Stormy Seas and Sailing

Dramatic prints depicting ships battling stormy seas, highlighting the power of nature through detailed etchings and engravings.

Amsterdam, Picart, Bernard, Jean Guillaume Friso Prince d'Orange et de Nassau &c. neie en passant le Moerdyk, le 14e Juilet 1711, Drowning of Prince Johan Willem Friso, 1711, verso lower right - stamped, Johan Willem Friso, Prince of Orange-Nassau, drowns while crossing the Moerdijk in heavy weather on 14 July 1711. The boat on which the prince's carriage is standing capsizes and several people fall into the water., print, engraving, engraving (printing process), Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1729 - 1729, second quarter 18th century, paper, etching, intermediate draftsman

St. Michael's Mount, Cornwall, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1813, Etching and line engraving on moderately thick, moderately textured, cream wove paper, Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm), Plate: 8 7/8 × 11 13/16 inches (22.5 × 30 cm), and Image: 5 13/16 × 8 3/4 inches (14.8 × 22.2 cm)

For Virgile's vessel, 1891 - 1942 print paper

Sailboat on stormy sea, Ernst Willem Jan Bagelaar, after Ludolf Bakhuysen, 1814 print Netherlands paper etching storm at sea. sailing-ship, sailing-boat

Rouen, looking up the river, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof

Living room of 1822. / Joseph sic Vernet. / The newsbum (IFF 1). (Title registered (letter))

Amsterdam, Picart, Bernard, Jean Guillaume Friso Prince d'Orange et de Nassau &c. neie en passant le Moerdyk, le 14e Juilet 1711, Drowning of Prince Johan Willem Friso, 1711, verso lower right - stamped, Johan Willem Friso, Prince of Orange-Nassau, drowns while crossing the Moerdijk in heavy weather on 14 July 1711. The boat on which the prince's carriage is standing capsizes and several people fall into the water., print, engraving, engraving (printing process), Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1729 - 1729, second quarter 18th century, paper, etching, intermediate draftsman

DijkBrraak outside Zutphen, 1784, Mathias de Sallieth, After H. Goblé, 1784 - 1785 print Dike breach at the so -called Hoendernest, outside Zutphen, 3 March 1784. In the foreground people in panic at the broken dike, in the background the city of Zutphen. Marked at the bottom right: proof. Print Maker: Rotterdam -Rint Maker: Rotterdam chart Drawing by: Zutphen paper etching / engraving Dike-Break Zutphen

L'Eau, from The Elements. Artist: Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623-1664 Amsterdam). Dimensions: sheet: 3 1/16 x 8 in. (7.8 x 20.3 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Water, Reinier Nooms, 1651 - 1662 print A large flood of a city, three church towers, a house and the number of fleeing people still visible between the waves. On the right a ship in need on the wild water. paper etching / drypoint water (one of the four elements). flood. shipwreck

Earthquake in Lisbon, 1755, Reinier Vinkeles (I), 1755 - 1816 print On November 1, 1755, Lisbon is hit by a major earthquake, a fire and a tsunami. A few boats in the foreground. Lisbon in the background where brewed collapsed and fire is raging. paper etching / engraving earthquake. on fire, ablaze. rowing-boat, canoe, etc. Lisbon

Rescue of the ship's crew the repairer, Ferdinand Victor Perrot, in Or Before 1832 - 1843 print Paris paper shipwreck. sea. storm at sea Meeting

Thomas Goff Lupton, 1791-1873, British, Ramsgate, 1826-1828. Engraver's proof (between a&b).

River face, Remigius Adrianus Haanen, 1849 print View on a river on which a sailing ship and on the left a barge with two figures. Austria paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)

Stormy Sea, Léopold Flameng, After Jacob van Ruysdael, 1869 print Paris paper. etching / drypoint sailing-ship, sailing-boat. storm at sea

Two ClassicalLandscapes. Artist: Claude Gellée, called Claude Lorrain, French, active Rome, 1604-1682

A Shipwreck. Charles Turner (English, 1773-1857); after Joseph Mallord William Turner (English, 1775-1851). Date: 1805-1807. Dimensions: 598 × 834 mm (plate); 644 × 897 mm (sheet). Mezzotint on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Succumb to the stone bear at Durgerdam, 1825; The collapsing of the steenen Beer, in the Waterlandschen Dijk, at Durgerdam on the afternoon of 4 February 1825. The collapse of the Stone Beer in the Waterlandsche Dijk at Durgerdam, 4 February 1825. Part of the illustrations in a publication about the flood of the flood of 3-5 February 1825.

