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The Passion of Christ

Artistic representations of Christ's entombment, trial, and ascension, focusing on the emotional gravity and dramatic narratives in religious art.

The Entombment, from Speculum passionis domini nostri Ihesu Christi 1507 Hans Schäufelein German. The Entombment, from Speculum passionis domini nostri Ihesu Christi 665999

Christ and the adulterous woman, Anonymous, 1530 - 1550 print Christ, seen from behind, writes with finger text on floor. Excessed woman surrounded by five men, basket with stones on her left hand. Low Countries paper engraving Pharisees bring a woman accused of adultery before Christ (John 8:2-11). Christ points to or writes on the ground

Léonard Gaultier, Christ Heals a Dumb Man, probably c 1576 1580 Christ Heals a Dumb Man

Gravestone; The Great Passion. The body of Christ is worn to a grave by three men. A number of people, including Maria and John, watches. This print is part of the 'De Grote Passie' print series, consisting of a title print and 11 scenes from the suffering story.

This circa 1509 woodcut by Albrecht Dürer depicts the scene 'The Show of Christ' from his Small Passion series, sheet cut to the plate edge.

Vain man wants to be praised by the people. In the foreground a vain man, with a devil on his head, who gives his money to the poor. He shows the bystanders how "good" he is, and let the man beside him barracks. In the background left the mountain speech. With various elements from the show are letters. The print is part of an album.

Wonderful multiplication of the seven loaves and the two fish; Life of Christ; Vita I. Christi. Christ and his apostles are together. Behind them, many people have come together to hear Christ speak. The apostles do not have enough bread for these listeners. Christ blesses the seven loaves and two fish that a child makes and everyone could eat (Marcus 6: 32-44). The print has a Latin caption. The print is part of a series about the life of Christ.

Kruisiging, Louis Auseram, after Hendrick Goltzius, 1623 print Christ on the cross between the other two cruised. At the foot of the cross, among others, the three Maria's and Longinus with his lance. In the foreground the soldiers who dice around his clothing. Antwerp paper engraving the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Hellevaart of Christ, Anonymous, Hans Schäufelein, 1506 - 1507 print paper Christ in the underworld, harrowing of hell, Christ in Limbo, 'descensus ad inferos', 'Anastasis'

Christ, holding the banner of the Resurrection, breaks the locked doors of Limbo and frees the souls of the Old Testament saints Bottom left and top defeated devils On the left in a doorway Adam and Eve Below the scene three lines in Latin, Descent into Limbo, print maker: Philippe van Mallery, (mentioned on object), publisher: Jean Messager, (mentioned on object), Antwerp, 1608 - c. 1639, paper, engraving, etching, h 89 mm × w 54 mm

Requirement of Christ, Dirck Vellert, 1525 print Landscape with Christ and the devil with wings and tail. Devil holds stone. Someone falls from Berg in the background. paper engraving 'command these stones to become loaves of bread' ~ temptation of Christ in the wilderness

Copper engraving by Israhel van Meckenem depicting the crowning of Christ with thorns, created around 1480, showing figure, posture, and interaction with attendants.

Esther Knelt for Ahasverus, Lucas van Leyden, 1518 print Ahasverus sitting on a throne touches Esther with his staff. Behind her two maid. Low Countries paper engraving Ahasuerus touches Esther with the sceptre (Esther 15:12). dress, gown (+ women's clothes). head-gear: hat (+ men's clothes)

Revival of the son of the widow to Nam; The little passion. From series of 66 prints. Proof, no text on verso.

Maria with child with eight angels in a landscape. Maria sits reading with child on her lap in a hilly landscape. They are surrounded by eight small angels. Two angels float above Mary and hold a crown. An angel gives the Christind an apple and on the floor two angels play on a drum and a lute. At the rear left is a view shown with a city on a river.

The Nativity 1590-ca. 1620 Anonymous. The Nativity. Anonymous. 1590-ca. 1620. Engraving. Possibly Justus Sadeler (Netherlandish, Antwerp ca. 1572/83-ca. 1620 Leiden). Prints

A 1514 woodcut by Hans Schäufelin depicting the resurrection of Christ, showing Christ rising from the tomb with figures witnessing the event.

The Adoration of the Virgin and Child. Dated: 1608/1611. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Entry of Christ in Jerusalem. Christ drives inside a donkey Jerusalem. The crowd waves with palm branches and put dresses and jackets for him on the floor. There are apostles behind Christ.

