← Artworks

Tapestries and Frescoes in Italian Art

Richly detailed tapestries and frescoes from Italy, depicting historical and mythological subjects with vibrant colors and elaborate designs.

Dido's suicide. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) painter Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) weaver c. 1655-1679 Tapestry Dimensions: H 414 x W 466.5 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.8. Inscriptions: Woven signature in lower guard, right: M. WAVTERS Dido lies atop funeral pyre & falls upon sword of Aeneas; Dido's sister attempts to stop her; Iris cuts lock from Dido's hair to release her soul (L & R BRD) spiral (Solomonic) columns with twisting garlands of flowers; (UPR BRD) garlands of flowers with putti flank central, empty cartouche; (LWR BRD) sets of sea-monsters with shell flank military trophies in center Romanelli's cartoons have been dated c.1655-1662. 8 out of 6 of the original cartoo
Dido's suicide. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) painter Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) weaver c. 1655-1679 Tapestry Dimensions: H 414 x W 466.5 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.8. Inscriptions: Woven signature in lower guard, right: M. WAVTERS Dido lies atop funeral pyre & falls upon sword of Aeneas; Dido's sister attempts to stop her; Iris cuts lock from Dido's hair to release her soul (L & R BRD) spiral (Solomonic) columns with twisting garlands of flowers; (UPR BRD) garlands of flowers with putti flank central, empty cartouche; (LWR BRD) sets of sea-monsters with shell flank military trophies in center Romanelli's cartoons have been dated c.1655-1662. 8 out of 6 of the original cartoo
247 assets in this story
Four Continents. unknown c. 1650-1700 Tapestry Dimensions: H 22' x W 10'4" (Asia) Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: Raoul Heilbronner coll., Paris. Leon Charles Cardon coll., Brussels. French & Co. purchased from F. Kleinberger Galleries, Inc. 11/5/1921; sold to James H. Hyde 8/9/1928. L to R, Asia, America, Europe, Africa, each represented by female figure standing on plinth Four fragments from one or more hangings, possibly parts of side borders; borders missing. French & Co. stock sheet in archive, 23801Lazio Roma Rome S. Ignazio di Loyola82. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the EtruscPsyche's arrival at Cupid's palace. Boucher, François (French, 1703-1770) (cartoon creator) painter Oudry, Jean-Baptiste (French, 1686-1755) (workshop) painter Besnier, Nicolas (French, b.1686-d.1754) (workshop) weaver c. 1741-1770 Tapestry Dimensions: H 11'0.5" x W 20'0.5" Tapestry Materials/Techniques: wool & silk, (warp: 20-22/cm), modern cotton linings Culture: French Weaving Center: Beauvais Ownership History: Possibly part of a set of three (Bremmer cat. 11 a-c) woven for M. d'Auriac, 1741-1742. Sir Anthony de Rothschild (London), early 20th century (Bremmer cat. 11 a-c), thereafter separated. E. M. Hodgkins coll. (Paris). French & Co. purchased from Henry Symons 4/23/1929; sold to J. Paul Getty 12/21/1937. J. Paul Getty Museum 1963. United States, California, Los Angeles, J. Paul Getty Museum, accno. 63.DD.5. Zephyr guides Psyche as she enters Cupid's palace, treading on near Eastern carpet partially unrolled to receive her, 8 maidens gathered around stone base of large perfume Abruzzo L'Aquila L'Aquila Convent of the Clarisse8. Hutzel, Max 1960-1990 Exterior views of convent and portals, interior views of church with emphasis on choir fresco, and views of cloister. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Campania Napoli Naples S. Lorenzo Maggiore33. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches Lazio Viterbo Bagnaia Villa Lante104. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Bliżej Kultury unknownLazio Viterbo Caprarola Palazzo Farnese88. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Ladies and gentlemen in garden. unknown c. 1510-1520 Tapestry Dimensions: H 9'6" x W 10'9" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. Scene filled with figures with millefleurs foreground & round garden structure with arched openings in background (BRD) garland with flowers Possibly woven in Brussels. No French & Co. stock sheet in archive, no stock numberLazio Roma Rome S. Pudenziana25. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculptural fragments, frescoes, mosaics.Post-medieval: Architecture, architectural sculpture, sculpture, frescoes, painting, stucco, mosaics. Object Notes: Tradition states that the church (on via Urbana) rests on the site of the house of the Roman senator Pudente, who gave shelter to S. Peter during his sojourn in Rome. Excavations reveal a 2nd century AD structure. 18th century facade. 4th century mosaic, "Triumphant Christ Enthroned" German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region Dono Doni Da Assisi (Attributed to) / 'Virgin and Child with Sts. Joseph, Anthony Abbot and a Bishop Saint'. XVI century. Wash, Pencil, Grey-brown ink on paper. Museum: Museo del Prado, Madrid, España.09/30/1950. Chapel of the Rosary of Regina. Relief of the famous sculptor Pedro Roldán (17th century) (approximate date).Abruzzo, L'Aquila, Sulmona, Badia Morronese, Italy, 20th century, photo, photography, EuropeUmbria Perugia Foligno Monastery of S. Anna5. Hutzel, Max 1960-1990 Post-medieval: 15th and 16th century frescos Object Notes: Contains two sets of duplicate photographs General Notes: also known as monstero delle Contesse German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Lazio Roma Rome Palazzo Venezia4. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, sculpture, stucco, gilding, architecture, tapestries Antiquities: Sculptural fragment Object Notes: Cortile, above all interesting for Roman, early medieval and Renaissance monuments, sarcophagi, fountain settings, statues, portrait busts, etc. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Lazio Viterbo Bagnaia Villa Lante32. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Lazio Roma Rome Palazzo Venezia, Museo. Hutzel, Max 1960-1990 Post-medieval: Tapestry collection in the "Sala Regia" Object Notes: Occupying the rooms of the Balbo apartment, where Paul II lived and gathered together his collections. German and French tapestries of the 16th century, all manufactured at Brussels, and five Italian tapestries by Riviera after cartoon drawings by Giov. Franc. Romanelli in 1637-42. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Stoning of Moses, Joshua and Caleb early 20th century (original dated 5th century) Byzantine. Stoning of Moses, Joshua and Caleb. Byzantine. early 20th century (original dated 5th century). Tesserae, glass in wooden frame. Reproductions-MosaicsEmilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia63. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)5. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s unBas relief of the door of the Amboise castle chapel, vintage engraved illustration. Magasin Pittoresque 1846.Feather and paintbrush depiction of the wedding of Amor and Psyche, showing figures, clouds, drapery, and mythological setting with detailed composition by Raffaello Motta.Mordecai's triumph. Troy, Jean François de (French, 1679-1752) (cartoon creator) painter Cozette, Pierre-François (French, b.1714-d.1801) (workshop) weaver Jacques, Maurice (French, 1712-1784) (author of design, border) painter c. 1776-1781 Tapestry Dimensions: H 14'x W 25'8" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Offered by Louis XVI to Albert & Marie-Christine (sister of Queen Marie-Antoinette), Duke & Duchess of Saxe-Teschen & Joint Governors of the Austrian Netherlands on their visit to Paris on 8/20/1786 SS 54311. French & Co. stock sheet: purchased by the Vichy government, France, 1943 SS 54311. Shah of Iran coll., 1974 (). Inscriptions: Woven signature on lower field, right: COZETTE.1781 Inscriptions: Woven signature in central field on ston ein lower left: De Troy 1739 not visible in photograph Inscriptions: Inscription on lower border, center: REX ILLVM VOLVIT HONORARE Mordecai, mounted on the King's horse is led througSacrifice of Abraham late 16th-early 17th century After a composition by Annibale Fontana. Sacrifice of Abraham. After a composition by Annibale Fontana (Italian, 1540-1587). Italian, Milan. late 16th-early 17th century. Bronze, dark brown