Symbolic Engravings of Figures

Engravings and etchings depicting figures from history and mythology, focusing on beauty, devotion, and allegorical themes in art.

William Unger's etching (1886) depicts the Madonna in a green setting, showing figure, child, landscape, and devotional composition.

Copper engraving by Gilles van Breen before 1677 depicting a lady holding flowers, showing figures, gestures, attire, and symbolic elements of beauty and nature.

William Unger's etching (1886) depicts the Madonna in a green setting, showing figure, child, landscape, and devotional composition.

Frontispiece etching by Bernard Picart for 'History of Oracles', created in 1727 using copper engraving in punctuation manner, illustrating classical oracle figures and symbolic imagery.

Copper engraving by Pierre Drevet depicting Paule Françoise Marguerite de Gondi, created between 1680 and 1738, illustrating formal 17th-18th century female portraiture.

Lithograph by Heinrich Friedrich Füger showing a personification of Medicine in a round image, created between 1815 and 1873, depicting symbolic elements and figure attributes.

Etching by Christian Wilhelm Ernst Dietrich from 1769 and 1780 depicting a drinker and a young man with a beret, showing human figures, gestures, and portrait composition.

An 18th-century etching by Georg Friedrich Schmidt depicting female portraits, showing figures, posture, attire, and facial features.

Etching by Lambert Antoine Claessens depicting Tchien Lung, Emperor of China, created between 1798 and 1801.

Copper engraving portrait of Christina of Sweden by Robert Nanteuil, created in 1654.

Copper engraving by Jean Baptiste Corneille depicting Hermes, created between the mid-17th and mid-18th century.

Etching by Karl Russ depicting a blessed meal scene, executed in crayon manner and aquatint, created in 1820, illustrating dining and ritual practice.

Etching and copper engraving by Franz de Paula Ferg showing a landscape with two men and a portrait of the artist, including trees, hills, and surrounding scenery, created between 1709 and 1740.

Copper engraving by Jean Frosne from 1643 to 1676 depicting Jacques Nompary de Caumont, showing his face, clothing, and hair style in formal presentation.

Copper engraving by Isaac Duchemin depicting a portrait of Julius Caesar, showing facial features, attire, and individual likeness. Created around 1580.

Copper engraving and etching by Schelte Adamsz. Bolswert, 1606-1659, showing the port return scene with Jean Baptists Barbé.

Etching by Robert De Launay created between 1786 and 1808 depicting a tidal salesman and an egg seller, showing human figures engaged in trade and market activity in late 18th- and early 19th-century style.

Copper engraving and etching by Dominique Sornique created between 1728 and 1756 depicting a young symphonist musician.

Etching by Jacques-Philippe Le Bas produced between 1725 and 1783 depicting a smoker, showing figure detail, gesture, and 18th-century engraving techniques.

Rabutin-Chantal, Marie de.

Copper engraving by Robert Nanteuil around 1650 depicting a portrait of John Evelyn, showing facial features, attire, and 17th-century engraving details.

Copper engraving by Johann Sadeler depicting Otto Heinrich Graf von Schwarzenberg, produced in 1580.

Etching by Antoine Cardon depicting Catalan Anghel Music and Louis Paolina Angelica Cosway, created in the late 18th to early 19th century, showing human figures, musical instruments, and formal composition.

Copper engraving and etching by Pierre Alexandre Tardieu depicting Louise Augusta Wilhelmine Amalia von Mecklenburg-Strelitz, created in 1807, showing royal portraiture and 19th-century engraving technique.

Lithography by Ferdinand Piloty the Elder depicting the wife of Dirck Helmbreker. Created between 1800 and 1844, illustrating the sitter in formal attire.

Copper engraving and etching by Nicolas Delaunay titled 'The hiding place discovered,' created between 1760 and 1792, depicting figures in a narrative scene.

Photo production from a print to a painting, representing La Belle Jardinière, E. Hufnagel, After Gustave Lévy, After Rafaël, c. 1855 - in or before 1860 photograph photographic support albumen print Madonna: i.e. Mary with the Christ-child. John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff

Etching and steel engraving by Josef Axmann from 1808-1873 depicting various profane scenes and the title page of Adalbert Stifter's 'The Hagestolz', showing figures and decorative elements.

Etching by Francois Robert Ingouf le jeune depicting two male heads, possibly apostles, created between 1770 and 1812, demonstrating portraiture and 18th-century engraving techniques.

Copper engraving and etching by Johann Georg Wille depicting the Dauphin of France, showing facial features, attire, and decorative details from 1730-1808.

An etching from the 16th to 19th century attributed to Peter Flötner, showing detailed figures and ornamental design.

Copper engraving and etching by Johann Georg Wille depicting a teacher, showing posture, clothing, and facial expression, produced between 1730 and 1808.

Etching by Johann Christoph Storer from 1635-1671 depicting Christ with an angel and Mary Magdalene in a devotional scene, showing figures in interaction and detailed drapery.

Aquatint and etching by Frederick Christian Lewis the Older, created between 1837 and 1840, representing a landscape inspired by Claude Lorrain.

