The Entombment of Christ Artwork

Collection of engravings depicting the mourning and entombment of Christ, with detailed expressions and dramatic compositions highlighting religious themes.

Baudous, Robert de, Francken, Hieronymus (I), Haarlem, Matham, Jacob, Preparation for the Entombment of Christ, verso lower left - stamped, The body of Christ is mourned by men and women. In the middle Mary Magdalene with her jar of ointment. In the foreground the crown of thorns, the nails of the cross and the opened sarcophagus., print, prent, prints, engravings, height 234 mm, width 177 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1610 - 1610, paper, papier, engraving, engraving (printing process), Work conception, 1540 - 1610-05-01, after a design by, Publication (Event), Publication, 1574 - 1659, publisher

The Passion: The Entombment, 1596. Hendrick Goltzius (Dutch, 1558-1617). Engraving;

Grave of Christ, Lucas Kilian, After Jacopo Tintoretto, 1589 - 1615 print Text in Latin in the lower margin. paper engraving bearing of Christ's body to the grave

Paid of Christ.

Baudous, Robert de, Francken, Hieronymus (I), Haarlem, Matham, Jacob, Preparation for the Entombment of Christ, verso lower left - stamped, The body of Christ is mourned by men and women. In the middle Mary Magdalene with her jar of ointment. In the foreground the crown of thorns, the nails of the cross and the opened sarcophagus., print, prent, prints, engravings, height 234 mm, width 177 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1610 - 1610, paper, papier, engraving, engraving (printing process), Work conception, 1540 - 1610-05-01, after a design by, Publication (Event), Publication, 1574 - 1659, publisher

Christ's body is carried to its tomb. Engraving by L. Kilian after J. Robusti, il Tintoretto.

H. Rosalia crowned by the Christ child. .

Depiction of the Adoration of the Shepherds by Jan Speckaert, executed in pen, ink, and wash.

Hendrik Goltzius, Burial of Christ, 1596 Burial of Christ

Visioen by H. Hermann Joseph (version A), Paulus Pontius, After Anthony Van Dyck, 1616 - 1657 print The Virgin Mary appears to St. Hermann Joseph van Steinfeld. She is flanked by two angels. In the foreground the Biretta of the Saint and his attribute de Roos. In the margin a five -line caption in Latin. Antwerp paper engraving appearances of Mary. the Praemonstratense friar Herman Joseph of Steinfeld; possible attributes of St. Herman Joseph: book, branch of roses, cup (with roses), infant Christ, key, knife. head-gear

Maria hands the Christ child to H. Franciscus van Paola, Michel Lasne, after Peter Paul Rubens, 1600 - 1633 print This print is part of an album. France paper engraving the hermit and founder of the (Franciscan) Minim Friars, Francis of Paola; possible attributes: inscription 'Charitas' on breast, discipline, skull, staff

The Two Nuns Rising From Their Graves during St. Benedict's Mass. Massari, Lucio, 1569-1633. 1667 - 1700. Giovannini, Giacomo-Maria, 1667-1717. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Liberation of Peter from prison, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching the angel leads Peter past the sleeping guards

Corpent of St. Rosalia, Paulus Pontius, After Anthony Van Dyck, 1616 - 1657 print Saint Rosalia is crowned by the Christ child with a wreath of roses. At her feet her attributes lie the lily and a skull. The Christ child is on the lap of Mary. They are accompanied by the apostles Peter and Paul. In the margin a four -line caption and a two -way caption with an assignment in Latin. Antwerp paper engraving St. Rosalia crowned with roses by the infant Christ. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara. the apostle Paul of Tarsus; possible attributes: book, scroll, sword

Copper engraving and etching by Georg Friedrich Schmidt showing Mary's temple, including architectural details, columns, interior, and religious motifs in the 18th century.

Tranking of Christ. Christ is placed by Joseph of Arimatea and Nikodemus in the Rock Graf. They lift his body from the shot of Maria on a shroud. She desperately stores her arms to heaven. Maria Magdalena and two men are among the tomb. A Bible quote from Jes in the margin. 2 in Latin.

