Textile Fragments and Panels

A collection of textile samples, including intricate velvet designs and historical fabric fragments, highlighting various weaving techniques.

Skirt panel, Medium: silk Technique: cut and uncut supplementary warp pile (velvet) in a satin foundation, Skirt panel of black figured velvet with narrow vertical stripes of varying types including ribbon-and-leaf serpentine, cardinal's hats, tassels, and flowers on a stripe, and a sawtooth stripe with a diamond center. Bottom edge has two wide scallops comprised of swags and flower heads held aloft by ribbons., Spain, late 18th century, woven textiles, Skirt panel

Skirt panel, Medium: silk Technique: cut and uncut supplementary warp pile (velvet) in a satin foundation, Skirt panel of black figured velvet with narrow vertical stripes of varying types including ribbon-and-leaf serpentine, cardinal's hats, tassels, and flowers on a stripe, and a sawtooth stripe with a diamond center. Bottom edge has two wide scallops comprised of swags and flower heads held aloft by ribbons., Spain, late 18th century, woven textiles, Skirt panel

Fragment (Japan)

Embossed wool, Medium: wool Technique: moire, Fragments of red wool, in moire pattern., 18th century, woven textiles, Embossed wool

Sidewall (Japan); fiber composition impregnated with tung oil, embossed and painted; 44.5 x 33.5 cm (17 1/2 x 13 3/16 in.)

Fragment. Italy. Date: 1367-1400. Dimensions: 41.4 x 15.8 cm (16 1/4 x 6 1/4 in.)Warp repeat: 28.1 cm (11 in.). Silk, warp-float faced 2:1 twill weave with plain interlacings of secondary binding warps and supplementary patterning wefts. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Piece second half 16th century Chinese, Macao, for Iberian market. Piece 216652

Stencil 19th century Japan. Stencil 70663

Textile, Medium: cotton Technique: stenciled resist on plain weave (katazome), Single and overlapped three-quarter views of chrysanthemums with leaves and curving stems in reserved on a dark blue ground., Japan, 19th century, printed, dyed & painted textiles, Textile

Bedcover, Medium: linen Technique: weft looping, Three pieces of unbleached linen cloth decorated with weft looping and joined loosely on the long sides. Heavy pattern wefts looped on surface to form stylized animals and flowers in square framework. Left piece has inscriptions above and below large panel with vase and flowers: 'Año de 1791. Soi () Antonio Garcia.' Linen fringe on three sides., Spain, 1791, woven textiles, Bedcover

Leaf with flowers with point stock, anonymous, 1730 - 1780 brocade paper Leaf with flowers with point stock. paper. paint (coating) relief printing ornament derived from plant forms

Album with 56 sketches to paintings of seventeenth -century Dutch masters, Leonaert Bramer (attributed to), after various manufacturers, 1642 - 1653 Album with 56 drawings, glued on 59 album blades, to paintings by Dutch painters from the seventeenth century. Album magazines 57 to 59 are blank. Band: Parchment (Animal Material). Band: Marbled Paper. album magazine/drawing: paper. Drawing: Chalk pen landscapes in the temperate zone. still life of related objects. Classical Mythology and Ancient History

Fragment (Japan)

Lodewijk XIV ornament, Anonymous, 1750 - 1850 brocade paper Leaf with Louis XIV ornament, band work, tibaries with flowers and fruits. paper. paint (coating) relief printing ornament ~ geometric motifs. ornament derived from plant forms

Carpet design for window in the Noordertransept of the Dom in Utrecht. Draughtsman: Richard Roland Holst (mentioned on object). Dating: c. 1868 - c. 1938. Measurements: h 230 mm × w 160 mm; h 415 mm × w 550 mm. Museum: Rijksmuseum, Amsterdam.

Sample 1883-1900 Associated Artists. Sample 14006

Sheet with overall geometric pattern 19th century Anonymous. Sheet with overall geometric pattern. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Leaf with windscreen pattern of tendrils with flower as field filling (one of eight identical sheets), Anonymous, 1850 - 1950 decorated paper Japan China paper. Japanese paper. paint (coating). block printing (relief printing process) ornament derived from plant forms

Stencil 19th century Japan. Stencil 69384

Verrière project representing the life of a saint Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Verrière project representing the life of a saint. Pencil.

