Textile Art and Drawings

Fabric fragments and sketches that illustrate artistic techniques from various periods, highlighting patterns and depictions of figures.

Daphne turns into a tree, draughtsman: Pieter Coecke van Aelst (I), (school of), 1540 - 1600, paper, h 275 mm × w 408 mm

Fragment. Peru, north coast, Culebra Valley, La Capilla. Date: 1000-1476. Dimensions: 22.9 × 25.4 cm (9 × 10 in.). Origin: Peru. Museum: The Chicago Art Institute, Chicago, USA.

Study of a male leg bent at the knee; verso: the same depiction with black crayon. Scaramuccia, Luigi Pellegrino (1616-1680), draughtsman, cartoonist

John Robert Cozens, 1752-1797, British, Monaco, undated. Graphite on thin, slightly textured, cream laid paper.

Panel from a Black Ground Frescoed Room with Architectural Decoration. Unknown

DUBUFFET, Jean (1901-1985). Beard of solitude.1959. Abstract art. Oil on canvas. NETHERLANDS. NORTH BRABANT. Eindhoven. Van Abbe Museum.

Schetsboek met 22 bladen.Sketchbook consisting of 22 magazines and two separate sheets with mainly figure studies, portraits of family members and friends, carikatural self-portraits, dogs and cats. Some of the sketches are made by Cato, Julie's sister, and made a friend or family member named Karel.

Old book, 1946 brass (alloy) etching

The Balcony. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 298 x 202 mm. Cancelled copper plate. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Arsenal - the Infantry Room. Dietrich, Fryderyk Krzysztof (1779-1847), graphic artist, Piwarski, Jan Feliks (1794-1859), draughtsman, cartoonist

Epitaph Tablet for Kim Gyehui (1526-1582), from a Set of 8 Korean. Epitaph Tablet for Kim Gyehui (1526-1582), from a Set of 8, ca. 1582. Porcelain with underglaze, 9 5/8 × 7 1/16 in. (24.5 × 18 cm). Asian Art ca. 1582

Fragment of Border, 1300s - 1400s. Germany, Cologne, 14th-15th century. Compound twill weave; overall: 45.7 x 8 cm (18 x 3 1/8 in.).

A Skull.The meticulousness with which the old, battered skull is depicted with a muddle of scratches suggests that Segers was here working from life.’ The skull that served as the model is different to the one in the adjacent painting (Welch Family Private Collection, United States).

Leaf with flowers and fruits, anonymous, 1700 - 1850 brocade paper Leaf with flowers and fruits. With label with inscription: 'G. Everti ... consensai '. Half of a cover. paper. paint (coating) relief printing ornament derived from plant forms

Still Life with Books, Hercules Segers, c. 1618 - c. 1622 print Composition of three books on a table. The books are on a table and are shown from the side. The thick book on the bottom serves as support for a foliant who is open as if it was just read in it. Finally, between the pages of this large book, a small booklet is stuck, as a kind of bookmark. For example, Segers composed an informal still life of the reading that seems to have left a studious reader for a moment. cotton (textile). paint (coating) etching book. still life of related objects

PINTURA RUPESTRE DEL CASTRO DE COANA. Location: MUSEO ARQUEOLOGICO-COLECCION. Oviedo. ASTURIAS. SPAIN.

Needle's workpiece in the making with dancing putto in oval list, anonymous, c. 1910 - c. 1915 Needle's workpiece in the making. Property with pre -drawn pattern on a prepared thin tissue, strung on a double surface of satinet. The pattern consists of a horizontal oval frame in which a putto dances between flowers. The putto is outlined with trace wires and they started filling in his arm with needle side stitches. The festoning of the tracing lines for the bar of land with picots and the outer edge with connected circles. Italy Yarn: Linen (Material). Irrit:. surface: drawing / basting / sewing Needle's workpiece in the making. Property with pre -drawn pattern on a prepared thin tissue, strung on a double surface of satinet. The pattern consists of a horizontal oval frame in which a putto dances between flowers. The putto is outlined with trace wires and they started filling in his arm with needle side stitches. The festoning of the tracing lines for the bar of land with picots and th

'Part of the Icon: Group of Donators'. China, 10th century. Museum: State Hermitage, St. Petersburg.

