian, print maker, printmaker, 1842 - 1842, paper, papier, lithografie (technique), printer, drukker

Gobeline workshops Develly. Gobeline workshops - 1840.

Letters S, R, U en T, firma Joseph Scholz, 1829 - 1880 print Leaf with 4 performances to cut out and bind together to book about the alphabet. Imagines of the letters S (key), r (riding), u (ueberfall = robbery) and t (Theodor). Under each image a caption in German and in Dutch. Numbered bottom left: No. 108. publisher: Mainzprint maker: Europe paper letters, alphabet, script

Set of Four: Boys Robbing an Orchard, George Morland, 1763-1804, British, 1790, Hand colored stipple engraving, Sheet: 11 7/16 x 14 15/16in. (29.1 x 37.9cm)

Paul Gavarni, Promenade, 1814-1866, lithograph on paper.

Kitchen interior, Charles Rochussen, 1824 - 1894, draughtsman: Charles Rochussen, 1824 - 1894, paper, brush, pen, h 127 mm × w 207 mm

Book, Viennese scenen from common life after nature drawn by Sigmund by Perger, Hofmahler , Tableaux Caracteristiques du Bas Peuple de Vienne, Publiés à Vienne Chez Tranquillo Mollo, - Blatt , A Schlawak Slowake with pipe ceilings,

Francis Wheatley drawing depicting a haystack, executed in pencil, ink wash, and watercolor.

The Gypsie Fortune-Teller, 1783, England, maker unknown. Acquisition history unknown.

The Pleasures of Margate July 25, 1800 Thomas Rowlandson Four images on one plate: "Morning" (Breakfasting at Michiner's Grand Hotel), "Noon" (Dining at Michiner's Grand Hotel), "Evening" (A drive on the sands), and "Night" (At the bazaars, raffling for prizes).. The Pleasures of Margate. Thomas Rowlandson (British, London 1757-1827 London). July 25, 1800. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Adelheid von Frankreich grosses Ballet von Henry (die berühmte Kerkerscene), 1831, Schoeller, Johann Christian, 1782-1851. Engraving, 22.2 x 27.5 cm, colored, plate mark., Wien, Austria, 19th century. Choreographic work by Henry

Soldiers Carousing at an Inn, Thomas Rowlandson, 1756-1827, British, undated, Watercolor, with pen and brown ink, gray ink and graphite on medium, moderately textured, cream, wove paper, Mount: 12 11/16 × 16 5/16 inches (32.2 × 41.4 cm), Contemporary drawn border: 8 1/2 × 12 13/16 inches (21.6 × 32.5 cm), and Sheet: 7 1/4 × 11 5/8 inches (18.4 × 29.5 cm)

Two Shepherds in the Campagna, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A shepherd leaning against a tree plays the flute. Another seated upon a boulder listens. Their flocks are shown in the distance between them., Italy, 1807-08, Drawing, Drawing

Richardson's Show: A Flying Wagon, 1816. Thomas Rowlandson (British, 1756-1827). Etching, hand colored;

The bratel root, Illustration from Vienna and the Viennese, in pictures from life, edited by Adalbert Stifter, Pest

Water Engine, Cold Bath, Field's Prison, 1808. Thomas Rowlandson (British, 1756-1827), and Augustus Charles Pugin (British, 1762-1832). Etching;

Satirical sheet for the conflict of Joseph II with the southern Netherlands, the four large villains of Belgium cartoon, André Basset -, publisher

Dr. Syntax Visits a Boarding School for Young Ladies. Date/Period: 1821. Painting. Watercolor. Height: 129 mm (5.07 in); Width: 211 mm (8.30 in). Author: Thomas Rowlandson.

Preparing macaroni at Trapani, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, pen, brush, h 146 mm × w 204 mm

Charles Turner, 1774-1857, British, Wrestling, 1810. Watercolor over etched outline on moderately thick, moderately textured, blued white, wove paper.

Enraged Vicar. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 11/16 × 15 1/8 in. (27.2 × 38.4 cm)Plate: 11 3/4 × 14 9/16 in. (29.9 × 37 cm). Date: March 1, 1807. Museum: Metropolitan Museum of Art, New York, USA.

A New Love Song, Only ha'Penny a Piece, Anthony Cardon, 1772-1813, Flemish, after Francis Wheatley, 1747-1801, British, 1796, Stipple engraving, printed in color, Image: 14 x 10 3/4in. (35.6 x 27.3cm)

CafÄ of Caveau du Palais Royal, Paris, France, 18th century engraving

Klederdrachten van eiland Gozo. Costume de Ghozo (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 177 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Traditional russian clothing by Karl Ivanovich Kolmann, Watercolour on cardboard, 1845, 1786-1846, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 16, 2x21, 5

Thomas Rowlandson, 1756-1827, British, Two Coaches - Travelling in France, undated. Watercolor with pen and brown ink, gray ink, blue ink and graphite on medium, slightly textured, beige, wove paper.

Vanity Fair. Date/Period: Ca. 1875-1885. Works on Paper. Ink and washes on paper. Height: 15.50 mm (0.61 in); Width: 18.75 mm (0.73 in). Author: Constantin Guys.

Luigi Schiavonetti, 1765-1810, Italian, 'Cries of London' Plate 2: "Milk below Maids", 1793. Colored engraving with stipple.

Charles Turner, 1774-1857, British, Going out Milking, 1800. Mezzotint, in colors on moderately thick, moderately textured, cream, wove paper.

A coalman. Debucourt, Philibert Louis (1755-1832), graphic artist, Norblin de la Gourdaine, Jean Pierre (1745-1830), draughtsman, cartoonist, Gillé fils (Paryż ; drukarnia ; 1811-1820), workshop, Bance, Charles (1771-1863), publisher

Zaans Tentjacht, 1816, 1824 - 1825 Several people let themselves be transported in a tent hunt over the Zaan, 1816. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: NetherlandsAmsterdamafter drawing by: Zaandampublisher: Amsterdam paper etching Zaan. Zaandam Several people let themselves be transported in a tent hunt over the Zaan, 1816. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: NetherlandsAmsterdamafter drawing by: Zaandampublisher: Amsterdam paper etching Zaan. Zaandam

France - 19th century - Man of letters at committee. Engraving by F.N. Martinet

Nymphes des bords de la marene. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

A Group of Figures, Thomas Rowlandson, 1756-1827, British, ca. 1820, Watercolor with pen and red-brown and gray ink on medium, slightly textured wove paper mounted on mat board, with gold paper and red and brown ink borders, Sheet: 4 3/8 x 7 5/16 inches (11.1 x 18.6 cm), canes, dog (animal), figures, genre subject, groups, social, hats, men, obese, robe, woman

Jean Baptiste Morret after Antoine Borel, Le paysan mecontent Le paysan mecontent

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