Street Beggars and Figures

Images depicting beggars, a dog, and figures illustrating social hardship. The artworks showcase etching techniques with a somber mood and historical context.

Study sheet with three figures, David Bles, 1856 print On the left is a man in an armchair, under a soldier with a hat on, on the right a bust of an older gentleman with glasses. The Hague paper. etching drawing, sketch. eyeglasses, spectacles

Seven women on the water on Martinique, Paul Gauguin, 1900 - 1925 print paper Martinique

"Z dziewczęciem zrywa dumny chłopiec". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

Daydreaming man on a waterfront. Drawing on leaf 12 from an album with 35 drawings.

Plate 13 from "The Disasters of War' (Los Desastres de la Guerra): 'Bitter to be Present.' (Amarga presencia.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 5 1/2 × 6 3/4 in. (13.9 × 17.1 cm)Sheet: 9 15/16 × 13 1/2 in. (25.2 × 34.3 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

"Bitte um eine kleinen Unterstützung". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

Anonymous, well, my dear Toto, bring me the cannon and fade from the barricade. Feather. House of Victor Hugo - Hauteville House.

Print, America; Published by Rudolph Ackermann (English, b. Germany, 1764-1834); England; engraving with black ink on green paper

"Saxifraga tenella". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

Studies of a bending man, Johan Daniël Koelman, 1841 - 1857 drawing paper. chalk

The Departure of the Flock. Artist: Félix Brissot de Warville (French, Véron 1818-1892 Versailles). Dimensions: Sheet: 11 5/8 × 16 1/16 in. (29.5 × 40.8 cm)Plate: 5 11/16 × 6 3/4 in. (14.5 × 17.2 cm). Printer: Alfred Cadart. Date: 1880. Museum: Metropolitan Museum of Art, New York, USA.

Dante and Other Poets, Francesco Bartolozzi, Italian, active England, 1727-1815, Leonardo da Vinci, Italian, 1452 - 1519, Line engraving in brown ink on brown paper, Dante in the center with his head bound by a wreath, and surrounded by four ugly men. The man at left has one arm about Dante's waist; the mouth of another is agape with laughter., London, England, 1806, Print, Print

Etching in blue by Karl Schmoll von Eisenwerth for the ex-book Poschinger, created in 1904, featuring ornamental design elements for book decoration.

Three acrobats; page 67 from the 'Images of Spain' album (F) ca. 1812-20 Goya (Francisco de Goya y Lucientes) Spanish The elegance and freedom expressed in this drawing reveal Goyas mastery of depicting the human form in countless poses. He first laid down light chalk marks, barely visible, as a guide to positioning the figures. The three acrobats adopt distinct poses, each involving a drinking vessel. Drinking was a subject Goya explored repeatedly, usually to convey the danger or the effects of inebriation. In the present sheet, we cannot tell if the acrobats are imbibing alcohol or if the cups are merely part of their act.. Three acrobats; page 67 from the 'Images of Spain' album (F). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). ca. 1812-20. Brush and point of brush, brown ink washes, traces of red and black chalk, on laid paper. Drawings

Émile Friant, Gaby, 1920, graphite on paper.

Print, Frieze, from "Ornament I Di Fregi"; Print Maker: Stefano della Bella (Italian, 1610-1664); Italy; etching on paper; 8.5 × 24.9 cm (3 3/8 × 9 13/16 in.)

La Belle Jardinière 1894 James McNeill Whistler American. La Belle Jardinière 372919

Diomede Protected by Minerve, hurts the god Mars (Diomedes, Riddle Przez Minerwę (Atenę), Rani Marsa (Aresa), Z: L 'Iliade d'' Homere ), W: Oeurvre de Flaxmann Collection of His serious compositions by back, with analysis of the divine comedy of the Dante and notice on Flaxman. Various subjects. Paris 1847 . FERRERI, Vincenzo (Fl. 1845), Flaxman, John (1755 1826), Audot, bookseller editor, Paris rue du Paon 8, school of medicine

The thief, at the thief !! (IT)

Plate 11 from "The Disasters of War' (Los Desastres de la Guerra): 'Neither do these.' (Ni por esas.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 5/16 × 8 5/16 in. (16.1 × 21.1 cm)Sheet: 9 13/16 × 13 5/8 in. (25 × 34.6 cm). Series/Portfolio: The Disasters of War. Date: 1810-20, published 1863. Museum: Metropolitan Museum of Art, New York, USA.

Figures in a boat during a flood, Philippus Velijn, After Saucer, 1797 - 1836 print Figures in a boat during a flood. In the background other figures on a roof that protrudes above the water. Netherlands paper etching flood. rescue work during a flood. rowing-boat, canoe, etc.. roof (of house or building)

The wife of Wilhelmus Johannes Steenhoff, characteristic of the Koenermolen, Wilhelmus Johannes Steenhoff, 1873 - 1932 drawing paper. chalk historical persons. draughtsman at work - CC - out of doors

Joseph C. Bentley, 1809-1851, British, Rievaulx Abbey, 1834-1856. Line engraving, engraver's proof touched.

