Society and Everyday Life Scenes

Narrative prints illustrating societal themes, including artistic gatherings, moral tales, and character depictions, reflecting 18th and 19th-century life.

A harlot's progress, plate 4 , Prostitutes, Prisoners, Prisons, Linen industry. William Hogarth (1697-1764). Prints

8th drawing of the subscription, month of March / 1834 / Republican evening given in the lounges of the freedom of the press. (IT)

Pl. 9. The idle 'prentice betrayed by his whore and taken in a night cellar with his accomplice , Prostitutes, Law enforcement officers, Bribery. William Hogarth (1697-1764). Prints

A harlot's progress, plate 4 , Prostitutes, Prisoners, Prisons, Linen industry. William Hogarth (1697-1764). Prints

A Rake's Progress, Plate 2. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 2 11/16 x 3 1/4 in. (6.8 x 8.2 cm). Engraver: Dent (British, active ca. 1800); Richard Corbould (British, London 1757-1831 London). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA.

Don Quixotte consults the enchanted head with Don Antonio Moreno, François Joullain, after Charles-Antoine Coypel, c. 1723 - c. 1724 print print maker: Francepublisher: Paris paper engraving / etching Don Quixote

Reception of the first Dutch envoy in the US Senate, 1783. Reception of the first Dutch envoy Pieter Johan van Berckel in the US Senate in Princetown, October 31, 1783.

Maintenance with the Princess in Goejanverwellesluis, 1787, Reinier Vinkeles (I), After Jacobus Buys, 1795 print Maintenance of Princess Wilhelmina van Pruisen with the deputies of the Commission from Woerden, in the house in Goejanverwellesluis, 28 June 1787. Northern Netherlands paper etching / engraving arrest (of criminal) Goejanverwellensluis

Imprisonment of Pieter Dirksz. Hasselaer, 1573. Draughtsman: Joannes Pieter Visser Bender. Intermediary draughtsman: Pieter Bartholomeusz. Barbiers. Dating: 1809 - 1813. Place: Netherlands. Measurements: h 266 mm × w 355 mm. Museum: Rijksmuseum, Amsterdam.

Abraham Bosse, Death, 1636 Death

Sir William Worthy's Blessing, Print made by David Allan, 1744-1796, British, born in Scotland, after David Allan, 1744-1796, British, born in Scotland, 1808, Etching and aquatint on moderately thick, slightly textured, cream wove paper, Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm), Plate: 10 3/8 x 7 13/16 inches (26.3 x 19.8 cm), and Image: 8 3/4 x 7 1/16 inches (22.2 x 17.9 cm), apron (main garment), blessing, bones (material), breeches, cane, cape, chairs, coats, costume, cupboard, dog (animal), fichu, genre subject, gesture, gowns, hats, illustration, inkwell, interior, kerchiefs, lovers, marriage, men, pastoral, peasants, pictures, poem, prayer, praying, quill, rafters, shepherd, smiling, stripes, table, women, Europe, Scotland, United Kingdom

Drykeling comes to knowledge in his bed, Robert Pollard (I), After Robert Smirke, 1787 print On the left, according to the caption John Coakley Lettsom, who leads the mother to the bed. William Hawes supports the young man in the bed. London paper etching / engraving accidental death ~ water - EE - getting wounded by accident (death not involved). parental love. sick-bed. historical persons. physician, doctor

The painter Peter Paul Rubens on his deathbed surrounded by many figures. Top right: Pl. 4. Peter Paul Rubens on his deathbed The death of Rubbens , print maker: Willem van Senus, (mentioned on object), intermediary draughtsman: Johannes Steyn, (mentioned on object), Netherlands, 1838, paper, etching, h 249 mm × w 320 mm

The last interview of Louis XVI, with his family. (IT)

Passion of Pieter Dirksz. Hasselaer, 1573, 1809 - 1813 drawing Interior with the capture of Pieter Dirksz. Hasselaer by Spanish soldiers in his mother's house, August 1573. Left Kenau Simonsdochter Hasselaer. The moment when Pieter Dirksz. Hasselaer made himself known when the Spaniards his younger brother Claes Dirksz. wanted to arrest in his place. Netherlands paper. ink pen / brush Haarlem

Willem V shows the papers of Laurens, 1780, Jacobus Buys, 1780 - 1795 drawing Stadholder Willem V submits the papers taken by the English from the American Henry Laurens at the meeting of the States of Holland, 20 October 1780. Design for a print. Northern Netherlands paper. ink pen / brush popular representation ~ government. alliance, league, union, foedus. provincial government United States of America

George Cruikshank, 1792-1878, British, Lowest 'Life in London'.., May 1, 1821.

