Surreal and Mythical Imagery

Etchings and prints featuring fantastical themes, including mythical creatures and dramatic human forms, exploring emotions and narratives.

Macbeth and Banquo meet the three witches, Johannes Josephus Aarts, 1881 - 1934 print Bottom left Macbeth and his friend Banquo, at the top right of the three witches who have predictions in store for each of them. paper Macbeth. groups of witches

Y aun no se van! (And Still They Dont Go!), pl. 59 from the series Los caprichos. Artist: Francisco Goya, Spanish, 1746-1828

Five mermaids; Fantastic composition with mermaids. A group of five mermaids is under water. On the left in the foreground two aquatic plants.

Banditti (no.7 of 10), Joseph Haynes, 1760-1829, British, after John Hamilton Mortimer, 1740-1779, British, 1780, Etching, Sheet: 16 5/16 x 10 11/16in. (41.4 x 27.2cm)

The small lion hunt (with two lions), Rembrandt van Rijn, c. 1629 print paper etching lion hunt

Linda maestra! (Pretty teacher!), pl. 68 from the series Loscaprichos. Artist: Francisco Goya, Spanish, 1746-1828

The Disciples at the Tomb. Dated: 1764. Dimensions: sheet: 17.7 × 13.3 cm (6 15/16 × 5 1/4 in.) plate: 14 × 9.3 cm (5 1/2 × 3 11/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Honoré Fragonard after Jacopo Tintoretto.

Street musician with violin and dancing dog, Jan Chalon, 1748 - 1795 print A street musician plays the violin for a young maid. Two dogs dance around him. paper etching / drypoint one person playing string instrument (bowed). instrumental popular music. violin, fiddle. earning money with other animals. dogs (circus performance)

Macbeth and Banquo meet the three witches, Johannes Josephus Aarts, 1881 - 1934 print Bottom left Macbeth and his friend Banquo, at the top right of the three witches who have predictions in store for each of them. paper Macbeth. groups of witches

The Pancake Woman, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching on off-white laid paper, 1635, figures, Print, Print

Elegy (from "Fifteen Etchings Dedicated to Sir Joshua Reynolds") December 8, 1778 Etched and published by John Hamilton Mortimer British. Elegy (from "Fifteen Etchings Dedicated to Sir Joshua Reynolds") 407885

A copper engraving and etching by Juan Barcelon depicting Hercules wrestling the Cretan bull, showing the mythological hero in dynamic action with detailed musculature and classical composition.

Francisco de Goya (Spanish, 1746-1828). Correccion. (Correction.), 1796-1797. From Los Caprichos, no. 46. Etching and burnished aquatint on cream laid paper. Plate: 215 mm x 150 mm (8.46 in. x 5.91 in.).

Five Mermaids, Johannes Josephus Aarts, 1881 - 1934 print A group of five mermaids is under water. Two aquatic plants left in the foreground. paper etching merman - AA - mermaid, siren

July; The twelve months of the year, "Les XII Mois de l'Année". Harvest particle with fun farmers. One of the farmers is about to throw a bundle of hay on a woman located against a hay staple. The print is part of a series of twelve prints with the twelve months of the year.

Trials, Francisco de Goya, 1797 - 1799 print A naked woman, floating above the ground, lifts a man to his ear with magic. Behind them is an ereeful goat, the devil. In the foreground two cats with a skull and a pot. 60th print from the Los Caprichos series. Spain paper etching witch(es), sorcerer(s) at work

Artist: Francisco Goya, Spanish, 1746-1828, Sopla (Blow), pl. 69 from the series Loscaprichos, Etching, aquatint, drypoint, and burin, platemark: 21 × 15 cm (8 1/4 × 5 7/8 in.), Spanish, 18thcentury, Works on Paper -Prints

Rijn, Rembrandt van, Flameng, Léopold, Four illustrations for: Menasseh Ben Israel, Piedra Gloriosa, 1655, Daniel's vision of the four beasts, Daniel's vision of four beasts, verso set-up sheet - stamped, print, prints, height 102 mm, width 78 mm, 1831 - 1911-09-04, print maker, printmaker, 1859 - 1859, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

A woman trying to escape a triton. Etching by J. Goupy after S. Rosa.

