Tavern Scenes and Revelry

A selection of paintings capturing lively tavern experiences, featuring groups of people engaging in drinking, conversation, and merriment in intimate settings.

Interior of Inn with Dancing Peasants by David Teniers II, (1610-1690)

Adriaen van Ostade (Haarlem, 1610 -1685). Tavern Interior (1661). Oil on panel. 32.4 x 24.6 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Judgement of Solomon (1 Kings 3:16-28). Swanenburg, Willem van (1580-1612), graphic artist, Wtewael, Joachim Anthonisz (1566-1638), draughtsman, cartoonist, Colijns, David (1582-1664/1666 ), painter

The Third-Class Carriage, Honore Daumier, circa 1862-1864, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Study for The Blacksmith's Shop: Remembrance of Le Tréfort , 1854. François Bonvin (French, 1817-1887). Watercolor with gouache and iron gall ink; sheet: 26.4 x 22.2 cm (10 3/8 x 8 3/4 in.).

Valeriano Domínguez Bécquer / 'The Chapel Fountain'. 1867. Oil on canvas. Museum: Museo del Prado, Madrid, España.

A Midnight Modern Conversation. Date/Period: Ca. 1732. Painting. Oil on canvas. Height: 762 mm (30 in); Width: 1,638 mm (64.48 in). Author: William Hogarth.

The Alchemist, Teniers, David, the Younger, 1650.

Interior of A Barn, Egbert Lievensz. van der Poel, 1646 painting A farmer's part. Interior of a farmhouse with a woman at work in the kitchen, a girl watches. In the foreground a display of household goods (boilers, board, jug, ladle), poultry and vegetables in a basket. On the left in the foreground a sharpening stone, in the background a woman milks a goat. panel. oil paint (paint) farm (building) - AA - civic architecture: inside

Carl d'Unker (1828-1866). Swedish painter. The Pawn Shop II, 1859. National Museum. Stockholm. Sweden.

Bartholomeus van der Helst (1613-1670). Dutch painter. Banquet of the Amsterdam Civic Guard in Celebration of the Peace of Munster, 1648. Rijskmuseum. Amsterdam. Netherlands.

MURILLO, BartolomŽ Esteban (1617-1682). The Young Beggar. ca. 1650. Oil on canvas. FRANCE. ëLE-DE-FRANCE. Paris. Louvre Museum.

Philosopher in his Study. Dating: 1645. Measurements: h 34.8 cm × w 32.2 cm × t 1.5 cm; d 6.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jacob van Spreeuwen.

Card Players in a Drawing Room Pierre Louis Dumesnil the Younger French In an art world dominated by the Académie Royale, Dusmesnil made his career in the less prestigious, guild-bound Académie de Saint-Luc between 1751 and 1774. The theatrical lighting and stage-set effect of the present painting are typical of the artists genre scenes. Dumesnil follows Jean-Francois de Troys pioneered tableaux de mode (paintings of fashionable society), recording details of contemporary life that include the modish card game of quadrille and a Black, probably enslaved, servant who tends the fire. Dumesnil possibly painted this work between 1756 and 1759, when he resided in Bordeaux, an active port in the French slave trade.. Card Players in a Drawing Room 436230

Columbus Breaking the Egg A facsimile of Hogarths own engraving from The Works of Hogarth published London 1833, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated,

The Rich Man and Poor Lazarus, Barent Fabritius, 1661

fine arts, painting, ""Marriage at Cana"", Greek - Venetian master, Museo Correr, Venice, 16th century, miracle, wonder, wonders, water, wine, container, pot, tank, guests, society, Cannan, Feast, wedding

FÉte in an inn, 1674 (detail of table)

Charles-Émile Jacque, Interior, 1852, oil on panel.

The Caf of the Blind at the Palais Royal, Paris, France, 1840

TENIERS II, David, 'the Younger' (1610-1690). Monkeys in the Kitchen. 1640s. Flemish art. Oil on canvas. RUSSIA. SAINT PETERSBURG. Saint Petersburg. State Hermitage Museum.

Falstaff 'I will esconce me behind the Arras', undated. F W Davis. From The Merry Wives of Windsor, Act III, Scene 3

The Peasant Wedding. Date/Period: 1566 - 1569. Painting. Oil on Wood. Height: 1,140 mm (44.88 in); Width: 1,640 mm (64.56 in). Author: Pieter Brueghel The Elder.

Brouwer, Adriaen. The Bacchanal. 1st half 17th c. Belonging to a series of five paintings. Flemish art. Oil. BELGIUM. WEST FLANDERS. Oudenarde. City hall.