Juliusz Kossak (1824-1899), Skrzetuski in front of the king in Toporów - illustration to Henryk Sienkiewicz's "Fire and Sword" (reproduction of the drawing of 1886);Kossak, Juliusz (1824-1899), Kossak, Juliusz (1824-1899)-reproduction, Sienkiewicz, Henryk (1846-1916), Sienkiewicz, Henryk (1846-1916)-literary work, Sienkiewicz, Henryk (1846-1916). With Fire and Sword, Skrzetuski, Jan (lit.), Illustrations for literary works, painting, Polish painting, Poland (culture)

My good friends, 'favete linguis', Print made by George Cruikshank, 1792-1878, British, 1836, Etching on medium, slightly textured, cream wove paper

Prince Willem V in the College of the Admiralty in Amsterdam The Netherlands, Reinier Vinkeles, 1768 - 1772

Friedrich II, in Lissa am , Dezember , Anton Wachsmann , copper engraver, Christ, Hampe, copper engraver

Is this your louse , Surprise, Insects. Thomas Rowlandson (1756-1827). Prints and Drawings

The Banquet of Belshazzar, Jan Harmensz Muller, Dutch, 1571 - 1628, etching and engraving, Netherlands, ca. 1590-1620, Print, Print

Copper engraving and etching by William Hogarth from 1745 depicting the third scene of Fashionable Marriage, showing figures interacting in a detailed interior.

Romane banner, 1705; Rooms Cocicaan Munnike N Maal or Hoogtyd v an stroke stroke / sic itur ad astra scilicet; 13 emblem, or the mannequin tunnies from Holland trained by her supreme cook; Roma Pertubata / 't Lusthof from MoMus. Romane banquet, 1705. Interior in which Catholics surrender to gluttony and lust. Partial meal where monks, a priest, a hermit and other Catholic clergymen do to do well to excessive food and beverage in the company of naked and scarce. Against the walls representations of the fox that preaches and decreases. On the left side of the bed with the sleeping and naked woman firing devils the fire under the world and has culprit the earned money. Right gnaws envy of a heart. A personification of anger keeps the door close to the jansenist. The women symbolize the seven deadly sins. A cartouche with text has been added at the top right. Leaf No. 13 In the series of 13 blades with cartrots on the Jesuits entitled Roma Pertubata, 1707. Part of the print work issued

City sign academy in Amsterdam, 1764-1767, Reinier Vinkeles (I), 1768 print The city sign academy (sign academy) above the De Garde Corps in the Leidsepoort in Amsterdam in the year 1764. The drawing academy moved to the Town Hall on Dam Square on December 4, 1767. A group of male drawing pupils in a fairly dark interior in the case of lamb obligation to be drawn to a male nude model, seen the model standing from the front. In the margin at the bottom of the title and the assignment to Willem Huyghens with his family crest. Amsterdam paper etching / engraving place or institution of education and training of the artist, e.g.: academy of art. drawing-lesson Leidsepoort

Renunciation of Josephine to his wife rights (IT)

Intrusion on Study or The Painter Disturbed November 30, 1785 Thomas Rowlandson. Intrusion on Study or The Painter Disturbed. Thomas Rowlandson (British, London 1757-1827 London). November 30, 1785. Etching. John Raphael Smith (British, baptized Derby 1751-1812 Doncaster). Prints

Thomas Cook, 1744-1818, British, Humours of Oxford, 1729, 1807. Engraving.