Shipwreck: the month of March and the Element Water, Pieter Nolpe, After Jan Abrahamsz. Beerstraten, 1623 - 1653 print For a rocky coast, three ships suffer shipwreck. Drowning people are looking for a safe place on the rocks. Two drowning people hold on to the mast of a sinking ship. At the bottom of the margin a two -way verse in Dutch and a two -way verse in French. Print from a series of different months, which also depict an element or season. Amsterdam paper etching / engraving landscape symbolizing March. water (one of the four elements). shipwreck. rocky coast

Coastal Scene with Figures and Boats. Drawing. Gray wash, brush and black ink, black chalk, heightened with white chalk on medium, slightly textured, beige laid paper. Height: 276 mm (10.86 in); Width: 362 mm (14.25 in). Author: Thomas Gainsborough.

Félix Hilaire Buhot, L'Orage (The Storm), 1879 L'Orage (The Storm)

Shepherd in a landscape with threatening weather, print maker: Jacob Ernst Marcus, (mentioned on object), intermediary draughtsman: Ernst Willem Jan Bagelaar, (mentioned on object), Amsterdam, 1784 - 1826, paper, etching, h 120 mm × w 168 mm

Man with a pocket on the shoulder at sunrise, Cornelis Brouwer, After Ludolf Bakhuysen, 1779 - 1781 print On the right in the foreground a man with a bag on the shoulder looking at the ships and the sunrise. The print is loose in an album, see page 32. Amsterdam paper sunrise. sailing-ship, sailing-boat. carrying something on the head or on the shoulders

Eugène Isabey, Marée basse, 1831, lithograph on paper.

New York. 1828 - 1890. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (State) , History, New York (N.Y.)

The whale on a line, 1682, 1682 print The whale on a line of the Visser Abr. Jansz. van Oelen and his son. In the caption a verse of 4 lines. Print no. 4 in a series of six prints about catching a whale near Sint Annaland on the island of Tholen, October 7, 1682. Northern Netherlands paper etching swimming mammals: whale. whale fishery, whaling Sint Annaland

Folkema, Jacob, Shipwreck, verso - stamped, A ship has crashed onto the rocks, drowning people lie in the sea all around. On the beach there are figures who want to help the people who have fallen overboard, on the right there is a figure who takes care of a drowning person who has washed ashore. On the verso there is a printed text in Dutch in which the image is further explained. Print marked top left and right: II. Part - Page: 190., print, book illustration, prints, height 127 mm, width 83 mm, Dutch, 1692 - 1767, print maker, printmaker, 1723 - 1723, paper, papier, etching, etchings, letterpress printing, letterpress, Work conception, after own design by

Bally-Burgh Ness, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving, engraver's proof, touched

The Leader Sea Piece, plate 20 from Liber Studiorum Published 1809 England. Etching and engraving in brown on ivory paper . Joseph Mallord William Turner

J. De Huijbert Vaart Philip De Schone to France, 1506; J. De Huybert performs Philip the Schoone to Frankryk. J. De Huijbert Vaart Philip De Schone to France, 1506. Ship in storm at sea, with banner: Waak Huybert. At the top right: III.d.pl.III.

Thomas Jeavons, ca. 1800-1867, British, Vesuvius in Eruption, 1827. Line engraving, engraver's proof on moderately thick, slightly textured, cream, wove paper, with gray, chine colle.

Shipwreck of the Wilhelmina in Greenland, 1777, Simon Fokke (Attributed to), after Simon Fokke, 1777 - 1784 print The shipwreck of the ship De Wilhelmina in Greenland on October 10, 1777. The stranded crew saves stocks and sets up a tent in the snow. Northern Netherlands paper etching / engraving shipwreck Greenland

Print made by Charles Turner, 1774-1857, British, Shields on the River Tyne, 1823 to 1827. Mezzotint, engraver's proof (a)(touched).

