Symbolic Love and Nautical Scenes

Lithographs illustrating love and nautical themes, featuring putti in boats, dramatic scenes of shipwrecks, and winged figures, conveying a blend of hope and emotion.

Renouvele de la tour de barbe bleue. Honoré Daumier (1808-1879). Lithographs

Putti in a boat with a fishing net; Emblemes d'Amour. Putti with a fishing net in a boat and two putti climbing on a pole. A lighthouse on the coast. Love is driven by hope; The loved one, as a fisherman, has the hope to catch something beautiful. Tenth emblem from emblemata amatoria.

Mon ami, lche lui ta canne.... Honoré Daumier (1808-1879). Lithographs

Title print with winged woman with trumpet floating above France. A winged woman in gown with trumpet, flying to the left. A cloth with text hangs on the trumpet. She floats above a map of the area where the Loire River flows.

Captain FitzStephen after the shipwreck of The White Ship in the English Channel in 1120. He survived but committed suicide on learning of the death of his passenger, Prince William Adelin. The death of Fitz-Stephen. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

Malheureux enfant! ... Ca t'appendra a faire ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Divertissement...renouvelé des grecs. Honoré Daumier (1808-1879). Lithographs

Tiens Dorothée, voilà ou m'a conduit.... Honoré Daumier (1808-1879). Lithographs

John Bull's Triumphocht to Pretoria, Johan Braakensiek, 1900 Amsterdam paper political caricatures and satires. historical persons. other mammals: porcupine. personifications of countries, nations, states, districts, etc. South Africa. Pretoria

Renouvele de la tour de barbe bleue. Honoré Daumier (1808-1879). Lithographs

Un léger coup de vent. Honoré Daumier (1808-1879). Lithographs

Ce malheureux lièvre doit être fatigué de courir comme ça à coté de la diligence....., from Croquis de Chasse, published in Le Charivari, September 29, 1859 September 29, 1859 Honoré Daumier. Ce malheureux lièvre doit être fatigué de courir comme ça à coté de la diligence....., from Croquis de Chasse, published in Le Charivari, September 29, 1859. Croquis de Chasse. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). September 29, 1859. Lithograph; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

The Approach of the British Pirate "Alabama" (from "Harper's Weekly," Vol. VII) April 25, 1863 After Winslow Homer American. The Approach of the British Pirate "Alabama" (from "Harper's Weekly," Vol. VII). After Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). April 25, 1863. Wood engraving. Harper's Weekly (American, 1857-1916). Prints

Embarcation of a Lady. "Get in without fear Miss Josephine....You don't have to be afraid from neither the current nor the boatmen... they are all Frrrrrench.... we actually wanted to salute you with 101 canon shots, but we didn't get the authorization from the Government!...," plate 15 from Les Canotiers Parisiens. Honoré Victorin Daumier; French, 1808-1879. Date: 1843. Dimensions: 241 × 210 mm (image); 340 × 265 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

In Kabylie. / 405 (registered title) | News. (Title of the whole)

"Overloaded! It is going to burst!," plate 67 from Actualités. Honoré Victorin Daumier; French, 1808-1879. Date: 1867. Dimensions: 258 × 222 mm (image); 379 × 277 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

(PROJETS DE BONHEUR.). Artist: Paul Gavarni, French, 1804-1866

After Winslow Homer, The Approach of the British Pirate "Alabama", 25 Apr. 1863, wood engraving on newsprint.

Honoré Daumier, Que diable est ce qu'ils font la haut!, 19th century Que diable est-ce qu'ils font la-haut!

The wonderful fishing (left and right plate).

Honoré Daumier, Passager ayant payé pour se rendre a New York , 19th century Passager ayant payé ... pour se rendre a New-York ...

The Fisherman and the Afrite (or Genie). Artist: Designed by John La Farge (American, New York 1835-1910 Providence, Rhode Island); Engraved by Henry Marsh (American, 1826-1912). Dimensions: image: 6 13/16 x 5 3/8 in. (17.3 x 13.7 cm)sheet: 9 1/2 x 6 13/16 in. (24.1 x 17.3 cm). Date: 1868. Museum: Metropolitan Museum of Art, New York, USA.

Allegorical show with portrait of Willem V. in a boat, surrounded by two sea oven, is a raised man with a leaf paper in his hand. In the air a woman holds a winch and laurel wreath and bears the portrait of Willem V in oval together with a putto. High in the air A bazuin blowing angel.