The Dante and Virgile contemplate the torture of the Simoniacs. (Dante I Wergiliusz Rozmyślają Nad Karą Symonistów, Z: La Divine Comedie du Dante ), W: Oeurvre de Flaxmann Collection of its serious compositions by revoles, with with Analysis of the Dante divine Comedie and notice on Flaxman. Various subjects. Paris 1847 . FERRERI, Vincenzo (Fl. 1845), Flaxman, John (1755 1826), Audot, bookseller editor, Paris rue du Paon 8, school of medicine

Save who can! (IT)

Water Promenade. (Registered title) | FANTASIES. (Title of the set)

Dwarf with mitella, stool and sword; Varie Figure Gobbi Di Jacopo Callot; Various grotesque figures; Dwarfs and iced. Dwarf, seen on the left, supporting a stool, a capuchon with two springs on the head, a sword under the belt, the right arm in a mitella. This print is part of a series of 21 prints with grotesque figures; Virtually all those figures are dwarfs, many have been hatched.

Carnival Camelots (Registered Title (letter))

Hands folded , Hands. Francis Seymour Haden (1818-1910). Prints and Drawings

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Receuil de diverses pieces tres nessessaire a la fortification, Items providing reinforcement, Mortar and a cannon, verso - stamped, print, prints, height 86 mm, width 59 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

The Smith's Yard 1895 James McNeill Whistler American. The Smith's Yard 372731

Viens ca, Pyrame! Allons! laissons la plaine aux moutons du Monsieu. Chacun sa pitance.…. Artist: Paul Gavarni, French, 1804-1866

Cartoon on the discord within the liberal party, 1873, 1873 print Cartoon on the division of the liberal majority in the Lower House. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 27, 1873. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper

Vignette for the community (design), Leo Gestel, c. 1935 drawing Bullfighter with a lifted muleta (red lap), where an entry to his right of him a bull appears frontally. Slightly shaded. Spain paper. gouache (paint). pencil. India ink (ink) Bullfight

Disparate: Otra Leyes per el Pueblo, c. 1820, Francisco José de Goya y Lucientes, Spanish, 1746-1828, 9 5/8 × 14 in. (24.45 × 35.56 cm) (plate), Etching and aquatint, France, 19th century, Four men dressed as Moors cower in the corner before a massive elephant. One of the men holds up a book and extends a collar studded with bells in his other hand. This image is part of Goyas 'Disperates' or 'Proverbios,' dreamlike images that resist firm interpretation. One thought on this image is that the elephant represents the large and powerful public and that the Moors represent the elite who try to control the masses with their laws.

Digger Leaning on His Spade Made 1874 France. Woodcut on cream laid paper . Pierre Millet (Engraver)

Turkeys.. Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection

Eastern Patriarch, from the first issue of Specimens of Polyautography. James Barry (Irish, 1741-1806); published by Philipp André (German, active London, 1800-1805); and James Heath (British, 1757-1834). Date: 1803. Dimensions: 230 x 317 mm (image/primary support); 375 x 489 mm (secondary support). Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper. Origin: Ireland. Museum: The Chicago Art Institute, Chicago, USA.

Harpy with a Head of a Bull and Four Young Girls on a Tower Surmounted with a Black Flag, from the Suite Vollard. Pablo Picasso (Spanish, 1881-1973); printed by Roger Lacourière (French, 1892-1966); published by Ambroise Vollard (French, 1867-1939). Date: 1934. Dimensions: 238 x 298 mm (image/plate); 337 x 450 mm (sheet). Etching on copper in black on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

"Die geheimen Vorgänge des Natur belauschend". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

Totals Edgar Chahine (1874-1947). "Totals". Water-strong in color. Museum of Fine Arts of the city of Paris, small palace.

Women Tossing the Hay Made 1890 France. Etching in dark brown on ivory laid paper . Camille Pissarro

Vignette for the community (design), Leo Gestel, c. 1935 drawing Bullfighter with a lifted muleta (red lap), where an entry to his right of him a bull appears frontally. Notes in pencil below. Spain paper. India ink (ink). gouache (paint). pencil brush Bullfight

The tank of the state.

