Symbolic Allegories and Figures

Artworks portraying allegorical figures representing time, truth, and virtue, often infused with classical themes and symbolic elements.

French crown, Paris, Audran, Lesueur, Eustache, France, Gérard, Lucerna pedibus meis verbum tuum, Aurora, verso - stamped, print, prints, height 244 mm, width 161 mm, 1640 - 1703-07-26, print maker, printmaker, 1650 - 1703, paper, etching, etchings, French, 1617-11-19 - 1655-04-30, after, after painting by, Publication (Event), Publication, publisher, granter of privilege

Title page for: 'Oeuvres de Thomas', 1774, Reinier Vinkeles (I), 1774 print Title page with the personification of truth that shows a portrait medallion. Amsterdam paper etching / engraving Truth; 'Truth' (Ripa) (+ Personification)

Time. An old man with beard and a zeis (the personification of time) leans against a tree right. For him there are three putti with lightning bolts and a sickle. In the background a eagle is on a wall. At the bottom right a sphere with a hose that bites itself into the tail (Ouroboros), symbol for infinity.

French crown, Paris, Audran, Lesueur, Eustache, France, Gérard, Lucerna pedibus meis verbum tuum, Aurora, verso - stamped, print, prints, height 244 mm, width 161 mm, 1640 - 1703-07-26, print maker, printmaker, 1650 - 1703, paper, etching, etchings, French, 1617-11-19 - 1655-04-30, after, after painting by, Publication (Event), Publication, publisher, granter of privilege

Saint Cecilia 1525-1535 Italy. Chiaroscuro woodcut in black and tan on paper . Antonio da Trento

Sater and Nymph. A Sater is wearing a Nymph.

Dejanira being abducted by the centaur Nessos, a man with bow and arrow at right, after Reni. Artist: Anonymous; After Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet (Trimmed): 18 1/16 × 12 1/2 in. (45.9 × 31.7 cm). Date: ca. 1800-1850.After a painting by Reni made in 1617 for Ferdinando Gonzaga Duke of Mantua, now in Paris. Museum: Metropolitan Museum of Art, New York, USA.

Frontispiece for Il Mercurio, III: Hercules Planting His Club. Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). Date: 1652. Museum: Metropolitan Museum of Art, New York, USA.

Winged angel holding a palm in his right hand and with drapery behind him 17th century After Cherubino Alberti (Zaccaria Mattia) Italian. Winged angel holding a palm in his right hand and with drapery behind him 651746

"Copper engraving by Marcantonio Raimondi around 1505-1515 depicting the Roman goddess Diana, showing the figure, posture, and symbolic attributes."

Copper engraving by Marcantonio Raimondi from the first half of the 16th century, depicting the allegorical figure of Ira (Anger) with dramatic expression and detailed composition.

Illustration for 'Six Great Events of the Last Decade'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1791. Prints; etchings. Etching

Dejanira being abducted by the centaur Nessos, a man with bow and arrow at right, after Reni ca. 1800-1850 Anonymous After a painting by Reni made in 1617 for Ferdinando Gonzaga Duke of Mantua, now in Paris.. Dejanira being abducted by the centaur Nessos, a man with bow and arrow at right, after Reni 669403

Heilige Hieronymus in De Wildernis, Giuseppe Scolari, After Alessandro Vittoria, 1550 - 1600 print The saint Hieronymus with a crucifix, book and stone in his hands. Next to him are a lion, an hourglass and a skull. print maker: Italyafter sculpture by: Venice paper. ink pen St. Jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'Vanitas' symbols), sometimes a scorpion and a snake beside him. beasts of prey, predatory animals: lion

A winged figure of Fame standing facing left and sounding a trumpet 1570-1615 After Cherubino Alberti (Zaccaria Mattia) Italian. A winged figure of Fame standing facing left and sounding a trumpet 651186

. Female element air personification. Around her head clouds. A chameleon at her feet. In the four corners a blowing wind. The print is part of a series with the four elements as the subject.