The Conversion of Sergius Paulus. Negretti & Zambra (British, active 1850 - 1899)

Gate of Calais, O the Roast Beef of Old England, Print made by William Radclyffe, 1780-1855, British, after William Hogarth, 1697-1764, British, 1833, Etching and line engraving on medium, slightly textured, cream wove paper

Marriage A-La-Mode. Plate IV. The Toilet Scene. 1745. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A Rake's Progress, Plate 8 June 25, 1735 William Hogarth British. A Rake's Progress, Plate 8 403220

Adopting the Constitution of May 3; Bolt, Johann Friedrich (1769-1836), Taubert, Gustav Friedrich Amalius (1755-1839); 1792 (1791-00-00-1791-00-00);Branicki, Aleksander (1821-1877), Branicki, Aleksander (1821-1877)-collections, Branicki, Władysław (1848-1914), Branicki, Władysław (1848-1914)-collections, collection from Sucha-collection, Constitution 3 Maja (May 3 ( 1791), Tarnowska, Anna (1876-1953), Tarnowska, Anna (1876-1953)-collections, Tarnowski, Juliusz (1864-1917), Tarnowski, Juliusz (1864-1917)-collections, Tarnowski, Juliusz Gabriel (1901- 1989), Tarnowski, Juliusz Gabriel (1901-1989) - collections

Maintenance with the Princess in Goejanverwellesluis, 1787.maintenance of Princess Wilhelmina van Pussen with the Deputies of the Commission from Woerden, in the home in Goejanwellesluis, 28 June 1787. Design for a print.

Illustration for Hamlet: The Players Represent the Death of Hamlet's Father (III,2), Eugène Delacroix, French, 1798 - 1863, Lithograph on paper, The Players Represent the Death of Hamlet's fFther (III,2), France, 1835, Print, Print

The reward of cruelty , Dead persons, Criminals, Dissections, Hogarth, William, 1697-1764. Four stages of cruelty. William Hogarth (1697-1764). Prints

Allegory on the allied victories in the year 1702; For an eternal memory of the Zeeghial Year 1702. Allegory on the Allied victories on the French in the year 1702. The bust of the died king Willem III in laurel wreath with caption, left queen Anna sitting on her throne and Hercules samples firmly; On the right the freedom with the Dutch lion at a scene of victory in the sea battle in the Bay of Vigo.

Monkeys as a pharmacist, ca. 1720, Matthijs Pool, 1720 print Monkeys like pharmacists and customers in a pharmacy. In the caption verses in French and Dutch. Print no. 7 in a series of 16 prints of around 1720 in which monkeys figure as people in all kinds of household scenes. Amsterdam paper etching / engraving animals acting as human beings. monkeys, apes. pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist

Stefan Batory Near Pskov in 1581. Matejko, Jan (1838 1893), Styfi, Jan (1841 1921), Lewental, Salomon (Franciszek Salezy) (1841 1902)

Couple at the village court of Puiterveen, Simon Fokke, After Cornelis Troost, 1722 - 1784 print A couple at the village court of Puiterveen. This print may have been made for the comedy "Cased Swaentje and Drooge Fobert or the Boere Court" (1714) by Abraham Alewijn. Under the image a text signed with L.P. Printed from two plates. Amsterdam paper etching comedy. court session (court of justice)

Bernard Baron, 1696-1762, French, Marriage A-La-Mode, Plate III: The Scene with the Quack, 1745. Engraving.

ARake's Progress, Plate 6 Gold, thou bright Son of Phoebus..., 1735

Return from the Vienna expedition in 1683. Bonus of the Society of Friends Pieces of drinking in Krakow; Kaiser, Eduard (1820-1895), Löeffler, Leopold (1827-1898), Litography of Time (Kraków; Litographic AD; 1856-1865); 1857 (1856-00-00-1858-00-00);

Madame Roland. Marie-Jeanne Roland de la Platière (1754-1793) supporter of the French Revolution, meeting with members of the Girondin faction she fell from grace during the Reign of Terror and died on the guillotine. France. Old XIX century engraving illustration. Les Français Illustres by Gustave Demoulin 1897

Proposals to the people of Willem and Mary as the new king and queen of England, 1689, 1689 print Proposing to the collected people in the Westminster Abbey of Prince William III and Princess Maria as the new king and queen of England, April 21, 1689. Numbered at the top right: 203. Plate o In the series 'Engelants Schouwtoneel' over the Glorious Revolution 1688- 1689 (second part). With captions in Dutch and French. Amsterdam paper etching coronation of a ruler Westminster Abbey

Keizerin Eleonora van Palts -Neuburg, 19 January 1720, Anonymous, 1720 - c. 1722 print paper etching historical persons - BB - woman. deathbed. queen, empress, etc. (wife of a ruler)

Bassano, Giacomo.

