Textile Fragments

Ancient textile fragments featuring embroidery and intricate designs, showcasing colors and techniques from various cultures and eras.

Fragment, Medium: silk and gold thread on cotton ground Technique: split-stitch embroidery on warp-faced plain weave, Fragmented and incomplete depictions of a two lions in profile view, in light green, light blue, cream, brown, and gold., Baghdad, Iraq, 10th century, embroidery & stitching, Fragment

Fragments 6th-7th century. Fragments 445907

Fragment (Egypt); warp: s-spun linen. weft: z-spun linen, z-spun wool

Textile, Medium: silk, linen Technique: embroidery using silk threads on linen plain weave foundation, Tiraz, embroidered horizontal band of palmette motifs in polychrome., 12th-14th century, embroidery & stitching, Textile

Panel. Lambayeque; Peru, Probably north coast. Date: 1000-1476. Dimensions: 69.5 x 47 cm (27 3/8 x 18 1/2 in.). Two panels joined: cotton and wool (camelid), slit and single dovetailed tapestry weave with weft loop pile and supplementary patterning wefts. Origin: Peru. Museum: The Chicago Art Institute, Chicago, USA.

Fragment (Germany); linen

Three Fragments from a Border, before 1968. Egypt. Wool and linen: tapestry weave; overall: 18.5 x 4.1 cm (7 5/16 x 1 5/8 in.).

Square 4th-5th century. Square 445786

Fragment tkaniny. warsztat egipski, workshop

Paintings of a thin: Archango Micha; horse. XIII century or later (1301-00-00-1400-00-00);Faras (Sudan), Archangel Michael (St.), Archangels, wall paintings, Polish excavations in Faras (Sudan)

Fragment (Egypt); wool warp; wool and linen weft; Warp x Weft: 18.4 x 24.8 cm (7 1/4 x 9 3/4 in.); Bequest of Gertrude M. Oppenheimer; 1981-28-452

Tile 12th-14th century. Tile 447370

Band from aTunic. Artist: Unknown

Fragment, Medium: cotton Technique: discontinuous, interlocked warp; knotted weft, Square panel made from two pieces stitched together. Panel is divided into four squares with a single repeat of a large stylized bird with elaborate topknot and small geometrical filling forms in each. In combinations of blue, brown and natural cotton. Series of regularly spaced weft knot warps form long triangular mesh., Peru, 1000-1400, woven textiles, Fragment

Sidewall (USA); block-printed; 66.5 x 57 cm (26 3/16 x 22 7/16 in. )

Fragment Made 1101-1200 Italy. Silk, gilt-animal-substrate-wrapped linen, twill weave with plain and twill interlacings of secondary binding warps and patterning and brocading wefts (detached on reverse) .

Embroidery (Egypt); silk on linen; Bequest of Marian Hague; 1971-50-19

Mexico, , Palenque, Ruins of Palenque - 8th century tablet in museum

Textile Fragment, undetermined, or Tunic, Fragment Inca/Moquegua. Textile Fragment, undetermined, or Tunic, Fragment, 600-1000 C.E. Cotton, camelid fiber, 5/16 x 5 5/16in. (0.8 x 13.5cm). Arts of the Americas 600-1000 C.E.

Fragment; cotton

Fragment. Coptic; Egypt. Date: 301 AD-600 AD. Dimensions: 14-15 1/2 × 15.5-16 cm (5 1/2-6 × 6-6 1/4 in.). Wool, tapestry weave. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA.