patina. Medals and PlaquettesCourt scene with king wearing turban. unknown c. 1500-1510 Tapestry Dimensions: H 7'4" x W 8'8" Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from Mrs. Benjamin Thaw 5/11/1918; sold to John Magnin 3/27/1928. King enthroned beneath canopy & holding scepter on far R and figures in front of him, all looking towards L; 1 woman kneels with her arms crossed over her chest; brocade background; scene framed by pilasters (UPR & LWR BRD) narrow decorative bands Fragment of tapestry; borders missing. Possibly woven in Brussels. Left and right colonettes are pieced in. French & Co. stock sheet in archive, 4745Abruzzo Teramo Teramo S. Agostino3. Hutzel, Max 1960-1990 View of Baroque facade built in the 19th century. General views of the interior include: an organ, dome, pulpit, two stone side altars, confessionals, and wall paintings. The coverage emaphasizes the main altar (16th century) which is silver and depicts a scene of the Last Supper. In the Oratory are frescoes of the Four Evangelists in the dome pendentives, a ceiling fresco, and wall paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Tuscany Siena Montalcino S. Agostino53. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century). Post-medieval: Frescoes (12th century) depicting saints, life of S. Agostino, the resurrection General Notes: When these negatives were sent there was confusion with identifying these prints and negatives and those of S. Antimo. Some intermingling MAY still exist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Papal escutcheon, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash off-white laid paper, Supported by two winged female genii, the right one having a trumpet in her left arm. In front of a niche which is supported by a base. The background is colored., Rome, Italy, 1780-1800, graphic design, Drawing, DrawingGreek Maidens Drawing Lots by Walter Crane. Pen and Ink drawing (with process white) on and artists board. Circa 1910. Depicts an incident from the life of the King of Sparta, Cleomenes III.Psyche contemplating sleeping Cupid. Coypel, Charles-Antoine (French, 1694-1752) (author of design) painter Belle, Clément-Louis-Marie-Anne (French, 1722-1806) (cartoon creator) painter Cozette, Michel-Henri (French, 1744-1822) (workshop) weaver 1792 Tapestry Dimensions: H 148" x W 120" Tapestry Materials/Techniques: wool & silk (warp: 21-22/inch) Culture: French Weaving Center: Paris Ownership History: Woven for M. Marquet de Peire (1767). Lewis & Simmons, Cleveland (1918). Jacques Seligmann coll. French & Co. Henry Walters coll. J. Paul Getty coll. Gift of J. Paul Getty. United States, California, Los Angeles, Los Angeles County Museum of Art, accno. 51.36.7. Inscriptions: Woven signature in lower field, right: Cozette fils.1792 Psyche holds lamp & watches Cupid sleeping on bed in chamber decorated with spiral columns, caryatids holding draperies & large vase of flowers (BRD) picture-frame border with wave motif & egg-&-dart band, rosettes in corners; (UPR BRD) centered by cartouche Lazio Latina Valvisciolo SS. Pietro e Paolo8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Lazio Viterbo Viterbo S. Lorenzo, Cathedral7. Hutzel, Max 1960-1990 Views of 16th c. facade, with detail views of portal, windows, campanile (attached). Interior views of cupola, baptistery, sculpture, chapels, tabernacle. Many views of paintings and apse frescoes. Nave views in negatives only. Object Notes: A composite view of the exterior in found in the Italy Oversize box in the Medieval Core Collection. Hutzel views (H-230) MED and (H-231) MED General Notes: Views 118 to 184, processed by previous cataloguer, have no matching prints, though negative jackets indicate they should. All prints have been renumbered. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic,First delivery, vintage engraving. First delivery, vintage engraved illustration. Magasin Pittoresque 1844. Copyright: xZoonar.com/PatrickxGuenettex 10660685Meissen. Albrechtsburg -Albrechts entry in HarlemAllegorical Picture...painted for the Inauguration Dinner of the Lord Mayor, in Guildhall, Nov. 9, 1854. Patriotic tableau in the Great Banqueting-hall to mark the term of Sir Francis Graham Moon as Lord Mayor of London. 