Still Life and Sculpture Photography

Artistic photographs capturing still life arrangements and sculptures. Objects include artifacts and models, highlighting texture and composition.

Photo production of an etching of a portrait of mayor Jan Six by Rembrandt van Rijn, Bisson Frères, After Rembrandt van Rijn, c. 1848 - in or before 1853 photograph Paris photographic support salted paper print historical persons. mayor, burgomaster

Woodburytype print by Victor Angerer showing still life with Ambras collection objects and a Danube female model created by Hans Gasser, 1882.

Photo production of a painting of a scene from Die Frau Bürgermeisterin, Friedrich Bruckmann, after Hermann Kaulbach, c. 1880 - c. 1920 cabinet photograph. photomechanical print publisher: GermanyArnhem cardboard. photographic support collotype picture, painting

Saint-Sulpice Church, North Tower, Detail of the Statue of Saint Luc, 6th arrondissement, Paris Saint-Sulpice Church, North Tower, detail of the Statue of Saint Luc. Paris (old arr.), 1910-1913. Photograph of Jean Barry. Draw at gelatin bromide of silver.

Warsaw. Royal Azienki. Narcissus and Echo - Rz Ba; Bu Hak, Jan (1876-1950); 1920 (1920-00-00-1920-00-00);

Woodburytype image by Victor Angerer depicting a still life with artifacts from the Ambras collection and a model of the Danube female figure created by Hans Gasser, produced in 1882.

Jan Six, Pierre François Basan, after Rembrandt van Rijn, 1733 - 1797 print paper etching historical persons

Photo production of an etching of a portrait of mayor Jan Six by Rembrandt van Rijn, Bisson Frères, After Rembrandt van Rijn, c. 1848 - in or before 1853 photograph Paris photographic support salted paper print historical persons. mayor, burgomaster

Copper engraving and etching by Benoit Louis Henriquez from 1773 depicting a young woman reading a letter, showing figure, gesture, and domestic activity.

Heliogravure by Victor Angerer from 1882 depicting a still life with objects from the Ambras collection and a model of the Danube female by Hans Gasser.

Oil painting of 'Fruit of Love' by Giovanni Segatini (1858-1899) Italian painter known for his large pastoral landscapes of the Alps. In later life he combined a Divisionism painting style with Symbolist images of nature. He was active in Switzerland for most of his life.

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Photo production of painting Portrait of a woman to George Hendrik Breitner, George Hendrik Breitner (Possible), after George Hendrik Breitner, 1886 - 1910 photograph baryta paper. cardboard gelatin silver print picture, painting

Sardinia Nuoro Oliena S. Maria. Hutzel, Max 1960-1990 Post-medieval: Architecture (15th century) with some rustic gothic elements and a well preserved campanile; wooden sculpture (16th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Bovara S. Pietro di Bovara2. Hutzel, Max 1960-1990 Medieval: Architecture, Romanesque (12th century). Campanile added on to in 1582. Restored facade with rose and bifora windows, decorative friezes, and inscription. Interior is barrel vaulted with a trifora window; wooden crucifix (12th century); sculpture and carved choir stalls; stoups. Post-medieval: Architecture, Renaissance: cloister with a two-story loggia; modern presbytery; fresco German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The villa of Henryk Siemiradzki at Via Gaet in Rome - the third Buduar (a fragment of the room from the sofas and armchairs); 1903 (1903-00-00-1903-00-00);Rome (Italy), Siemiradzki, Henryk (1843-1902), Siemiradzki, Henryk (1843-1902)-biographical materials, Siemiradzki, Henryk (1843-1902)-reproduction, architecture, Italian architecture, musical instruments, lamps, painting, painting Polish, furniture, apartments, pianos, villas, interiors

Victor Angerer's 1882 heliogravure depicts a still life featuring Ambras collection objects and a Danube female model by Hans Gasser, emphasizing arrangement and artistic detail.