Winged genius holding the Crown of Tuscany in his left hand and a palm in his right. Artist: After Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553-1615 Rome). Dimensions: Sheet: 9 3/16 × 6 11/16 in. (23.4 × 17 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Orpheus: the element earth, Crispijn van de Passe (I), 1602 print Landscape with Orpheus that plays the Fordel, as an allegory on the Earth element. He is surrounded by the animals that have come to his music. In the margin a four -line poem, in two columns, in Latin. First print from a series with the four elements. Cologne paper engraving Orpheus playing the lyre. earth (one of the four elements)

Jacob Matham after Hendrik Goltzius, Saturn, 1597 Saturn

Saint Catherina van Alexandria, Claude Mellan, After Simon Vouet, 1625 print print maker: Romeafter painting by: ParisItalyRome paper engraving the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel

Geduld (Patience), 1591 - 1645 print Winged woman as a personification of patience (patientia) sitting with a lamb in her arms while the devil is wiping into a hand. The virtue gets a laurel wreath on the head of two angels. Four verses under the performance. The print is part of an album. paper letterpress printing Patience; 'Patienza' (Ripa)

Daedalus teaches Icarus how to fly, 1761 - 1816 print Daedalus has turned on his son Icarus his wings and teaches him how to fly. Icarus is spread with the arms. On the right a fire pot. paper etching Daedalus fixes the wings on Icarus and on himself, and teaches his son how to fly

Winged putto holding a cardinal's hat over a dragon head 17th century After Cherubino Alberti (Zaccaria Mattia) Italian. Winged putto holding a cardinal's hat over a dragon head 651962

Gluttony, from the cycle: Vices. Pencz, Georg (ca 1500-1550), graphic artist

Venus in Love, Hendrick Goltzius, 1596 print Venus lying on a cloud, in the company of Amor who holds the tip of an arrow against her chest. In the background, Venus drives a car pulled through swans. The judgment of Paris is depicted under the cloud. paper engraving Venus and Cupid (Cupid not being mere attribute). the Judgement of Paris (without Mercury)

Venus Commanding Cupid to Shoot his Arrow at Pluto. Artist: After Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague); Pieter de Jode I (Netherlandish, Antwerp 1570-Antwerp 1634). Dimensions: Sheet: 9 15/16 × 7 15/16 in. (25.3 × 20.1 cm). Publisher: Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam). Date: ca. 1590-92. Museum: Metropolitan Museum of Art, New York, USA.

. Jupiter with the lightning and at his feet are attribute: the eagle. In addition to his head the astronomical symbol for his planet. Standing in an oval cartouche with the two signs of the zodiac at the top: fish and Sagittarius.

A guardian angel walking hand in hand with a young child 1640-60 Giulio Carpioni. A guardian angel walking hand in hand with a young child. Giulio Carpioni (Italian, Venice 1613-1678 Venice). 1640-60. Etching. Matteo Cadorin (Italian, active ca. 1648). Prints

Year 1789. / Restoration of the French nation.

Cupido rides a dolphin, Anton van der Borcht, after Giovanni Andrea Sirani, After Lorenzo Loli, 1648 - 1663 print Cupido stands on a dolphin and takes his bow. He aims to the left. The dolphin swims in the sea. The print symbolizes the speed, but also the impatience of love. Italy paper etching (story of) Cupid, Amor (Eros). attributes of Cupid. swimming mammals: dolphin

Pomona; Goddesses and Nymphs. Pomona, the goddess of the fruit, sitting under an apple tree with a horn full of apples. Next to her are two large baskets with apples.

Giuseppe Scolari, Saint Jerome, 1590 1607 Saint Jerome

Cupid between Two Goddesses on the Cloud and Moving Hermes Amor Laest make his power known. Monogramista G.

A triton that blows on a shell, Jacques de Gheyn (III), 1616 - 1620 print A Triton (Meerman: Half Fish, Half Man), Halves Lijve, with striking fins at the ears, blowing on a shell. print maker: Netherlandspublisher: The Hague paper etching triton(s). Triton blows on a twisted sea shell to raise or calm the waves

Study of Mercury for ceiling of the Cambio in Perugia. Perugino, approximately 1450-1523. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Vatican City, Alexander VII, Rome, Collignon, François, Italy, Carracci, Annibale, Cesio, Carlo, Galeria nel Palazzo Farnese in Roma, Paintings in Palazzo Farnese in Rome, Diana and Pan, Pan gives the goddess Diana, who is floating through the air, snow-white wool and thus wins her love. Next to the pan is a goat, the symbol of lust., print, prints, height 360 mm, width 247 mm, Italian, 1622 - 1682, print maker, printmaker, 1656 - 1656, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Work conception, 1560-11-03 - 1609-07-15, after a design by, Publication (Event), Publication, French, 1610 - 1687, publisher, uitgever, 1599-02-13 - 1667-05-22, verlener van privilege

Speculum Romanae Magnificentiae: Laocoon 16th century Nicolas Beatrizet French This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, client

. The personal hope; A woman's figure with a falcon on her hand, looking up, an anchor at her feet.