The Soul Exploring the Recesses of the Grave, Print made by Luigi Schiavonetti, 1765-1810, Italian, after William Blake, 1757-1827, British, Text by Robert Blair, 1699-1746, British, Published by Rudolf Ackermann, 1764-1834, British, 1808, published 1813, Etching on moderately thick, slightly textured, cream wove paper, Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm), Plate: 11 1/4 × 6 1/4 inches (28.6 × 15.9 cm), and Image: 9 1/4 × 4 5/8 inches (23.5 × 11.7 cm), archway, cave, curiosity, death, exploring, flames, gown, grave, man, moon, mountains, religious and mythological subject, shorts, soul, watching, woman, youth

Rome, Pinelli, Bartolomeo, New collection of costume prints from Rome, Costume prints with figures from Rome and its surroundings, Bandits surprised by the wind, Four men and a woman with a child are surprised by a strong wind. The print is part of an album., print, album sheet, prints, height 204 mm, width 275 mm, Italian, 1781-11-20 - 1835-04-01, print maker, printmaker, 1819 - 1823, paper, papier, etching, etchings, intermediary draughtsman

Sopla /Gust the wind; board No. 69 from: Los Caprichos Caprices, ed. II, Madrid ca. 1855 Goya, Francisco de (1746 1828)

Victime de la foudre , Victims, Lightning, Trees, Alphonse Legros (1837-1911)

Hercules and Cerberus 1586-1629 Aegidius Sadeler II. Hercules and Cerberus. Aegidius Sadeler II (Netherlandish, Antwerp 1568-1629 Prague). 1586-1629. Engraving. Marcus Sadeler (German, Munich before 1614-in or after 1650). Prints

Francisco de Goya (1746-1828), from Goer toilet, 1797-1798

Francisco de Goya, Disparate furioso (Furious Folly), in or after 1816 Disparate furioso (Furious Folly)

The Dead Christ with Angels, 1866-67. Edouard Manet (French, 1832-1883). Etching and aquatint; image: 32.9 x 38 cm (12 15/16 x 14 15/16 in.); plate: 39.4 x 32.9 cm (15 1/2 x 12 15/16 in.).

Beul with cut head. A beul keeps a cut head up.

Cherchant partout leur roi. Honoré Daumier (1808-1879). Lithographs

Francisco de Goya (Spanish, 1746-1828). Quien lo creyera! (Who would have thought it!), 1796-1797. From Los Caprichos, no. 62. Etching, burnished aquatint, and burin on cream laid paper. Plate: 205 mm x 150 mm (8.07 in. x 5.91 in.).

Etching by Rembrandt, circa 1629, depicting a hunting scene with two lions, showing human figures, gestures, and landscape context.

Le scarabée d'or , Treasure hunts, Alphonse Legros (1837-1911)

Drawing reproduction: Walery Eljasz-Radzikowski (1841-1905), Krakus accepts the admiration of the people for defeating the dragon-an illustration from the magazine; Husnik & häusler (Praga; Reprographic Zak 1888-1936); around 1900 (1883-00-00-1883-00-00);

SPECIMEN OF WOOD ENGRAVING, 'THE DEATH OF THE CHILDREN OF NIOBE,' FROM THE PAINTING BY WILSON

Daniëls vision of the four animals; Four illustrations for Spanish book.

Francisco de Goya (1746-1828), this is called read, 1797-1798

Kain kills Abel, Anonymous, After Lucas van Leyden, 1518 - 1522 print paper the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon. book in which illustrations are essential

Gustave Doré (1832-1883), designer and Charles Jattiot (19th century), engraver. "273. Male dead." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101787-18 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

The circumcision: small plate. Mirror-image copy to the Print of the same name from Rembrandt.

A naked man and woman having sex on a collapsed bed, 18th century. A buxom maid attempts to join in and a monk watches from an open door. Copperplate engraving heliogravure by Francois Rolland Elluinafter Antoine Borel from Jean-Charles Gervaise de Latouches Memoiren des Saturnin, von ihm selbst Niedergeschreiben, Privatdruck, Liepzig, 1911. Also known as Le Portier des Chartreux, it was one of several erotic novels written by Latouche, 1715-1782, a lawyer at the Paris Parliament.

The Rest on the Flight to Egypt. 1601 - 1700. Cantarini, Simone, 1612-1648. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Closer. A poet with a laurel wreath, leaning against a stone block.

God creates them and they join up together, plate 18 from Los Proverbios Made 1815-1824 Spain. Etching, burnished aquatint and burin printed in sepia ink on ivory wove paper . Francisco José de Goya y Lucientes

Martyrdom of St Agatha, circa 1756, Venice, by Giovanni Tiepolo, Giovanni Tiepolo. Gift of Sir John Ilott, 1965.

Copper engraving and etching by Jean Charles Le Vasseur depicting the confidence of Hazard in his doctor Philippe, created between 1754 and 1816, illustrating a historical interaction.

Quien lo creyera / F.de Goya - -

Coolen is hunting a tiger, around 1820-1850. Draughtsman: anonymous. Dating: 1850 - 1950. Place: Indonesië. Measurements: h 203 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.

Faust: Tragédie de M. de Goethe, translated into French by Albert Stapfer.: Illustrations for Faust: Méphistophélés and Faust flee after the duel, 1828. Eugène Delacroix (French, 1798-1863), Chez Ch. Motte, Éditeur, distributed by Chez Sautelet, Libraire. Lithograph;

"Etching and aquatint by Francisco José de Goya from 1810, first edition 1863, depicting 'The Disasters of War' with figures attacked or killed by barbarians, showing conflict and destruction."