The Garland Plastique. Arthur F. Kales, photographer (American, 1881 - 1936) about 1920 Three women wearing long dresses, acting out a scene. (Verso, mount) inscribed in pencil, at upper left corner, by Kales: "4 encircled"; in pencil, at upper center, by Kales: "The Garland Plastique / Arthur F Kales signed in cursive style / 1030 1/2 space N. Van Ness Ave / Los Angeles"; in pencil, at upper center: "1039 encircled"

Garnier, Arsène (n.1822 - D.1900), Victor Hugo in the Red Salon in Hauteville House (dummy title), 1868. House of Victor Hugo - Hauteville House.

Reproduction of a painted portrait of Gaspar Gevartius, Anonymous, c. 1892 - in or before 1897 photomechanical print paper collotype adult man

An Academy by Lamplight February 20, 1772 William Pether British In a stone chamber containing the "Nymph with a Shell and Borghese Gladiator," six fancifully dressed young artists have assembled to sketch by lamp-light. The virtuoso realismexemplified by the chipped stone plinthbelies the scene's mysterious, romantic mood. Pether's exquisite mezzotint, based on a painting by Wright, displays subtle tonal range, with deep shadows warmed by the brownish hue of the ink. Against a range of velvety darks, highlightssuch as the protruding sheet beneath the foremost draftsman's sketchappear almost to glow.. An Academy by Lamplight 359909

Lazio Roma Rome S. Maria in Aquiro34. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Study of an arm and hand that rests on a jug, Bernard Romain Julien, 1836 - 1843 print Zesde Delivery. Paris paper lower arm - AA - female human figure. hand - AA - female human figure

Campania Napoli Naples S. Lorenzo Maggiore23. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Tonial Study II. Collection of Juhl

Collotype print by Victor Angerer showing a still life with artifacts from the Ambras collection and a Danube female model by Hans Gasser, 1882.

Marches Ascoli Piceno Offida S. Maria della Rocca5. Hutzel, Max 1960-1990 Medieval: Architecture and architectural sculpture; frescos (13th and 14th century). Post-medieval: Frescos (15th century); painted ceramic sculpture. Several views of the imposing Romanesque exterior, and extensive coverage of the frescoes located in the crypt and the main altar. General Notes: Prints 20, 22, and 56 have no matching negatives. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spello S. Girolamo7. Hutzel, Max 1960-1990 Exterior views of this church (1474) focus on its cloister and a Renaissance portico of the Ionic order. In the portico are frescoes of S. Girolamo and also of the Stigmatization of St. Francis. The baroque interior (17th century) is overflowing with statues and paintings. The ceiling is frescoed with illusional architecture, wreaths, and a central oval with putti and S. Girolamo. Views focus on Pinturicchio's Marriage of the Virgin and a fresco by Mezzastris of the Madonna and Child with St. Sebastian and St. Roch. Object Notes: Hutzel photo campaign date: September 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Roman

Olga Niewska in her studio at ul. Zakroczymska in Warsaw, sitting at the gypsum model of the Post of Marsza Józef Pi Sudski; around 1926 (1926-00-00-1943-00-00);Penalty, Alfons (1901-1989)-collection, Niewska, Olga (1898-1943), Niewska, Olga (1898-1943)-collection, Niewska, Olga (1898-1943)-reproduction, Piłsudski, Józef (1867-1935) , gift (provenance), gypsum models, portraits, artists 'studios, sculptors' studios, sculpture (artist), Polish sculpture

Carl Bloch (1834-1890), Laesende dame, 1882

Portrait of Helena from Łąckie Tyszkiewicz against the background of the landscape; Rossi, Lucius, Bruckmann, Friedrich (Munich; Publisher; 1815-1898); 1901 (1829-00-00-1829-00-00);

Ellinor Tordis in Blau by Claude Debussy, Martin Imboden -, photographer

Sculpture 'La Vittoria' by Vincenzo Consani in the Palazzo Pitti in Florence; Firenze - Pitti - La Vittoria (Consani Fece) .. Part of travel album with pictures of sights in Genoa, Florence and Venice.