Aanbidding door de herders.The Christ child lies on the hay in the stable. Maria lifts the sheet to show him to the shepherds. Joseph is behind her. The shepherds and their wives focus in worship to the Christ child. Angels watch from heaven. One of them likes a banderole on which a inscription in Latin. A Bible quote from Jes in the margin. 7 in Latin.

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Communion of St. Bonaventura, Anonymous, After Anthony Van Dyck, 1636 - 1679 print Saint Bonaventura receives the host from an angel. He is supported by another angel while he kneels on the steps. In the background a priest at the altar. Putti in the air with a cross staff and a cardinal hat. In the margin a caption in Latin. Antwerp paper engraving an angel gives St. Bonaventura the sacrament ('angel Communion')

Liberation of Peter from prison, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching the angel leads Peter past the sleeping guards

Cross direction, right part. The gravened Maria Magdalena surrounded by women and children. In the background John the Evangelist and Maria.

Faith, Hope and Love with Moses, Frederik Ottens, 1727 print The theological virtues belief, hope and love surrounded by clouds. Moses stands next to them; He shows the inside of his palms. In the foreground right under a tree a man who embraces the secular power. At his feet is a bag of money. Amsterdam paper etching / engraving the Three Theological Virtues. Moses teaching (in general). armillary sphere, skeleton celestial globe

Birgitta of Sweden, saints.

Grave of Christ, Egbert van Panderen, after Abraham Janssens, c. 1590 - 1637 print Christ is placed in the grave by Joseph of Arimatea and Nikodemus. On the right a group of mourning women including Maria and Maria Magdalena. On the left in the foreground are passion tools in a basket. In the margin a four -line caption, in two columns, in Latin. Below that another two -way caption in Latin. Antwerp paper engraving Christ's entombment (possibly by angels)

Wijngaerde, Frans van den, Rubens, Peter Paul, Antwerp, Panneels, Willem, Mary Magdalene anoints the feet of Christ, verso lower left - stamped, Christ is a guest of Simon the Pharisee and sits at a table with the Pharisees and some disciples. Mary Magdalene kneels before Christ and dries his feet with her hair. Next to her is an ointment jar., print, prints, height 143 mm, width 172 mm, South Netherlands, 1600 - 1632, print maker, printmaker, 1610 - 1634, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, 1614-07-08 - 1679-03-17, publisher

Christ Before Caiaphas looks to St. Peter, who Denies Him, from The Passion of Christ, plate 9. Artist: Grégoire Huret (French, Lyon 1606-1670 Paris). Dimensions: Sheet: 19 13/16 × 14 1/8 in. (50.3 × 35.8 cm). Series/Portfolio: The Passion of Christ. Date: 1664. Museum: Metropolitan Museum of Art, New York, USA.

A feather and wash drawing by Jan Speckaert depicting the Adoration of the Magi, with some corners of the paper missing.

Aanbidding door de herders; Beatae Mariae virginis officium.The worship of the Christ child by Jozef, Maria, shepherds and an angel.

Cross Decrease, Frederik Ottens, 1718 - 1770.

Return home of the lost son, Nicolaes de Bruyn, 1581 - 1656 print The lost son kneels in rags dressed for his father who embraces him. Netherlands paper engraving the prodigal son returns home, where his father awaits him

Christ in the court of Getemane; The passion. Christ prays in the court of Getemane. An angel appears to him and shows him a chalice. In the foreground three sleeping disciples. The group of soldiers arrives by the city gate right.

Holy family with Anna and John the Baptist as a child. Maria and Joseph are sitting on the floor for the stable, the child is on a canvas. Maria holds John the Baptist in her arm. Anna is between Jozef and Maria and keeps her hands folded. A rolling landscape in the background.

Holy Family with Elisabet and John the Baptist. Maria is with the Christ child on the floor on the floor, next to a basket of fruit. For them, the young John kneel the Baptist and his mother Elisabet. Behind them is Joseph. On the left in the background a donkey graze. In the context below the performance a five-line caption in Latin.

Holy Family with Elisabet and John the Baptist. Maria is with the Christ child on the floor on the floor, next to a basket of fruit. For them, the young John kneel the Baptist and his mother Elisabet. Behind them is Joseph. On the left in the background a donkey graze. In the context below the performance a five-line caption in Latin.