Tapestry Fragment 10th-15th century Peru; south coast. Tapestry Fragment 307804

Cranes, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), A stencil of cranes flying in all different directions. The birds are lightly decorated with curves and suggestion of feathers. Silk thread is added to support the stencil structure, Japan, late 18th - early 19th century, animals, Katagami, Katagami

Ceiling paper, Cory-Heller Company, Machine-printed paper, liquid mica, Small scale floral sprig design, Small floral and foliate wreaths. Printed in light blue, green and liquid mica on a thin off-white ground., Newark, New Jersey, USA, 1905-1915, Wallcoverings, Ceiling paper

Booklet with cover of situ papier with a leaf pattern, anonymous, c. 1790 - c. 1820 book Booklet with cover of sit paper with a leaf pattern against a striped stock. Used as a cover to 'Regulations for education at the Latin schools of the city of Deventer', July 16, 1816. paper. block printing (relief printing process) ornament derived from plant forms Deventer

Serigraphie homage to Bach 1956 by Victor Vasarely. Victor Vasarely (1906 - 1997); was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader of the op art movement.

Fragment of a tiled floor from the Proosdij by St. Jan in Utrecht, Anonymous, c. 1378 Fragment of a tiled floor from the Proosdij by St. Jan in Utrecht. Netherlands earthenware. lead glaze Fragment of a tiled floor from the Proosdij by St. Jan in Utrecht. Netherlands earthenware. lead glaze

Design for a Woven Fabric, Graphite, white chalk, brush and lateritious, blue, and red gouache on oily tracing paper, Blossom rosettes straggered in alternate horizontal rows cover parts of the lozenge decoration of the background. Eight-pointed stars are inscribed into the lozenges. Inner divisions are sketched in grahpite, a cirlce and a half of a lozenge in chalk., France, 1825-1850, Drawing, Drawing

Edward Jewett, Quilting on Silk (Detail), c 1940 Quilting on Silk (Detail)

Frame with leaf and shell -shaped motifs, Théodore Roussel, 1897 - 1899 print paper etching / drypoint ornament derived from plant forms. frame of painting, etc.. scallop, shell ~ ornament - AA - stylized

Stencil late 19th-early 20th century Japan. Stencil 70569

Fragment, 1420-1955. Iran or Iraq , 15th-20th century. Compound twill weave, silk; overall: 25.3 x 79 cm (9 15/16 x 31 1/8 in.).

Spiral cum marming in red, yellow, blue and green, anonymous, 1700 - 1850 marbled paper Spiral bammar in red, yellow, blue and green. Used as a cover. paper. paint (coating) combed marbled paper / snail marbled paper

Panel 17th or 18th century Italian or Spanish. Panel 461118

Sidewall (Japan); fiber composition impregnated with tung oil, embossed and painted; 44.5 x 33.5 cm (17 1/2 x 13 3/16 in.)

JOCE SCHARD MARMER IN BLUE with veins in red, gray and yellow, Anonymous, 1700 - 1950 marbled paper Right -shadow marble on pebble marble in blue with veins in red, gray and yellow. Stamped on Verso: '5/2653'. paper. paint (coating). lacquer (coating) spanish marbled paper / stone marbled paper / lacquering

Textile, American Print Works, founded 1835, Medium: cotton Technique: printed on plain weave, White fabric in a printed design showing groups of three intersecting arrows in diagonal lines., Fall River, Massachusetts, USA, 1870s, printed, dyed & painted textiles, Textile

Leaf with regularly winding tendrils consisting of points surrounded by leaves, anonymous, 1800 - 1900 Leaf with regularly swinging tifles consisting of points surrounded by holly leaves. paper. paint (coating) block printing (relief printing process) ornament derived from plant forms

Persischer Vasenteppich.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Sidewall (USA); block-printed paper, embossed, hand-rubbed oil finish; 49.5 x 56 cm (19 1/2 x 22 1/16 in.)

Malowidło ścienne: Niezidentyfikowana postać stojąca i krzyż. unknown, painter

Decrepitude, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1959. Dimensions: 483 × 383 mm (image); 638 × 452 mm (sheet). Color lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Fragment Italian 17th century

Sheet with horizontal and diagonal stripe pattern 19th century Anonymous. Sheet with horizontal and diagonal stripe pattern. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Stencil 19th century Japan. Stencil 70698

Leaf with continuous leaf -filling pattern of chrysanthemums (one of ten identical sheets), Anonymous, 1850 - 1950 decorated paper Japan China paper. Japanese paper. paint (coating). block printing (relief printing process) ornament derived from plant forms. flowers: chrysanthemum

Paintings by Regine Martin, mixed technique, Golden Square, blue frame

A pastel and watercolor drawing by Paul Klee from 1917 on paper mounted on cardboard titled 'Carpet', showing abstract pattern and color composition using wet-in-wet technique.

Long Venice Made 1879-1880 United States. Cancelled copper plate . James McNeill Whistler

Family album with mainly photos of a young American girl. Album with a cover of leather with flower and leaf motifs. Scoopers and album blades are made from black-brown paper. The album contains 49 patched photos and 9 loose photos, mainly portraits of a young girl. The recordings are in all likelihood in the United States and date from the period 1890-1902.