Copper engraving and etching by Nicolas Ponce from 1771 depicting a toilet scene, showing figures, objects, and interior details.

Jacques Chéreau the Younger created copper engravings and etchings from 1700 to 1776 depicting a young woman drinking tea, representing 18th-century European domestic interiors and daily life.

Etching by Antoine de Marcenay de Ghuy depicting Portroom Maximiles de BéThune, created in 1763.

Copper engraving and etching by Antoine Alexandre Morel between 1786 and 1808 depicting Pope Julius II in portrait form.

Etching by Pieter Schenk created between 1676 and 1711 depicting portal-allegorical scenes representing the five human senses, illustrating Dutch late seventeenth- and early eighteenth-century allegorical engraving.

Copper engraving and etching by Auguste de Saint Aubin from 1655-1807 depicting François de Salignac de la Mothe Fénelon, Archbishop and Duke of Cambrai, showing detailed facial features, attire, and upper-body composition.

Etching by Wenzel Hollar showing a decorative title cartouche with children holding fruits, depicting gestures, classical motifs, and 17th-century ornamental design.

Vignette illustration by Jean Michel Moreau, copper engraving and etching from around 1800, produced for Voltaires literary works.

Copper engraving by Paulus Pontius from 1623-1658 depicting Jacobus Boon, Archbishop of Mechelen, showing facial features, clerical attire, and compositional layout.

Copper engraving and etching by Jacques Couché from 1770-1821 showing a young lady on a balcony and an old woman holding an oil lamp, depicting architectural details, figures, and gestures.

Copper engraving and etching by Johann Georg Wille depicting two friends, showing interaction, facial expressions, and clothing, created between 1730 and 1808.

Portret van Eugène de Ligne, Ghémar Frères, c. 1860 - in gold before 1865 photograph photographic support albumen print historical persons

Portret van Jean Jacques de Mairan, Simon Charles Miger, After Charles Nicolas Cochin (II), 1768 Print is part of an album. paper engraving / etching Print is part of an album. paper engraving / etching

Copper engraving and etching by Raphael Custos from the 16th-17th century depicting a portrait with a coat of arms and personifications, showing detailed composition and early modern European print technique.

Etching by Antoine Cardon depicting Pedro Caro and Sureda de la Romana, created in 1812.

Pencil portrait by Gilles Demarteau from 1742-1776 showing a seated man, focusing on facial features, clothing, and posture.

Copper engraving by René Lochon depicting a portrait of Titian, created between 1656 and 1675, emphasizing facial features, attire, and 17th-century portrait techniques.

Etching depicting five grotesque heads inspired by Dante, created by Wenzel Hollar in 1646.

Etching by Maria Anna Angelika Catharina Kauffmann, 1770-1815, depicting Elisabeth Vernon, Countess of Harcourt, emphasizing facial features, attire, and posture.

Etching by Joseph Fischer around 1794 depicting the Duchess of Polignac, emphasizing detailed attire, hairstyle, and regal portrait composition.

Copper engraving by Johann Sadeler the Elder from 1560-1586 depicting John the Baptist, showing his figure, clothing, staff, and symbolic gestures.

Photo production of a painting by Navarra from Navarra who receives Antonius Moncada after his victory, by David Teniers and Jan van Kessel I, Anonymous, after David Teniers, after Jan van Kessel (I), c. 1865 - in or before 1870 photograph photographic support albumen print audition; ruler giving audience

Etching by Willem van der Leeuw depicting Tobias with his wife, created between 1620 and 1665, highlighting figures, interaction, and domestic setting.

Copper engraving by Paulus Pontius depicting Antonie de Brun and Philippe Le Roy, produced between 1648 and 1660, showing European historical figures in portrait format.

Etching by Comte Anne Claude Philippe de Caylus between 1712 and 1765 depicting a relief fragment showing a podium with a wild boar.

Copper engraving and etching by Frederick Bloemaert depicting a sign book with studies of heads, created between 1650 and 1656.

Etching and copper engraving by James Fittler depicting a Flemish family, produced between 1773 and 1835, showing figures, clothing, posture, and domestic setting.

Etching by Ludwig Emil Grimm showing a girl with a ladybug and child portraits, created between 1836 and 1837.

An etching by Kauffmann from 1782 depicting Orpheus leading Eurydice from the underworld, showing mythological figures in expressive poses and detailed composition.

An aquatint and etching by Frederick Christian Lewis the Older (1837-1840) titled 'Do Not Touch Me'. The print depicts a human figure in a defensive posture, emphasizing gesture, expression, and early 19th-century European print techniques.

An etching by Joseph Fischer after 1822, featuring works or portraits of artists including Aert Schouman, H. La Pegna, Simon Fokke, P. C. La Fargue, Jules Quinkhard, Jacob Janson, H. de Leth, and P. Van Liender.

Etching by Simon François Ravenet produced between 1730 and 1774 titled Attempt, depicting a detailed 18th-century European figure or scene in line engraving technique.

Etching by Joseph Fischer depicting portraits and scenes related to artists including Quintin Messis, Jérôme Bos, Pierre Coeck, Jean de Mabuse, Lambert Lombard, and others, created after 1822.