Fragment, Medium: silk, linen, metallic Technique;, Woven scene of the Adoration., Italy, 16th century, woven textiles, Fragment

Tapestry Panel 7th century Nasca. Tapestry Panel 308015

Embroidered gore from wall covering unknown

Fragment of a Tiraz-Style Textile, 1081 - 1101. Egypt, Fatimid period, Caliphate of al-Mustansir or al-Musta'li, c. AH 475-495 (A.D. 1081-1101). Tabby ground with inwoven tapestry ornament; linen and silk; overall: 9.3 x 29.9 cm (3 11/16 x 11 3/4 in.).

tiraz tapestry, Medium: silk Technique: slit tapestry, 9th century, woven textiles, tiraz tapestry

Fragment, Medium: Warp; Z-twist S-spun linen. Wefts; S-spun linen, S-spun wool Technique: slit tapestry woven with supplemetary weft wrapping, Fragment of a band. One figure with hands raised at top (much destruction of wefts), at bottom two figures led be a rider on horseback, Egypt, 6th-7th century, woven textiles, Fragment

Textile Fragment, Unascertainable or Mantle, Fragment Paracas Necropolis. , 200-600 C.E. Cotton, camelid fiber, 5 1/8 x 5 1/2 in. (13 x 14 cm). Arts of the Americas 200-600 C.E.

Textile Fragment. Egypt, Mamluk Dynasty (1250-1517), 14th century. Textiles; fragments. Linen plain weave, resist dyed

Samite fragments with double-headed eagles, from the tomb of Saint Bernard Calvo, 1200-1243. Probably Byzantium. Samite: silk; overall: 118 x 165 cm (46 7/16 x 64 15/16 in.).

Textile Fragment 9th-10th century. Textile Fragment 452541

Malowidło ścienne: Archanioł Michał. unknown, author

Fragment, 1100s - 1300s. India, 12th-14th century. Woodblock print on cotton; overall: 25.4 x 21.6 cm (10 x 8 1/2 in.).

Fragment, Medium: wool Technique: dovetail tapestry; one weft carried at a time; S-spun white wool warp; S-spun white wool and S-spun red-purple wool wefts, White tapestry-woven fragment, in very good condition, containing two narrow purple bands. Each band contains three horizontal panels, an octagon and eight-pointed star between them. The panels in embroidery and white tapestry weave are divided into very angular 'mosaic' geometric patterns. Embroidery is also used on the two other motifs., Egypt, 6th-7th century, woven textiles, Fragment

Mantle, Small, Fragments or Headcloth, Fragments or Mantle, Border and Corners, Fragments Nasca. Mantle, Small, Fragments or Headcloth, Fragments or Mantle, Border and Corners, Fragments, 100-200 C.E. Cotton, camelid fiber, a: 105 1/8 x 5 1/8 in. (267.0 x 13.0 cm). Arts of the Americas 100-200 C.E.

Textile with Confronted Horses in Roundels 8th-9th century Central Asia. Textile with Confronted Horses in Roundels. Central Asia. 8th-9th century. Woven silk. Textiles-Woven

Borders (England); cotton; Warp x Weft (a): 25 × 25.5 cm (9 13/16 × 10 1/16 in.) Warp x Weft (b): 26 × 25 cm (10 1/4 × 9 13/16 in.); Bequest of Elinor Merrell; 1995-50-252-a,b

Alois E Ulrich, Shaker Rug, 1935 1942 Shaker Rug

Earthenware tile with continuous decor in sludge technology, sheet scrolls in diagonal frames, tile floor tile tile sculpture soil find ceramics pottery clay engobe glaze lead glaze, in shape made glazed baked loin cord Pottery tile or floor tile. Red glaze on the top glazed Lead glaze on base of white engobe. Sludge technique Probably stamped decor see remarks Continuous decor over several tiles consisting of flower and leaf tendrils on shaded fields in diagonal frames archeology City center Rotterdam indigenous pottery Soil found in Rotterdam found during the clearing of the debris in the city center after the bombardment.

