Tapestries and Frescoes in Italian Art

Richly detailed tapestries and frescoes from Italy, depicting historical and mythological subjects with vibrant colors and elaborate designs.

Dido's suicide. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) painter Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) weaver c. 1655-1679 Tapestry Dimensions: H 414 x W 466.5 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.8. Inscriptions: Woven signature in lower guard, right: M. WAVTERS Dido lies atop funeral pyre & falls upon sword of Aeneas; Dido's sister attempts to stop her; Iris cuts lock from Dido's hair to release her soul (L & R BRD) spiral (Solomonic) columns with twisting garlands of flowers; (UPR BRD) garlands of flowers with putti flank central, empty cartouche; (LWR BRD) sets of sea-monsters with shell flank military trophies in center Romanelli's cartoons have been dated c.1655-1662. 8 out of 6 of the original cartoo

scene. Roelants, Mathias (Flemish, 1640-1663) (workshop) weaver c. 1655 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Inscriptions: Inscription in upper border cartouche: QVOS ANIMOS / NVMQVAM VINA / LVSVSQVE PETVNT Bacchus (Dionysus) (L, foreground) pours seated man at table center, foreground) wine from large jug, while man gives seated woman (R of center, foreground) sweetmeats, Apollo with lyre sits on cloud (R, middle ground), 2 female attendants arrive with platters of fruit (L & center, background), Adonis & Venus (Aphrodite) hunting (L corner, background) (BRD) cherubim stand as columns & support large vases of flowers on their heads, cherubim climb up garlands of flowers & fruit tied with ribbons; (UPR BRD) cartouche with inscription flanked by 2 figures & crowned by terminal face; (LWR BRD) 2 figures with birds & flowers Bottom of tapestry was not hung properly, thus photograph at the lower border appears heav

Lazio Roma Rome Palazzo Quirinale. Hutzel, Max 1960-1990 Post-medieval: Tapestries. (Also decorative furniture, etc.). General Notes: No information sheet provided by Hutzel, tapestries not mentioned in TCI. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spoleto SS. Giovanni e Paolo1. Hutzel, Max 1960-1990 Interior views of 12th century church all focus on frescoes (late 12th-14th centuries). Fresco subjects include: one of the first documented representations of St. Francis; the martyrdom of St. Thomas Becket of Canterbury; Herod's banquet; St. John and St. Paul beheaded; doors to Paradise; Crucifixion; St. John the Baptist; Madonna and Child Enthroned; St. Gregory as Pope and Saint; St. Joseph; St. Antony of Padua; St. Alo; St. Catherine; St. Jerome; St. Lawrence; St. Ansano; St. Michael slaying dragon; St. Margaret; St. Taddeus; St. Anthony Abbot; St. Clare. Object Notes: Hutzel photo campaign date: 1/21/83 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans a

Lazio Viterbo Bagnaia Villa Lante36. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Judith shows Holofernes' head to people. unknown c. 1640-1670 Tapestry Dimensions: H 12'9" x W 16'3" Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. received from C. M. F. Charles M. Ffoulke, n.d.; returned 9/19/1922. Inscriptions: Inscription in upper border cartouche: IVDITH VICTRIX.. Before city wall of Bethuliah, Achior kneels before Judith as she holds up Holofernes' head to people (Judith 8-16) (BRD) stylized shell & acanthus brackets, & other architectural elements, interspersed with bunches of flowers & fruit; (UPR BRD) headed by cartouche with inscription; (LWR BRD) centered by cartouche flanked by cherubim French & Co. stock sheet in archive, 1096 also lists: 11516 Related Works: Compositionally similar tapestry: GCPA 0239085-0239087