Cosette. Albumin paper. Photograph by J. Imbert, 1902. Paris, house of Victor Hugo.

Tuscany Siena Sinalunga S. Bernardino2. Hutzel, Max 1960-1990 Exterior views of portal. Portal and vestibule date from the 15th cent. The church, with its octagonal cupola, date from the 17th cent. Interior views include: 4 of the Stations of the Cross, located in the vestibule; and frescoes of the Annunciation, a Baptism of Christ, and a Madonna & Child, which was painted in 1486 by Guidoccio Cozzarelli. There are also photos of architectural details of the octagonal cupola and of a wooden crucifix. Object Notes: Hutzel photo campaign date: March 7, 1983. Although there are notes for only one campaign, there is a second set of photos similar to, but not exactly like, the recorded set. The original numbers of this second set do not correspond to the numbers on the notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation o

Lazio Viterbo Caprarola Palazzo Farnese10. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Ancona Fabriano S. Agostino7. Hutzel, Max 1960-1990 Medieval: Architecture (begun early 13th century): restored in 1768, 1938, and recently. Exterior: sculpted portal (early 14th century) and traces of ogival arches; 14th century frescos: Fabriano-Riminese school (restored 1933); late gothic frescos. Post-medieval: Richly decorated late baroque nave; 14th century frescos of the Fabriano-Riminese school (restored 1933); stucco work; works on canvas by Cades (18th century) Object Notes: Church was formerly known as S. Maria Nova TCI/Marches German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic

Queen Wilhelmina on the ice. .

Card Number 146, Carrie Surrey, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes. Dimensions: Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm). Publisher: Issued by W. Duke, Sons & Co. (New York and Durham, N.C.). Date: 1880s.Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy. Museum: Metropolitan Museum of Art, New York, USA.

Timothy Cole after Johannes Vermeer, The Pearl Necklace, American, 1852 - 1931, 1916, wood engraving on calendered paper

Picture photography: a grave, fragment of the Dominician polyptych, currently at the National Museum in Krakow; Krieger, Ignacy (Kraków; Photographic Zak 1860-1926); 1896-1897 (1896-00-00-1897-00-00);Amalia (1846-1928) - collection, Krieger

Campania Caserta Caserta Palazzo Reale70. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Stimmate di San Francesco17. Hutzel, Max 1960-1990 Baroque church built over an early Roman church; crypt of church still in existence. Views of sculpture, stucco, painting, fresco, gilding. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"8. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Olympia - bronze statuette of Zeus , Antiquities, Sculpture, Gods, Zeus Greek deity. Nicholas Catsimpoolas Collection

Study of a naked toddler and wife of sculptor / painter Jacques de Lalaing, preliminary study for the sacred virgin with the child, plaster.

Mr Lane. Hill & Adamson (Scottish, active 1843 - 1848)

Milano. (Cimitero monumentale) monumento calcagni; Scultore A. Bettinelli, 1861. Milan. Cemetery (cimitero monumentale) - A. Bettinelli Antonio Bottinelli (1827-1898), The tombstone of A. Calcagni, 1861; Unknown, Bogi (Florence; Naples; Photographic and Expectal Company); around 1870 1890 (1870-00-00-1900-00-00);

Blancard, Hippolyte (1843 - D.1924), Universal Exhibition of 1889: Troubadour , Sculpture in the round (dummy title), 1889. Platinum draw. Carnavalet museum, history of Paris.

st, town hall - plastic - coat of arms of Styria - plaster model for a statue at the Vienna town hall, Victor Luntz -, Formerly Owned by, Michael Frankenstein -, Photographer, Josef Anton Probst -, sculpteur

Tuscany Siena Montalcino Museo Diocesano7. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Study of a male nude model, sitting on a pied feature with a knee up and chin resting in the arms, in the studio of sculptor / painter Jacques de Lalaing, in the background painting of two women.