Fragment. Probably central coast, Peru. Date: 1000-1476. Dimensions: 43.2 x 38.1 cm (17 x 15 in.). Linen; plain brocaded simple cloth. Origin: Peru. Museum: The Chicago Art Institute, Chicago, USA.

Fragment 16th century Italian. Fragment 230499

Photo album by Carl Heinrich Fliegenschmidt, prison director in Oslebshausen, various manufacturers, c. 1895 - c. 1915 photograph Photo album in green gray linen band. The frontplate is decorated with red flowers. The bracts have a flower pattern. The album contains 12 sheets with 48 passe-partouts. It contains 47 prints, which are stuck on cardboard for the majority. They are recordings of the interior and the exterior of the prison of Oslebshausen and the outbuildings. In addition, three photos of prison in Cassel-Wehlheidsen, family photos, a few village views and buildings of the Humboldt university in Berlin. The album in all likelihood belonged to Carl Heinrich Fliegenschmidt (d. 1928), who was the director of the "Penaly Pancraven Oslebshausen". His name is mentioned repeated in the album. Whether he was also the photographer is unclear. GermanyGermanyCassel linen (material). cardboard. paper. photographic support gelatin silver print / collotype / albumen print prison, jail. pr

Collection ('Mosaic') of portraits of famous people, including King Willem III, Emperor Napoléon III and Crown Prince Willem ..

Banner of the Yellow Regiment, Anonymous, 1700 - 1800 Yellow banner. Front and parade side identical. Along the top three lanes red-white-black. In the top hall a yellow rectangle with the weapon of Amsterdam, held by two climbing lions and covered by Keizerskroon. Under the weapon symmetrical praise on which the lions stand. Amsterdam silk painting Amsterdam

A gray ink drawing by the Meister der Worcester-Kreuztragung depicting city architecture, the mockery of Christ, and a ship in the harbor, showing figures and buildings.

Fragment late 16th century Italian. Fragment 230165

BLIŻEJ KULTURY Wyspiański, Stanisław (1869 1907), Wyspiański, Franciszek (1836 1901)

Drawing, Design for the Making of a Man's Needle Lace Collar; pen and black ink on parchment paper, lined; 49.9 x 36.2 cm (19 5/8 x 14 1/4 in.)

Deraisme, Pierre -Georges (n.1859 - D.1932), comb Ombels (main title), 1898. Graphite and Gouache on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Scene tile, child's play, spinning, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted Blue on white spinning

Textile with Eagle Attacking Dog. Culture: Italian. Dimensions: Overall: 8 9/16 × 7 11/16 in. (21.7 × 19.5 cm)Storage (Mat): 12 × 13 in. (30.5 × 33 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Boulevard, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1959. Dimensions: 519 × 403 mm (image); 635 × 452 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Fragment Made 969 CE-1171 Egypt. Linen and silk, tapestry weave . Islamic

Sidewall, Machine-printed on continuous paper, Irisé or rainbow paper. Motifs include bouquets in baskets, or perhaps potted plants, stylized floral sprigs and dotted bullseye pattern. Printed in red, yellow and blue on ungrounded blue-green paper., possibly USA, 1820-40, Wallcoverings, Sidewall

Studies, possibly of church parts. Draughtsman: George Hendrik Breitner. Dating: 1895. Place: The Hague. Measurements: h 197 mm × w 114 mm. Museum: Rijksmuseum, Amsterdam.

Feathered wing, 1948 - 1949 brass (alloy) etching

Sir David Wilkie, 1785-1841, British, Sleeping Infant's Arm, 1806. Graphite on moderately thick, moderately textured, beige wove paper.