La Fête de l'Epiphanie (The Epiphany), January 6th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. La Fête de l'Epiphanie (The Epiphany), January 6th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Christ between the scribes; The fall and redemption of humanity. The twelve-year-old Christ in the temple between the scribes. Fourteenth print from a series of forty.

Christ Taking Leave of His Mother, after Dürer ca. 1500-1534 Marcantonio Raimondi Italian. Christ Taking Leave of His Mother, after Dürer 342713

Woodcut by Hans Schäufelin from 1512 depicting the adoration of the kings, showing figures, gifts, gestures, and narrative scene.

The Holy Family with Five Angels ca. 1503 Albrecht Dürer German. The Holy Family with Five Angels 388143

Crucifixion, Albrecht Dürer, 1509 print Christ on the cross, the Mary's on his right side, a few soldiers on his left. This print is part of the press series 'De Kleine Passie', consisting of a title print and 36 Biblical scenes (mainly from the suffering story). Nuremberg paper crucified Christ, with particular persons under the cross

This woodcut by Albrecht Dürer, Small Passion series (1509), depicts the crowning of Christ, showing figures, gestures, and drapery, with the sheet curtailed and plate edge remnants visible.

Pastor and Death, Hans Holbein (II), 1538 print A pastor stands on a pulpit in the church and preaches for the men and women present. On the left is a sleeping man. Behind the preacher on the pulpit stands with an hourglass. In the margin above the pretn is the text Isaie V. paper functionaries and dignitaries ~ episcopal Protestant churches. dance of Death; Death together with one or more human beings

Christ for Pilate; Passeling story. Christ, held and harassed by soldiers, is shown to Pilatus in his palace. Outside is a furious crowd. Fifth print from a series of twelve.

The passion of Christ: the crowning of spines. Tenth issue of a sequence of 21 pieces. (Passavant 118) Master at the S.. The passion of Christ: the crowning of spines. Tenth issue of a sequence of 21 pieces. (Passavant 118). Burin. 1500.

Christ Heals a Sick Woman. Dated: probably c. 1576/1580. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Léonard Gaultier.

Christ child saws a trunk; Youth of Christ; De Kindsheyd Onses Heeren Iesu Christi. The Christ child, helped by two angels, saws a tree trunk. His father Joseph watches. Maria is spinning.

The burial laying; The passion. Christ is placed in a grave by two men. Three women are in these men. Opposite them, on the other side of the coffin, Christ is Mother Maria and kneels John the Evangelist. This print is part of a series of twelve prints with scenes from the suffering story.

Christ on the Mount of Olives, from The Small Passion ca. 1510 Albrecht Dürer German. Christ on the Mount of Olives, from The Small Passion 387410

Christ for Kajafas; The fall and redemption of humanity. Christ, held by a soldier, stands for the high priest kajafas. This tears off his clothes. One man is about to hit Christ. Twenty-one print from a series of forty.

The Life of the Virgin: The Presentation of the Virgin in the Temple, c. 1502-1503. Albrecht Dürer (German, 1471-1528). Woodcut;

Copper engraving by Jan Wierix depicting the circumcision of Jesus Christ, illustrating a biblical scene.

The Circumcision of Christ, pl. 8 from the series Beatae intactae semper Virginis Mariae Vita (The Life of theVirgin). Publisher: Adriaen Collaert, Flemish, 1560-1618 After: Stradanus (Jan van der Straet), Flemish, 1523-1605

Last Judgment, Albrecht Dürer, 1510 print Christ as a judge in heaven during the last judgment, with Mary on his right side and John the Baptist on his left. This print is part of the press series 'De Kleine Passie', consisting of a title print and 36 Biblical scenes (mainly from the suffering story). Nuremberg paper comprehensive representation of Last Judgement: Christ (with sword and lily), often surrounded by elders and sometimes accompanied by Mary and John the Baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the Passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils

The Adoration of the Magi, 1511. Albrecht Dürer (German, 1471-1528). Woodcut;

A 1507 woodcut by Hans Schäufelin showing Christ appearing to his mother, depicting figures and gestures in a devotional scene.