The Guard Chamber. André Adolphe-Eugène Disdéri (French, 1819 - 1889)

BAS-RELIEF OF THE MISERICODE, Master Savetier, Personification of his guild, Church Saint-Gervais-Saint-Protais, 4th arrondissement, Paris Bas-relief of Misericode, Master Savetier, Personification of his guild, Church Saint-Gervais-Saint-Protais, Paris (IV�me arr.), 1904. Photography of Eugene Atget (1857-1927).

Two Female Models in Classical Costume with Eakins' Sculpture "Arcadia".. Thomas Eakins (American, 1844 - 1916)

Stelzhamer, Franz.

Model for mural , Artists' models, Costumes, Massachusetts Normal Art School

Photography of the "book to Tarakanów" of Konstantin Dimitrijewitscha Flavicki; Demier, Andrey Iwanowicz (1820-1892), Flavicki, Konstantin Dmitryjewitssch (1830-1866); around 1870 (1865-00-00-1875-00-00);

Emilia-Romagna Forli Rimini Palazzo Comunale, Museo e Pinacoteca Comunale4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Antwerp, Simonau & Toovey, Mechelen, Maes, Joseph, Sculpture of Daniel in the Lion's Den and a Sculpture of Saint Alexius, in stained oak, displayed at an exhibition on religious objects from the Middle Ages and Renaissance in 1864 in Mechelen, recto - printed, photomechanical print, page, photographs, photographically illustrated books, -8, recto - handwritten, 12 - 13, 13 - 12, height 257 mm, width 196 mm, Belgian, 1838 - 1908, photographer, 1864 - 1866, paper, papier, photolithography, fotolithografie, clichémaker

Study of a male nude model, sitting on a pied feature with his arm resting on the knee and seen from aside, in the studio of sculptor / painter Jacques de Lalaing, in the background painting of two women ...

Blancard, Hippolyte (1843 - D.1924), Universal Exhibition of 1889: Herald of Arms of the time of Louis XI, sculpture in the round (dummy title), 1889. Platinum draw. Carnavalet museum, history of Paris.

Femme accoudé à une table, les mains devant le visage. Fernand Khnopff (Belgian, 1858 - 1921)

Ein Invalide mit seinem Enkel. An invalid with his grandson.. Enhuber, Karl von (German painter, 1811-1867). Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Children and adults, Older people , Men, Toy soldiers

Dr. Joseph Parrish and an Idiot. Artist: Frederick Gutekunst (American, born Germany, 1832-1917). Dimensions: Image: 7 5/16 × 4 3/4 in. (18.6 × 12 cm); (a)Image: 8 in. × 5 1/4 in. (20.3 × 13.3 cm); (b)Mount: 14 7/16 × 10 5/16 in. (36.6 × 26.2 cm). Date: ca. 1858. Museum: Metropolitan Museum of Art, New York, USA.

Study of a female nude model, seen from the side, in the studio of Jacques de Lalaing, preliminary study for element for a fountain in Musee des Beaux Arts, Tournai and for circular fountain, Jacques Lalaing (attributed to), c. 1900 - 1914 photograph This photo is part of an album. Brussels photographic support albumen print artist (in general) working from nude model. adult woman

Zo, dart'le Saartje Jans!..., Print made by Cornelis Troost, 1697-1750, Dutch, after Dirk Langendyck, 1748-1805, undated, Mezzotint on moderately thick, moderately textured, blued white, laid paper, Sheet: 14 1/2 × 10 5/8 inches (36.8 × 27 cm), Plate: 13 7/8 × 9 15/16 inches (35.2 × 25.2 cm), and Image: 13 × 9 15/16 inches (33 × 25.2 cm)

K, Zweig, trading academy at the Macart Festival , Rudolf Krziwanek -, photographer

Kneeling Carpenter Holding a Nail and Raised Hammer. Artist: Unknown (American). Dimensions: Image: 8.8 x 6.2 cm (3 7/16 x 2 7/16 in.). Date: 1870s-80s. Museum: Metropolitan Museum of Art, New York, USA.