'The design is from the pencil of Mr. David Roberts, R.A...painted by John Absolon and Frederick Fenton...London and Paris are represented by two female figures...both have drawn the sword in the cause of the oppressed; and they hold forth the laurel crown to reward the victor...Peace bearing her olive-branch...Victory bearing the banners of England, France, and Turkey, over CCampania Napoli Nola Chiesa del Gesu3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Umbria Perugia Spoleto S. Maria Assunta, Cathedral04. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the wLazio Roma Rome Palazzo Ricci1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescoes. Renaissance building with frescoes by Maturino da Firenze and Polidoro da Caravaggio on the exterior walls. General Notes: Views extracted from via di Monserrato sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Prometheus and Mercury 1710-1730 Italy. Marble . Domenico Antonio VaccaroBasilicata Matera Matera Duomo18. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Lazio Viterbo Viterbo Palazzo Comunale6. Hutzel, Max 1960-1990 Exterior views of Renaissance palazzo portico, portal fresco, courtyard with fountain and view of SS. Trinita. Interior views of Sala Regia o Erculea, decorated with frescoes by Croce and Sala del Consiglia. Antiquities: Sarcophagi in courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Lazio Roma Rome SS. Quattro Coronati3. Hutzel, Max 1960-1990 Exterior and cloister views of 12th c. church stored in Medieval section. Interior views of nave, altar, apse fresco, ciborium, holy water font, wall paintings. Many views of 13th c. frescoes in Oratorio di S. Silvestro and several views of the adjoining chapel. General Notes: Views of Oratorio frescoes processed by Paintings section now stored with Hutzel collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Lazio Roma Rome S. Pietro in Vincoli. Hutzel, Max 1960-1990 Views of central nave, apse fresco, throne. Detail views of Michelangelo's Moses. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory19. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Abruzzo L'Aquila Fossa S. Maria delle Grotte8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculpture Post-medieval: Fresco cycles German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Campania Caserta Caserta Palazzo Reale49. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Well of the Doge’s Palace in Venice, for Alberghetti, vintage engraved illustration. Magasin Pittoresque 1878.Terror of the wilderness , Sick persons, Cabins, Fires, Fighting, Murals. The Massachusetts WPA Federal Art Project Photograph CollectionLazio Roma Velletri S. Clemente, Cathedral4. Hutzel, Max 1960-1990 Medieval: Architecture (4th c., rebuilt c. 1300, reconstructed 1659-62); architectural sculpture and mosaic (13th century); Roman urn (1-2nd c. A.D.); wall painting; includes reused Roman and 8-11th century fragments). Post-medieval: Architecture, architectural sculpture, frescoes, sculpture Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign date: October 30, 1982. There was another photo campaign previous to 1982, possibly 1962. There is one set of prints and a second "A" set with the same numbers and ideally the negatives would correspond to each set; however, they are commingled to a certain extent (particularly the later numbers of those in the Medieval core collection, whose print sequence fits into the "A" set, but whose negatives are filed under the other set). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. Lazio Rieti Poggio Mirteto S. Paolo2. Hutzel, Max 1960-1990 Medieval: Architecture, post-restoration (12th century) Post-medieval: Interior: nave and chapels; votive frescoes (13-14th century); apse frescoes depicting Coronation of the Virgin, prophets, saints, and Conversion of St. Paul, by Lorenzo Torresani (1521) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Israelites praise God. Giulio Romano (Italian, 1492/99-1546) (author of design) painter c. 1545 Tapestry Dimensions: H 420 x W 563 cm Tapestry Materials/Techniques: unknown Culture: Flemish Ownership History: Austria, Vienna, Vienna, Kunsthistorisches Museum, accno. I/4. Inscriptions: Inscription in upper border cartouche: TVNC CECINIT MOYSES.. In landscape, after crossing Red Sea, Israelites rejoice & praise God (Exodus 15:1-21); group of women seen playing various instruments, as Moses & others look on (L & R BRD) segmented border with figures in architectural niches, coats of arms at top; (UPR BRD) headed by cartouche with inscription, flanked by garlands of flowers & fruit, & 2 miniature masks; (LWR BRD) seated female figures interspersed with swags & vases terminating in winged figures Photographs in Photo Study Collection are details only; see Mahl's article for full view of composition. Mahl JbKhistWien 63 (1967), 7-38, fig.4 Brown (et al.), Tapestries of Ercole & Gonzaga (1996)Champagne in the 18th century, bas-relief carved in chalk, Helio-Cachan, 1930-1960 photomechanical print paper sculpture (+ relief ~ sculpture). drinkingMausoleum Langey Guillaume du Bellay at Le Mans, Vintage Enggraving. Mausoleum Langey Guillaume du Bellay at Le Mans, Vintage Engraved Illustration. Picturesque store 1842.Golden Antependium donated to the old Basel Cathedral in 1019 by Emperor Henry II. Solothurn, Switzerland. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874Unknown photographer, baptistery, Florence. East portal Porta del Paradiso (without date): Detail east portal (paradise door) bronze door with relief representation Moses receives the legal board, 1st field from above, left side. Photo, 24.1 x 32 cm (including scan edges)RVD / Royal House photo collection. Palace on Dam Square in Amsterdam. Different interior recordings. 1976. Amsterdam, Noord-HollandPanel (Dessus de porte) second half 18th century French. Panel (Dessus de porte). French. second half 18th century. Oak (). WoodworkTwo scenes with king and court. unknown c. 1510-1520 Tapestry Dimensions: H 10'10" x W 22' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. "Return to Mackay" written on back of photograph; probably refers to the tapestry collection of Clarence Hungerford Mackay. Man & women present plumed helmet & coat of arms to enthroned king as crowd of courtiers looks on (L scene); man with inscribed scroll stands before king as courtiers look on (R scene); 2 young men & dog below; scenes framed by colonette (BRD) garland with flowers Possibly woven in Brussels. No French & Co. stock sheet in archive, no stock number'Charles V and Charles the Great before a Crucifix'. The Netherlands. The Netherlands, 1540s. Dimensions: 29,8x18,2 cm. Museum: State Hermitage, St. Petersburg. Author: Unidentified Northern Netherlandish Artist (Gouda ).Story of Jonathan. unknown c. 1500-1520 Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from R. W. Lehne, invoiced 12/22/1937; sold to Thomas McInnernery 1/28/1938 it is not certain that this stock sheet goes with the tapestry in this photo; "S - 19109" is written on the verso of the photo, but the dimensions on the back of the photo do not match the dimensions on the stock sheet. Inscriptions: Inscription above king: Jonathan Enthroned king (Jonathan) flanked by ladies holding martyr's palms & by figures behind colonettes (BRD) garland with flowers & grapes French & Co. stock sheet in archive 19109Lazio Roma Frascati Villa Mondragone04. Hutzel, Max 1960-1990 Exterior views of outer and courtyard facades of the 16th c. villa, now a Jesuit school. Detailed coverage of Portico del Vignola (17th c.). Views of fountain and obelisk. Interior views of guest room, Salone degli Svizzeri, Sala dei Cariati, Chapel of S. Gregorio. _ Antiquities: Roman Ninfeo, sarcophagi and fragments in Garden of the Popes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Abruzzo L'Aquila Luco dei Marsi S. Maria delle Grazie. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture Post-medieval: Architecture, architectural sculpture, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Lazio Rieti Roccantica S. Caterina. Hutzel, Max 1960-1990 Exterior views of the church facade. All interior views of the late gothic frescoes by Pietro Coleberti da Priverno (1430). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Campania Napoli Naples S. Lorenzo Maggiore94. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches DET RETABLO MAYOR - BATALLA DE LOS ANGELES - MADERA POLICROMADA - S XVII. Author: Juan Martínez Montañés. Location: ST. MICHAEL'S CHURCH. JEREZ DE LA FRONTERA. Cadiz. SPAIN.Lazio Roma Rome S. Giuseppe dei Falegnami7. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, reliefs Connected with Carcero Mamertino where St. Peter was imprisoned before his Crucifixion German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.The adoration of the shepherds by the sculptor Martin Stammel. Old 19th century engraved illustration from La Ilustración Artística 1882Justice. Coxie, Michiel (the Elder) (Netherlandish (before 1600) - Flanders, 1499-1592) (designed after, attr.) painter Guebels, François (Netherlandish (before 1600) - Flanders, act.1545-1577) (workshop) weaver c. 1560-1570 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Austria, Vienna, Vienna, Sammlung für Plastik und Kunstgewerbe. Inscriptions: Inscription identifying figures in central field partially legible in photograph: SALOMON Inscriptions: Inscription in upper border cartouche partially legible in photograph:.. STITIA EST PERPETIVA VOLVNTAS /.. SVVM VNICVIQVE TRIBVENS Inscriptions: Inscription identifying border figures: VINDICTA (Vengeance/Punishment) Details, possibly Elijah fed by widow of Zarephath (L, middle ground), detail of possibly 1 of 2 mothers who came before Solomon judgement of Solomon (R of center, foreground), detail of Justice's hand grasping sword (L, foreground) given to her by figure of God in sky (R, upBas relief Museum of Calcutta, Episodes from the life of Shakyamuni, vintage engraved illustration. Magasin Pittoresque 1861.Glorification of Virgin Mary. unknown c. 1500-1510 Tapestry Dimensions: H 5'10" x W 8' (left half of top portion) Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Ownership History: Bramshill chapel; sold, London Sotheby's, 3/13/1931. French & Co. purchased from Spanish Art Galleries, invoiced 3/16/1931. Scotland, Lanark, Glasgow, Burrell Collection. Inscriptions: Inscription in central field on plaque held by man right of center on GCPA 0239472: O DULCE MARIA Inscriptions: Inscription in central field on banderole held by man in lower center on GCPA 0239472: O PIA Inscriptions: Inscription in central field on plaque held by man at right on GCPA 0239472: AD TE CLAMANS Slender columns divide scenes; top portion of tapestry (L to R), rod of Aaron, kept in Ark of Covenant; Ark of Covenant; crowned & enthroned Madonna (Virgin Mary & Christ-child), flanked by angels playing musical instruments; Prophet Isaiah holding plaque showing tree of Jesse; bottom portion of tapestCampania Caserta Caserta Palazzo Reale03. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Boston, 40 Beacon Street, interior detail, wallpaper, made for Alley and Emery, Daniel P. Parker house , Wallpapers, Parker, Daniel, 1781-. Frank Cousins Glass Plate Negatives CollectionPhalaris and the Bull of Perillus. Giovanni Caccini (Attributed to); Italian, 1556-1612. Date: 1590-1600. Dimensions: 27 × 34 1/2 in. (68.6 × 87.6 cm). Terracotta with traces of polychromy. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: Giovanni Battista Caccini.Marc-Antoine Raimondi. Saint Laurent Marc-Antoine Raimondi (1480 - around 1534). Saint Laurent. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).Lazio Roma Ostia Antica Episcopal Palace7. Hutzel, Max 1960-1990 There are exterior views of the facade, with detailed views of the sarcophagi imbedded in it and the coat of arms over the main portal. There are interior views of the library and the main hall, with extensive coverage of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.King with audience. unknown c. 1580-1590 Tapestry Dimensions: H 8'8" x W 12'10" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. received from Mr. M. E. Goldberg; returned 11/2/1949. Man presents woman (R) to enthroned king, wearing turban, as others watch; in landscape setting (BRD) allegorical figures & vases of flowers The borders look suspicious. French & Co. stock sheet in archive, 79472Umbria Perugia Cerreto di Spoleto Chiesa dell'Annunziata0. Hutzel, Max 1960-1990 Ove overall view of the