The Holy Family with Anna and Joachim, Albrecht Dürer (School of), c. 1519 - c. 1525 print Maria kneels for the Christ child, who is on Anna's shot. Joseph and Joachim are on either side of Anna. Nuremberg paper 'Anna selbdritt' with Joseph and Joachim present

Antwerp, Vrints, Johannes Baptista (I), Vos, Maerten de, Weert, Jacob de, Vita b. Ioannis Baptistae graphicè descript, Life of John the Baptist, John the Baptist identifies Christ as the Lamb of God, verso lower left - stamped, John the Baptist holds a cross. He points to Christ and identifies him in front of the priests and Levites as the Lamb of God who takes away the sins of the world. Below the depiction is a two-line Latin text describing the scene from Joh. 1., print, prent, prints, prenten, height 108 mm, width 94 mm, Zuid-Nederlands, 1569-09-12, print maker, printmaker, 1580 - 1600, paper, papier, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1555 - 1610, publisher

Apostles proclaim the gospel in all countries, Virgilius Solis, 1552 print Nuremberg paper disciples preaching and baptizing (in general)

Christ next to the cross, Hieronymus Wierix, 1563 - Before 1619 print Two soldiers hold Christ while waiting for his crucifixion. Other soldiers hit holes in the cross that lies on the floor. Pilatus watches on horseback in the background. In the margin a two -way Bible quote from Luc. 23 in Latin. Antwerp paper engraving making of the cross ~ prelude to Christ's death on the cross

. The grave of the H. Virgilius in the church of Salzburg. A priest for the grave blesses a man and drives him a devil with him with the help of H. Virgilius. The print has a Latin caption and is the 29th print of a 60-part series with the saints of Bavaria.

Christ and his students at the well in Sichar, 1629 print When the students of Christ arrive at the well, they cannot believe that he is talking to a Samaritan woman. In the background you can see that she went back to the city and together with the people is on their way to Christ. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing Christ's disciples returning from Sychar

Bespotting van Christus; Passie van Christus; Passio Domini Nostri Iesv Christi.The blindfolded Christ is meant by the soldiers. She spit him and hit him in the face. In the margin a three-legged bible quote from Mar. 14 in Latin.

Woodcut by Lucas Hugensz. van Leyden, circa 1520, depicting Christ and the Samaritan woman, including figures, gestures, and setting.

Christ child saws a trunk; Youth of Christ; IESV Christi Dei Domini, Salvatoris NRI Infantia. The Christ child, helped by two angels, saws a tree trunk. His father Joseph watches. Maria is spinning. In the margin a six-line caption, in two columns, in Latin.

H. Antonius receives bread from the monks, Antonio Tempesta, After Niccolò Circignani, After Giovanni Battista Lombardelli, 1598 print H. Antonius receives bread from the monks. Italian and Latin text in two columns in the lower margin. paper etching the hermit Antony Abbot (Antonius Abbas) of Egypt, also called the Great; possible attributes: bell, book, T-shaped staff, flames, pig

Mocking of Christ, Hieronymus Wierix, 1563 - Before 1619 print The blindfolded Christ is mocked by the soldiers. They spit him and hit him in the face. In the margin a three -line Bible quote from Mar. 14 in Latin. Antwerp paper engraving in Pilate's palace Christ is mocked by soldiers (Luke 22:63-65)

Master IB, Christ with Three of His Apostles Christ with Three of His Apostles

Christ in the Borgte, Jacob Cornelisz van Oostsanen, 1520 - 1521 print From series of 66 prints. Proef pressure, no text on Verso. paper Christ arrives at the entrance of hell and breaks the door(s)

Francesco Denanto, Christ's Entry into Jerusalem Christ's Entry into Jerusalem

Title page with Johannes Teuschlein who presents his book to the bishop of Würzburg; Insignia Episcopi Herbipolensis (...). Title page () With a representation of Johannes Teuschlein who offers his book to the bishop of Würzburg, seated on a throne and flanked by two men. Above the Holy Kiliaan, Maria with the Christ child and the Holy Laurentius. Above and below the show Latin texts. Versose side of another title sheet.

Copper engraving by Israhel van Meckenem depicting Christ before Pilate, created in the last third of the 15th century, showing figures, posture, and interaction.

Christ answers the messengers of Johannes, 1629 print John belongs in prison about the performance of Christ. He sends some of his students to him to ask him questions. In their presence, Christ heals blind and crackling. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing two disciples of John the Baptist are sent to Christ (Matthew 11:2-6; Luke 7:18-23). Christ explaining his doctrine to the apostles and disciples

The confession; The credo. Printed of two blocks. Ornamental picture frame around representation with two couples at tree. One man confesses and has holy spirit over head, other man not and has devil over head.

