Terracotta and Bronze Statues

A collection of historical sculptures featuring figures representing virtues and religious themes, crafted in various materials like terracotta and bronze, with intricate details.

Female figure, terracotta sculpture from the site of Lavinium-Pratica di Mare, Lazio, Italy. Latin Civilization, 5th Century BC.

. Both façades of the Town Hall are surmounted by three bronze statues. On the front elevation, Peace is flanked bythe virtues Wisdom and Justice, of which these terracotta figures are the scale models. On the rear elevation, Atlas shoulders the celestial globe, with Temperance and Vigilance at his side. The message expressed here is that universal peace, on earth and in heaven, depends on these four virtues.

Virgin and Child Atelier of the Juliots French ca. 1550-60

Figurka kobiety. unknown, author

MINERVA EN BRONCE CON EGIDA. Location: MUSEO ROMANO. Brescia. ITALIA.

Apostle Holding a Book late 13th century French (). Apostle Holding a Book 464153

Virgin and Child. Culture: South Netherlandish. Dimensions: Overall: 14 in. (35.6 cm). Date: early 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Figurine of Aphrodite with Eros

St. Michael. Culture: Spanish. Dimensions: 31 7/8 x 12 1/2 x 9 1/2 in., 130lb. (81 x 31.8 x 24.1 cm, 59kg)Base: 3/4 × 11 1/8 × 6 3/8 in. (1.9 × 28.3 × 16.2 cm)Other (hole for pin in base): 1 15/16 x 13/16 in. (5 x 2 cm). Date: late 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Nike. Roman copy, end 2nd-early 3rd century Ad from a Greek original of Hellenistic period. National Archaeological Museum, Naples. Italy.

Female figure, terracotta sculpture from the site of Lavinium-Pratica di Mare, Lazio, Italy. Latin Civilization, 5th Century BC.

Statuette of Pluto. Unknown

Terracotta statuette of a draped woman early 3rd century B.C. Greek, Attic The figure is holding up her garment with both hands at waist level, and she appears to be wearing shoes.. Terracotta statuette of a draped woman 247499

Christ of the Resurrection. Culture: Flemish. Dimensions: Height: 27 1/4 in. (69.2 cm). Date: early 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Justice. Dated: c. 1357. Dimensions: overall: 65 x 20 x 13.9 cm (25 9/16 x 7 7/8 x 5 1/2 in.). Medium: marble. Museum: National Gallery of Art, Washington DC. Author: BONINO DA CAMPIONE.

SAN JERONIMO. Author: ALONSO BERRUGUETE (1488-1561). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN. SAN JERONIMO (347-420).

Column Statue of a King ca. 1150-60 French The royal abbey at Saint-Denis housed the shrine of this national saint. It possessed many of the regalia of the kings of France, and the abbey served as their burial site. Under the energetic Abbot Suger (1122-51) the abbey was rebuilt in a new style that was hailed in the Middle Ages as the French style” and subsequently called Gothic. This column figure of an unidentified king is the only complete statue to survive from the now destroyed cloister. The jeweled crown and halo distinguish the royal and saintly nature of the figure whose identity may once have been inscribed upon the scroll. Integrating a standing figure with a cylindrical column is one of the distinguishing characteristics of the new Gothic style. Listen to experts illuminate this artwork's story Listen Play or pause #3000. Column Statue of a King Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are worki

Jean Antoine Marie IDRAC (1849-1884). "The Toast". Patinated plaster. 1883. Museum of Fine Arts of the City of Paris, Petit Palais. 145009-4 Cup, in the foot, woman, pattero patina, statue, tender arms, 19th XIXth 19th 19th 19th 19th century

Europe. ORA is on a square clasp which turned to the right on the left leg with advanced judge. The curved right arm keeps them ahead, with the left arm she presses a horn of overflowing against him, which is beside hate on the bottom and from which fruit pits. In the hair she has a band in front and further a crown, of which a scarf is based on the back, which is included in the hair to both sides and then depends on the back. At the bottom-scuba 'leather' ties with suspended properties, which leaves the breasts uncovered, a knee-dependent skirt and a second skirt, which extends to the feet. A cloak, under the neck with a brooch closed, depends on the back, is held against the handset by the left hand and extends to the skirting. To the neck a chain of links. An object is missing in the right hand.