Bedspread. Dated: 1935/1942. Dimensions: overall: 49.9 x 47.2 cm (19 5/8 x 18 9/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Rubbing, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1961. Dimensions: 533 × 397 mm (image); 636 × 448 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Masterpieces van Seiho - Part two, 1937 - 1942 Part two (of two); Striped cover in green and brown tones, white title strip with pattern in mica; wrapper, white with speckles in gold and silver; 31 sheets on which prints from the first and second series of masterpieces by Seiho. In cover with the same pattern as cover of the album, with title strip. The two albums were published by the publisher as a tribute to Seiho; The prints are not mounted in the original appearance in the album. paper color woodcut

Leafwork ..

Water Ripples, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Two ripples form swirls going in the opposite direction. They are surrounded by different size square shapes that have been punched out in random directions. There are two characters on the lower half of the stencils., Japan, 1780-1830, textile designs, Katagami, Katagami

Album containing ornament prints with sea monsters, Anonymous, Gabriel Weyer, 1571 - 1635 paper. parchment (animal material). cardboard etching / decorated paper monsters of the sea

Leaf with continuous leaf -filling pattern of chrysanthemums (one of ten identical sheets), Anonymous, 1850 - 1950 decorated paper Japan China paper. Japanese paper. paint (coating). block printing (relief printing process) ornament derived from plant forms. flowers: chrysanthemum

Phulkari (Head Cover/ Shawl), 19th century, 100 9/16 x 60 in. (255.43 x 152.4 cm), Cotton, silk; needlework, India, 19th century

Drawing, Design for a bracelet; Italy; 1940-86-841

Fragment, Medium: wool Technique: float patterned plain weave, All-over geometrical pattern in rose and grey., 17th century, woven textiles, Fragment

Persian ornament

Piece second half 18th century Italian. Piece. Italian. second half 18th century. Silk and metal thread. Textiles-Woven

Fragment, 1600s. China, 17th century. Silk; overall: 16.5 x 11.5 cm (6 1/2 x 4 1/2 in.).

Bark cloth panel, second half of 20th century, 31 3/4 x 19 in. (80.65 x 48.26 cm) (irregular)26 7/8 x 34 7/8 in. (68.26 x 88.58 cm) (outer frame), Plant fibers, pigment, Democratic Republic of Congo, 20th century

Kaishien gaden = The mustard seed garden painting manual.. Wang, Gai, active 1677-1705. Prints, Illustrations. 1753. Spencer Collection

EL NUMERO Y LAS AGUAS V - 1993 - LAPIZ SOBRE PAPEL - 66x51. Author: PALAZUELO PABLO. Location: PRIVATE COLLECTION, MADRID, SPAIN.

Album with fish, shells and insects; Historia Naturalis from Rudolf II. Album with watercolors of fish, shells and insects. The sixth of twelve albums with watercolors of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanation in Dutch, Latin and French.

Striped tiraz, 1049-50. Egypt, Fatimid period, reign of al-Mustansir. Plain weave with inwoven tapestry weave: linen and silk; overall: 41 x 24.1 cm (16 1/8 x 9 1/2 in.); mounted: 47 x 30.5 cm (18 1/2 x 12 in.). This rare striped, lightweight linen cloth was probably worn wrapped as a turban with the decorated end shown off in the front. The small birds in roundels appear to be mythological harpies with human faces. The Arabic text written with letters ending in fancy trefoils contains historical data, known as tiraz. The complete text generally includes Muslim blessings, the name of the ruler, and the place and date of manufacture. The lower line reads, "Help from Allah to the servant and friend of Allah, Maadd Abu Tamin the Imam a[l-Mustansir bi-Allah.. ." The upper line reads, ".. al-barakat al-Husayn bin al-Shaykh(?) ‘Imam al-Dawlah Muhammad bin [Ahmad.. ."