Diana imploring Jupiter (Zeus). Dubreuil, Toussaint (French, 1561-1602) (author of design) painter La Planche, Raphael de (French, act. ca.1627-1690) (workshop) weaver c. 1640-1650 Tapestry Dimensions: H 11' x W 16'2" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: French & Co. purchased from Henry Symons, invoiced 9/13/1926; sold to M. M. van Beuren 7/23/1928. Jupiter seated on 3-stepped platform in large room with screen of monumental spiral (Solomonic) columns behind him listens to kneeling Diana, as audience attends; landscape with round classical building visible beyond room (BRD) acanthus scroll with cartouches held by putti at mid-points, seated figures holding 2 trumpets in upper corners & pairs of playing putti in lower corners; (UPR BRD) heart-shaped cartouche with male figure holding shield; (LWR BRD) cartouche with recumbent female figure with 2 dogs on leashes; (L BRD) cartouche with putto with quiver; (R BRD) cartouche with

Lazio Roma Velletri Museo Civico di Velletri81. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Dido's suicide. Romanelli, Giovanni Francesco (Italian, 1610-1662) (cartoon creator) painter Wauters, Michel (Netherlandish (after 1600), act.1651-d.1679) (workshop) weaver c. 1655-1679 Tapestry Dimensions: H 414 x W 466.5 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Antwerp Ownership History: French & Co. Francis F. Prentiss coll. Gift of Mrs. Francis F. Prentiss (1915). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1915.79.8. Inscriptions: Woven signature in lower guard, right: M. WAVTERS Dido lies atop funeral pyre & falls upon sword of Aeneas; Dido's sister attempts to stop her; Iris cuts lock from Dido's hair to release her soul (L & R BRD) spiral (Solomonic) columns with twisting garlands of flowers; (UPR BRD) garlands of flowers with putti flank central, empty cartouche; (LWR BRD) sets of sea-monsters with shell flank military trophies in center Romanelli's cartoons have been dated c.1655-1662. 8 out of 6 of the original cartoo

Abruzzo L'Aquila Fossa Monastery of S. Spirito d'Ocre1. Hutzel, Max 1960-1990 Medieval: Architecture (13th century), largely in ruins, with uniform stone construction; architectural sculpture; fresco (c.1280) Post-medieval: Frescos (16-17th centuries) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Psyche's banquet. Castello, Giovanni Battista (Italian, 1509-1569) (author of design) painter c. 1560-1570 Tapestry Dimensions: H 12'6" x W 9'8" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Corcoran Gallery, Washington, D. C. Dépôt des Monuments Historiques, France, purchased in 1970. France, Deux-Sèvres, Oiron, Château d'Oiron. Related Works: Panels in set: GCPA 0238718-0238721

Lazio Roma Castel Fusano Castello Chigi8. Hutzel, Max 1960-1990 Architecture: exterior views of the castle and interior views of entrance hall and main salon. Detailed shots of: maps, salon fresco cycle of New Testament, allegorical and mythological scenes, chapel altarpiece, and other works all by Pietro da Cortona. 3 marble busts. Antiquities: Roman sarcophagus in garden Object Notes: 4 negatives of an ancient Roman statue in a niche (of a goddess missing head and arms) that are catalogued with Castello Chigi may be misidentified. General Notes: Hutzel made 2 separate photo campaigns in Castel Fusano; new numbers have been assigned to the photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

Judith and Holofernes. Reydams, Heinrich I (Flemish, act.1629-1669) (workshop) weaver c. 1640-1670 Tapestry Dimensions: H 13'3" x W 13'9" Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Brussels Ownership History: Barberini coll., Rome. Charles M. Ffoulke coll., Washington, D.C. (1889). French & Co. received from The Radnor Corporation, c/o H. Harrison Smith, 3/25/1944; returned, n.d. Inscriptions: City mark on lower guard, right of center right of woven signature of weaver Inscriptions: Inscription in upper border cartouche not legible in photograph Inscriptions: Woven signature in lower guard, right of center: H RYDAMS In interior setting, disguised Judith promises enthroned Holofernes victory over Israelites (Judith 8-16); 2 soldiers & female attendant next to Judith (BRD) stylized shell & acanthus brackets, & other architectural elements, interspersed with bunches of flowers & fruit; (UPR BRD) headed by cartouche with inscription; (LWR BRD) centered by c