Design for a Woven Fabric, Unfinished Fragment, Brush and gouache, black paint on oily tracing paper, Plants, the right of which is outlined with white, grow beside the lower parts of the two supports of a tent-like netted canopy the point of which is surrounded by five crowns of diminishing diameters. A bunch of flowers upon a double row of scallops, at the bottom., France, 1815-1840, Drawing, Drawing

Panel, Medium: linen Technique: bobbin lace, discontinuous tape, Design shows column with birds, stags and scrolling leaves. Narrow bobbin lace surrounds panel on four sides., Milan, Italy, mid-18th century, lace, Panel

Weefselfragment met nail Anonymous c. 500 - c. 699 Natural linen tissue fragment with sown clavus ending in an oval. In the oval a human figure in a yellow robe with nimbus on a red soil; In the clavus a figure with light blue and white robe and green nimbus with above it a part of a robe in brown and yellow and two feet on a red soil. Around the oval and the clavus an edge with block decoration in red, pink, yellow, white, dark and light green and dark and light blue. Egypt Ketting element: Linen (material). Entry: Wool tapestry Natural linen tissue fragment with sown clavus ending in an oval. In the oval a human figure in a yellow robe with nimbus on a red soil; In the clavus a figure with light blue and white robe and green nimbus with above it a part of a robe in brown and yellow and two feet on a red soil. Around the oval and the clavus an edge with block decoration in red, pink, yellow, white, dark and light green and dark and light blue. Egypt Ketting element: Linen (material).

Bandbox, Block-printed paper, Bandbox lid fragment. Hunters and dogs in landscapes set within bright green scroll frames and alternating with decorative cartouches., USA or England, 1840, Wallcoverings, Bandbox

Fragment Made 301 CE-500 CE Egypt. Linen and wool, slit tapestry weave . Coptic

Border early 18th century Italian. Border 222864

Wall painting. A tree and human figure in flames; approx. 1005-1036 (1001-00-00-1036-00-00);

Border, Block-printed paper, Orange and black wave motif with band of orange dentil at top edge. Printed on yellow ground. Was used with 1972-43-1., possibly USA, 1820-40, Wallcoverings, Border

Sidewall, ca. 1700; leather, stamped, silvered, painted

Attic Black-Figure Amphora Fragment (comprised of 3 Joined Fragments). Unknown

Cope hood fragment, Medium: silk Technique: two interconnected structures: 4&1 satin weave and plain weave (lampas) Label: silk lampas, Shield-shaped cope hood, striped vertically with broad stripes of dark blue containing Arabic inscriptions in white, red and yellow, alternating with narrower stripes of red with conventionalized floral and foliate motifs in dark blue, yellow, green and white. The blue and red stripes are separated from each other by narrow stripes of green with a geometric knot-like design in red and yellow. These stripes are bordered with very narrow stripes of white, yellow, red and dark blue., The Arabic inscription is translated as 'Glory to our master the Sultan.', Spain, late 14th or early 15th century, woven textiles, Cope hood fragment

Fragment (Egypt); warp; z-twist s-spun linen. wefts; s-spun linen, s-spun wool

NAIPE DECORADO CON UNA FIGURA ANTROPOMORFA DE COLOR ROJO - CUERO Y PIGMENTO - SIGLO XVIII - PROCEDENTE DE CHILE - ESTILO MAPUCHE - 10,8x7,8 CM. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPANIEN.

Panel orBorder. Artist: Unknown

Fragment of the external coffee sarcophagus Uzhotep ( around 1985-1795 BC ; Pahu, 12 dynasty (-1985-00-00--1795-00-00);Deposit of the University of Warsaw from 1937-1939, texts of pyramids, texts of sarcophagus, Uzhotep (Ca 1985-1795 A.C.), sacrificing formulas, hieraths, hieroglyphs, French excavations at Meir (Egypt)

Border tile, blue, decoration with circles and flowers, border tile wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted

Wall frieze from the tomb of Ramesses VI. Tomb KV9 in Egypt's Valley of the Kings was originally constructed by Pharaoh Ramesses V. He was interred here, but his uncle, Ramesses VI, later reused the tomb as his own. The layout is typical of the 20th dynasty - the Ramesside period. Ramesses VI Nebmaatre-Meryamun was the fifth ruler of the Twentieth Dynasty of Egypt. He reigned for about eight years in the mid-to-late 12th century BC

Panel. Russia. Date: 1801-1825. Dimensions: 64.9 x 88.9 cm (25 1/2 x 35 in.). Linen, twill weave; embroidered. Origin: Russia. Museum: The Chicago Art Institute, Chicago, USA.