The Gallery of the Palace of Justice ca. 1638 Abraham Bosse French. The Gallery of the Palace of Justice 365317

Maintenance with the Princess in Goejanverwellesluis, 1787, Reinier Vinkeles (I), After Jacobus Buys, 1795 print Maintenance of Princess Wilhelmina van Pruisen with the deputies of the Commission from Woerden, in the house in Goejanverwellesluis, 28 June 1787. Amsterdam paper etching / engraving arrest (of criminal) Goejanverwellensluis

Cigoli, Italy, Galle, Cornelis (I), Christ the Guest of Simon the Pharisee, verso - stamped, Christ is a guest in the house of Simon the Pharisee. He is lying at the table while Mary Magdalene anoints his feet and dries them with her hair. Two servants stand before the table and bring dishes with roasted poultry. Below the representation a verse in Latin., print, prent, prints, prenten, height 275 mm, width 336 mm, Zuid-Nederlands, 1576 - 1650-03-29, print maker, prentmaker, 1590 - 1610, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1559 - 1613-06-08

Illustration to Becker's Pocketbook für 1799. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1799. Prints; etchings. Etching

Judge, an alchemist Styfi, Jan (1841 1921), woodcut K Osów, Matejko, Jan (1838 1893)

Plate Six, from A Rake's Progress. William Hogarth; English, 1697-1764. Date: 1735. Dimensions: 315 × 386 mm (image); 357 × 410 mm (plate); 465 × 606 mm (sheet). Etching and engraving in black on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Indian Emperor, or The Conquest of Mexico, Act 4, Scene 4. 1792. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Banquet of the Rich Man mid to late 17th century Abraham Bosse French. The Banquet of the Rich Man 390472

Plate Three, from Marriage à la Mode. Bernard Baron (French, 1696-1762); after William Hogarth (English, 1697-1764). Date: 1745. Dimensions: 354 × 443 mm (image); 388 × 466 mm (plate); 401 × 480 mm (sheet). Etching and engraving in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Beggar's Opera, Act III July 1, 1790 William Blake British. The Beggar's Opera, Act III 383686 Engraver: William Blake, British, London 17571827 London, Artist: After William Hogarth, British, London 16971764 London, Publisher: John & Josiah Boydell, London, Subject: John Gay, British, Barnstaple, Devon 16851732, The Beggar's Opera, Act III, July 1, 1790, Etching and engraving, Plate: 18 x 23 1/8 in. (45.7 x 58.8 cm) Sheet: 19 5/16 x 26 9/16 in. (49 x 67.5 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1917 (17.3.946)

Haveill Gillbank, 18th-19th centuries, British, The Rapacious Steward or Unfortunate Tenant, 1803. Engraving, mixed method.

A Rake's Progress: pl.6. Dated: 1735. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

Etching and copper engraving by Jean-Baptiste Blaise Simonet, 1762-1813, depicting Henry IV at the miller, showing figures, architectural elements, and narrative composition.

The men of the next day / the men of the day (IT)

Charles Warren, 1767-1823, British, The Surprise of Peregrine Pickle, by a visit from a Lady of Quality, who comes to relieve his distresses, 1798. Engraving.

Queen Wilhelmina visiting the wounded Prince of Orange, after the battle of Waterloo, in Brussels, Mattheus Ignatius van Bree, 1815 - 1817, draughtsman: Mattheus Ignatius van Bree, 1815 - 1817, paper, pen, brush, h 145 mm × w 179 mm

Florizel and Perdita-"The Winter's Tale". Artist: After Charles Robert Leslie (British, London 1794-1859 London). Dimensions: sheet (trimmed to plate): 9 3/4 x 13 1/16 in. (24.8 x 33.2 cm). Engraver: Lumb Stocks (British, Lightcliffe, Yorkshire 1812-1892 London). Publisher: Virtue & Co., Ltd. (London). Series/Portfolio: Art Journal. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: January 1867. Museum: Metropolitan Museum of Art, New York, USA.