Lazio Roma Bracciano Madonna del Riposo2. Hutzel, Max 1960-1990 Medieval: Fresco painting. Post-medieval: Architecture, architectural sculpture, fresco painting Object Notes: Simple Renaissance church which was donated by the last surviving Orsini descendant as a cultural center for Bracciano a few decades ago. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Psyche's banquet. Castello, Giovanni Battista (Italian, 1509-1569) (author of design) painter c. 1560-1570 Tapestry Dimensions: H 12'6" x W 9'8" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Corcoran Gallery, Washington, D. C. Dépôt des Monuments Historiques, France, purchased in 1970. France, Deux-Sèvres, Oiron, Château d'Oiron. Related Works: Panels in set: GCPA 0238718-0238721

Lazio Frosinone Roccasecca Panoramic views. Hutzel, Max 1960-1990 Post-medieval: Architecture. Panoramic views of the city. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bolsena Palazzo del Drago95. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Gesu26. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Camerino Museo Diocesano4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Bracciano Madonna del Riposo8. Hutzel, Max 1960-1990 Medieval: Fresco painting. Post-medieval: Architecture, architectural sculpture, fresco painting Object Notes: Simple Renaissance church which was donated by the last surviving Orsini descendant as a cultural center for Bracciano a few decades ago. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Cori Annunziata. Hutzel, Max 1960-1990 Two views of the church exterior and one of a holy water stoup. All remaining views are of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Mevale Pieve5. Hutzel, Max 1960-1990 Parish church dating from the 13th century with interior decoration dating until the 16th century. Mevale is the home of the Angelucci family, who were artists and woodworkers in the 15th and 16th centuries. The interior frescoes include a Last Judgment (1601), a Trinity (1560), Apostles in the Oratorium, a Madonna of the Rosary (1571), and a chivalric tournament (15th cent.). A Pieta in the lunette in the Oratorium is believed to have been painted by Perugino, in whose workshop one of the Angelucci worked. There is also a Madonna in the Byzantine style, dating from the 13th century. The confessional is used as well for a chancel, the work of Ancanio Poggini (1580). Object Notes: Hutzel photo campaign date: September 26, 1983. Negs. of columns and stone lion may belong to another site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, r

Emilia-Romagna Ferrara Ferrara S. Francesco3. Hutzel, Max 1960-1990 Medieval: Sculpture, tomb monuments. Post-medieval: Architecture, architectural sculpture, sculpture, ceramics, frescoes, painting Specific Location: Via Savonarola Object Notes: Ferrarese Franciscan Archive was burned by soldiers in 1494; Founding date today is set at 1227. General Notes: Includes second set of 17 post-med photos with same numbering system. These have been labeled "B". German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Amelia Palazzo Venturelli4. Hutzel, Max 1960-1990 Post-medieval: Palazzo built by Cardinal Venturelli in 15th century by Antonio da Sangallo on remains of a roman palace from 1st century B.C. Roman mosaic floor. Frescoes, stucco decorations. A few exterior views, several views of cellar that focus on mosaic floor and many views of Salon of the Venturelli Cardinals, including furniture, floors, ceiling, and frescoes. General Notes: No entry for Palazzo Venturelli in TCI; information from Hutzel's notes and attributions. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Ital