Steadfastness; Fortitudo; The virtues. Steadfastness, in the form of a woman with a pillar in the arms. At the top of the show the word 'fortitvdo' (steadfastness). This print is part of a series of seven round representations of the virtues, each personified by a women's figure with typical attributes, and with Latin inscription.

Pallas (Minerva). Dated: 1596. Dimensions: sheet: 33.9 x 25 cm (13 3/8 x 9 13/16 in.) (trimmed within plate mark). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jan Pietersz Saenredam, after Hendrik Goltzius.

Venus in Love, Jan Saenredam, After Hendrick Goltzius, 1596 print Venus lying on a cloud, in the company of Amor who holds the tip of an arrow against her chest. In the background, Venus drives a car pulled through swans. The judgment of Paris is depicted under the cloud. paper engraving Venus and Cupid (Cupid not being mere attribute). the Judgement of Paris (without Mercury)

Fortuna. The Goddess Fortuna, naked and winged, standing on a globe in a cloud. In her left hand, she holds a snake, a richly decorated cup in her right hand, around her arm hangs a horse head set. Mirror-image copy to a print of Aldegrever.

Proserpina; Gods and Goddesses. The Goddess Proserpina, seated at a tree, fruit and flowers in the hands. This print is part of a series of seven oval prints of classical gods and goddesses.

David with the head of Goliath. David with sword and the head of Goliath in his hand. Behind him lies the huffed goliath on the ground surrounded by soldiers. In the lower mower a Bible verse in Latin.

Statue in Versailles Gardens. Africa female personification, crowned with corals, a bow in hand. A lion at her feet. A caption in French in the margin.

Rome, Rossi, Giovanni Domenico de', Italy, Michelangelo, Bos, Cornelis, Beatrizet, Nicolas, Dream, verso - stamped, A naked young man sits on a stone cube and leans on a globe. Masks lie in the cube. In the background the sinful dreams of the young man are depicted. In some scenes, deadly sins such as lust and avarice are depicted. From heaven an angel blows a trumpet in his ear and calls him to order., print, prints, height 431 mm, width 294 mm, French, 1515 - 1565, print maker, printmaker, 1525 - 1565, paper, papier, etching, etchings, engraving, engraving (printing process), Dutch, 1510 - 1566, Italian, 1475-03-06 - 1564-02-18, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Medallion with Mercury in frame of grotesques with flowers, garlands, animals and mascarons Medallions with figures from the Judgment of Paris (series title), print maker: Adriaen Collaert, (mentioned on object), Adriaen Collaert, (mentioned on object), publisher: Adriaen Collaert, (mentioned on object), Netherlands, 1570 - 1618, paper, engraving, h 139 mm × w 93 mm

Fortune. Beham, Sebald (1500-1550), graphic artist

Gaetano Gandolfi, The Infant Bacchus Astride a Wine Barrel The Infant Bacchus Astride a Wine Barrel

Fortune. 1541. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The element water, personified by a river goddess. She is surrounded by water with all kinds of fish and sea creatures. In one hand a compass, in the other a ship. Water flows from her breasts and her hair. Water also flows from shells and urns around her. The print has a Latin caption. The print is part of a four-part series on the four elements. Water The four elements , print maker: Adriaen Collaert, Maerten de Vos, publisher: Gerard de Jode, Antwerp, 1580 - 1584, paper, engraving, h 190 mm × w 234 mm

Paolo Caliari's drawing shows the triumph of good fame over evil, executed with pen, gray washes, and white highlights on blue-gray primed paper circa 1582.

Waakzaamheid; Attributen van de ziel; Attributi dell'Anima.Personification of vigilance (vigilantia) as a woman with a book and an oil lamp. To her feet a crane, standing on one leg and a stone in the raised claw.