The Prince of Orange Landing at Torbay, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1859-1879, Steel engraving

Man with a pocket on the shoulder at sunrise, Cornelis Ploos van Amstel, after Ludolf Bakhuysen, 1781 print On the right in the foreground a man with a bag on the shoulder looking at the ships and the sunrise. Amsterdam paper etching sunrise. sailing-ship, sailing-boat. carrying something on the head or on the shoulders

The Weary Ploughman, Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), 1858, Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper, Sheet: 11 9/16 x 16 3/8 inches (29.4 x 41.6 cm), Plate: 7 5/8 x 10 1/4 inches (19.3 x 26.1 cm), and Image: 5 3/16 x 7 7/8 inches (13.2 x 20 cm), animal art, bag, branch, calf (animal), cattle, clouds, cows, dog (animal), farming, fatigue, genre subject, hat, herdsman, hills, houses, labor, lamb, landscape, moon, mountain, night, oxen, path, road, rocks (landforms), roofs, smoke, staff, sunset, trees, village

Criticism of the leading personalities of the Julymonarchy

Elihu Vedder, The Shipwreck, c 1880 The Shipwreck

Etching and copper engraving by Robert Daudet from 1757-1824 depicting the view of Pausilype near Naples, showing coastal landscape, buildings, and water.

Snowstorm, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1859-1879, Steel engraving

Storm at sea with shipwreck and sinking ship, James Watson (print maker), after Willem van de Velde (II), 1758 - 1790 print paper shipwreck. storm at sea. rock-formations. rowing-boat, canoe, etc.

Sketches of burning a praw and two bamboo rafts on the water, Sketches of a praw and two bamboo rafts Travel sketches made in India (series title), draughtsman: Wouter Schouten, draughtsman: Cornelis de Bruyn, (rejected attribution), c. 1660, paper, pen, brush, h 130 mm × w 105 mm

wreck of the lady burges aquatint in colour by h. Merke after j. F. Sartorius 1806. The wreck of the Lady Burges East India Ship Captn. Archd. Swinton. Amongst the Cape de Verd Islands April 21, 1806

Velde, Willem van de, Watson, James, Storm at sea with shipwreck, print, prints, height mm, width mm, English, 1740 - 1790-05-20, print maker, printmaker, 1750 - 1790, paper, papier, mezzotint

Flight to Egypt, Hendrick Goudt, After Adam Elsheimer, 1613 print The Virgin Mary and the Christ child drive on a donkey. Joseph guides them through a burning torch. On the right two shepherds with an open fire. On the left a pond with the reflection of the full moon. To a painting by Adam Elsheimer. With Latin caption. paper engraving the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Night landscape with farm and skaters, Johannes Janson, 1761 - 1784 print Night landscape with moonshine and on the right a farm and Hooischuur. On the left a frozen lake with skaters. In the background a church tower and a mill. In the margin a caption in which the collection of Mr. van Buren to Leyden is mentioned, in which the design drawing for this print was located. Leiden paper etching winter ~ human activities (the four seasons of the year). night ~ landscape (sometimes titled 'Nox')

Wintering on Nova Zembla, Egidius Linnig, 1853 print paper etching landscapes in polar regions. shipwreck New Zembla

Castle on rocky coast and ships in storm at sea, Frederik Christiaan Bierweiler, after Johannes Beerstraten, 1793 - After 1831 print Castle tower high above rocks on the coast where a storm causes high waves at sea and ships get into problems. In the foreground, drowning people are pulled on the boulders. paper storm. landscape with tower or castle. saving a person from drowning

Dunstanborough Castle, Northumberland, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, first published state

Etching by Johannes Janson depicting a winter evening landscape with a farmhouse and an ice skating runner, created between 1744 and 1784, showing snow, trees, and rural life.

François Louis Thomas Francia, 1772-1839, French, active in Britain, Ships Heeling Over in a Stormy Sea, undated. Brown ink and brown wash with gouache on moderately thick, rough, gray wove paper, pasted on thick, smooth, cream card.

Falmouth, Cornwall, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1816, Engraving and etching , first published state on moderately thick, moderately textured, cream, laid paper, Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm), Plate: 9 × 12 inches (22.9 × 30.5 cm), and Image: 6 1/4 × 9 7/16 inches (15.9 × 24 cm)

Ramsgate, Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1826-1828, Engraver's proof (between a&b)

Winter at Sea - Taking in Sail off the Coast, Winslow Homer, American, 1836-1910, Harper's Weekly, Wood engraving in black ink on paper, Men taking in the sail of a ship in the snow., USA, January 16, 1869, figures, Print, Print

Two boats on the beach near Ebb, Eugène Isabey, 1833 print printer: Parispublisher: Parispublisher: London paper. ebb, low tide (+ landscape with figures, staffage). ships, boats on land, beached

Marine. Anthony Vandyke Copley Fielding (British, 1787-1855). Watercolor; sheet: 24.2 x 30.5 cm (9 1/2 x 12 in.).