Lazio Latina Sezze S. Lucia8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Ronciglione S. Maria degli Angeli2. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting, sculpture. This 18th century church (also called the Collegio) is no longer in use and in bad condition. Contains coffered and frescoed ceilings, and an elaborate facade. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Pesaro e Urbino Sant'Angelo in Vado S. Maria dei Servi1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Gubbio S. Domenico6. Hutzel, Max 1960-1990 Exterior views of the church in the Medieval core collection show a 14th-century facade. Most views are of the restored baroque interior (1765): the altar paintings which line the nave, chapel ceiling frescoes of the four Evangelists, wood intarsia choirstalls and a pulpit. Painting subjects include: the Last Supper, S. Domenico, S. Vincenzo Ferreri, S. Chiara, S. Martino, St. Peter Martyr, St. Francis, St. John the Baptist, the Annunciation, the Three Magi, the Flagellation, Mary Magdalene, and Christ Entombed. Object Notes: Hutzel photo campaign date: November 8, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanes

Emilia-Romagna Ferrara Ferrara S. Antonio in Polsine6. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (15th century); Baroque interior, choir loft, sculpture (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bolsena Palazzo del Drago98. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Paris, Duchange, Gaspard, Lesueur, Eustache, Picart, Bernard, Duflos, Claude Augustin, The paintings of Charles le Brun and Eustache The Sueur who is in the house of President Lambert, Diana and Actaeon, stamped verso, Grisaille, with the representation of the hunter Actaeon, who finds Diana and her nymphs bathing, in the corner of the ceiling of the Chambre des Bains in the Hôtel Lambert. The representation is flanked by a river god and a river goddess, each with a water jug. Around the representation are ornaments and in the middle below two putti with coral. Print is part of a series of prints after the paintings in the Hôtel Lambert in Paris., print, prints, height 264 mm, width 675 mm, 1700-05-10 - 1786-02-27, print maker, printmaker, 1740 - 1740, first quarter 18th century, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), Northern Netherlands, 1673-06-11 - 1733-05-08, supervision, French, 1617-11-19 - 1655-04-30, after, after paintin

Healing of lame beggar at Beautiful Gate of temple by SS. Peter and John. Raphael (Italian, 1483-1520) (designed after) painter Penni, Giovan Francesco (Italian, ca.1488-1528) (designed after, borders) painter Tiegen, Jan van (Netherlandish (before 1600) - Flanders, act.1550) (workshop) weaver Leyniers, Nikolaus (Netherlandish (before 1600) - Flanders, act.1570) (workshop, attr.) weaver c. 1550 Tapestry Dimensions: H 492 x W 754 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos II (1701-1703). Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.360-12123. Inscriptions: Weaver mark on right guard, bottom partially visible in photograph Scene divided by spiral (Solomonic) columns decorated with putti; Peter & John heal lame man who sits on floor, as another paralytic man approaches (Acts 3-4:31); surrounding group of women & children (UPR BRD) garland

Lazio Roma Velletri Museo Civico di Velletri24. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Healing of lame beggar at Beautiful Gate of temple by SS. Peter and John. Raphael (Italian, 1483-1520) (designed after) painter May, Stephen de (English, act. 1690-1710) (workshop, attr.) weaver c. 1690-1700 Tapestry Dimensions: H 11'6" x W 20' Tapestry Materials/Techniques: unknown Culture: English Weaving Center: London Ownership History: Made for Earls of Winchilsea & Nottingham, Burley-on-the-Hill, Rutland. Inherited by Major James Hanbury, Burley-on-the-Hill, Rutland. Captain Bertram Currie coll., Dingley Hall, Market Hanborough. Sold at Christie, Manson & Woods (London), 3/26/1953, lot 86. Perez, London (1953). French & Co., New York (1953). Mr. & Mrs. Louis Brugman coll., New York (1953), bequeathed to Cathedral of St. John the Divine, New York, 1954 (stolen). Inscriptions: Inscription in upper border banderole around coat of arms: NIL / CONSCIR / SIBI Scene divided by spiral (Solomonic) columns decorated with putti; Peter & John heal lame man who sits on floor, as another paral

Abruzzo Teramo Atri S. Maria di Propezzano5. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior, with emphasis on the interior frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Gesu5. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Gubbio Palazzo dei Consoli5. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negative