Christ is taken down from the cross by Nicodemus, Joseph and others. The shroud is laid out on the ground. Next to the cloth is a bowl of water for washing the body. The women kneel at a distance and pray., Taking Down of the Cross, print maker: Frederik Ottens, (mentioned on object), intermediary draughtsman: Frederik Ottens, (mentioned on object), after: Jean Baptiste Jouvenet, (mentioned on object), Amsterdam, 1718 - 1770, paper, etching, engraving, letterpress printing, h 150 mm × w 172 mm

The birth of the Virgin () amidst much celebration. Colour engraving by S. Mulinari after G. Pordenone.

Saul consults Samuel after the witch of Endor has conjured him from the dead; demons crowd the background. Engraving by J. Taylor after S. Rosa, 1813.

Saint Catherine. Woodcut.

In the foreground: kneeling woman with ciborium (), woman with cross, in the background: enthroned woman with helmet and images of the crucifixion and resurrection, surrounded by the evangelist symbols and the lamb with the seven stamps, Design for a title page with allegory on Faith, draughtsman: Jan Wandelaar, 1700 - 1759, paper, pen, brush, h 143 mm × w 89 mm

Circumcision of Christ, Giacomo Maria Giovannini, After Guido Reni, 1677 - 1717 print A man holds the Christ child while the priest performs the circumcision with a knife. Maria and Joseph and other figures look. In the foreground three angels and the young John the Baptist with cross staff and lamb. Three putti float above. Italy paper etching circumcision of the Christ-child by the priest in the temple (Luke 2:21)

Adoration of the Kings, Anonymous, After Nicolaes Lauwers, After Peter Paul Rubens, 1645 - 1706 print Mary holds the Christ child so that the kneeling king can kiss his foot. In the foreground two boys with precious gifts. The other two kings are on the right to worship with the Christ child. A group of men are stopped on the stairs. after print by: Antwerppublisher: Amsterdam paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Birth of the Virgin, Etienne Picart, after Guido Reni, 1677 print paper engraving / etching birth of Mary

Salal is aje place hell Hell Hell Hell Hebook, and Lenefene, Patur Sainlain, 178 177 177 print paper etching Saul and the witch of Endor (1 Samuel 28:3-25). armorial bearing, heraldry. witch, sorceress. divination ~ human corpse, necromancy

Last Supper, Nicolaes de Bruyn, 1632 print Christ and his students around a table. Christ blesses the food. A devil pulls his rug to Judas. Rotterdam paper engraving institution of the Eucharist, i.e. Christ showing or blessing bread (host) and/or wine (Matthew 26:26-27; Mark 14:22-23; Luke 22:19-20; John 13:26; 1 Corinthians 11:23-25). Satan enters Judas ~ Last Supper

St. Anthony is kneeling before an altar stone on which is a crucifix, an hourglass, a skull and a stack of books. Devil and monster-like creatures are pulling him by his robe and besieging him in various ways. In front of him the pig. Behind him a beautifully dressed lady offering him a glass of wine. An old woman with devil's wings tries to entice him to look back at her. Above in the cave a flying little devil playing a cakewalk, The Temptation of St. Anthony, print maker: Guillaume Duvivier, (mentioned on object), Antoine van den Heuvel, (mentioned on object), Southern Netherlands, c. 1660 - c. 1670, paper, etching, h 316 mm × w 250 mm

Aanbidding door de herders.The Christ child lies on the hay in the stable. Maria lifts the sheet to show him to the shepherds. Joseph is behind her. The shepherds and their wives focus in worship to the Christ child. Angels watch from heaven. A Bible quote from Jes in the margin. 7 in Latin.

Adoration of the Shepherds. 1606. Carracci, Annibale, 1560-1609. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Birth of the Virgin Mary, Julius Goltzius, Victor Ghyslinck, 1586

. Christ is taken from the cross by Nikodemus, Joseph and others. The shroud is explained on the ground. Next to the canvas is a bowl of water to wash the body. The women kneel at a distance and pray.

Maria with child flanked by Archangel Michaël with Tobias with fish and holy hieronymus.