James T. Willmore, 1800-1863, British, Fire at Sea (vignette), 1835. Line engraving, engravers proof on thick, slightly textured, beige, wove paper, with cream, chine colle.

Louis XIV (king of France), Parrocel, Joseph, France, Les quatre heures du jour, Vesper, le Soir, Evening, verso bottom center - stamped, Battle with soldiers on horseback., print, prints, JP, recto bottom right - etching, height 90 mm, width 160 mm, French, 1646-10-03 - 1703-03-01, print maker, printmaker, 1656 - 1703, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Print made by Pierre Charles Canot, ca. 1710-1777, French, active in Britain, Shipwreck, 1745. Line engraving and etching on moderately thick, moderately textured, cream laid paper.

Cartoon about the resignation of Thorbecke, 1866; Political twilight. Cartoon following the resignation of Thorbecke and the challenging of the Putte's French. Thorbecke as the sun that undergoes in the sea with French French trees as a moon to heaven. Plate appeared at De Nederlandsche Spectator Weekblad, no. 8, February 24, 1866.

Honoré Daumier, Un nouveau marius, 1856 Un nouveau marius

The Mildmay Sea-Piece. Dated: published 1812. Medium: etching, mezzotint, and aquatint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and W. T. Annis and J. C. Easling.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), seen from sea ports. View of the Côtes d'Italie. Eighth number of a suite of 8 pieces. (A. de Vesme 801; dutuit 134) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Sperm Whaling, No. 1 TheCase. Artist: Robert Swain Gifford, American, 1840-1905 After: Benjamin Russell, American, 1804-1885

Coastal landscape with a harbor, Raphaël Sadeler (II), After Pieter Stevens (I), After Pieter Stevens (II), 1570 - 1632 print A coastal landscape with a boat on a turbulent sea. On the right the coast with a port and some civilians on a cliff. The print has a Latin text in the margin. unknown paper engraving harbour. storm at sea. sea. ships (in general)

Laugharne Castle, Caermarthenshire, John Horsburgh, 1791-1869, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, first published state

Scene from Halevy's New Opera of "La Tempesta", at Her Majesty's Theatre, London, 1850. '...one of the most beautilul specimens of scone-painting that can be imagined. A gorgeous vessel under full sail is seen advancing to the shore, while the chorus sang once more the tune of " Where the bee sucks" - a most happy idea of the composer's, who deserves no less praise for the manner in which it was introduced than for the admirable relief given to it by the instrumentation. At the close of this magnificent display, the curtain tails as the vessel reaches the shore; when arti

Stage Design, Flood, Pen and brown ink, brush and wash on white wove paper, Horizontal rectangle. Flooding river near mountain town. In foreground, three figures with arms raised on riverbank., Italy, early 19th century, theater, Drawing, Drawing

Amsterdam, Nolpe, Pieter, Schellinks, Willem, Display and depicted after life, the breaking of the St. Anthony's Dyke outside Amsterdam, Breakthrough of the Sint-Antoniesdijk on March 5, 1651, verso - stamped, Breach of the dike of the Sint-Antoniesdijk or Diemerzeedijk outside Amsterdam on March 5, caused by the high tide and the strong north-westerly storm. The water flows through the hole in the dike, on both sides of the hole spectators in panic. In the background the towers of Amsterdam. Bottom left the first part of the legend AC. See the accompanying plate (FMH 2020)., print, prints, height 407 mm, width 512 mm, Northern Netherlands, 1614 - 1653, print maker, printmaker, 1651 - 1653, paper, etching, etchings, engraving, engraving (printing process), 1627 - 1678-10-12, intermediary draughtsman, after a drawing by, printer

Six Marines: Refitting of a Boat at Low Tide , 1833. Eugène Isabey (French, 1803-1886), Morlot, Paris and McLean. Lithograph on chine collé; sheet: 55.9 x 36.4 cm (22 x 14 5/16 in.); platemark: 31.5 x 24.8 cm (12 3/8 x 9 3/4 in.).