'The Madhouse', 1815-1819, Oil on panel, 45 x 72 cm. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: ACADEMIA DE SAN FERNANDO-PINTURA. MADRID. SPAIN.

A Kitchen. Artist: Hendrick Sorgh (Dutch, Rotterdam 1609/11-1670 Rotterdam). Dimensions: 20 1/2 x 17 3/8 in. (52.1 x 44.1 cm). Date: ca. 1643.Sorgh was a prominent painter in his native Rotterdam, known for domestic interiors that combine elements of still life and genre painting. Here, two kitchen maids prepare a meal, their diligent activity contrasted with the amorous couple just visible between them. On the far right, a cat peers into a tub of fish, adding a further note of mischief to the scene. Contemporary viewers would have found such elements as the birdcage, plucked poultry, and earthenware pots erotically suggestive, at the same time as they might admire Sorgh's skill in capturing surface effects. Museum: Metropolitan Museum of Art, New York, USA. Author: Hendrick Sorgh.

La cena de Emaús/1596-1602. Museum: NATIONAL GALLERY LONDRES G. BRETAÑA. Author: CARAVAGGIO.

"Interior of a Dominican Convent in Madrid 1831 Oil on canvas by Ferdinand-Victor-Eugène Delacroix, French, 1798 - 1863"

The quack, Jan Havicksz. Steen (attributed to), 1650 - 1679 painting A quacks are standing standing behind a ton of his medicines. Between the audience a woman has cins in her hand, in front of the barrel is an old man with a broken arm. There is a document with stamps on a tree. panel. oil paint (paint) quack, charlatan, mountebank, 'saltimbanco'. treatment by immobilization, sling, splint, plaster, etc.. seal, stamp. scroll

Interior with Woman at the Spinning Wheel. Dating: 1661. Measurements: h 60 cm × w 49 cm; d 9 cm. Museum: Rijksmuseum, Amsterdam. Author: Esaias Boursse.

Fishmongers, Jacob van Nieulandt, 1617

The quack, attributed to Jan Havicksz. Steen, 1650 - 1679

Marriage contract

Francisco de Goya / La letra con sangre entra. Óleo sobre lienzo, 1780-1785. 19,7x 38,7 cm. Museum: MUSEO DE ZARAGOZA, MADRID, SPAIN.

TERCETO BURLESCO - SIGLO XVII - OLEO/LIENZO - 30 x 24 cm - NP 1390 - ESCUELA FLAMENCA. Author: JOOST VAN CRAESBEECK (1605-1662). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

The Last Supper, by Titian (ca 1490-1576). Detail.

Tobit und Anna mit dem Kind, Tobit and Anna with the Kid, Painting by Rembrandt van Rijn (1606) (1669), Historic, digitally enhanced reproduction of an original from the period

CUADRO: RETRATO DE FRANCISCO DE GOYA. AUTOR: VICENTE LOPEZ. DETALLE. S. XVIII PINTURA. Nº INV. 864. DEPOSITO: EL MUNDO.

Portrait of Zacharias and Elizabeth (Portrait de Zacharie et d'Elisabeth) James Tissot (French, 1836-1902). Portrait of Zacharias and Elizabeth (Portrait de Zacharie et d'Elisabeth), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 8 7/8 x 6 5/8 in. (22.5 x 16.8 cm). European Art 1886-1894

Ivan the Terrible (1530-1584). Czar of Russia. Painting by Jan Matejko (1838-1893), 1875. The painting depicts the procession of the death of boyard Mikhail Yakovlevich Morozov with the Tsar in front. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow, Poland.

The Parable of the Prodigal Son, Frans Francken (II), Hieronymus francken (II), c. 1610 - c. 1620 painting The history of the lost son. The central performance shows the lost son who spends his inheritance in the brothel with women, music, food and drink. Left at the table a man with a lute. On the right the lost son with his arm around a woman on the edge of a bed. Playing cards are on the table pies and oysters. A woman pours wine in Roemers. Birds are roasted in front of the fireplace. On the wall a painting by Jupiter and Danaë. In eight scenes, the other episodes from the parable in eight scenes. panel. oil paint (paint) the parable of the prodigal son (Luke 15:11-32)

Velazquez / The Breakfast / 1617

'The Pilgrimage to San Isidro' (detail), 1820-1823, Mural, 138,5 cm x 436 cm, P00760. Author: FRANCISCO DE GOYA (1746-1828). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

The drawing lesson, by Domenico Fedeli, known as Maggiotto (1713-1794).