The temptation of St. Antonius, Guillaume Duvivier, after Antoine van den Heuvel, c. 1660 - c. 1670 print St. Antonius is kneeling for an altar stone on which an hourglass, an hourglass, a skull and a pile of books. Devil and monstrous beings pull him on his rug and attack him in all sorts of ways. For him the pig. Behind him a beautifully dressed lady who offers him a glass of wine. An old woman with devil wings tries to seduce him to look. At the top of the cave a flying devil that plays a kakebeen. Southern Netherlands paper etching temptations of St. Antony Abbot

Woodcut by Lucas Hugensz. van Leyden from around 1517 depicting Christ saying goodbye to his mother, showing Virgin Mary, Christ, and surrounding figures in a devotional scene.

Footsing of Petrus, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching Christ washes Peter's feet

The Holy Family with the infant Saint John kissing Christ's feet 1640-60 Giulio Carpioni. The Holy Family with the infant Saint John kissing Christ's feet. Giulio Carpioni (Italian, Venice 1613-1678 Venice). 1640-60. Etching; second state of two. Matteo Cadorin (Italian, active ca. 1648). Prints

Liberation from Petrus from prison ..

Adoration of the Magi 1540-50 Niccolò Vicentino Italian. Adoration of the Magi. Niccolò Vicentino (Italian, active ca. 1510-ca. 1550). 1540-50. Chiaroscuro woodcut from three blocks in green. Prints

The worship by the shepherds. Maria, Joseph and the born child in a stable. Left for the OS and the donkey. On the right a group of shepherds and two women who come to worship the child. Above them four angels with banderole on which the text 'Gloria in Altissimis Deo'.

Adoration by De Herders, Pieter de Jode (II), After Jacques Jordaens, 1628 - 1670 print The shepherds are in the stable around the Christ child, which lies in the arms of Mary. Three angels look from a cloud. In the margin a caption in Latin. Antwerp paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Fechinus, holy.

Tranking of Christ. Christ is laid by Joseph of Arimatea and Nikodemus in the grave. Around the Tombe Maria, Maria Magdalena, John and two other women. In the background the cross. In the margin a two-legged caption in Latin.

The Chapel of the Enfants-Trouvés in Paris: Les Rois mages Gaspard et Melchoir adorant l'Enfant Jésus 1752 Etienne Fessard From a series of fifteen plates engraved by Fessard after the paintings by Natoire in the Chapel of the Enfants-Trouvés, Paris. The chapel was built in 1746-50 based on designs by Germain Boffrand, but destroyed in the 19th century. The main altar depicted The Adoration of the Magi and subsidiary scenes included the children and nuns of the orphanage as onlookers. Natoires scenes were set into trompe loeil surrounds painted by Paolo Antonio and Gaetano Brunetti, giving the illusion that the viewer was standing in a ruined building. Fessards suite of prints includes a perspective view of the interior based on a drawing by Augustin de Saint-Aubin 59.570.49. The print depicting the ceiling (Caviglia-Brunel, 2012, under *P.195, p.360) is missing from the Mets set.. The Chapel of the Enfants-Trouvés in Paris: Les Rois mages Gaspard et Melchoir adorant l'Enfant Jésus

H. Hieronymus saves a child, Bernard Picart, After Guido Reni, 1683 - 1733 print The saint Hieronymus heals a child in a wonderful way. The child's family looks begging to the saint. Amsterdam paper etching miraculous activities and events ~ St. Jerome

St. Joseph, 1680 drawing brush

Saint Francis and James the Greater for Mary with the Christ child Virgini deiparae Iacobo apostolo and Francisco Assisiati patronis (title on object), Mary stands with the Christ child on her arm on a rise. Saint Francis kneels one level below. On the right is James the Greater with a staff and a book, Madonna: i.e. Mary with the Christ-child, founder of the Order of Friars Minor (Franciscans), Francis (cus) or Assisi, possible attributes: book, crucifix, lily, skull, stigmata, the apostle James the Great, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword, Giovanni Girolamo Frezza, 1686 - 1748, paper, engraving, h 388 mm × w 226 mm

Maria puts Kind, Johannes in Elisabeth, Nicolas Pierre Loir, 1634 - 1679 print France paper etching Mary, the Christ-child and John the Baptist, Elisabeth present

Feather and brush drawing by Anthonis van Dyck depicting the Pentecost with the Holy Spirit, showing figures, gestures, robes, architectural elements, clouds, and light effects, using brown, black, reddish, ocher chalk and white heightening.