Fire at the tip of the mast of Christopher Columbus' ship

Salving from the wreck. Date/Period: 1848. Watercolour. Watercolour on paper. Height: 67.20 mm (2.64 in); Width: 97.50 mm (3.83 in). Author: Samuel Prout.

Reproduction of drawing: Juliusz Kossak (1824-1899), April; from: "Tygodnik Ilustrowany" 1866, 1, 256. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Gorazdowski, Edward (1843-1901), woodcutter

NATIONAL ASSEMBLY ECEURE OF ARISTROCRATES, THE GENIE OF ROUSSEAU ENGLISH THE ENTRY Chafy (rue des Mathurins). "National Assembly Hiring of the aristocrats, the genius of Rousseau enlightens the entrance", 1789. Aquatint.

View near Cherbourg, from "L'Artiste" September 15, 1849 Eugène Cicéri. View near Cherbourg, from "L'Artiste". L'Artiste. Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). September 15, 1849. Lithograph on chine collé. Prints

Salisbury Cathedral, Print made by David Lucas, 1802-1881, British, after John Constable, 1776-1837, British, Published by Hodgson & Graves, ca. 1812-1892, British, 1837, Mezzotint and etching on moderately thick, slightly textured, cream wove paper, Sheet: 26 3/4 x 31 1/2 inches (67.9 x 80 cm), Plate: 24 1/4 x 28 1/4 inches (61.6 x 71.8 cm), and Image: 21 3/4 x 27 inches (55.2 x 68.6 cm), cathedral, clouds, dog (animal), fence, horses (animals), landscape, rainbow, river, spire, trees, wagon, workers, England, Europe, Salisbury cathedral, United Kingdom, Wiltshire

Castor and Pollux. Engraving depicting Jason and the Argonuats. Engraved illustration from 'The Temple of the Muses', 1733. This book represented remarkable events of antiquity drawn and engraved by Bernard Picart (1673-1733). In Greek and Roman mythology, Castor and Pollux were twin brothers, together known as the Dioskouroi or Dioscuri. Their mother was Leda, but they had different fathers; Castor was the mortal son of Tyndareus, the king of Sparta, while Pollux was the divine son of Zeus, who seduced Leda in the guise of a swan

Shepherd in a landscape with threatening weather, Jacob Ernst Marcus, after Ernst Willem Jan Bagelaar, 1784 - 1826 print Amsterdam paper etching landscapes (+ landscape with figures, staffage). bad weather. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

ZeeZeicht, Pieter Idserts (Possible), 1708 - 1781 drawing paper brush

Wreck off Hastings, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1859-1879, Steel engraving, proof

Flood disaster of March 1876, Johannes Henderikus Morriën, 1876 print The performances are provided with a number according to the legend among the image. In the middle, two villages, Brakel and Pouderoyen, are wiped away as high as the roofs by waves. People are dragged along. At the top left, men are working on firing a dike. Right of fleeing residents of Vuren and Dalem in the night of 12 to 13 March. In the foreground, a mother hugs her child. At the bottom right, rural residents have gathered for the Town Hall in Gorinchem. At the bottom a face on Gorinchem during the high water level. The print was made to raise money for the affected residents of the area. After Design by: Gorinchemprinter: Amsterdampublisher: Gorinchem paper flood. rescue work during a flood. dike-break (+ landscape with figures, staffage) Gorinchem

Oceania: Fishing, Near Islands with Palms in the Uea or Wallis Group, 1845. Charles Meryon; French, 1821-1868. Date: 1863. Dimensions: 117 × 298 mm (image); 159 × 338 mm (plate); 328 × 455 mm (sheet). Etching and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

The Murder on the Thames, Print made by George Cruikshank, 1792-1878, British, 1839, Etching on moderately thick, smooth, cream wove paper with beige chine collé, Sheet: 9 1/16 x 7 7/16 inches (23 x 18.9 cm), Plate: 7 1/16 x 6 inches (18 x 15.3 cm), Sheet: 5 13/16 x 4 13/16 inches (14.8 x 12.2 cm), and Image: 4 3/16 x 3 11/16 inches (10.7 x 9.4 cm), boats, bridge (built work), Chapter 6 - 'Storm', criminals, death, drowning, Epoch the First: 'Jonathan Wild', illustration, Jack Sheppard (novel), literary theme, men, meteorology, murder, night, novel, river, rowboats, storm, torch, waves (natural events), England, Thames, United Kingdom

View taken in Zealand, storm effect, vintage engraved illustration. Magasin Pittoresque 1845.