Glass cameo fragmentary panel. Culture: Roman. Dimensions: Overall: 5 1/16 x 11 7/8in. (12.9 x 30.2cm). Date: ca. A.D. 1-25.Translucent deep purple, appearing black with opaque white overlay.Thick, flat panel with part of one tapering edge, grozed and chipped on underside.Broad band in white forming frame along edge; decoration in deep relief, comprising a floral scroll with a large acanthus frond flanked by two scrolls, one filled with a rosette; above the acanthus fond is perched an eagle with curved beak and folded wings.In four conjoining fragments; one large gritty inclusion on underside; pitting, dulling, thick creamy weathering, and iridescence.The fragments come from a large revetment panel decorated with an elaborate acanthus frieze once inhabited by various animals and birds; only an eagle now survives. The size of the panel suggests that it formed part of the architectural decoration of a building. It was probably made in Rome and echoes the floral ornaments that decora

Venice, Andre Burian, (b.1966/Brazilian), Photograph

Poncho Paracas Necropolis. Poncho, 200-600 C.E. Cotton, camelid fiber, 21 5/8 x 17 5/16in. (55 x 44cm). Arts of the Americas 200-600 C.E.

Pablo Picasso / "Window with curtain from inside", 1899, Oil on panel, 22 x 13.8 cm, MPB 110.218. Museum: Museu Picasso de Barcelona (Barcelona, España).

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Textiles-Woven

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Bichard, Jean-Baptiste, 27e Cahier, Fireplaces, Cheminée à la Moderne, Fireplace with leaf motifs, verso - stamped, A fireplace decorated with leaf motifs and garlands. Print number 159., print, ornamental print, prints, ornamental prints, height 203 mm, width 329 mm, 1722 - 1769, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Sidewall, Block-printed, Scattered sprays of foliage, with flowers and berries. Printed in blue, pink, green and neutral orange., possibly France, 1820-30, Wallcoverings, Sidewall

Sheet with overall spotted design 19th century Anonymous. Sheet with overall spotted design. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Roman fresco depicting two masks. Villa of the Papyri. Herculaneum. National Archaeological Museum. Naples. Italy.

Linen mark (Type XXXVII) ca. 1961-1917 B.C. Middle Kingdom. Linen mark (Type XXXVII). ca. 1961-1917 B.C.. Linen. Middle Kingdom. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb MMA 507 (The Slain Soldiers), MMA excavations, 1926-27. Dynasty 12

PAISAJE Y OREJAS 1999-TECNICA MIXTA SOBRE FUSTA-195x130CM. Author: ANTONI TAPIES (1923-2012). Location: FUNDACION ANTONI TAPIES. Barcelona. SPAIN.

Fragment of a Tiraz-Style Textile, 1081 - 1094. Egypt, Fatimid period, Caliphate of of al-Mustansir, AH 475-487, 11th Century. Tabby ground with inwoven tapestry ornament; linen and silk; overall: 12.1 x 16.3 cm (4 3/4 x 6 7/16 in.).

Entrance hall of Freiburg Cathedral, a medieval sundial carved in stone, Freiburg, Breisgau, Baden-Wuerttemberg, Germany, Europe, Freiburg im Breisgau, Baden-Wuerttemberg, Germany, Europe

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

Fragment. Egypt. Date: 201 AD-1000. Dimensions: 64 × 57 cm. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA. Author: Ancient Egyptian.

Rakan 15th century In the Style of Keinin Sumiyoshi Japanese. Rakan. In the Style of Keinin Sumiyoshi (Japanese). Japan. 15th century. Hanging scroll; ink and color on silk. Muromachi period (1392-1573). Paintings

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Pasha, c. 1924 - c. 1932 copper (metal) etching

Fragment. Dimensions: 5 5/16 in. high 5 7/8 in. wide (13.5 cm high 15 cm wide). Date: 3rd-4th century. Museum: Metropolitan Museum of Art, New York, USA.