Interior of a cafe (La partie de dames au cafe Lamblin au Palais-Royal) by Boilly, Louis-Leopold (1761-1845) / Musee Conde, Chantilly / c. 1824 / France / Oil on canvas / Genre / 38x55 / Neoclassicism

Autumn harvest landscape, by Lucas van Valkenborch (ca 1530-1597). detail.

Industry and Idleness The industrious prentice a favourite and entrusted by his master From the original design by Hoagarth from The Works of Hogarth published London 1833, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated

The Nieuwe Vismarkt (New Fish Market) in Amsterdam, Emanuel de Witte, 1655 - 1692 painting The new Vismarkt in Amsterdam. A fish saleswoman keeps a piece of fish up, a gentleman with hat stands at a stable. There are different types of fish displayed on wooden boards in front of the stable. canvas. oil paint (paint) stall, booth (~ market). fish; still life of fishes. merchant, salesman (with NAME of trade or profession) - BB - women engaged in trade and commerce New fish market

Rachenitsa Dance. 1894. 72,5 x 110 cm. Oil on cavas. Museum: National Gallery of Bulgaria, BULGARIA. Author: IVAN MRKVICKA.

Przeszo Przyszoci Spanjart, Jan (1589/90 Post 1664)

Anna and the Blind Tobit, by Rembrandt, circa 1630, National Gallery, London, England, UK, GB, Europe

David Teniers / 'Banquet of Monkeys', 1660, Flemish School, Oil on panel, 25 cm x 34 cm, P01810. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: DAVID TENIERS THE YOUNGER.

Boyhood of Lincoln, Johnson, Eastman, 1867.

Offer of Marriage from the Government Official to the tailor's daughter, by Petrov Nikolaj Petrovic, 19th Century, 1862, oil on canvas, cm 72 x 95

The Drawing Gallery of the Felix Meritis Society, by Adriaan de Lelie, c. 1806-09, Dutch painting. The drawing gallery was for life drawing classes in both daylight and lamplight (BSLOC_2016_2_126)

Choirboys, by Paul-Charles Chocarne-Moreau, 1855-1931 French, oil on canvas, 20th Century

The Wrong Moment. Date/Period: Ca. 1868. Painting. Oil on panel. Height: 230 cm (90.5 in); Width: 295 cm (116.1 in). Author: Eduardo Zamacois y Zabala.

fine arts, Velazquez, Diego Rodriguez de Silva y (1599 - 1660), painting ""Christ in the House of Martha and Mary"", 1618, National Gallery, London,

Officer Writing a Letter; with a Tronepeter c. 1658-59 Oil on canvas Gerard ter Borch Dutch (active Haarlem; London; Amsterdam; Zwolle; and Deventer) Born 1617; died 1681

The Water Carrier of Seville Diego Velazquez (1599-1660 Spanish) Wellington Museum, London

Love in the Italian Theater, Watteau, Jean-Antoine, 1718.

Eugenio Lucas Velázquez (1817-1870). Auto-da-fe, 1853. Museum of Romanticism, Madrid, Spain.

Celebration by Andrei Petrovich Ryabushkin, Oil on canvas, 1880s, 1861-1904, Russia, Moscow, State Tretyakov Gallery,32,4x60,2

fine arts, Repin, Ilya (1844 - 1930), painting, ""Reply of the Zaporozhian Cossacks"", oil on canvas, 1880 - 1891, Russian Museum, Saint Petersburg,

The Sense of smell, Ribera, José, de (1591-1652)

Trade and Commerce Manhattan by Karoly and Szanto, 1790

Feast at the Grand Duke Vladimir the Great by Ryabushkin, Andrei Petrovich (1861-1904)/ Regional Art Museum, Rostov on Don/ 1888/ Russia/ Oil on canvas/ Russian Painting of 19th cen./ 130x260/ Genre

The Election Humours of an election entertainment Gestochen von T. E. Nicholson nach Hogarth aus The Works of Hogarth veröffentlicht London 1833 / The Election Humours of an election entertainment Engraved by T E Nicholson after Hogarth from The Works of Hogarth published London 1833, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated,

COLECTA PARA SEPULTAR EL CADAVER DE DON ALVARO DE LUNA - 1866 - LIENZO - 2,72x3,20 - Nº INVENTARIO 29. Author: JOSE MARIA RODRIGUEZ LOSADA (1826-1896). Location: SENADO-PINTURA. MADRID. SPAIN.