Nicolas de Larmessin III's copper engraving and etching from 1660-1725 depicts an ear maker and the mold mesh, emphasizing tools, figure, and technical processes in 17th-18th century European printmaking.

Copper engraving and etching by an unknown artist depicting running farmers carrying agricultural tools and household devices, illustrating 17th century rural life and labor.

Etching by Ferdinand Bol showing a woman holding a pear, pinnate style, 1651.

Print (France)

Copper engravings by Pierre Woeiriot depicting Pope Pius IV, Johann Casimir Duke of Bavaria, and Louise Labé, created between 1555 and 1596, highlighting historical and literary figures in 16th-century portraiture.

Photo production from a print to the Abundance painting by Jean-Baptiste van Eycken, Godfrey Wordsworth Turner, After Anonymous, After Jean-Baptiste Van Eycken (1800-1861), c. 1866 - in or before 1871 photomechanical print paper print, e.g.: engraving, etching, lithograph. girl (child between toddler and youth)

Photo production from a print to a painting by Richard Westall, representing a scene from Macbeth by William Shakespeare, Stephen Ayling, After James Parker, After Richard Westall, c. 1854 - in or before 1867 photograph You can see deed I, scene 5 with Lady Macbeth with a letter in her hand. London photographic support albumen print Lady Macbeth

Etching by Ludwig Emil Grimm depicting portraits of Jacob Grimm and the Brothers Grimm, created in 1843.

Copper engraving by Jean Boulanger, created between 1628 and 1680, depicting René the Corniers in a formal portrait composition.

Etching and copper engraving by Gérard René Le Villain from 1776 showing a young woman next to a fountain, capturing posture, facial features, and architectural background.

Etching by an unidentified artist in the 18th century depicting a medical dealer and a village barber, showing figures, interior, and tools.

Copper engraving and etching by Charles François Flipart around 1769 showing a figure with a dove in a Spanish costume, emphasizing detail and posture.

Photo productions from prints to frescoes with performances of Joseph with the wife of Potiphar and Joseph who indicates the Pharaoh's dream by Rafaël for the loggias in the Vatican, Gustav Schauer, After Anonymous, After Rafaël, c. 1851 - In or Before 1861 photograph Berlin photographic support albumen print Joseph interpreting Pharaoh's dreams. Potiphar's wife trying to seduce Joseph

Copper engraving and etching by Robert Nanteuil from 1652 depicting Henri de Savoie-Nemours, showing detailed facial features, attire, and upper-body composition.

Fotoreproductie van The Strawberry Girl door Joshua Reynolds; The Strawberry Girl. .

Copper engraving by Jacob Houbraken depicting Anna Iwanowna, Empress of Russia, created between 1713 and 1780. The print shows the empress in formal attire with detailed facial features.

Reproduction of a print of a painted from portrait The daughter of Titian to Titian, Anonymous, After Titian, c. 1870 - in or before 1875 photomechanical print paper historical persons - BB - woman

An etching by Augustin Hirschvogel from 1548-1560 depicting a self-portrait as a cartographer, showing facial features, posture, instruments, and workspace.

Etching and copper engraving by Schelte Adamsz. Bolswert depicting a portrait of Andries van Eertvelt, created between 1606 and 1659, showing detailed facial features and clothing in Flemish 17th-century printmaking.

Etching by Étienne Jeaurat depicting Kybele with Pomona and Ceres, created between 1720 and 1762, illustrating mythological goddesses in a classical scene.

Etching by Joseph Fischer after 1822 depicting works by Giunta Pisano, Cimabue, Giotto, Simone Memmi, Niccolò Pietri, showing figures, gestures, and compositions.

Print

Etching and copper engraving by Luigi Schiavonetti from 1807 depicting Van Dyck as Paris, showing figure, posture, drapery, and classical composition.

Aquatint by Hans Holbein the Younger showing a woman with three children and musicians on a balustrade, created after 1765.

Etching by Bénédict Alphonse Nicolet between 1770-1806 depicting portraits of Francois de Paule Jacquier and Sweat with detailed engraving.

Copper engraving and etching by Robert Nanteuil from 1651 depicting Victor Le Bouthillier, showing detailed facial features, attire, and upper-body composition.

An etching and copper engraving by Benjamin Phelps Gibbon depicting a portrait of Paulus Potter, created between 1822 and 1851.

Copper engraving by Pieter de Jode II depicting a portrait of Adam de Coster, produced between 1624 and 1674.

Photo production of a drawing by the Thénardiers from Les Misérables by Victor Hugo, Gilmer, After Gustave Brion, c. 1862 photograph Paris photographic support albumen print literary characters and objects

Etching by Henri Laurent showing a young scholar with his wife, created around 1818, illustrating domestic life and intellectual companionship in the early 19th century.

Engraving by an unidentified monogrammist from mid-17th to mid-18th century depicting Valentin Noetzler, showing figure, attire, posture, and expression.

Etching by Joseph Fischer after 1822 depicting Jean Holbein, with engraved sections based on Holbein's drawings and paintings, showing detailed portrait features.

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