Attic Red-Figure Kylix Fragment; Attributed to Euaion Painter (Greek (Attic), active about 460 - 440 B.C.); Athens, Greece; about 450 B.C; Terracotta; 20.4 × 29 cm (8 1,16 × 11 7,16 in.)

Comforter cover, 19th century, 64 5/16 x 44 3/16 in. (163.35 x 112.24 cm), Cotton, China, 19th century

Plaque in the Shape of a Condor. Peru, South Highlands, Wari, Tiwanaku, 600-900 CE. Metal. Silver

Osrushana, also known as Istarawshan, Sudujshana, Usrushana, or Ustrushana, was a former Iranian region in Transoxiana. Osrushana lay to the south of the great, southernmost bend of the Syr Darya and extended roughly from Samarkand to Khujand. The capital city of Osrushana was Banjikat.

Textile, Medium: linen Technique: damask, White linen warp and blue linen weft form a reversible textile. At left and bottom of Component A and left of Component B is a broad, large-scale floral serpentine border. Central portion has repeat of three horizontal rows of design. At bottom: Christ rising from the tomb with the inscription, 'Auferstehung.' Middle row: a group of buildings with the inscription: 'Jerüsalem.' Third row: Jesus appearing to Mary Magdalene with the inscription: 'Jesus erscheint Maria Magd.', Germany, ca. 1700, woven textiles, Textile

France, Herault, Loupian, Gallo Roman villa a few kilometres south of the Via Domitia, excavations have revealed the remains of a Gallo Roman villa very rich in mosaics

Textile Fragment 7th-8th century. Textile Fragment. 7th-8th century. Wool, linen; tapestry weave. Attributed to Egypt. Textiles

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Fresco Fragments (14). Unknown

Textile, 'The Annunciation'. Italy, early 15th century. Textiles; textile lengths. Brocaded satin

Malowidło ścienne: Fragment szaty biskupa. unknown, painter

Textile Fragment with Hunting Scene 8th century This silk fragment depicts a mounted hunter aiming at a leaping panther in an oval roundel with scrolling vegetation. It is closely related to early Byzantine examples woven in Egypt. The motif of hunters on horseback with bows and arrows originates in Sasanian Iran but made its way into Byzantine heraldry, where it was adapted and classicized. The inclusion of an Arabic inscription (the bismillah) places it securely in the early Islamic period. This is a testament to the longevity of the motif and the synthesis of pre-Islamic designs in the early Islamic period.. Textile Fragment with Hunting Scene 451043

Fragments, Medium: silk; gilded goldbeaters' skin wound around a silk core, Eight-pointed stars enclosing rampant addorsed lions, heads turned toward each other; the pointed-armed crosses forming the interstices are filled with symmetrical foliate arabesques. The pattern appears slightly raised in gold on blue and pink ground. Fragment from a set of vestments from the Cathedral of Lérida, Spain., Spain, 13th century, woven textiles, Fragments

Fragment of a Bowl 12th-13th century. Fragment of a Bowl. 12th-13th century. Stonepaste; overglaze painted (mina'i). Attributed to Iran, Rayy. Ceramics

Medallion, Medium: Warp; S-spun wool. Weft; S-spun linen, S-spun wool. Technique: Slit tapestry with supplementary weft wrapping., Tapestry square mounted on plain weave linen. A square at the center with interlaced circles superposed on four different designs. Wave border on all sides., Egypt, 3rd-4th century, woven textiles, Medallion

Fragment of a dalmatics, with embroidery of flax side and gold thread .. Fragment of a dalmatics, with embroidery. The embroidery has an image of two angels that cease a cloth on which a heart and four roses. The fragment belongs to Invnr. BK-NM-9403-E-B and both fragments belong to six fragments with Inputs. BK-NM-9403-A T / M BK-NM-9403-E-B.