A Hermit, William Pether, ca. 1738-1821, British, after Joseph Wright of Derby, 1734-1797, British, active in Italy (1773-75), 1770, Mezzotint, proof before title, Sheet: 23 x 18 1/4in. (58.4 x 46.4cm)

Reverse copy of the Frontispiece: Gaigne Petit, from Le Cris de Paris (The Cries of Paris), plate 1. Artist: After François Boucher (French, Paris 1703-1770 Paris); Simon Francis Ravenet, the elder (French, 1706-1774). Dimensions: Sheet: 10 3/4 x 7 7/16 in. (27.3 x 18.9 cm) trimmed. Series/Portfolio: Le Cris de Paris. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Noon Published 1860 France. Wood engraving on light gray China paper on ivory wove paper . Jacques Adrien Lavieille

Ravages of war, plate 30 of 'The Disasters of War' - 1810/14 - 14,1x17 cm - etching, drypoint, burin and burnisher. Author: FRANCISCO DE GOYA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

The Discovery of the Bodies of Saints Peter and Paul, c. 1650. Giovanni Benedetto Castiglione (Italian, 1609-1664). Etching;

Philippe-Jacques de Loutherbourg, 1740-1812, French, active in Britain (from 1771), Deuxième Suite des Figures, undated. Etching.

Francisco de Goya, Y esto tambien (And This Too), published 1863 Y esto tambien (And This Too)

Etching by Rembrandt van Rijn titled 'Male Act, Sitting and Standing (het rolwagentje)', created around 1646, depicting male figure in seated and standing positions.

The ride of the Valkyries

Four workers at the water. Four workers, three of which are on their back and one of the front. One of them sits on a reverse cockpit.

Or, pl. 20 of 29 from the series Solitudo sive vitae patrum eremicolarum (MaleHermits). Engraver: Unknown After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johann Sadeler I, Flemish, 1550-1600

Pfeilspitze ersticht Le Muir, S.278 and 279, Lederstrumpf Erzählungen, 3.Teil: Pfadfinder, J.F.Cooper. Slevogt, Max (1868-1932), graphic artist

Gallus, pl. 18 of 30 from the series Sylvae Sacrae (Hermits inLandscapes). Publisher: Rafael Sadeler I, Flemish, 1560-1628 After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johann Sadeler I, Flemish, 1550-1600

Michał Elwiro Andriolli, `Devil in trouble (Shores of the Viliya)`, for the work `Obrazów litewskich` Lithuanian Landscapes by I. Chodźko; from: `Kłosy` 1877 no. 623, p. 365. Krajewski, Jan (fl.1874-1887), engraver, Andriolli, Michał Elwiro (1836-1893), painter

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Pieszczoch Precious One; from: `Tygodnik Ilustrowany` 1903, no. 40 (October 3rd), p. 786. L.J. (fl. ca 1903), photographer, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Etching by Rembrandt Harmensz. van Rijn circa 1630, showing a beggar with embers, illustrating figure placement, shading, and Dutch early 17th-century printmaking technique.

Trois Amours soutenant une draperie (Three Loves Holding a Drapery), from Premier Livre de Groupes d'Enfans (First Book of Groups of Children) Pierre Alexandre Aveline French. Trois Amours soutenant une draperie (Three Loves Holding a Drapery), from Premier Livre de Groupes d'Enfans (First Book of Groups of Children) 394050

Two Dancing Boerenparten, Auguste Danse, After Peter Paul Rubens, 1897 print paper etching / drypoint folk dancing (men and women together)

Adolph Menzel, Bear Pit in Zoo Bear Pit in Zoo

Der Auer Ochs und der Tieger,' 1740, by Johann Elias Ridinger (1698-1767), published in Augsburg. The artwork features themes of animals, hunting, and game birds, presented in the form of engravings

Jean Baptiste Oudry, Ragotin lie par les parents du fou, 1727 Ragotin lie par les parents du fou

Francisco de Goya y Lucientes / 'Desastre 11. Neither do these'. 1814 - 1815. Wash, Etching, Burin, Drypoint on paper. Museum: Museo del Prado, Madrid, España.

'St. Jerome', mid 18th century, (1928). Artist: Giovanni Battista Tiepolo.

Willem van der Leeuw etched a print between 1623 and 1624 depicting a wild boar hunt, showing hunters, boars, and dogs in action.

La mort dans le piorier. Alphonse Legros (French, 1837-1911). Etching;

Knee piece of a young woman with watering can in hand. .