Landscape with a Rock Wall, perhaps in Westmorland. Artist: Attributed to Peter De Wint (British, Hanley, Stoke-on-Trent 1784-1849 London). Dimensions: 9-13/16 x 13-1/8 in. (24.9 x 33.3 cm). Date: 1800-1849. Museum: Metropolitan Museum of Art, New York, USA.

Engraver: Robert Whitechurch, British, 1814-1876, After: James Hamilton, American, born Ireland, 1819-1878, The Action Between the Serapis and Bon Homme Richard September 23rd1779, Engraving, after Hamilton's painting (YUAG 1944.108), image: 53.8 × 82 cm (21 3/16 × 32 5/16 in.), Made in United Kingdom, British, 19thcentury, Works on Paper -Prints

Grote Pier makes the Zuiderzee unsafe, 1516, Simon Fokke, 1784 print Presentation from national history. Grote Pier makes the Zuiderzee unsafe with his piracy. Robbery and plundering ships on the water under the leadership of the Pirate Grote Pier. Amsterdam paper etching piracy Zuiderzee

Storm at Sea. Dated: 1901. Dimensions: plate: 18 x 13.3 cm (7 1/16 x 5 1/4 in.) sheet: 22.6 x 16.5 cm (8 7/8 x 6 1/2 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Thorvald Simeon Niss.

Untitled (Launching a Dory/To the Rescue/Shipwreck). Dated: 1895. Dimensions: plate: 503 x 327 mm (false) image: 447 x 296 mm primary support: 492 x 314 mm secondary support: 529 x 353 mm. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Edward Moran.

A Shipwreck. Date/Period: 18th century. Painting. Oil on canvas. Height: 441 mm (17.36 in); Width: 622 mm (24.48 in). Author: Claude-Joseph Vernet.

Storm in Scheveningen, 1825; Scheveningen in Den Storm, from 4 February 1825. The beach of Scheveningen during the heavy storm of 4 February 1825. Residents of the village have moved on the beach. Part of a group of clip art from a flooding book of the flood of 1825.

View on the Orwell, near Ipswich, 1830-1855, John Constable; Maker: David Lucas, British, 1776-1837, 7 x 10 in. (17.78 x 25.4 cm) (plate), Mezzotint, England, 19th century

The dewoir, Ile Saint-Louis (dummy title)

The journey of Willem Ysbrantsz. Bontekoe naar East Indie, 1619-1625, 1625 - 1629 print Events during the trip of Willem Ysbrantsz. Bontekoe to East Indies, 1619-1625. Central the explosion of the ship in the high seas on November 19, 1619, at the top of a portrait of Bontekoe. Left and right four smaller scenes of incidents during the trip, all with captions in Dutch. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving exploration, expedition, voyage of discovery

Title page illustration from the Charles Dickens novel David Copperfield by H.K. Browne known as Phiz

Meteorology: a large iceberg including an arch within which people are standing. Coloured aquatint.

Stormy Weather ca. 1750-88 After Joseph Vernet. Stormy Weather. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1750-88. Engraving; third state of five. Jacques Aliamet (French, Abbeville 1726-1788 Paris). Prints

The state ship, which is hard-bumped by the national and feudal-clerical waters,

leisure, ""Abend am Elbufer"" (Evening at the bank of the Elbe river), graphic, illustration, wood engraving, coloured, from the magazine ""Die Gartenlaube"" (The arbour), Germany, 1870 / 1875, private collection,

The third Eddystone lighthouse on the Stone 13 miles South-east of Polperro, Cornwall, England. Built by John Rudyerd was first lit in 1709 and destroyed by fire on 2 December 1755. Engraving from 'The Sea' by F Whymper (London, c1890).

Company in a boat on the Elbe, in the background Ruins Schreckenstein, Hugo Bürker, After Ludwig Richter, 1881 print paper etching rowing-boat, canoe, etc.. river. harp Schreckenstein. Elbe

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