Maria Crowned by Christ, Anonymous, After Annibale Carracci, 1570 - 1659 print Mary is crowned by Christ. Above them the Holy Spirit as a pigeon and around them three putti. print maker: Italyafter painting by: Rome paper etching coronation of Mary by Christ. cupids: 'amores', 'amoretti', 'putti'

Rest on the Flight into Egypt, Elias Hainzelmann, 1650 - 1693 print With caption in Latin. paper. pencil engraving Christ meets Mary, who sometimes swoons ('Lo Spasimo') ~ Christ carrying the cross

Revival of Lazarus. Christ raises Lazarus from death. Lazarus joined his hands together. The bystanders react surprised and surprised.

Italy, Zuccaro, Federico, Cavalieri, Giovanni Battista de', Adoration of the Magi, verso - stamped, The three kings adore the Christ Child who sits on Mary's lap. Behind them stand men from their entourage with camels and horses. Behind Mary stand angels. Above float putti., print, prent, prints, engravings, height 459 mm, width 336 mm, Italian, 1525 - 1601-07-23, print maker, printmaker, 1579 - 1579, paper, papier, engraving, engraving (printing process), Work conception, 1541 - 1609-07-20

Aanbidding Door de Herders, Matteo Piccioni, After Paolo Veronese, 1641 print Mary with the Christ child in her arms. In the middle the manger and right in the foreground Joseph. Around them the ox, the donkey and three shepherds who see the child. Above them three cherubs. Assignment in the lower margin. print maker: Italyafter painting by: ItalyVaticaanstadRome paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present. cherubs, i.e. children's heads with wings

The Holy Family with Saint John the Baptist and musicians 1590-1631 Jacob Matham. The Holy Family with Saint John the Baptist and musicians. Jacob Matham (Netherlandish, Haarlem 1571-1631 Haarlem). 1590-1631. Engraving. Frederick de Wit (Dutch, 1629/30-1706). Prints

Grave of Christ, Nicolaes de Bruyn, 1618 print Joseph of Arimatea and Nikodemus put the body of Christ in the grave while Mary Magdalena, Mary and John are sucking together with others. Netherlands paper engraving Christ's entombment (possibly by angels)

The death of Tiddo Winenga, Jacobus van Dijck, c. 1853 print Tiddo Winenga dies in the Palmaar monastery in the supervision of the monks and the ABT. Illustration for the story Tiddo Winengha by J.J. van der Horst. Netherlands paper etching deathbed

Revival of Lazarus. A man and a woman help the old Lazarus out of his grave. After Christ called him, Lazarus was woken up to life again. The bystanders in the cave look with disbelief to the old man.

Johannes The Doper Met Petrus a Paulus, Antonie Warmira (II), AFTER Bartholomeus sprung, 16106 print John the Baptist is flanked by St. Peter (key is on his feet) and St. Paul (Zwaard is at his feet). They sit by a column. John points up, to the pigeon of the Holy Spirit. In the margin a Bible quote from Hag. 2 and a four -line caption, in two columns, in Latin. Bottom right marked with a monogram G.B. Antwerp paper engraving John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara. the apostle Paul of Tarsus; possible attributes: book, scroll, sword. Holy Ghost represented as a dove (in flames)

Worship by the shepherds.

Saint Bernard of Clairvaux. Reproduction of etching by A. Jameson after B.E. Murillo.

Visioen of the H. Franciscus van Assisi, Cornelis Visscher (II), after Peter Paul Rubens, 1638 - 1658 print The Holy Francis of Assisi is in a rocky landscape and has a vision that Mary hands him the Christ child so that he can keep it in his arms. paper engraving / etching the Virgin Mary handing over the infant Christ to St. Francis of Assisi

Landscape with four monks carrying the coffin of Thomas Aquinas, preceded by several monks. Behind them follow several bishops and a king. In the background a view of Toulouse. In the margin a five-line caption in Latin. Twenty-ninth print from a series of thirty prints depicting the life story of Thomas Aquinas, Coffin of Thomas Aquinas is brought to the Dominican Church of Toulouse The Life of St. Thomas Aquinas (series title), print maker: Egbert van Panderen, (mentioned on object), Otto van Veen, publisher: Otto van Veen, Antwerp, 1610, paper, engraving, h 209 mm × w 147 mm

Saint Franciscus Xaverius worship Maria with child. .