Matigheid (temperance), Jacob Matham (attributed to), after Hendrick Goltzius, 1585 - 1589 print The personalized moderation; A female figure pours from a jug of liquid in a glass. A hilly river landscape in the background. Haarlem paper engraving Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues

The nude Fortuna stands on the globe with a banderole in her hands. Next to her is the wheel of fortune. Behind her a man stabs another man, while a man falls from a high rock. Behind on the right is a burning city and an equestrian fight. These representations depict the fickleness of Fortuna., Fortuna Title page for: Urbain Chevreau, Ydelheydt en ongestadigheyt der fortuyn, 1651, print maker: Pieter Nolpe, publisher: Arnold Colom, (mentioned on object), Amsterdam, 1651, paper, etching, engraving, h 125 mm × w 80 mm

Unknown Dutch 17th century (1599-1699); Zacharias Dolendo (1561-1604); Jacques de Gheyn II (1567-1629); , Luck, 1st Half of 17th Century

Geometry, one of the seven liberal arts, the personification of geometry. A female figure with geometric instruments compass, ruler, sinklot, by Lucas Kilian from 1606, authentic, digitally restored reproduction from a 19th century model, exact date of depiction unknown, historical

Water; The four elements. The element of water, personalized by a river godin. She is surrounded by water with all kinds of fish and sea beycasts. In her one hand a compass, a ship in her other hand. Water flows from her breasts and her hair. Water also flows from shells and urns around it. The print has a Latin caption. The print is part of a four-part series over the four elements.

Aphrodite/Venus is born from the sea-foam, surrounded by aerial and marine creatures

Father Time, Johannes Glaber, After Gerard de Lairesse, 1680 - 1726 print Father time with scyth in hand and hourglass on his head. Among him all kinds of animals: among others. A lion and a boar. To a lost painting by Gerard de Lairesse. The print is part of a series with biblical, mythological and allegorical representations. paper etching Father Time, man with wings and scythe. beasts of prey, predatory animals: lion. hoofed animals: boar

. Three putti on a cloud cover. On the right two putti with a migger, witching towards a third putto with bound hands. Imagination of poverty and wealth. Print from a series of 41 symbols.

Ceres in Proserpina, Paul Tetar van Elven, After Jan Saenredam, After Hendrick Goltzius, 1833 - 1880 print Ceres, the goddess of agriculture, as an embodiment of the abundance of the earth. On her head she wears a crown of corners, in her arm she has the horn of abundance and in her hand a sickle. Next to her is her daughter Proserpina. Two dragons and agricultural products are shown in the corners of the frame. print maker: Netherlandsafter print by: Netherlandsafter design by: Haarlem paper. engraving (story of) Ceres (Demeter)

Heilige Andreas, Hendrick de Graauw, After François du Quesnoy, c. 1637 - 1693 print The holy Andreas, with X-shaped cross. To the statue of François Duquesnoy. paper etching the apostle Andrew; possible attributes: book, X-shaped cross, fish, fishing-net, rope, scroll

Apollo makes a myrte tree shooting on the grave of leucothoë. Design for a painting.

Juno. Abraham Bloemaert (Holland, Gorinchem, 1564-1651). Holland, circa 1610. Prints; etchings. Etching

Christ on the Globe. Dated: 1546. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

The Inconstancy of Fortune; It is Easy to Dance when Fortune Plays for You, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, after c. 1560 - before 1590 print Vrouwe Fortuna stands with a man who holds a laurel wreath in his hands on a seesaw. Her side leans down. The seesaw is placed on the back of a dolphin. A rainbow in the background. The print has a Dutch caption and is part of a six -part series of proverbs about Fortuna. paper etching / engraving Proverbs, Sayings, etc .. Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). Swimming Mammals: Dolphin. Rainbow. Honour, Glory; 'Amplitude of glory', 'Gloria', 'Gloria de Prencipi', 'Gloria & Honore', 'Honore', 'Sublimatrua della Gloria' (Ripa)

Title Print for: Cornelius Nepos 'Vitae Excellentium', 1675. Title Print for: Cornelius Nepos 'Vitae Excellentium', 1675. In the foreground A personification of history accompanied by father's time and fame. At the feet of father time is an inverted horn of plenty.