Look at a preacher in the pulpit. Draughtsman: Domenico Beccafumi. Dating: 1500 - 1551. Measurements: h 146 mm × w 217 mm. Museum: Rijksmuseum, Amsterdam.

Fragment Made 1001-1300 Iran. Silk .

Panel from a pair, 19th century, Unknown, 66 5/16 × 13 3/8 in. (168.43 × 33.97 cm), Asa fiber, Japan, 19th century

Tapestry with beheaded bird, 800s. Egypt, al-Bahnasa, Tulunid period. Tapestry weave: linen and wool; overall: 38.5 x 35.3 cm (15 3/16 x 13 7/8 in.).

Decorated ends of a shawl, 770-887 (radiocarbon date, 95.4% probability). Egypt, Fayyum, Tulunid or Ikshīdid period. Wool, linen, and silk: plain weave with inwoven tapestry weave; overall: 41.9 x 68.6 cm (16 1/2 x 27 in.).

Fragment of the painting; 2. PO. VIII-IX century (751-00-00-900-00-00);

Peck Slip, NewYork. Artist: Rudolph Ruzicka, American, born Czech Republic, 1883-1978

Sleeping Infant's Arm, Sir David Wilkie, 1785-1841, British, 1806, Graphite on moderately thick, moderately textured, beige wove paper, Sheet: 2 x 3 1/8 inches (5.1 x 7.9 cm), arm, child, figure study, hand, infant, sleeping

Museo de Luxor.

Wood Carving - Scroll. Dated: c. 1939. Dimensions: overall: 31.5 x 23.1 cm (12 3/8 x 9 1/8 in.) Original IAD Object: 5 1/2" high; 16 1/2" long. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Clayton Clements.

Relief fragment, tomb of Meketre ca. 1981-1975 B.C. Middle Kingdom. Relief fragment, tomb of Meketre 562116

Kesa. Japan. Date: 1784. Dimensions: 207.7 x 118.1 cm (81 3/4 x 46 1/2 in.). Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Abruzzo Pescara Loreto Aprutino S. Maria in Piano1. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine o

Roche, Pierre (n.1855-D.1922-01-18), Lions frieze (main title), 1916. Gypsography, black draw on orange paper .. Petit Palais, Museum of Fine Arts of the city of Paris .

Street boys with flag and hoop. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 170 mm × w 173 mm. Museum: Rijksmuseum, Amsterdam.

Reliefs from the tomb of Meketre. Dimensions: H. 4.6 cm (1 13/16 in.); W. 2.9 cm (1 1/8 in.); D. 0.6 cm (1/4 in.). Dynasty: Dynasty 12. Reign: reign of Amenemhat I, early. Date: ca. 1981-1975 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Birch Bark Shoe. Dated: 1938. Dimensions: overall: 28.1 x 35.6 cm (11 1/16 x 14 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eugene C. Miller.

Esanatoglia (Italia, Marche - provincia di Macerata), Municipio (antico palazzo dei Duchi di Camerino, i Da Varano). Sala del Belvedere, ciclo di affreschi con soggetto "cortese", databile alla seconda metà del XV secolo, autore ignoto

Lazio Viterbo Viterbo Museo Civico9. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-1

Reliefs from the tomb of Meketre ca. 1981-1975 B.C. Middle Kingdom. Reliefs from the tomb of Meketre 668660

Jean Carriès (1855-1894). "Floor covering, pilaster fragment". Museum of Fine Arts of the City of Paris, Petit Palais. 24202-5 Ceramic, fragment, pilaster, reverse, soil

AuguryPanel

Saint Jérôme. Bisson Frères (French, active 1840 - 1864)

Indian rock carving, Writing-on-Stone Provincial Park, UNESCO World Heritage Site, Alberta, Canada, North America

Fragment of Mural 80 A.D.