Psyche's parents with suitors for her sister. unknown c. 1600-1650 Tapestry Dimensions: H 11' x W 12'6" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: United States, New York, Poughkeepsie, Vassar College. Related Works: Panels in set: GCPA 0238722-0238728

Lazio Roma Subiaco Sacro Speco1. Hutzel, Max 1960-1990 Exterior views (Medieval core collection). Interior views of monument, with extensive coverage of 14th c. frescoes of the Sienese school in the upper church and many views of the rock cut chapels of the lower church, including Sacro Speco, where young S. Benedetto lived for three years in solitude; Cappella di S. Gregorio Magno, adorned with 13th c. Byzantine frescoes; Scala Santa and Cappella della Madonna, both decorated with Sienese school frescoes, and Grotta dei Pastori, with 8th c. Byzantine fresco. _ German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organize

Thetis and Achilles before Oracle. Jordaens, Jacob (Flemish, 1593-1678) (cartoon creator) painter Strecken, Geraert van der (Flemish, act.1647-d.1677) (workshop) weaver c. 1650-1675 Tapestry Dimensions: H 13'11 1/8" x W 15'1 1/8" Tapestry Materials/Techniques: wool (undyed, warp: 8/cm); wool (dyed, weft); silk (dyed, weft); metallic thread (silver-gilt yarn) Culture: Flemish Weaving Center: Brussels Ownership History: Unidentified dealer, Munich (acquired from a "Royal House"). Charles M. Ffoulke coll., Washington, D.C. (c.1896-1913). French & Co. George Robert White coll., Boston. Mrs. Harriet J. Bradbury coll., Boston; bequest to museum, 7/3/1930. United States, Massachusetts, Boston, Museum of Fine Arts, accno. 30.484. Inscriptions: City mark on lower guard, left of center; woven monogram in lower guard, right: G.V.D.S. Inscriptions: Inscription in central field, top: ACHILLES PVER / A MATRE ADDVCITVR / AD ORACVLVM Thetis enters temple, her young son, Achilles, walks naked in front

Umbria Perugia Spoleto S. Maria Assunta, Cathedral06. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the w

Lazio Roma Subiaco S. Francesco3. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese309. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Perugia Convent S. Pietro25. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Domenico Beccafumi: Stories of the people of Israel, detail of the floor in the cathedral of Siena. .

Lazio Roma Rome S. Vitale. Hutzel, Max 1960-1990 Medieval: 5th century architecture (b. 402). Post-medieval: interior decoration (design) c. 1475, 16th century fresco cycle (story of saints and martyrs), detail of wooden door German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore212. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Campania Caserta Carinola Castello. Hutzel, Max 1960-1990 These prints form part of the numerical sequence for Casa Novelli. There are exterior views of the portal and two windows, one of which is ogival. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo79. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Bominaco S. Pellegrino, Oratory01. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture (12-13th century) Post-medieval: Fresco cycle (13th century) (Count: 252) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Grosseto Museo Diocesano di Arte Sacra1. Hutzel, Max 1960-1990 Post-medieval collection of paintings, sacred objects and manuscripts from the Duomo and other city churches. There are a significant number of late Medieval Madonnas & Child paintings as well as High Renaissance paintings from the Bolognese school. The objects include a processional cross, and two reliqueries. Additionally there are some photos of manuscript pages of hymnals with objects they are displayed with. Object Notes: Hutzel notes are undated. The objects in the Musea Diocesano are included in his notes for the Duomo. We have kept Hutzel's numbering for the objects. There are also two prints for almost all the negatives, and the details were so similar (even if one photo is cropped more closely) that we have treated them as though there were two prints for each negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The resul