Arriving from Lazarus, Boetius Adamsz. Bolswert, After Peter Paul Rubens, 1590 - 1633 print Opwekking by Lazarus, a miracle performed by Christ (John 11). paper engraving the raising of Lazarus ('Lazarus, come out')

Holy Family of Jesus Christ Artist's working dates 1660-1707 France. Engraving on cream laid paper . Gérard Edelinck

The death of Tiddo winga. Tiddo Winnga dies in the Palmaar monastery in the guidance of the monks and the abbot. Illustration for the Tiddo Winngha story of J.J. van der Horst.

The Adoration of the Shepherds, Peter Paul Bouché, Anonymous, c. 1661 - c. 1713.

Meal in Emmaüs. Christ is at the table with his students. He blesses and breaks the bread, making his students recognize him. On the right a woman gives a glass of wine on and under the table is a dog. Under the performance there is a six-line, Latin text with a description of the scene and a rough-down on Rubens, in which it is compared with Apelles.

. The lost son returns home and is welcomed by his father who takes him in his arms.

The Assumption of the Virgin 1641 Johann Christophorus Storer German. The Assumption of the Virgin 397992

Tomb of Christ, Christ is laid in the rock tomb by Joseph of Arimatea. On the left in the background is Nicodemus at the stairs against the cross. On the right a group of grieving women including Mary and Mary Magdalene. In the margin a caption, in three columns of two lines, in Latin, Christ's entombment (possibly by angels), Pieter de Jode (I), Italy, 1590 - 1632, paper, engraving, h 287 mm × w 357 mm

Christ in Hof van Gethsemane. Christ in Getsemane on the olive mountain prays for power while an angel appears. Petrus, James and Johannes are in the foreground.

The HolyFamily. Artist: Johann Sadeler I, Flemish, 1550-1600

Christ in the Garden of Olives, Cornelis Galle (I), Adriaen Collaert, 1598 - 1618

Shepherds adoring the Christ Child. Etching by Robert van Audenaerd after Pietro da Cortona.

Rest on the flight to Egypt. Maria with the Christ child on his lap, flanked by angels. Links Jozef with the donkey.

Flight to Egypt, Samuel Bernard, After Guido Reni, 1627 - 1655 print France paper etching / engraving the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Maria gives the child to eat, Cornelis Galle (I), After Francesco Vanni, 1586 - c. 1612 print Mary carries the Christ child with a spoon. An angel holds the plate with dad. Joseph is next to it and holds a branch with cherries in his hand. The child is on Maria's knee and is broken. unknown paper engraving Christ-child eating ~ Madonna-representations

A king and his student; Schola. A king teaches his son. Under the show the motto: Concipit a Radio Lumen a Lumine Flammam.

Worship by the shepherds (right leaf). Some shepherds are in a vaulted space. On the right is an old woman. Under the show a two-person, Latin text with an explanation of the worship scene.

. Christ is a guest at Simon the Pharisee and sits at a table with the Pharisians and some disciples. Maria Magdalena is kneeling before Christ and dries his feet with her hair. Next to her is a ointment pot.

Christ in the court of olives; Vita, Passio et Resvrrectio IESV Christi; Life, passion and resurrection of Christ. Christ prays to God in the court of olives. His students are in the meantime. An angel appears in the clouds to comfort him (Matthew 26: 37-45). In the background, Judas rejects the soldiers where Christ prays. The print has a Latin caption. The print is part of a series about the life of Christ.

Scene with the Presentation of a Saint's Relic (recto); Head of a Woman (verso) 1800-1900 Anonymous, Italian, 19th century Italian. Scene with the Presentation of a Saint's Relic (recto); Head of a Woman (verso) 341986

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