Design for Silk Brocade, Pastel on gray-blue laid paper, squared with pen and brown ink, The repeat consists of flower boughs beneath a landscape; a plant, a trellis structure, a thyrsos, a vase containing a plant. A chain consisting of two intertwined waved boughs, connects each motif with its neighbor at right, and with the staggered motif in the row beneath it. One repeat is nearly entirely shown and part of another., France, ca. 1750, textile designs, Drawing, Drawing

CHAUSSURE ET CRANE - 1997 - 50x64,5 - CARBONCILLO SOBRE PAPEL. Author: MIQUEL BARCELO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Textile Panel. Peru, South Coast, Inka, 1450-1534. Textiles; textile lengths. Cotton tapestry with eccentric weave

ME DUELE ESPAÑA - SIGLO XX. Author: MANUEL RIVERA HERNANDEZ (1927-1995).

Composition, Kudryashov, Ivan Alexeyevich (1896-1972)

Cope. Culture: Italian. Dimensions: H. 52 1/2 x W. 119 inches (133.4 x 302.3 cm). Date: 1623-28. Museum: Metropolitan Museum of Art, New York, USA.

White Fresco Fragment. Unknown

White Fresco Fragment. Unknown

White Fresco Fragment. Unknown

Hippopotamus Hunt. Fragment from the burial ground at Gebelein, near Luxor and Thebes in Upper Egypt, pre-Dynastic period, 4th millennium BC. Painting on linen, Egyptian Museum, Turin. On this fragment of the oldest surviving textile painting, on a strip of brown linen, we see two barges of identical form each with a double cabin in the middle.

Textile Fragment 10th century. Textile Fragment. 10th century. Cotton; plain weave, resist-dyed (ikat), embroidered. Attributed to Yemen. Textiles-Embroidered

Ceiling Fragment Depicting Pigeons in Flight ca. 1390-1353 B.C. New Kingdom Listen to experts illuminate this artwork's story Listen Play or pause #3430. Ceiling Fragment Depicting Birds from the Palace of Amenhotep III Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Ceiling Fragment Depicting Pigeons in Flight. ca. 1390-1353 B.C.. Mud plaster, paint. New Kingdom. From Egypt, Upper Egypt, Thebes, Malqata, Ho W1, MMA excavations, 1911-12. Dynasty 18

Patchwork (boro) bedding liner (futon-uraji), 19th century, Unknown Japanese, 68 1/2 × 63 1/4 × 1 1/2 in. (173.99 × 160.66 × 3.81 cm) (overall), Cloth: hemp and cotton patchwork; shibori (tie-dyeing), Japan, 19th century

Fresco Fragment with Nilotic Landscape. Unknown

Jan van Eyck / Altarpiece / 1437

Linen Cloth. Dynasty: Dynasty 3-4. Date: ca. 2649-2100 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Fragments, Medium: wool, linen Technique: embroidered on plain weave, Garment fragments of undyed linen with stripes of supplementary red wool wefts. Wool is thicker than linen warp, causing it to skip warps at irregular intervals. Striped pattern set off from piece by a double-sided embroidered row of split stitches in red and yellow wool., Egypt, 300-600, woven textiles, Fragments

Gabriel Vallseca / Carta naútica, 1439. Museu Marítim de Barcelona.

Fugitives (Emigrants). Dated: model c. 1850/1852, cast 1893. Dimensions: overall (with border): 37.2 x 76.2 x 6.8 cm (14 5/8 x 30 x 2 11/16 in.) overall (without border): 33 x 72.1 x 6.8 cm (13 x 28 3/8 x 2 11/16 in.) base: 43.2 x 82.6 cm (17 x 32 1/2 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Roche, Pierre (Pierre Henry Ferdinand Massignon, dit) (N.1855-08-02-D.1922-01-18), Pinetà de Ravenna (Main title), 1903. Eglomization-Steel and wood matrix. Petit Palais, Museum of Fine Arts of the City of Paris.

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