Hans Sebald Beham (1500-1550). "The knowledge of God and the seven Christian virtues: prudence, n ° 2. Second number of a series of 8 pieces. (Hollstein (volume 3, page 78); Bartsch 130)". Chisel. 1540. Museum of Fine Arts of the City of Paris, Petit Palais. 123050-1 Chisel, 16th 16th XVI 16th 16th 16 Center

Winged genius holding a tableau, standing on a sphere with three bees 1570-1615 Cherubino Alberti (Zaccaria Mattia) Italian. Winged genius holding a tableau, standing on a sphere with three bees 651239

Morning, 1611 - 1637 print Landscape with Aurora, the goddess of dawn, as a female personification of the morning. She is accompanied by Pegasus and holds the reins of his bridle. In the background a shepherd with his herd of sheep. In the margin a two -way caption in Latin. Below that a two -way caption with an assignment in Latin. paper engraving personification of the morning, 'Aurora'; 'Aurora' (Ripa). Pegasus, the winged horse. sheep

Holy Agatha tied to tree with severed breasts, anonymous, after Marcantonio Raimondi, 1500 - 1575 print paper engraving the virgin martyr Agatha of Catania; possible attributes: breasts on dish, burning house, loaf, taper or candle, tongs

Mercury 1575-1618 Flanders. Engraving on paper . Adriaen Collaert, II

Pax, Heinrich Aldegrever, 1548 - 1549 drawing Design for a print. paper. ink pen / brush symbols, allegories of peace, 'Pax'; 'Pace' (Ripa)

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Personification of Fame, verso - stamped, A console with the female personification of Fame or Good Rumor. The winged woman is blowing a trumpet and has an olive branch in her hands. Around her neck she wears a chain with a heart. The print is part of an album., print, album sheet, prints, height 183 mm, width 181 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, patron

Affliction. Beham, Sebald (1500-1550), graphic artist

Enlevement de Canimede Abduction of Ganymede Le Sueur, Eustache, 1616-1655. Imprimerie Lemercier et cie. still image. Art reproductions. 1865. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Mythology, Ganymede (Greek mythology), Eagles

Fortune; Beham, Sebald (1500-1550); 1541 (1st edition) (1541-00-00-1550-00-00);

Master of the E Series Tarocchi, Erato, c 1465 Erato

After Albrecht Dürer, Nemesis (The Great Fortune), c. 1600, engraving on paper.

Holy John the Baptist as a recluse, Christoffel van Sichem (II), After Abraham Bloemaert, 1644 print Amsterdam paper letterpress printing John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff. anchorite, hermit

Lust, Jan Goeree, After Barend Graat, 1710 print The personification lust. A scorpion in her hand. A goat next to her. Lust stands on an ornamental stage with under a medallion with a representation of Cupido who shoots an arrow to a woman and a wild boar. On either side of the stage oval with portraits of classic figures: Alexander the Great, Elegabalus, Hannibal and Germanicus. Two leopards climb the stage. The print has a Latin caption. paper engraving Lust, Luxury, 'Luxuria'; 'Lussuria' (Ripa) ~ personification of one of the Deadly Sins. beasts of prey, predatory animals: leopard. Cupid shooting a dart. (story of) Hannibal. (story of) Germanicus. (story of) Alexander the Great. male persons from classical history (ELEGABALUS)

Girolamo Imperiale I, Guardian Angel, 1622 Guardian Angel

Jan Pietersz Saenredam, after Hendrik Goltzius, Juno, 1596 Juno

Louise Albertine de Brandt, Baroness von Grapendorf. Dimensions: plate: 48.9 x 34.7 cm (19 1/4 x 13 11/16 in.) sheet: 49.1 x 34.7 cm (19 5/16 x 13 11/16 in.). Medium: engraving with etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Pierre Le Sueur Georg Friedrich Schmidt.

Envy; Design drawings for the PRESENTERING THE SEVEN POWER SUPPLY.Design for a Print.

Shield holder in Roman costume, Joachim Wtewael (Circle of), 1576 drawing Design for a glass window. prepared paper. paint (coating) brush standing on one leg. helmet. protective weapons: shield

Etching by Pietro Santo Bartoli from 1650-1677 depicting Jacob wrestling with the angel, showing dynamic figures, gestures, and a landscape background.