Teniers, David, the Younger (1610-1690) National Gallery, London Painting 22,2x16,2 Genre,Mythology, Allegory and Literature Winter (From the series ""The Four Seasons"")

Soap Bubbles. Artist: Jean Siméon Chardin (French, Paris 1699-1779 Paris). Dimensions: 24 x 24 7/8 in. (61 x 63.2 cm). Date: ca. 1733-34.The idle play of children was a favorite theme of Chardin, a naturalist among painters. Here he drew inspiration from the seventeenth-century Dutch genre tradition for both the format and the subject. While it is not certain that he intended the picture to carry a message, soap bubbles were then understood to allude to the transience of life. Other later versions of this picture belong to the Los Angeles County Museum and to the National Gallery of Art, Washington, D.C. Museum: Metropolitan Museum of Art, New York, USA. Author: JEAN SIMEON CHARDIN.

Lashes coming. Bieszczad, Seweryn (1852-1923), painter

Attilio Pusterla (1862-1941). Italian painter. At the Soup Kitchens of Porta Nuova, 1887. Oil on canvas, 205 x 136 cm. Detail. Modern Art Gallery. Milan. Italy.

Jakub Schikaneder (1855-1924). Czech painter. Murder in the house, 1890. Oil on canvas. National Gallery. Prague. Czech Republic.

Breugel, Pieter, The Elder, called 'Peasant Bruegel' (1525-1569). Peasant Wedding (Bauernhochzeit). 1568. Left detail, representation of some bagpipers and a man pouring wine. Flemish art. Oil on wood. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

Market Gossip. Dating: 1827. Measurements: h 109 cm × w 128 cm. Museum: Rijksmuseum, Amsterdam. Author: JEAN HENRI DE COENE.

EL FORZUDO-1865-OLEO SOBRE PANEL MADERA-27X35. Author: HONORE DAUMIER. Location: PRIVATE COLLECTION. WASHINGTON D. C.

Receipt for an engraving of "The March of the Guards to Finchley" by William Hogarth, 1750. William Hogarth FRSA (10 November 1697 - 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist

fine arts, Teniers, David the Younger (1610 - 1690), painting, View of the picture gallery of Archduke Leopold Wilhelm in Brussels, circa 1650, Castle Schleissheim,

VOLTAIRE or Francois-Marie Arouet 1694-1778 French author, in his study, 18th century, after portrait engraved by Le Chevalier de Boufflers (1738-1815) (detail of hands)

Andres de Islas (painter active during the second half of the 18th century). Castas, No. 12. De cambujo e india, nace tente en el aire (From Cambujo and Indian, a Hold-Yourself-in-Mid-Air is Born), 1774. Oil on canvas (75 x 54 cm). Viceroyalty of New Spain. Mexico. Museum of the Americas. Madrid, Spain.

Sunday Morning in Virginia. Date/Period: 1877. Painting. Oil on canvas. Height: 46.8 cm (18.4 in); Width: 61 cm (24 in). Author: Winslow Homer.

In Le Kondratowicz, Franciszek (-); 1860 (1860-00-00-1860-00-00);

Mr Oldham and his friends, 1735-1745, by Joseph Highmore (1692-1780), oil on canvas, 123x147 cm.

George Sim in his Workshop, Aberdeen, Rodolphe Christen (St Imier, Switzerland, 1859 - 1907) 1890

Butcher's Shop by Frans Snyders, oil on canvas , 1630s, 1579-1657, Russia, Moscow , State A. Pushkin Museum of Fine Arts, 135x210

DA-SC-89-07913. Base: Unknown

Singerie, painting by David Teniers (baptised 15 December 1610 in Antwerp, died 25 April 1690 in Brussels), Flemish painter, draughtsman and curator. He was an innovator in a variety of genres such as history painting, genre painting, landscape, portrait and still life. He is most remembered today as the leading Flemish genre painter of his time, reproduction from a 17th century painting. Authentic, file restored for optimal use, exact date of original unknown

fine arts, Aertsen, Pieter, (1508 - 1575), painting, ""market scene"", circa 1550, oil on panel, 59,5 cm x 122,5 cm, Old Pinakothek, Munich, Germany,

An Experiment on a Bird in the Air Pump' 1768, painted by Joseph Wright 'of Derby'1734 - 1797, English artist.

Fish sellers in Persia by Kalmykov, Nikolay Leonidovich (1896-1951)/ Private Collection/ 1922/ Russia/ Gouache on paper/ Russian avant-garde/ 33x38/ Genre

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