Oceanian Woman with Drum. Shūshi (Japan, active 18th century). Japan, 18th century. Costumes; Accessories. Boxwood

The Savior. Culture: North Netherlandish. Dimensions: Overall: 24 x 9 3/4 x 6in. (61 x 24.8 x 15.2cm)without base: 22 1/8 x 9 3/4 x 4 1/2in. (56.2 x 24.8 x 11.4cm). Date: ca. 1500. Museum: Metropolitan Museum of Art, New York, USA.

Praxiteles school. Sculpture of Euterpe (Muse of Music) in fine washed white marble. Escultura de musa Terpsicore Marmol blanco de grano fino lavado. Madrid, El Prado. Author: PRAXITELES ESCUELA. Location: MUSEO DEL PRADO-ESCULTURA. MADRID. SPAIN.

Statuette of Minerva. Unknown

Virgin and Child late 13th-early 14th century French. Virgin and Child. French. late 13th-early 14th century. Stone, polychromed and gilt. Sculpture-Plaster

Virgin and Child ca. 1340 French This statuette is one of the most elegant images of the Virgin and Child produced in fourteenth-century France. The fine details of the carving as well as of the original gilding make this a most precious document of sculptural style associated with contemporary court patronage. This work may have been the gift of Jeanne d'Evreux (d. 1371), queen of France, to the Cistercian convent of Pont-aux-Dames, located near one of the royal chateaux.The original gilt metal crown is now lost, which explains the smooth rounded surface at the top of the virgins head. The eucharistic pyx, held in the Virgins right hand and blessed by the Christ Child, prefigures the Passion.. Virgin and Child. French. ca. 1340. Marble, gilding. Made in Ile-de-France. Sculpture-Stone

Barbarians Kneeling, by Unknown artist, 1st Century, purple and old black marble, full relief. Italy: Campania: Naples: National Archaeological Museum. Whole artwork. Statue barbaric man kneeling pointed Phrygian cap trousers plinth

Terracotta statuette of a woman. Culture: Cypriot. Dimensions: H. 6 3/16 in. (15.7 cm). Date: 2nd-1st century B.C..The figurine is mold-made and solid. The back is handmade, flat, and pared. The back of the head is chipped. The drapery and facial features are crudely retouched. Museum: Metropolitan Museum of Art, New York, USA.

FIGURA FEMENINA - PEINADO DE BUCLES Y KALATHOS - SIGLO V Y IV AC. Location: MUSEO ARQUEOLOGICO / MUSEO DE PUIG DES MOLINS. IBIZA. SPAIN.

Buddha 3rd century Pakistan, Khyber-Pakhtunkhwa province, possibly Takht-i-bahi monastery, ancient region of Gandhara This refined Buddha, the finest example of this iconic image type to appear on the market in at least the last decade, is the product of one of the great workshops active in the central Gandharan region of modern day Pakistan. It is of exceptional quality and must have been done by a master sculptor as is evidenced by the figures beautifully carved face, dramatically cascading drapery folds, naturalistic hair and finely finished surface. The quality of the dense schist used for this sculpture is another indication that it was produced for an elite patron.. Buddha. Pakistan, Khyber-Pakhtunkhwa province, possibly Takht-i-bahi monastery, ancient region of Gandhara. 3rd century. Schist. Sculpture

The Filatrice (The Spinner). Henry Kirke Brown; American, 1814-1886; Cast by the artist's foundry, Brooklyn, New York. Date: 1850. Dimensions: 50.8 × 30.5 × 17.8 cm (20 × 12 × 7 in.). Bronze. Origin: Brooklyn. Museum: The Chicago Art Institute, Chicago, USA.

Silver statuette of Venus 1st-2nd century A.D. Roman The Roman goddess Venus was early assimilated to the Greek goddess of love, Aphrodite. Her cult remained very popular throughout the Roman period, and many votive bronze statuettes have survived. Examples in silver, however, are rare, and this is an unusually large one, modeled on Hellenistic prototypes. Venus holds an apple in her left hand, a reference to her victory in the legendary beauty contest with Juno (Hera) and Minerva (Athena) that was judged by Paris, son of King Priam of Troy.. Silver statuette of Venus. Roman. 1st-2nd century A.D.. Silver. Early or Mid Imperial. Gold and Silver

'Persephone'. Ancient Greece, 4th century BC. Dimensions: h. 61,7 cm. Museum: State Hermitage, St. Petersburg.