Jonas Haas (1721-1775); Peter Cramer (1726-1782), a company in a rococoal oversees an experimental experiment, 1754

Chamber orchestra with piano and violin, Philippus Velijn, after A. Elink Sterk Jr., 1797 - 1836 print A woman behind a piano and a man playing on a violin in an interior. Four figures listen. There is a lamp on the piano. Bottom right: bl. 211 Netherlands paper etching / engraving small group of musicians, chamber orchestra, jazz band. lighting; lamps

Abraham Bosse, Le maistre d'escole, c. 1635, etching and engraving on laid paper.

Willem V shows the papers of Laurens, 1780, Reinier Vinkeles (I), After Jacobus Buys, 1787 print Stadholder Willem V submits the papers taken by the English from the American Henry Laurens at the meeting of the States of Holland, October 20, 1780. Northern Netherlands paper etching / engraving provincial government

Students' Life in Germany, The Proctor, Print made by Albert Henry Payne, 1812-1902, British, 1846, Line engraving on medium, slightly textured, cream wove paper

A rake's progress. Plate 7. The prison prints, engravings, works on paper

Man reads to a group in a richly decorated interior, Jean Baptiste Madou, 1835 - 1837 print publisher: Brusselspublisher: Parispublisher: Rotterdam paper interior of the house. story teller; listening to story teller

Photo production of an engraving of the deathbed of Adolf van Nassau in 1609, Anonymous, 1850 - 1900 visit card. photograph Netherlands photographic support. cardboard albumen print deathbed Xanten

Bliżej Kultury Matejko, Jan (1838 1893), Redlich, Henryk (Ca 1840 1884)

TOM.6 / PAG.141 / Napoleon Coronation (IT)

The studio of sculptor Antoine Laurent Dantan, Paris, France, illustration from L'Illustration, Journal Universel, No 376, Volume XV, May 11, 1850.

Illustration for Peter Marx Johann Karl Wezela The Third Wife Surrounded by Lovers is Choked on a Meal (Peter Marx. A History of Applied Sciences in the publisher of the Dykische Buchhandlung. 1779) Chodowiecki, Daniel Nikolaus (1726 1801)

A Harlot's Progress: pl.1. Dated: 1732. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

Harper's Bazaar / Americans buying relics of the Siege at Paris.(TI)

John Law in een rinkelstoel voor het Lazarushuis, 1720. Het Groote Tafereel der Dwaasheid (extra stukken) (series title). Draughtsman: anonymous. Dating: 1720. Place: Northern Netherlands. Measurements: h 327 mm × w 405 mm. Museum: Rijksmuseum, Amsterdam.

Image reproduction: Aleksander Lesser (1814-1884), the last moments of Miko Aja Kopernik; Z: "K Osy" 1878, No. 695, vol. XXVII, pp. 264-265; Gorazdowski, Edward (1843-1901), Lesser, Aleksander (1814-1884); 1878 (1878-00-00-1878-00-00);Copernicus, Mikołaj (1473-1543), Copernicus, Mikołaj (1473-1543)-iconography, Kłosy (Warsaw-magazine-1865-1890)-illustrations, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - reproduction, painting, Polish painting, personalities, Polish personalities, reproduction, reproduction of a work of art

. In a rich decorated departure, with an ornamental fireplace where a vase with flowers is able, five women are in seventeenth-century clothing. Four women sitting at the table while the fifth is already showing a flower to the others, who also have flowers. Above the fireplace, a painting with a biblical performance depends and in addition to the passage behind the table hanging two portraits; One of a man and one of a woman.

The name day is due to the image of Louis Leloir. Advertising print of the magazine Kłosy Pannemaker, Stephane (1847 1930), Laloir, Alexandre Louis (1843 1884)

Event of the sale of 19 February1790 in Paris. (IT)

Print made by George Cruikshank, 1792-1878, British, The Marquis de Guiscard Attempting to Assassinate Harley, 1844. Etching on medium, slightly textured, cream wove paper.