Study for a Picture. Thomas G. Mackinlay (British, 1809 - 1865)

Nude Study, Josep Maria Sert, 1931 - 1932 photograph Nude study L'Hommage á la Maison d'Albe, Palacio de Liria, Madrid, seen naked on the back. Preliminary study with quadrature and puna rates in the corners. Madrid photographic support gelatin silver print

Two male students in Grecian Costume before a plaster cast of Aphrodite in the cast room of the Pennsylvania Academy. Thomas Eakins (American, 1844 - 1916)

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Child coming out of a pile of books, a torch in hand". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156880-24

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

Sardinia Nuoro Bosa Cathedral. Hutzel, Max 1960-1990 Medieval: Architecture, originally 12th and 13th centuries, largely rebuilt in the 18th century in Piedmontese Baroque style. Post-medieval: Architecture, 18th century; 16th century wooden sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Tolentino S. Francesco2. Hutzel, Max 1960-1990 Exterior views of S. Francesco include its polygonal apse that faces the Piazza della Liberta, the facade, immured fragments of gothic architectural sculpture, and views of the arcaded cloister. Interior views of the church reveal its baroque remodelling. Most views are of frescoes from the gothic chapel (14th century) and various baroque altars. Also included are views of two organs, confessionals, choirstalls, a crucifix and various paintings in the Sacristy. Object Notes: Hutzel photo campaign date: December 27, 1984 General Notes: Many negatives for this monument are still missing. Several were misfiled under "Belforte del Chienti, S. Maria a Pie di Chienti" and it is possible that other negatives have been similarly misfiled under sites near Tolentino. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutze

Breton, Jules, Goupil & Cie, La glaneuse, Reproduction of a painting of a farmer's wife with harvested grain by Jules Breton, recto - printed, photomechanical print, reproduction, page, photos, photographically illustrated books, Musée pour tous 1877, height 255 mm, width 138 mm, French, maker, manufacturer, 1872 - 1879, paper, papier, Woodbury engraving, 1827-05-01 - 1906-07-05

Portrait of the Gardener, possibly David Roderick. Artist: Calvert Richard Jones (British, Swansea, Wales 1802-1877 Bath, England). Dimensions: Height: 6 15/16 in. (17.7 cm)Width: 8 11/16 in. (22.1 cm). Date: late 1840s. Museum: Metropolitan Museum of Art, New York, USA.

Les Plaisirs Parisiens: Preparatifs pour une soiree. Luxe et misère. Maudite plume! mèchante encre!.... Charles Joseph Traviès de Villers (French, 1804-1859). Lithograph;

Soeur Elize. Artist: Pierre-Louis Pierson (French, 1822-1913). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.

Portrait titled 'Sent m'aha' by Hugo Erfurth, silver gelatin paper with retouching, mounted on an equal box, dated 1908-1916.

Warsaw. Figurine of Voltaire from the Royal Bedchamber of the Palace on the Isle in the Royal Łazienki Park. Nofok-Sowiński, Stanisław (fl. ca 1912-ca 1916), photographer

Gas Street Lamps in Philadelphia in the Early 1900's. Original caption: Illustration. "ELIZABETH HAS MARRIED BLAIR," HE SAID TO HIMSELF SOFTLY. Gas street lamps in Philadelphia in the early 1900's - "The Iron Woman" - Harpers Monthly Magazine - Dec.-May 1910-11. Vol. 122 p. 890. State: Pennsylvania Place: Philadelphia.