Eh! Bien, que faites-vous là...Fumichon.... Honoré Daumier (1808-1879). Lithographs

Le Colosse du Nord (Ce que nous prouve bien), from Actualites. Artist: Honoré Daumier, French, 1808-1879

Attention, Gargouillet, v'la le bourgeouis qui passe. Honoré Daumier (1808-1879). Lithographs

Columbus return from his new shelter Daugull, August (1830-1899), Marechal, Charles Laurent (1801-1887), Szumacher, I. (Petersburg; Graphic Zak 1860-1870 (1860-00-00-1870-00-00);

Destiny settles the course of life, and vain dreams make it the charm / Metaphorical Scene with Charon And a Genius and a Naked Woman. Caraffe, Lambert (1824)

Charles François Daubigny, Going Down Stream (Avallant), 1862 Going Down Stream (Avallant)

Tire ferme, Gaspard, y va s'neyer.... Honoré Daumier (1808-1879). Lithographs

Amsterdam, Scheltema & Holkema's Boekhandel, Tresling & Comp., Nederland, Bauer, Marius, De staat in het Oosten, Netherlands, Cartoon on the slow progress of the negotiations about Crete between the countries Turkey, Greece, England and Russia. Represented as a windmill with Crete as the mill axle and the four powers as the sails. At the bottom two lines from a children's rhyme. Published in the supplement of 'De Kroniek' of August 1, 1897., print, prent, cartoon, prints, prenten, height 408 mm, width 300 mm, Dutch, 1867-01-25 - 1932-07-18, print maker, printmaker, 1897-08-01 - 1897-08-01, fourth quarter 19th century, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, publisher

C'est bien décidé ... Je ne chasserai plus avec vous! ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Une fcheuse rencontre. Honoré Daumier (1808-1879). Lithographs

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), A Plate of Mechanics (Tuer. 683), 1796. Engraving.

L'apostrophe (another impression). Daubigny, Charles François (1817-1878). 1861. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Fish, Eating & drinking , France, Boats , France, Artists

Deux chasseurs altérés, from Croquis de Chasse, published in Le Charivari, September 20, 1859. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 8 13/16 × 10 15/16 in. (22.4 × 27.8 cm)Sheet: 11 3/4 × 11 9/16 in. (29.8 × 29.4 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: Croquis de Chasse. Date: September 20, 1859. Museum: Metropolitan Museum of Art, New York, USA.

Le coup de vent. Honoré Daumier (1808-1879). Lithographs

You may suspect that this is a spectator! But you are wrong.... It's the manager of the theater!, from 'News of the day,' published in Le Charivari, July 29, 1868. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 7/16 × 8 1/4 in. (24 × 21 cm)Sheet: 11 1/2 × 11 1/2 in. (29.2 × 29.2 cm). Printer: Destouches (Paris). Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: July 29, 1868. Museum: Metropolitan Museum of Art, New York, USA.

A Boy Sitting on a Banked Vessel 1809 England. Pen lithograph on cream wove paper . Cornelius Varley

An Unpleasant Encounter. "Bernardel, Bernardel! Here comes the steamer... we will sink!," plate 16 from Les Canotiers Parisiens. Honoré Victorin Daumier; French, 1808-1879. Date: 1843. Dimensions: 201 × 268 mm (image); 264 × 341 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

They do not know what saint to do Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "They do not know what saint dedicated to". Board published in "caricature" of October 18, 1832. Lithography. Paris, House of Balzac.

Amsterdam, Luyken, Jan, Jonah spat out by the whale, verso - stamped, print, prints, height 76 mm, width 86 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1698 - 1698, paper, papier, etching, etsen

You leave Nice, Milady ... [... But the climate of France never agree to health in Ma! .... (title registered) | News. (Title of all)

La charrette brisée , Carts & wagons, Alphonse Legros (1837-1911)

Un léger grain. Honoré Daumier (1808-1879). Lithographs

Come on, here is my pointed nephew that still has his own! (IT)

Artist Unknown, The Sleigh Ride, 1869, wood engraving on paper.

Vatican City, Raphael, Italy, Villamena, Francesco, La Sacra Genesi, Paintings in the Loggia of Raphael, God dividing the waters, verso - stamped, Second day of creation on which God the Father divides the waters above and below the firmament. Numbered lower right: 2. Reference to Bible text in lower margin., print, prent, prints, prenten, height 144 mm, width 251 mm, Italian, 1566 - 1624-07-07, print maker, printmaker, 1626 - 1626, paper, papier, engraving, engraving (printing process), etching, 1483-04-07 - 1520-04-07, after a painting by

The Steam Boats (Les bateaux à vapeur). Dimensions: 43.2 cm x 29.4 cm, 14 cm x 19 cm, 11.1 cm x 15.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: CHARLES FRANCOIS DAUBIGNY.