Statuette of Socrates. Unknown

Aimé-Jules Dalou (1838-1902). "Monument to Jean Leclaire". Patinated plaster, 1895. Museum of Fine Arts of the City of Paris, Petit Palais. Painting building, French entrepreneur, worker, boss, patina patina

Statue in the Terme Museum, National Museum of Rome, Lazio, Italy, Europe

One of the Set of the Four Evangelists: Luke. Alessandro Vittoria; Italian, 1525-1608. Date: 1575-1585. Dimensions: H. 58.7 cm (23 1/8 in.). Terracotta. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Statue of Pomona (or Flora Minor). Farnese collection. Naples National Archaeological Museum. Italy.

Lazio Roma Rome Museo degli Strumenti Musicali. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Terracotta statuette of a veiled dancer 3rd century B.C. Greek, Pontic This statuette is of similar scale and related type to the bronze veiled and masked dancer in the adjoining Hellenistic Treasury (1972.118.95), but it lacks the exquisite detail of the bronze.. Terracotta statuette of a veiled dancer. Greek, Pontic. 3rd century B.C.. Terracotta. Hellenistic. Terracottas

A Vestal. Dated: 1770. Dimensions: overall: 95.5 x 42.1 x 35 cm (37 5/8 x 16 9/16 x 13 3/4 in.) gross weight: 88.451 kg (195 lb.). Medium: marble. Museum: National Gallery of Art, Washington DC. Author: CLODION.

Mausoleum at Halicarnassus. 353-350 BC. Tomb for Mausolus, satrap in the Persian Empire. Statue identified as Artemisia. From Turkey. British Museum. London. United Kingdom.

Draped femalefigurine

Freedom or the Republic Anonymous. "Freedom or the Republic". Polychrome terracotta.

Terracotta statuette of a draped woman 3rd century B.C. Greek, Boeotian Although virtually all of her decorated surface is lost, this figure is noteworthy for the large size and sharp detail.. Terracotta statuette of a draped woman. Greek, Boeotian. 3rd century B.C.. Terracotta. Hellenistic. Terracottas

Man of Sorrows 15th century German. Man of Sorrows. German. 15th century. Wood, paint. Sculpture-Wood

The immortal Liu Hai, anonymous, c. 1700 - c. 1724 Image of a man on a pedestal of porcelain, covered with a translucent white glaze. The image presents Liu Hai, a Taoist immortal, with his attribute the three -legged path and a gold coin; It is dressed in an open robe and stands on a pedestal in the form of a cloud. Some baking cracks; A finger has broken down. Blanc the Chine. China porcelain. glaze vitrification Image of a man on a pedestal of porcelain, covered with a translucent white glaze. The image presents Liu Hai, a Taoist immortal, with his attribute the three -legged path and a gold coin; It is dressed in an open robe and stands on a pedestal in the form of a cloud. Some baking cracks; A finger has broken down. Blanc the Chine. China porcelain. glaze vitrification

Luna. Unknown 100 B.C.-A.D. 100 This Roman bronze statuette depicts a female figure suspended in the air with her toes pointed as if about to land. She wears a peplos with a heavy mantle draped over her arms and blown upward over her head as though by a strong wind. Her left hand is raised to hold the edge of her peplos, and her right grasps an object that is difficult to identify. It might be an alabastron, a small vessel for precious liquids, or it may be the end of a short, down-turned torch. The windblown mantle and the alighting posture characterize the figure as a personification of nature, especially the celestial forces. Her attribute, either a torch, or perhaps a vessel of dew or dreams, gives her a nocturnal aspect. She has been thought to represent Nyx, the goddess of the night, but is more likely Luna (the Greek Selene), the moon goddess. Archival photographs prior to the acquisition of the statuette show the figure placed atop a bronze sphere on a low cylindrical base. It

Imitation Statuette of a Kore. Unknown

Figure of St Barbara. unknown, sculptor

Figurka kobiety z polosem na głowie. unknown, author, warsztat tanagryjski, workshop

Pieter Rijckx, Sculpture girls' dormitories Burgerweeshuis, left orphan girl, facade sculpture sculpture footage building component sandstone stone, sculpted Left girl of sculpture above the entrance of the girls' dormitories of the Gereformeerd Burgerweeshuis Full facade decoration: two slightly apart consoles girls holding long ribbon holding the family coat of arms with the names of the Regentesses who then ran the orphanage night Reformed Burgerweeshuis Gereformeerd Burger Orphanage Orphaned War Second World War Rotterdam City Triangle Goudsewagenstraat Goudsewagenstraat Rotterdam from rubble after the bombing of May 1940.