Halil Bey, fils du Caïmakan de Sinope 1850-1914 Jules Didier. Halil Bey, fils du Caïmakan de Sinope. Jules Didier (French, Paris 1831-1914). 1850-1914. Lithograph. Prints

Statue of a Little Girl. Date/Period: Ca. 1873. Print. Albumen silver. Height: 243 mm (9.56 in); Width: 187 mm (7.36 in). Author: Alfredo Noack.

Self-Portrait in His Studio, Rue du Val-de-Grâce, Paris. Alphonse Maria Mucha, photographer (Czech, 1860 - 1939) negative 1899, print about 1980 (Verso, sheet) inscribed in pencil, at lower right corner: "8"; in red ink, at right center edge: "8/6"

Seated Female Nude ca. 1850 Unknown This daguerreotype was surely intended to serve artistic purposes, but the odd twist of the body and the strange relationship of the three visible limbs seem to render it inappropriate for artistic emulation. Such tension between an artistic ideal and realistic means—between the classicism of an academic pose and the awkwardness of the camera’s rendering of human movement—seems emblematic of the dilemma faced by the nascent medium striving to be an art.. Seated Female Nude. Unknown (French). ca. 1850. Daguerreotype. Photographs

Card Number 171, Lizzie McCall, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes. Dimensions: Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm). Publisher: Issued by W. Duke, Sons & Co. (New York and Durham, N.C.). Date: 1880s.Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy. Museum: Metropolitan Museum of Art, New York, USA.

A vernish etching by Fritz Hegenbart around 1890 titled 'Ready to Fly,' depicting a figure prepared for flight, showing movement and form.

Rebecca Salsbury Strand Made 1922 United States. For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website The Alfred Stieglitz Collection.. Gelatin silver print . Alfred Stieglitz

Photo collection Government information service. Amsterdam. Statue of Desiderius Erasmus at the Vossius Gymnasium. undated. Amsterdam, Noord-Holland

Tanya. Robert Rauschenberg (American, 1925-2008); printed by Bill Goldston (American) and John A Lund; published by Universal Limited Art Editions (American, founded 1955). Date: 1974. Dimensions: 455 x 354 mm (image/stone); 570 x 387 mm (sheet). Color photolithograph and lithograph from three stones on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Print, The Drawing Academy; England; mezzotint on paper; 59.2 × 46.5 cm (23 5/16 × 18 5/16 in.); Bequest of Erskine Hewitt; 1938-57-90

Italy, Anonymous, c. 1880 - c. 1910 photograph photographic support albumen print Italy

William Leighton Leitch R.A; Hill & Adamson (Scottish, active 1843 - 1848); Scotland; 1843 - 1848; Salted paper print from a Calotype negative; 19.1 x 13.8 cm (7 1,2 x 5 7,16 in.)

''TWIXT AXE AND CROWN;' OR, THE PRINCESS ELIZABETH, 1870

Lazio Roma S. Maria di Galeria S. Maria in Celsano4. Hutzel, Max 1960-1990 Exterior views of facade and portal; interior views of main altar with byzantine painting, side altars; frescoes by the school of Antoniazzo Romano; and holy water stoups. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Leon Riesener a bust Leon Riesener in bust . Around 1842. Daguerreotype.

Lazio Roma Rome Museo degli Strumenti Musicali06. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

3. Ernst Casimir, grave van Nassau

Avenue des Gobelins. Artist: Eugène Atget (French, Libourne 1857-1927 Paris). Dimensions: 36.8 x 28.6 cm (14 1/2 x 11 1/4 in.). Date: 1927.In this headless mannequin, clothed in a simple white uniform, Atget recognized a modern version of the commedia dell'arte clown Gilles, depicted by the eighteenth-century painter Jean Antoine Watteau, for example. It was for the type of transforming vision seen in this picture, which is among the very last in Atget's lifelong exploration of Paris, that the artist's work was so enthusiastically embraced by the Surrealists. Museum: Metropolitan Museum of Art, New York, USA.

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