Lazio Roma Carpineto Romano S. Pietro7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Rieti S. Giuseppe. Hutzel, Max 1960-1990 Post-medieval: Architecture, stucco wall and ceiling decoration, painting. The church possesses two paintings by the artist Vincenzo Manenti, depicting the Holy Family and the Transito of S. Joseph. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Teramo Campli S. Maria in Platea0. Hutzel, Max 1960-1990 Exterior views of the Medieval and Baroque architecture of the church; inteior views include the Baroque ceiling painting and side altars, and the late Medieval fresco cycle in the crypt. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Cecilia in Trastevere7. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, architectural fragments, sculptural fragments, sculpture, mosaics, floor tiling. Post-medieval: Painting, frescoes, architectural sculpture, sculpture, architecture, stucco, marble, gilding Antiquities: Mosaics, architectural fragments Object Notes: Built over an already existing church of the 5th century by Pope S. Pasquale I in the 9th century. Suffered damaged and plundering; rebuilt in 1110. Completely redone in 15th century, 17th century and 18th century. Styles from 10th-present century are existent here. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renai

Umbria Terni Porano Castel Rubello1. Hutzel, Max 1960-1990 Post-medieval: Castle originally functioned as a fortress, turned into residence in late Renaissance--present owners granted permission to photograph room adjacent to entrance. Views of exterior; interior views of ceiling frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bolsena Palazzo del Drago97. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese033. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Velletri S. Clemente, Cathedral1. Hutzel, Max 1960-1990 Medieval: Architecture (4th c., rebuilt c. 1300, reconstructed 1659-62); architectural sculpture and mosaic (13th century); Roman urn (1-2nd c. A.D.); wall painting; includes reused Roman and 8-11th century fragments). Post-medieval: Architecture, architectural sculpture, frescoes, sculpture Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign date: October 30, 1982. There was another photo campaign previous to 1982, possibly 1962. There is one set of prints and a second "A" set with the same numbers and ideally the negatives would correspond to each set; however, they are commingled to a certain extent (particularly the later numbers of those in the Medieval core collection, whose print sequence fits into the "A" set, but whose negatives are filed under the other set). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)93. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo25. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Umbria Perugia Norcia S. Benedetto6. Hutzel, Max 1960-1990 Coverage is of the crypt and crypt paintings, the church exterior, and the nave and altars, but most of the views are of paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Bevagna SS. Domenico e Giacomo0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Apollo and Marsyas. Domenico Antonio Vaccaro; Italian, 1678-1745. Date: 1710-1730. Dimensions: 97.8 × 81.3 cm (38 1/2 × 32 in.). Marble. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Campania Napoli Naples S. Lorenzo Maggiore70. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Last Judgment; after Michelangelo's fresco in the Sistine Chapel ca. 1545 Giorgio Ghisi Italian. Last Judgment; after Michelangelo's fresco in the Sistine Chapel 364200

Abruzzo Civitaretenga S. Antonio9. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture; Cloister (13-15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Minerva and the Muses n.d. Formerly attributed to Andrea Schiavone (Andrea Meldola) Italian The Muses, daughters of Zeus and Mnemosyne (Memory), are mentioned by the Greek poets Hesiod and Homer as sources of inspiration for poets and musicians. Ovid (Metamorphoses 5.250-678) tells us that when Minerva (the Greek Athena) visited the sisters to see the miraculous fountain created by Pegasus, they told her about their victory over the nine daughters of the Macedonian king Pierus in a singing competition. Some of the Muses in this etching point upward, perhaps to the defeated Pierides, who were transformed into magpies.This etching was formerly attributed to Andrea Schiavone, yet the closed contours, rounded forms, and sweet, soft faces of the women are not found in any of his other works.. Minerva and the Muses. n.d.. Etching and drypoint. Prints