3rd century BC ancient Greek statuette of a woman. (Hungarian National Museum).

Statuette of a woman or heavenly nymph, anonymous, 1300 - 1499 Image of tuff, representing a sky nymph. Indonesia. Java tuff Image of tuff, representing a sky nymph. Indonesia. Java tuff

Anonymous / 'The Muse Talía'. 130 - 150. White marble. Museum: Museo del Prado, Madrid, España.

Pendant: woman carrying a child 5th century B.C. Etruscan Statuette of a woman holding child.This finely carved amber depicts a standing woman carrying a nude child whose head is now missing. The woman wears a diadem or crown with pointed leaf-like elements, and her hair is defined by delicately indicated striations. She is dressed in a long garment that leaves her arms exposed.. Pendant: woman carrying a child 250585 Etruscan, Pendant: woman carrying a child, 5th century B.C., Amber, H.: 2 1/2 in. (6.4 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1917 (17.230.52)

Kneeling Angel. Culture: South Netherlandish or German. Dimensions: 14 1/2 x 3 3/4 x 8 3/4 in. (36.8 x 9.5 x 22.2 cm). Date: ca. 1430-40.This elegant angel was originally part of a group of statuettes depicting either the Annunciation to the Virgin or Christ as the Man of Sorrows; if the latter, the angel's crossed hands may have held Instruments of Passion. The angel's refined features, the loose curls of long hair, and the fluid treatment of the folds in the thin drapery recall a group of alabaster sculptures from a retable with the Crucifixion and the Twelve Apostles formerly in Santa Maria delle Grazie, Rimini- Covignano (now in the Städtische Galerie Liebieghaus, Frankfurt). The anonymous artists responsible for the ensemble probably worked in the Burgundian Lowlands or the Rhineland, but, as the Rimini altar suggests, they appear to have produced many sculptures in alabaster for export. The personal style of the Rimini Master is closely linked to the widespread, so- called Inter

Loïe Fuller, c. 1900. Pierre Roche (French, 1855-1922). Bronze; overall: 53.4 x 15.3 cm (21 x 6 in.).

John Matulis, Circus Wagon Figure, c 1938 Circus Wagon Figure

Marble statue of a man. Roman. 2nd BC. Temple of Apollo. Cyrene, Libya, Africa. Style portraits of Alexander the Great.

Standing Virgin, c. 1440-1450. Follower of Claus de Werve (Netherlandish, 1380-1439). Painted and gilded limestone; overall: 104.8 cm (41 1/4 in.).

The Erechtheum Caryatid. Greek (409 BC). Female figure carved into a marble column. From a group of 'Korai' or 'maidens'.

Captive Barbarian 2nd century A.D.

Nymph ca. 1805-10 Possibly by Polly French One of a pair see 54.126.1 said to have been made for Empress Josephine. Possibly representing Hebe.. Nymph. Possibly by Polly (French, active ca. 1800). French. ca. 1805-10. Plaster. Sculpture

Salome Gadomski, Walery (1833 1911)

Statuette China. Statuette 61622

Torso of a Striding Draped Male Figure 304 B.C.-A.D. 364 Ptolemaic or Roman Period This statue wears a costume especially popular in the Ptolemaic and early Roman Period: a sleeved tunic over which a long fringed skirt is wrapped, with its front edge visible between the legs of the figure, topped with a fringed shawl. The shawl covers the left arm and passes under the right, ending where it is gathered into the proper left fist. The sculptor has given special attention to the graceful ridges and hollows of the draped garment and to the fine anatomical modeling of the neck and right arm.Statues of this type often seem to have stood in front of temple pylons. There is reason to believe that the costume was connected with the hope for deification.. Torso of a Striding Draped Male Figure 551892

Virgin ca. 1370-90 Joan Avesta Spanish Found near the medieval fortified Languedoc town of Carcassonne, this figure of the Virginthe Child is lostis the work of a documented local sculptor, Joan Avesta, who carved a number of important funerary monuments in southwestern France and in Catalonia. He worked first in Toulouse, Carcassonne, and Belpech and eventually at the Cathedral of Gerona.. Virgin 472330

Standing woman, 1500 - 1600 Italy bronze (metal) Italy bronze (metal)

PEDRO IV EL CEREMONIOSO REY DE ARAGON (1319-1387) - SIGLO XIV. Author: ANONIMO SIGLO XIV. Location: ATARAZANAS / MUSEO MARITIMO, BARCELONA, SPAIN.