God separates the waters, Francesco Villamena, After Rafaël, 1626 print Second day of creation in which God separates the Father the waters above and below the firmament. Nummered at the bottom right: 2. Reference to Bible text in STUBMEP. Print Maker: ItalyaFter Painting by: Vatican City paper engraving / etching creation of the firmament and division of the waters above and below it

Noah descendants find the helm. Noah's descendants find the rudder with which a boat can be controlled and kept in chamber. Printed on the back with text in Dutch.

After Winslow Homer, The Coolest Spot in New England Summit of Mount Washington, published 1870 The Coolest Spot in New England - Summit of Mount Washington

Shifting, Reinier Craeyvanger, 1822 - 1880 print A skipper helps a family of a father, a mother and a daughter with embarkation on the rowing boat Amsterdam China paper etching family group, especially parents with their child(ren). rowing-boat, canoe, etc.. seaman

Honoré Daumier, Paysagistes au travail (Landscape Artists at Work), August 17, 1862 Paysagistes au travail (Landscape Artists at Work)

Karaul'shchik bashtana v Malorossii.. Timm, Vasili Fëdorovich, 1820-1895. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Danger Ahead Published 1870 United States. Wood engraving on paper . Winslow Homer

A Boat-Manoeuvre. The Captain yelling in his trumpet: "- Gabier! There is a squall building up, get ready!..... Clew up all the sails!... That's good:.... very good! - Why didn't you say that to me calmly instead of poking this huge instrument into my ear! Now I am so deaf, I can't see clearly anymore!...," plate 9 from Les Canotiers Parisiens. Honoré Victorin Daumier; French, 1808-1879. Date: 1843. Dimensions: 204 × 258 mm (image); 264 × 341 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

The rainy summer of 1860, a man with an umbrella, France, illustration by Bertall from L'Illustration, Journal Universel, No 916, Volume 36, September 15, 1860.

The city arms of Delft, flanked by putti with attributes referring to the just and good government of the city. Various coats of arms hang to the far left and right. The print is printed from two plates and is part of a four-volume (originally possibly five-volume) series of prints dedicated to the Lords of Delft, City arms of Delft, flanked by putti Names and arms of the Ed: Agtbaare Heeren Veertigh Raaden der Stad Delft (series title), print maker: Hendrik de Leth, (mentioned on object), publisher: Hendrik de Leth, (mentioned on object), 1738, paper, etching, h 112 mm × w 426 mm × h 112 mm × w 426 mm

Une ruse chinoise. Honoré Daumier (1808-1879). Lithographs

Appearance of an angel of people on a roof at Watersnood, Stéphane Pannemaker, After Gustave Doré, 1879 print paper flood. specific aspects of angels, e.g. intervening in human affairs

These little ladies. Plate # 16 (registered title) | 2nd sequence of 1862-1863. (Title)

De Utrechtsche Vlieger, Johan Braakensiek, 1910 Amsterdam paper political caricatures and satires. (flying a) kite

Cartoon depicting the opening of the Mersey tunnel linking Liverpool and Birkenhead. Illustrated by Edward Linley Sambourne.

A cartoon commenting on the opening of the Mersey tunnels linking Liverpool and Wirral Peninsula. Illustrated by Edward Linley Sambourne (1844-1910) an English cartoonist and illustrator. Dated 19th century

Ce qu'on appelle une session bien remplie. Honoré Daumier (1808-1879). Lithographs

Honoré Daumier, Abordage a l'ile Saint Denis, 19th century Abordage a l'ile Saint-Denis

"- Mr.Lifeguard.... is it true there are sharks at Dieppe - Of course... but it is pretty simple... as soon as you see one coming to eat you, all you have to do is lay down sideways. He won't eat you for fear of choking to death," plate 1 from Aus Bains De Mer. Honoré Victorin Daumier; French, 1808-1879. Date: 1858. Dimensions: 199 × 256 mm (image); 273 × 360 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Fariboles 2 Board 35 (registered title (letter))

Avantages des terrasses italiennes... Dated: 1846. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Germain, Louis, IIe Volume De l'Oeuvre de J. Ch. Delafosse, musical instruments, verso - stamped, A cartouche surrounded by musical instruments, masks and weapons., print, ornament print, prints, ornament prints, height 197 mm, width 285 mm, 1733 - 1791, print maker, 1771 - 1771, paper, etching, engraving, engraving (printing process), Work conception, French, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher, papier, etchings

A Littoral Tile, 1879. Winslow Homer (American, 1836-1910). Wood engraving;

A treacherous attitude, from 'News of the day,' published in Le Charivari, October 4, 1867. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 13/16 × 8 3/8 in. (25 × 21.3 cm)Sheet: 12 13/16 × 10 1/2 in. (32.5 × 26.6 cm). Printer: Destouches (Paris). Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: October 4,1867. Museum: Metropolitan Museum of Art, New York, USA.