Fragment, Medium: linen Technique: needle lace, reticella style, A single square of lace containing a boat with sails., Spain, early 17th century, lace, Fragment

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Fresco Fragments (50). Unknown

Painted stone from the cliff bandiagara village of Songo. Made from stone and coloured pigments.

Panel 16th-17th century Italian, Venice Punto in arialiterally, "stitches in the air"is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.. Panel 218029

in jordan the antique ceramic roman decorative mosaic like background

Sleeve Panel, 19th-20th century, 12 1/2 x 5 3/4 in. (31.75 x 14.6 cm), Cotton, silk(), embroidery, China, 19th-20th century

TAPA DE LA ARQUETA DE CARRION DE LOS CONDES - 42x24x20 cms. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

Minoan civilization. Fragment of a fresco showing a young woman, known as "La Parisienne". 1350 BC. From the Camp-Stool fresco, c. 1350 BC, western wing of the palace at Knossos, Crete. Heraklion Archaeologcal Museum. Crete, Greece.

Fragment Made 1601-1700 Italy. .

Wall frieze from the tomb of Ramesses VI. Tomb KV9 in Egypt's Valley of the Kings was originally constructed by Pharaoh Ramesses V. He was interred here, but his uncle, Ramesses VI, later reused the tomb as his own. The layout is typical of the 20th dynasty - the Ramesside period. Ramesses VI Nebmaatre-Meryamun was the fifth ruler of the Twentieth Dynasty of Egypt. He reigned for about eight years in the mid-to-late 12th century BC

Deraisme, Pierre -Georges (n.1859 - D.1932), Trèfles comb (main title), 1902. Graphite, watercolor and gouache on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Border, 1800s. China, 19th century. Silk; overall: 70.5 x 17.2 cm (27 3/4 x 6 3/4 in.).

BORDADO HISPANOMUSULMAN DEL ARCA DE SAN ISIDORO DE LEON - SIGLO XI - DETALLE. Location: COLEGIATA DE SAN ISIDORO. LEON. SPAIN.

Sketches of Horses and Riders (recto), 17th century. Flanders, 17th century. Red chalk; sheet: 24 x 25 cm (9 7/16 x 9 13/16 in.).

Five Round Segmenta, 650 - 750. Egypt, Umayyad period (661-750). Tapestry weave: wool; average: 12.5 x 9.4 cm (4 15/16 x 3 11/16 in.).

Hunting scenes, Medium: cotton Technique: printed by engraved roller on plain weave, Three scenes showing men hunting deer. in red on white., France, ca. 1825, printed, dyed & painted textiles, Textile, Textile

A fragment of the whole; After. III century; Roman period (225-00-00-275-00-00);

BARAJAS PINTADAS EN CUERO CORTESIANO. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPANIEN.

Malowidło ścienne: Święty Epifaniusz. unknown, painter

Chalice veil. Culture: Russian. Dimensions: 18 1/2 in. (47 cm). Date: 16th century.This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Museum: Metropolitan Museum of Art, New York, USA.

Fragment (Border). Coptic; Egypt, Akhmin. Date: 301 AD-500 AD. Dimensions: 14.0 x 3.8 cm (5 1/2 x 1 1/2 in.). Linen and wool, slit tapestry weave. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA.

MUSEO-FRAGMENTO DE ATAIFOR CON DECORACION ZOOMORFA-HISPANOMU. Location: MEDINA AZAHARA / MADINAT AL-ZAHRA-MUSEO-CERAMICA. PROVINCIA. CORDOBA. SPAIN.

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