Terracotta statuette of a woman 3rd century B.C. Greek, South Italian, Tarentine Standing, holding up drapery with left hand, right hand at breast enveloped in himation.. Terracotta statuette of a woman. Greek, South Italian, Tarentine. 3rd century B.C.. Terracotta. Hellenistic. Terracottas

Portrait Statue of a Woman. Unknown

Weight in the Shape of a Byzantine Empress 5th century Byzantine Portraits busts of Byzantine empresses were used for weights, thereby encouraging the public's belief in the state's ability to ensure fair and prosperous trade. The women here, whose elaborate jewels represented the wealth of the state, hold a mappa, an official symbol of imperial authority, or a scroll, reflecting the state's emphasis on learning.. Weight in the Shape of a Byzantine Empress 468749

Kore. ca. 510 BC. Archaic Greek art. Sculpture on marble. GREECE. ATTICA. Athens. Acropolis. Acropolis Museum. Proc: GREECE. ATTICA. Athens. Acropolis.

Escultura de Cibeles, villa romana de Els Antigons (Reus), siglo II d. C., mármol. Museo de Arqueología Salvador Vilaseca.

Saint Bartholomew after 1738 After a composition by Pierre Legros II This statuette was copied after an engraving by Francesco Aquila of Legros's statue, executed between 1705 and 1712 that forms part of the celebrated series of marble Apostles in San Giovanni in Laterano, Rome.. Saint Bartholomew. After a composition by Pierre Legros II (Italian (born France), Paris 1666-1719 Rome). Italian, Rome. after 1738. Marble. Sculpture

Wooden Garden Figure. Dated: c. 1937. Dimensions: overall: 50.9 x 33 cm (20 1/16 x 13 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Elizabeth Moutal.

Weight shaped as head of young girl, from Pompei

DAMA DE ELCHE - ALICANTE - ESCULTURA IBERICA SIGLO IV AC - DESCUBIERTA EN 1897. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

Lucretia. Artist: Philippe Bertrand (French, 1663-1724). Culture: French, probably Paris. Dimensions: Overall (confirmed): 27 1/2 × 43 1/4 × 20 3/4 in., 686 lb. (69.9 × 109.9 × 52.7 cm, 311.2 kg). Date: 1704 or earlier.Lucretia's suicide out of shame for her rape by Sextus Tarquinius--a self-sacrifice that led to the rebellion in Rome against the Tarquins-- was frequendy depicted in prints and paintings, though less often in sculpture, from the sixteenth through the eighteenth century. In France during this period femmes fortes, powerful women from ancient history or myth, such as Lucretia, Cleopatra, and Dido, as well as from the Bible, such as Esther, Jael, and Judith, were popular paragons of virtue. This sculpture shares many characteristics of the morceaux de réception, works required of candidates for admission to the Académie Royale de la Peinture et de la Sculpture in Paris. About 1700 these showcases of the sculptor's talents tended to be highly dramatic, under-lifesize marble

Fragment of a Grave Naiskos with a Seated Woman and a Standing Man. Unknown

Saint Simon 16th century French. Saint Simon. French. 16th century. Boxwood. Sculpture-Miniature

Design of the monument to Fryderyk Chopin; Hops, Józef (1862-1941); 1906 (1906-00-00-1906-00-00);

Male character mingqi. Terracotta, brown glaze, traces of polychromy. Paris, Cernuschi museum. 78843-23 Beyond, belief, figurine, mingqi, funeral object, male character, model character, funeral rite, statuette