Anglers of 1811. Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: Sheet (trimmed): 7 1/2 × 10 5/8 in. (19 × 27 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Date: 1811. Museum: Metropolitan Museum of Art, New York, USA.

Un léger coup de vent. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Baigneurs commençant à trouver qu'en septembre..., from Croquis d'Été, published in Le Charivari, September 3, 1858 September 3, 1858 Honoré Daumier French. Baigneurs commençant à trouver qu'en septembre..., from Croquis d'Été, published in Le Charivari, September 3, 1858. Croquis d'Été. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). September 3, 1858. Lithograph; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

From Patrycjusz; Z: "Tygodnik Ilustrowany" 1887, No. 248 (1 Pa Obrnik), p. 216; Badowski, Adam (1857-1903), Rosk Ski, M. (Fl. 1882-1889), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1887 (1887-00-00-1887-00-00);

The five senses: taste, a priest at the table with a glass of wine, illustration by Bertall from L'Illustration, Journal Universel, No 208, Volume VIII, February 20, 1847.

On the Water, 1869 - 1882 print Leaf with 6 performances of Christoffel Columbus and ships at sea. A caption under each image. Numbered in the middle: XXV. print maker: Europeprint maker: Europeprint maker: Europepublisher: KampenNetherlandsafter painting by: Europe paper letterpress printing ships (in general). seaman: sailor

September - Over-Boarded and Under-Lodged from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853. George Cruikshank (English, 1792-1878); published by Pickering & Chatto (English, 19th century). Date: 1840. Dimensions: 94 × 155 mm (primary support); 222 × 284 mm (secondary support). Steel etching in black on cream India paper, laid down on off-white card (chine collé). Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Faut pas vous désoler comme ca ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

L'Affuteur. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching and drypoint

Celestial City - Observe two dusty foot travellers in the old Pilgrim guise. Hawthorne, Nathaniel, 1804-1864. Illustrations. 1844. General Research Division

After Winslow Homer, Winter at Sea Taking in Sail Off the Coast, published 1869 Winter at Sea - Taking in Sail Off the Coast

A Horse-Drawn Wagon, Title Page for the English Series. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 376 × 476 mm. Bi-fold portfolio cover with pen-lithographed title page in black on buff wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Easter egg. / 88. (Registered Title) | News (title of all)

The Balance of Themis (IT)

Shipwalkers in a rowing boat at sea, François-Louis Français, after Eugène Delacroix, 1841 print Paris paper lifeboat

Business card from lithographer J. Frankfurther.twee putti with helmets on the head for a large stone in a landscape. One of the putti keeps a print with the map of a fortress up.

'Dad's Coming!', from Harper's Weekly, November 1, 1873, p. 969., Winslow Homer, American, 1836-1910, Wood engraving in black ink on newsprint paper, Horizontal scene at the shores edge with a woman carrying a child at right, a small boy perched on a rowboat toward the left, and sailing boats on the sea in the background., USA, November 1, 1873, graphic design, Print, Print

Giboulées de mars à Sébastopol. Honoré Daumier (1808-1879). Lithographs

Shifting, Reinier Craeyvanger, 1822 - 1880 print A skipper helps a family of a father, a mother and a daughter on the rowing boat. paper etching family group, especially parents with their child(ren). rowing-boat, canoe, etc.. seaman

An engraving depicting a shadoof in use in Egypt. The shadoof was used for irrigation at least as early as 1500 BC. Dated 19th century

"All in the Gay and Golden Weather" (Appleton's Journal, Vol. I). Designer: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 5 1/2 x 6 1/2 in. (14 x 16.5 cm)sheet: 11 x 7 5/8 in. (27.9 x 19.4 cm). Engraver: James L. Langridge (American, born England, 1837). Date: June 12, 1869. Museum: Metropolitan Museum of Art, New York, USA.

Honoré Daumier, Un bain contrarié, 19th century Un bain contrarié

Aurora Borealis. Coloured wood engraving by C. Whymper.

Vasco Nunez de Balboa reaching the Pacific 19, Francisco Pizarro separating his men by a line in the sand on the Isle of Gallo 20, and Peruvians afraid of a lunar eclipse 21. Handcoloured copperplate engraving from Rev. Isaac Taylors Scenes in America, for the Amusement and Instruction of Little Tarry-at-Home Travelers, John Harris, London, 1821.

Heuschreckenplage in Wien am , August , copper engraver

1870. If I am cursed, you must also have your share! / 271

Is it disgusting this old there! It works gently when we are in college and it runs when we are on vacation. (registered title) | News. (Title of the whole)

of 2