You Have Honor... Made 1825-1826 France. Lithograph in black on off-white wove paper . Denis Auguste Marie Raffet

The Quacksalver 1785 Austria. Etching and drypoint on ivory laid paper . Franz Anton Maulbertsch

Plate four, from A Harlot's Progress 1732 England. Arrested and thrown into prison, the now prominently pockmarked Moll proves inadequate to the physical labor of beating hemp for hangmenís nooses. Amid cardsharps and debtors, she appears particularly out of place in her elaborate dress. But she seems destined for even more difficult straits, given that both her former servant and the jailerís wife are seen here stealing from her.. Engraving in black on ivory laid paper . William Hogarth

Evening, plate three from The Four Times of Day 1738 France. Etching and engraving in black on cream laid paper . Bernard Baron (Engraver)

Joseph offers a feast to his brothers, print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1704, paper, etching, letterpress printing, h 112 mm × w 160 mm

House of Light morals, Johann Sadeler (I), After Joos van Winghe, 1588 print In a house of light morals, music is made, danced, drunk and sex by elegantly dressed people. In front of a woman behind a house organ and a lutitist on the back. On the left two men with masks for who play a schedule like Luit and a Blaasbalg as a violin respectively. In the middle, for a venus image, a dancing pair. At the rear right in the doorway the coupler. München paper engraving brothel. private festivities, merry company. one pair dancing; man and woman dancing as a couple. small group of musicians, chamber orchestra, jazz band. organ. piece of sculpture, reproduction of a piece of sculpture. (story of) Venus (Aphrodite). the book of Ecclesiasticus, the wisdom of Jesus Sirach (19)

Students from an academy at the model drawing, Simon François Ravenet (Le Vieux), after John Hamilton Mortimer, 1771 print London paper etching / engraving drawing-lesson. artist (in general) working from nude model

Sheet with two scenes from 'De Herman'. Sheet with two scenes from 'De Herman'. Left: Figures reunited in a departure. Right: figures in a departure in conversation. Under the representations the dialogues between the superior, Fanny and Hendrik in Dutch. Illustration from the fifth company of the play 'De Herman'.

Print made by William Radclyffe, 1780-1855, British, Gate of Calais, O the Roast Beef of Old England, 1833. Etching and line engraving on medium, slightly textured, cream wove paper.

A Rake's Progress, Plate II: His Levee, William Hogarth, 1697-1764, British, 1735, Engraving, Sheet: 12 1/4 x 15 1/4in. (31.1 x 38.7cm)

California / (Barrier Montparnasse)

The belt begins with the castellan lady. Illustration to the "memory" of the belt; Grenier de Saint-Martin, Francisque-Martin-François (1793-1867), Zaleski, Antoni (1824-1885), Lemercier, Rose Joseph (Paris Kazimierz (1806-1885); 1849 (1849-00-00-1849-00-00);Nieborów - collection, ball, customs, illustrations, contacts, music, dance, palace interiors

Passe, Crispijn van de (I), Vos, Maerten de, Antwerpen, Religiosi Convivii Laetvs Exitvs, Terugkeer van Tobias, Antwerp, verso - stamped, Banquet in honour of Tobias and his wife Sara who have returned together with the angel to Tobit and Anna, as an allegory of the pious meal. On the right in the background the archangel Raphael makes himself known to Tobit and Tobias. In the margin a line and a six-line caption, in three columns, in the Latin which illustrates the proposed., print, prints, height 206 mm, width 259 mm, 1564 - 1637, print maker, printmaker, 1580 - 1588, paper, papier, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

Photo production of a print to the painting The Sint Nicolaasfeest by Jan Steen. Part of album with photos and lithographs of sights in North and South Holland cities, paintings and costumes.

Veronica A Breakfast Conversation, from Boswell's Tour of the Hebrides. Thomas Rowlandson; English, 1756-1827. Date: 1786. Dimensions: 275 × 380 mm (sheet). Etching on paper. Origin: England. Museum: The Chicago Art Institute, USA.

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