St. Paul preaching in Ephesus. Coecke van Aelst, Pieter (the Younger) (Netherlandish (before 1600) - Flanders, bef.1527-ca.1559) (designed after) painter Raes, Jan I (Flemish, act.1610-1631) (workshop) weaver c. 1620 Tapestry Dimensions: H 370 x W 380 cm Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of "Las Tapicerías de la Corona" (1880). Spain, Madrid, Palacio Real de Madrid, accno. A.362-12232. Inscriptions: City mark on lower guard, left; weaver mark on right guard, bottom After Paul preaches to group of pagan priests, several convert & publically burn their books in bonfire (Acts 19:18-19); pagan temples in background (BRD) 2 ribbons interlaced around central rod interspersed with bunches of grapes & vine leaves; floral cartouches in each side & each corner The composition of this scene is in reverse to GCPA 0238472 (Dimitrova). This series of the "Acts of Apostles" is based on the cartoons by Pieter Coecke van Ae

Lazio Roma Rome Gesu9. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mark Antony receiving 300 talents = peace offering from Antiochus, king of Commagene. unknown c. 1640-1660 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. United States, Indiana, Indianapolis, Indianapolis Museum of Art. Mark Antony extends hand to Antiochus (L); Antiochus who wears plumed helmet (R); men from both groups flank central figures (BRD) strapwork with flowers, fruit & birds; (L & R BRD) shell niches with figures holding flowers & fruit; (UPR BRD) portrait medallion in center, flanked by small figures French & Co. stock sheet in archive, no stock number Plutarch, Lives of the noble Grecians & Romans (1932), 1123 Related Works: Panels in set: GCPA 0237563-0237569, 0181787

Lazio Roma Velletri Museo Civico di Velletri83. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Abruzzo Civitaretenga Madonna dell'Arco2. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Maria in Vallicella6. Hutzel, Max 1960-1990 Views of 16th church's facade by Fausto Rughesi(1605). Views of interior nave, altars, sacristy, and collection in private rooms. Extensive coverage of frescoes and paintings. Three views of an embroidery with a depiction of the Assumption of the Virgin. General Notes: Views of Oratorio dei Filippini are filed separately, but retain H-numbers within this monument's numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante03. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury unknown

Lazio Frosinone Veroli S. Maria Salome6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, stone reliquary, frescoes, inscription fragments. According to tradition, the church (and crypt below) was built in 1209 to house the relics of the mother of the Apostles James and John. The structure was restored in the medieval period (1350) after an earthquake. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco ceiling decoration. The interior and exterior of the church were largely restored in the 18th century. Triptych of the Madonna, Child and Saints signed F. D. Hispanus and dated 1561. General Notes: 2 sets of prints for the same site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Et

Campania Caserta Marcianise Chiesa dell' Annunziata46. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury unknown

Umbria Terni Lugnano in Teverina S. Francesco9. Hutzel, Max 1960-1990 Exterior views of this 13th-century church and cloister that was the site of a miracle by St. Francis (1212) include a bell tower, details of the medieval architecture and a well in the courtyard. The lunettes of the cloister are decorated with a cycle of frescoes that portray the miracles of St. Francis (1616) by an unknown master from Foligno. Interior views of the restored church interior focus on the altar paintings and marble intarsia altars, some of which also show scenes from the life of St. Francis. Object Notes: Hutzel photo campaign date: September 9, 1985 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval,

Lazio Roma Bracciano S. Stefano3. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, sculpture, stucco, fresco painting. Former castle chapel of the Orsini. Coverage includes views of facade of late Baroque church, and interior views of altars, architectural details, and paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Ancona Fabriano S. Agostino7. Hutzel, Max 1960-1990 Medieval: Architecture (begun early 13th century): restored in 1768, 1938, and recently. Exterior: sculpted portal (early 14th century) and traces of ogival arches; 14th century frescos: Fabriano-Riminese school (restored 1933); late gothic frescos. Post-medieval: Richly decorated late baroque nave; 14th century frescos of the Fabriano-Riminese school (restored 1933); stucco work; works on canvas by Cades (18th century) Object Notes: Church was formerly known as S. Maria Nova TCI/Marches German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic

Umbria Terni Narni Palazzo del Podesta9. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, including detached and fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche31. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Seggiano S. Rocco1. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

th, Karlskirche, relief on a triumphal column, Gerlach , Wiedling Buch- und Kunstverlag, publishing house

Umbria Perugia Citta della Pieve SS. Gervasio e Protasio (Duomo)8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante61. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara S. Francesco52. Hutzel, Max 1960-1990 Medieval: Sculpture, tomb monuments. Post-medieval: Architecture, architectural sculpture, sculpture, ceramics, frescoes, painting Specific Location: Via Savonarola Object Notes: Ferrarese Franciscan Archive was burned by soldiers in 1494; Founding date today is set at 1227. General Notes: Includes second set of 17 post-med photos with same numbering system. These have been labeled "B". German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mauriceau, Francois Stecher: Boener, Johann Alexander

Massacre of innocents, Flight into Egypt and Christ's dispute with doctors. unknown c. 1490-1520 Tapestry Dimensions: H 109.2 x W 233.6 cm Tapestry Materials/Techniques: wool, silk & metallic thread (gold) Culture: Southern Netherlands Ownership History: French & Co. purchased from Barney Estate Co. 11/15/1916; sold to J. L. John Long Severance 7/10/1917. Bequest of John Long Severance (1942). United States, Ohio, Cleveland, Cleveland Museum of Art, accno. 1942.826. Within landscape, scenes divided by columns; left, enthroned King Herod gives orders to slay children; soldiers massacre innocents (Matthew 2:13-23); center, Madonna (Virgin Mary with Christ-child) riding donkey as St. Joseph stands next to them (Matthew 2:13-23); right, Christ's dispute with doctors in temple, he counts his arguments on his fingers (Luke 2:41-52) Borders missing; possibly other scenes at left & right (Cavallo). Tapestry is framed in GCPA 0240017 (Dimitrova). French & Co. stock sheet in archive, 7071 Clevel

God commands Noah to build ark. Coxie, Michiel (the Elder) (Netherlandish (before 1600) - Flanders, 1499-1592) (designed after) painter c. 1575-1600 Tapestry Dimensions: H 13' x W 11'10" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: J. P. Morgan coll., New York. French & Co. purchased from Morgan coll. (Parish Watson & Herschel) 8/15/1916 SS 7020-24. French & Co. notation: "these tapestries were formerly nos.7020-24"; lists purchasing & transferring shares from Watson, Knoedler & J.V.; sold, n.d. "Hearst" SS 39099. Inscriptions: City mark on lower guard, right; weaver mark on right guard, bottom Inscriptions: Inscription in upper border cartouche: NOE VIR IVSTVS CVM /.. In landscape, God announces flood & commands Noah to build ark (Genesis 6-7:4) (BRD) vases of oversize flowers & fruit; (UPR BRD) headed by cartouche with inscription The panel with stock number 2994 (GCPA 0239139) was purchased by French & Co. from J. P. Morgan on 8

A brown-gray feather drawing by Hans von Aachen depicting an ancient victim scene, with figures, gestures, and white heightening for detail.

Umbria Perugia Foligno S. Maria in Campis8. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture (begun 1452) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Pesaro Fossombrone S. Aldebrando. Hutzel, Max 1960-1990 Post-medieval: 17th century Baroque architecture and frescos from the first half of the 15th century. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)97. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Presentation of the Child Jesus to Mary and Joseph. Johann Georg Schwanthaler; Austrian, active 1773/1790, died shortly before 1810. Date: 1805. Dimensions: 19 1/4 × 14 3/8 in. (50 × 36.5 cm) (including frame). Lindenwood. Origin: Austria. Museum: The Chicago Art Institute, Chicago, USA.

Relief at Borobudur Temple, Indonesia. Depicts a ship at sea in a storm with survivors greeted by a prince. Borobudur, or Borobudur, is a 9th-century Mahayana Buddhist Temple in Magelang, Central Java, Indonesia

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