medieval town; views of the facade and interior decoration; views of a 15th century baptismal font; many views of the of the Baroque sculpture and paintings which adorn the side chapels. Object Notes: Hutzel shot this campaign in 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.A grand vase from Piranesi, Moses, Henry, 1782-1870, Engraving, 1814Umbria Terni Ferentillo S. Maria2. Hutzel, Max 1960-1990 General views of town and basilica-style church, with its tall, pointed campanile. The church has a plain facade. Interior has slightly pointed arches and a wooden ceiling. There are few paintings. One large fresco depicts a series of female martyrs. Paintings appear to have been done from late Medieval to Renaissance. Object Notes: No Hutzel photo campaign notes. Negatives are missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Umbria Perugia Trevi Collegio Etiopico Pontificio1. Hutzel, Max 1960-1990 The three exterior views of the Renaissance building (16th century) include the Carrara coat-of-arms and a plaque above the portal which indicate that this collegio was formerly the Palazzo Carrara and later also the residence of Cardinal Johannes Hais. Most views, however, are of the frescoed ceilings by Zuccari and Pietro da Cortona. Subjects include landscapes, allegorical figures, Apocryphal and Old Testament stories (Susanna and the Elders, Samson and Delilah, Joseph and Potiphar's wife, Daniel), saints, landscapes, putti, and illusionistic frames. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, RomanesqUmbria Perugia Gubbio Palazzo dei Consoli6. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negativeLazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)10. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s uPier Francesco Visconti, Court of Saliceto, Adoring the Christ Child, shortly after 1484. Workshop of Benedetto Briosco (Italian, c. 1460-aft 1514), and Tomaso Cazzaniga (Italian). Marble with gilding; overall: 61 x 61 x 13.1 cm (24 x 24 x 5 3/16 in.).Jacques Callot, The Card Players, c 1628 The Card PlayersEsau and Jacob, One of the compartments of the main gate of the Baptistery of Florence, vintage engraved illustration. Magasin Pittoresque 1844.Phalaris and the Bull of Perillus 1590-1600 Italy. Terracotta with traces of polychromy . Giovanni Battista CacciniAbruzzo, L'Aquila, L'Aquila, Collegiate complex (S. Bernardino), Italy, 20th century, photo, photography, EuropeThe stalls of the choir, vintage engraved illustration. Paris - Auguste VITU 1890Untitled (Tailors Shop) Thomas Rowlandson (British, 1756-1827). , 1790s. Pen and ink with watercolor wash on wove paper, 9 1/4 x 8 in. (23.5 x 20.3 cm). European Art 1790sSophonisbe drinking from the poison cup, wall painting from Pompeii, Italy. Sophonisbe, in ancient Latin Sophoniba, Sophonisba, Sophonisbe, 203 BC in ...Profeet Joel, Giorgio Ghisi, after Michelangelo, 1530 - 1582 print A lunet with the prophet Joël with a text stroll and naked figures. Print Maker: ItalyaFter Painting by: Vatican City paper engraving the book of Joel. prophets (after the Babylonian Captivity)Lazio Roma Rome Gesu2. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Umbria Perugia Bevagna S. Francesco3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Meissen. Albrechtsburg., Böttcher Laborated in the castle at goldLazio Viterbo Caprarola Palazzo Farnese63. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.Castle of Saint-Roch, Fragment ceiling of the grand salon, vintage engraving. Castle of Saint-Roch, Fragment ceiling of the grand salon, vintage engraved illustration. Magasin Pittoresque 1876. Copyright: xZoonar.com/PatrickxGuenettex 10679789The Presentation of Jesus in the Temple. Dated: late 15th - early 16th century. Dimensions: overall: 9.9 x 6.4 cm (3 7/8 x 2 1/2 in.) gross weight: 116 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: MODERNO.Castle of Saint-Roch, Fragment ceiling of the grand salon, vintage engraved illustration. Magasin Pittoresque 1876.The Admiral in chains. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitolIllustration of a bas-relief depicting 'The Resurrection' created by Toussaint for the great portal of Notre-Dame, Paris. Dated 1820