Bauhaus Portfolio I: Folio Cover. Lyonel Feininger; American, 1871-1956. Date: 1921. Dimensions: 650 x 492 mm. Portfolio cover. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Undulating Wave Motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Repeated undulating ripples represent an abstract wave motif. Silk threads are added to support the stencil structure., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper, silk. Stencils

Sleeping Beauty, c. 1924 - c. 1932 copper (metal) etching

Arthur G Merkley, Carpet, c 1940 Carpet

Stencil 19th century Japan. Stencil 69270

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, an entablature on top. Three suggestions are made for the ornamentation of the blue panel by white and by dark blue staggered motifs. The motifs consist of central petals flanked by straight boughs, top left, flanked by upward-curving bows, top right, of rosettes between rows of parentheses of diminishing heights towards the ends, bottom. A ribbon wound in spirals around a thin stem with leaves is shown on top., Austria, 1840-60, wallpaper designs, Drawing, Drawing

No. 16, 1904, 11 7/8 × 9 in. (30.16 × 22.86 cm) (sheet), Watercolor on paper, United States, 20th century

Leaf with base pattern of hexagon with leaf motif, anonymous, c. 1808 - c. 1848 Leaf with vertical job pattern of hexagon with leaf motif between triangles with dots. Used as a cover for a publication from 1828. paper. block printing (relief printing process) ornament ~ geometric motifs. ornament derived from plant forms

Stencil Japan. Stencil 70028

Piece. Culture: Italian. Dimensions: L. 10 1/4 x W. 10 1/4 inches (26.0 x 26.0 cm). Date: 16th-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Modern art painting by Australian aboriginal artist

Silence, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1959. Dimensions: 517 × 382 mm (image); 658 × 502 mm (sheet). Color lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Stencil with Pine Branches 19th century Japan. Stencil with Pine Branches. Japan. 19th century. Paper. Meiji period (1868-1912). Stencils

Piece. Culture: Italian. Dimensions: L. 90 x W. 61 inches (228.6 x 154.9 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Bedcover or Parlor Throw (Crazy Quilt). United States. Date: 1884. Dimensions: 187.3 x 176 cm (73 3/4 x 69 1/4 in.). Silk and cotton, pieced plain, twill, and satin weaves, some with supplementary patterning warps, supplementary patterning and brocading wefts, self-patterning, and/or cut solid velvet; some painted; embroidered with silk in buttonhole, cross, double feather, feather, herringbone, satin, slanting Cretan, stem, and straight stitches; French knots. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Sidewall, Desfossé et Karth, French, 1863, Block-printed paper, On white ground trellis work of thick brown branches with oversized ivy leaves entwined., Paris, France, 1850-60, Wallcoverings, Sidewall

Leaf with windscreen pattern with flowers, Stampi Remondiniani Pesp, 1861 - 1939 Leaf with windscreen pattern with varied flowers such as flat filling. Italy paper. block printing (relief printing process) ornament derived from plant forms

Panel, 19th-20th century, L.108 x W.58 in., cotton; needlework, India, 19th-20th century

Sheet with overall abstract pattern 19th century Anonymous. Sheet with overall abstract pattern. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Fragment (Japan)

Canto XVII, from 18 Cantos. Barnett Newman (American, 1905-1970); published by Universal Limited Art Editions (American, founded 1955). Date: 1963-1964. Dimensions: 375 x 320 mm (image); 492 x 336 mm (sheet). Color lithograph, with additions in black ink on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Fragment, Medium: silk, Sirens, eagles and dragons arranged in trellis pattern to frame the double-headed eagle. Rosettes at intersections., Spain, 16th-17th century, woven textiles, Fragment

Piece Japan 18th-19th century

Stencil 19th century Japan. Stencil 70077

Fantasy marble in purple, red and blue on red paper, anonymous, 1900 - 2000 marbled paper paper. paint (coating) phantasy marbled paper

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects. Artist: Workshop of Charles Percier (French, Paris 1764-1838 Paris); Workshop of Pierre François Léonard Fontaine (French, Pontoise 1762-1853 Paris). Dimensions: 15 11/16 x 10 in. (39.8 x 25.4 cm). Date: ca. 1800-1850. Museum: Metropolitan Museum of Art, New York, USA.

Textile (Peru); wool

Bamboo, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), A single piece of bamboo or (take) is curved diagonally with sprigs of leaves naturally dispersed around the shoot. Silk threads have been added to support the overall structure., Japan, late 18th - early 19th century, textile designs, Katagami, Katagami

Lluis Ventós / "Ahu", 2005, Painting (oil on canvas), 46 x 55 cm.

Stencil 19th century Japan. Stencil 70191

Panel with twelve sheets of gold leather with light green stock a decor of flowers in green, red and gold, between which birds, a putto and a lizard, anonymous, 1680 - 1700 Panel with twelve sheets of gold leather with light green stock a backdrop of flowers in green, red and gold, between which birds, a putto and a lizard. Netherlands leather. Panel with twelve sheets of gold leather with light green stock a backdrop of flowers in green, red and gold, between which birds, a putto and a lizard. Netherlands leather.

Coverlet. Dated: c. 1940. Dimensions: overall: 26.7 x 35.7 cm (10 1/2 x 14 1/16 in.) Original IAD Object: 72" square. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Cornelius Christoffels.

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