May, Cornelis Dusart, 1679 - 1704 print At a pigeon ride a man with a child on his arm is looking at chicks that roam on the ground. A second man walks off a birdhouse. In the background a woman with a flowerpot and a wheelbarrow full of flowers. The print is part of a series of twelve prints with the twelve months of the year. Print Maker: Haarlem Publisher: Amsterdam paper engraving infant, baby. birds. May and its 'labours'

Les chemineaux: Après le crime , Tramps, Victims of crimes, Alphonse Legros (1837-1911)

When the day comes, we are gone, Francisco de Goya, 1797 - 1799 print A group of grotesque figures sitting in the dark under a starry sky. Seventy -one print from the Los Caprichos series. Spain paper etching disabilities, deformations and monstrosities; diseases. night

Francisco de Goya y Lucientes / 'Cruel Folly'. 1815 - 1819. Etching, Aquatint, Burnisher, Retroussage on ivory paper. Museum: Museo del Prado, Madrid, España.

Manke man, Pieter Jansz Quast (Possily), after pieter Jansz Quast, 1639 - 1706 print A man with a wooden leg and the arm in a sling is limping to the left. He has opened his mouth and put out his tongue. On his back he has a bag of things. The print is part of a series of twelve prints with fools. print maker: Netherlandsafter design by: Netherlandspublisher: Amsterdam paper etching / engraving fool, simpleton, numskull. crutches. wooden leg. disabilities, deformations

Two men fighting. 1501 - 1600. Monogrammist I. H., active 16th century. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Artist: Felix O. C. Darley, American, 1822-1888, Untitled (Sitting around theCampfire), Graphite and wash, image: 13.7 × 20.1 cm (5 3/8 × 7 15/16 in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Francisco de Goya (1746-1828), also this (45), 1810-1820

Apollo and the muses on the Parnassus. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 313 mm × w 239 mm. Museum: Rijksmuseum, Amsterdam.

Soplones /Big gusts; board No. 48 from: Los Caprichos” Caprices, ed. II, Madrid ca. 1855 Goya, Francisco de (1746 1828)

Horse theft, Cornelis Visscher (II), After Pieter Bodding van Laer, 1638 - 1658 print In the night, a thief gets away as quickly as possible with two on -lined horses. A woman has put her hands out of despair at the view of the wounded man lying on the floor in front of her. At the same time, the man shouts next to her, something to her. The fence of the house in the background is on fire and the full moon is in the sky. Haarlem paper etching / engraving horse. on fire, ablaze. robbery. infections and wounds - AA - female human figure. fainting, swooning - BB - out of doors

Tobit Burying the Dead. Giovanni Benedetto Castiglione (called il Grechetto) (Italy, Genoa, 1609-1664). Italy, 1647-1651. Prints; etchings. Etching

La Mort et la bûcheron (6th plate) , Death, Skeletons, Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

THE OLD OAKEN BUCKET, ENGRAVING 1876, UK, britain, british, europe, united kingdom, great britain, european

Cul-de-jatte.. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Tampoco /not in the home homemade; board No. Goya, Francisco de (1746 1828)

Dido. Artist: Hans Sebald Beham, German, 1500-1550

Franz Sigrist the Elder, Tobias Healing His Father, c 1752 Tobias Healing His Father

Clair-obscur woodcut by Giuseppe Nicola Vicentino, circa 1525-1527, depicting Hercules fighting the Nemean Lion, illustrating mythological narrative and heroic action.

Northern Netherlands, Hulstkamp, Joannes, Cartoon on the lawsuit brought against the patriotic weekly De Politieke Kruier, 1785, verso - stamped, Cartoon on the lawsuit brought on 16 April 1785 by the two Amsterdam mayors J. Rendorp and WG Dedel against JC Hespe and J. Verlem, writer and publisher of the patriotic weekly De Politieke Kruier. A porter is attacked by two dogs. In the background a seven-headed monster is struck by lightning from the shining liberty cap. On the sheet below the plate a verse of 24 lines., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 204 mm, width 132 mm, print maker, printmaker, 1785 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), letterpress printing, Dutch, 1759-07 - 1786

Holy family in boat with angel as a boatswain during flight to Egypt, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, 1748 - 1752 print paper etching flight into Egypt and miracles during the journey

The distressed Girl.

Becket, Thomas .

ART 18th century. SPAIN. GOYA, Francisco (Fuendetodos, 1746-Bordeaux, 1828). Spanish painter and engraver. "THAT EVIL WILL DIE" Etching belonging to the collection of 84 engravings titled "CAPRICHOS" of satirical-ghostly theme, published in the year 1799. Reproduction of M. Seguí i Riera.

THE POETRY OF NATURE,' SELECTED AND ILLUSTRATED BY HARRISON WEIR

Francisco de Goya (1746-1828), Our Lord creates them, and they end up in the shoe association / birds with the same feather flying in flock, 1815-1824

of 3