Terracotta statuette of dancing Aphrodite with Eros early 4th century B.C. Greek, perhaps Corinthian Aphrodite, the goddess of love, performs a version of the so-called mantle dance, which featured the swirling movements of a voluminous thin linen cloak. Winged Eros plays the tambourine.. Terracotta statuette of dancing Aphrodite with Eros. Greek, perhaps Corinthian. early 4th century B.C.. Terracotta ; Fabric: fine hard fired pale orange (5 YR 7/6, grayer) shading to yellowish buff (10 YR 8/3) on left side of torso of Aphrodite some small sparkling inclusions.Slip, paint:Method of manufacture: moldmade, hollow, probably all in one mold. Back, vent. Classical. Terracottas

Gandhara Bodhisattva Maitreya; Afghanistan; sculpted figure; Hellenic; 2nd-4th century AD, made from schist stone

Bone statuette of a draped woman ca. 2nd century B.C.-2nd century A.D. Greek or Roman Statuette of a draped woman.. Bone statuette of a draped woman 244074

Carlo Pittaluga, Nymph of the Fields, 1915 Nymph of the Fields

Mirror Handle: Standing Woman. Culture: Pakistan (ancient region of Gandhara). Dimensions: H. 4 3/4 in. (12.1 cm). Date: ca. 1st century B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Upper body of a Statue of Aphrodite (Venus Genetrix Type). Unknown

Fragment of a limestone statuette of Pan 3rd-1st century B.C. Cypriot Figure wearing cloak, carrying staff and a sheep.. Fragment of a limestone statuette of Pan 242254

Goddess Hariti Seated Holding a Child 101 CE-300 CE Gandhara. Gray schist .

Bust of Diana 1653-1741 France. Marble . Giuseppe Mazza

Marble statuette of a girl 3rd century B.C. Greek A little girl holding a pet in her apron.The child wears a peplos with a long overfold and over it a sleeveless chiton that has slipped off her left shoulder. She has gathered up the front portion to carry a small animal, probably a pet puppy. Such statues of children were often dedicated as votives in sanctuaries or served as funerary monuments.. Marble statuette of a girl. Greek. 3rd century B.C.. Marble. Hellenistic. Stone Sculpture

Marble stele (grave marker) of a young girl ca. 440-425 B.C. Greek, Boeotian The girl's rather chubby body and the garment worn without a belt suggest a young age. It is interesting to note that of her sandals, only the soles are sculpted; the straps would have been painted. The objects in her hands are probably fruit, specifically pomegranates.. Marble stele (grave marker) of a young girl 248499

Elder of the Apocalypse 1145-55 French. Elder of the Apocalypse 476394

Limestone statue of a god 3rd century B.C. Cypriot The identity of this young plump figure with horns at his forehead and a lion in his right hand is uncertain. Although Herakles is usually shown with a lion, statues of the young Herakles are more likely to show him with the snake that he strangled while still in the cradle. Moreover, Herakles does not appear with animal horns. Possibly Bes, an Egyptian god with a lion's face, is shown here in a Cypriot adaptation. On Cyprus, Bes is sometimes shown with horns sprouting from his leonine head and holding a lion; this figure may be intended to show the deity in a youthful form.. Limestone statue of a god 242298

ESCULTURA DE BULTO REDONDO DE GANIMEDES - MARMOL BLANCO - COPIA ROMANA DE UN ORIGINAL GRIEGO - ALTO IMPERIO ROMANO. Location: MUSEO ARQUEOLOGICO-ESCULTURA ROMANA. GRANADA. SPAIN.

GREEK ART. REPUBLIC OF ALBANIA. Statue of Dionysus, god of wine. Found during the excavations of Ninfeo of Butrint in 1929. S. II a.C. Ruins of Butrint Museum.

Tombstone Scene 280 B.C. Scene shows a servant boy attending to man with drinking bowl. Golgoi local limestone.

Petrus, , 1600 - 1650 Rome bronze (metal) Rome bronze (metal)

Limestone statue of an enthroned youth 3rd century B.C. Cypriot This seated figure holding a roll of manuscript across his knees and a stylus in his right hand could represent a priest of high rank who transcribed oracles or other declarations of the god he served. The remains of a bird perched on his left hand and the elaborate throne with animals at the side suggest, however, that this statuette represents a deityprobably Apollo, the god of poetry and art, famous for his oracles. The bird may well have been a raven, the bird that often accompanies Apollo.. Limestone statue of an enthroned youth. Cypriot. 3rd century B.C.. Limestone. Hellenistic. Stone Sculpture

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