Relief with personification of the element Air above arch on the west side of the Burgerzaal in the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1663 - 1668 print Relief with personification of the element air above the left (southern) arch on the west side of the Burgerzaal in the town hall on Dam Square in Amsterdam. In her left hand a peacock, a chameleon in her right hand - the animal that did not ate or drank according to Pliny, but feeds on air (Historia Naturalis 8:33). Immediately marked under the left: E (crossed out). Numbering at the bottom right added by hand: CII N. 2. Amsterdam paper. chalk. ink etching / engraving / pen air (one of the four elements). lizards: chameleon. ornamental birds: peacock Burgerzaal. City Hall of Amsterdam (1655-1808)

Title Page with Models for Anatomical Drawing Exercises, Casper Casteleyn, 1653, draughtsman: Casper Casteleyn, Haarlem, (possibly), 1653, paper, brush, h 331 mm × w 211 mm

Elijah prays for life to be restored to the widow's son. Line engraving by O. Gatti, 1625, after Il Pordenone.

Vatican City, Raphael, Perino del Vaga, Italy, Bartoli, Pietro Sante, Lost paintings in the Vatican Loggia, Dimitte me iam ascendit aurora, non dimittam te nisi benedixeris mihi, Jacob fighting the angel, verso - stamped, Jacob fighting the angel. On the left lie two sleeping figures. On the right sits a woman in a tent. Title and reference to Bible text in bottom margin., print, prints, height 83 mm, width 232 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), 1501 - 1547-10-19, after painting by, Work conception, 1483-04-07 - 1520-04-07

Two musicing angels with lute and winch. .

Middle Osierdza; Beham, Sebald (1500-1550); 16th century (1500-00-00-1600-00-00);

Victoria crowns a virtuous hero, Pieter Tanjé, after Peter Paul Rubens, after Charles François Hutin, 1716 - 1761 print The goddess of victory, Victoria, puts a laurel wreath on the head of a virtuous Gaharnaste hero. The hero has overcome drinks, pleasure and envy. He stands with his foot on Bacchus, the god of the wine. Behind him are the grieving Venus and Amor and stands the envy. Amsterdam paper engraving / etching 'Victoria'; 'Vittoria', 'Naval victory', 'Victory of antiqui' (Ripa). Crowning with Laurel. (Story of) Bacchus (Dionysus), Liber. Venus and Cupid (Cupid Not Being Mere Attribute). Rage, Angers

Atlas turned into a mountain, Antonio Tempesta, 1606 - 1638 print Perseus turns the Titan Atlas into a mountain range with the help of the head of Medusa. Title in Latin in STUDMARGE. paper etching Atlas turned into a mountain as punishment for his inhospitality

Allegory withVeritas. Engraver: Dirck Volkertsz. Coornhert, Dutch, 1522-1590 After: Adriaan de Weerdt, ca. 1510- 1590

Element of water as nude woman sitting by well with fish, water flows from her breasts. Framed with fish and other animals living in or near the water such as an otter, seal, spoonbill, turtle and crustaceans, Element of water as woman near well with fish Aqua The four elements (series title), print maker: Nicolaes de Bruyn, (mentioned on object), Maerten de Vos, (mentioned on object), Netherlands, 1581 - 1656, paper, engraving, h 173 mm × w 214 mm

Figure photography:Karnicki, Justinian (1806-1876), Karnicki, Justinian (1806-1876)-collections, Rafael (1483-1520)-reproduction, raimondi, marcantonio (Ca 1470/1482-Ca 1527/1534)-reproduction, Smolikowski, Seweryn ( 1850-1920) - collection, gift (provenance), photography of a work of art (artist), collections, religious art

Aartsengel Michaël doodt de duivel.Sculpture group. The Archangel Michaël is in a niche. His feet rest on the devil's body, which he kills with his spear.

Louis XIV (king of France), Vouet, Simon, France, Dorigny, Michel, Apollo killing Python, verso - stamped, print, prints, height 244 mm, width 202 mm, French, 1617 - 1665-02-21, print maker, printmaker, 1651 - 1651, paper, papier, engraving, engraving (printing process), etching, 1590-01-09 - 1649-06-30, after, after painting by, Frans, 1638-09-05 - 1715-09-01, granter of privilege

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