Relay of Dogs in the Desert. Paul Adolphe Rajon (French, 1843-1888); after Jean Léon Gérôme (French, 1824-1904); published by Goupil et Cie. Date: 1861-1871. Dimensions: 160 × 236 mm (image); 188 × 248 mm (plate); 281 × 344 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Bliżej Kultury Rembrandt van Rijn (1606 1669), H. Kleinmann & Co Haarlem

Departure. (registered title) | The countermen. (title of all)

Design for Sleigh with Dickey Seat, no. 3848 1883 Brewster & Co. American Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele in

The Dante during his sleep, sees a prostitute on a chariot dragged by monsters; A giant is to his schools. (Dante Widzi We śnie, Postać prostytutki na rydwanie zaprzężonym W olbrzymie monstrum, z: the divine comedy of the dante ), w: oeurvre de lamb collection of his serious compositions by Windsters, with analysis of the divine comedy of the Dante and notice on Flaxman. Various subjects. Paris 1847 . FERRERI, Vincenzo (Fl. 1845), Flaxman, John (1755 1826), Audot, bookseller editor, Paris rue du Paon 8, school of medicine

I promessi sposi (The Betrothed), Renzo and Dr. Azzeccagarbugli by Alessandro Manzoni, drawing

La Naissance de Vénus. Wittmann Charles, Imprimérie, Paris (fl. ca 1886-1908), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Hautecoeur, Jules (fl. 1885-1902), publisher, Botticelli, Sandro (1444 aut 1445-1510), painter

Spanish Woman. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Regnier, Claude (fl. 1840-1866), graphic artist, Guérard, Eugene Charles François (1821-1866), draughtsman, cartoonist

The map. Cassatt, Mary, 1844-1926. 1889. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Ein Rastelbinder, Anton Zampis , Artist, Johann Rauh , Printer, Alois Leykum , publishing house

Moses on the Nile Paul-Henri Regeau, French painter. Moses on the Nile. Pencil and ink on paper. 1885. Paris, Victor Hugo House.

I will plead. I won my trial. / 19 (title registered (letter)) | Grotesque mirror (title of all)

The crimes of the execution. // still one! ...... / 2.

The Guide Made 1836 France. Lithograph in black on ivory chine laid down on cream wove paper . Denis Auguste Marie Raffet

Chopin on His Deathbed, Kwiatkowski, Teofil (1809-1891)

Viens çà, Pyrame! Allons! laissons la plaine aux moutons du - Monsieu. Chacun sa pitance. Avec le pain, moi, j'ai le sel, et puis trois - oignons. Et Pyrame il a pour lui que nulle brebis ne peut dire avoir - vu un chien de berger souper avec une côtelette ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Yvette Guilbert 1894 after Henri de Toulouse-Lautrec French. Yvette Guilbert 641159

Sieste d'un faucheur (2nd plate) , Sleeping, Haystacks, Alphonse Legros (1837-1911)

Landscape with a shepherd with cattle, Elias Baeck, after Jan De Visscher, after Nicolaes Pietersz Berchem, 1689 - 1724 print print maker: Rome (possibly)after print by: Northern Netherlandsafter painting by: Northern Netherlandspublisher: Rome paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

The Sickly Cryptogam 1860 France. Etching, with plate tone, in black ink on ivory laid paper, printing la poupÈe in red ink . Charles Meryon

Francisco de Goya (Spanish, 1746-1828). What Madness! (Que Locura!), 1810- 1815 (printed 1863). From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

Design for Pony Phaeton, no. 3553a 1879 Brewster & Co. American Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alf

July 1830 (IT)

Sumiere! Night whistler. Chas Laborde (Charles Laborde said, 1886-1941). Instants from Paris: light! The night whistle. Drawing.

Sketch made on Indian Reservation, Montana, c. 1890, Walter Shirlaw, American, 1838 - 1909, 3 3/4 x 7 in. (9.53 x 17.78 cm), Graphite, United States, 19th century

Nobleness; Nobilitas; Emblematic figures. Gewedness (Nobilitas) as crowned woman sitting on top of a lion, on a car drawn by four men. She holds a crown in the air with her right hand. At the bottom of a line Latin text.

"Der Steg ist fort!". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

Carriage and Horses in Silhouette, Scissor-cut black paper laid down on white paper, Coaching party of two women and two officers, in couchdrawn by four horses; portion of a tree, with a soldier standing at attention., Düsseldorf, Germany, ca. 1840, Silhouette, Silhouette

Virgile, by his gestures and his words, invites the Dante to greet the shadow of Cato d 'utique. (Wergiliusz, Gestem i słowm Skłania Dantego do Oddania hołdu cieniowi katona utyceńskiego, Z: The Divine Comedie du Dante ), w: oeurvre de Flaxmann Collection of his serious compositions by back, with analysis of the divine comedy of the Dante and notice on Flaxman. Various subjects. Paris 1847 . FERRERI, Vincenzo (Fl. 1845), Flaxman, John (1755 1826), Audot, bookseller editor, Paris rue du Paon 8, school of medicine

Cornelius Christoffels, Spur, c 1941 Spur

Figure Studies, 1890 - 1946 Page 29 Recto from a sketchbook with 59 sheets. paper. pencil anatomy (non-medical)

Marguerite Kirmse, Down Wind, 1890-1955, drypoint on paper.

Sun rays shine through a glass; Life of Mary in emblems. Presentation of a glass or mirror in round frame, upright on the ground, through which sunbeams shine. This leaf is part of the 'Life of Maria's Life in Emblems'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in letterpress without image.

Algerian graces. (Registered title) | FANTASIES. (Title of all)

Shearing time.. Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection

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