H. Antonius speaks against a demon, 1598 print H. Antonius in conversation with a demon. In the background, Antonius speaks to a group of monks. Italian and Latin text in two columns in the lower margin. print maker: Italyafter painting by: Romeafter painting by: Romepublisher: RomeItalyItaly paper etching the hermit Antony Abbot (Antonius Abbas) of Egypt, also called the Great; possible attributes: bell, book, T-shaped staff, flames, pig. devil(s) and demons

Establishment of the cross of Christ, Hieronymus Wierix, 1563 - Before 1619 print Christ is nailed to the cross that is lifted by four men. Pilatus watches on horseback in the background. In the margin a two -way Bible quote from Luc. 23 in Latin. Antwerp paper engraving raising of the cross to which Christ is nailed already

The Carrying of the Cross Hans Schäufelein German. The Carrying of the Cross 668000

Hans Baldung Grien (German, 1484-1485-1545), Christ on the Cross, 1505, woodcut

Clair-obscur woodcut by Alessandro Gandini from circa 1540-1550 showing the Virgin Mary with the Christ Child and a saint, composed of three plates, illustrating figures, drapery, and setting.

The Hymn of the Daughters of Israel and David (copy) n.d. Engraved by Jan (Pietersz.) Saenredam Netherlandish. The Hymn of the Daughters of Israel and David (copy) 364839

Christ Voor Annas, Anonymous, After Martin Schongauer, 1500 - 1550 print Christ stands, bound by neck and hands and surrounded by armed men, for a man on a throne (Annas). On the Versozijde part of a handwritten Dutch text in Gothic script. paper engraving Christ before Annas (Hanna); maybe a soldier about to strike Christ (John 18:13, 18:19-24)

Baptism of Christ; The little passion. Christ is baptized by John the Baptist in the Jordaan. God appears to heaven and the pigeon of the Holy Spirit. On the left an angel holding the dress of Christ. Print is part of a book.

Kruisiging VAN Christ, Virgil, 1552 print Nuremberg paper the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Resurrection of Christ, Marcantonio Raimondi, After Albrecht Dürer, 1510 - 1515 print paper engraving Resurrection of Christ

Geseling, Virgil, 1552 print Nuremberg paper flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Whore of Babylon. A beautifully dressed and snapped woman drives a beast with seven cups and ten horns. An army riders appear from heaven. In addition, two angels, one of whom has a millstone. On the right in the background a city goes up in flames. The print is part of an album.

The Israelites are crossing the dry Jordan River. Some of them pick up stones from the bottom. In the background are priests with the ark of the covenant, behind them the water of the river forms a dam., Israelites crossing the Jordan, print maker: Pieter Huys, (mentioned on object), Crispijn van den Broeck, intermediary draughtsman: Pieter van der Borcht (I), (rejected attribution), Antwerp, 1571, paper, engraving, h 116 mm × w 75 mm

Moses splits the water with its staff, 1645 - 1646 print Moses splits the water from the Schelfzee with its staff. The Israelites stand here for a ruin. The print is part of an album. paper letterpress printing Moses lifts up his rod and the water divides (Red Sea); the angel of God and the pillar of cloud move to the rear

Copper engraving by Israhel van Meckenem depicting the fair of St. Gregor, created in the last third of the 15th century, showing figures, market stalls, and architectural details.

Christ heals a leper, Georg Pencz, 1534 - 1535 print paper engraving healing of one leper, who kneels before Christ (Matthew 8:1-4; Mark 1:40-45; Luke 5:12-16)

Eighth Plague: Grasshoppers, Anonymous, 1522 print paper the plague of locusts: as Moses raises his hands the locusts come and eat everything that has survived the hail

The meeting at De Gouden gate; Life of Mary. Joachim and Anna embrace each other at a gate, amid some bystanders. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Mary.

Worship through the kings. The three kings worship the Christ child that is on his lap at Maria. Behind them are men from their effect with camels and horses. Behind Maria is Joseph. In the background ruins of antique structures.

Conspiracy of the Pharisees and the high priests against Christ; Feria II. Post Domin. Passionis .. Christ amidst the servants sent by the Pharisees and the high priests to arrest him. Because division had arisen in the crowd, nobody does anything. At different elements from the show are letters that correspond to the legend in the margin.

Albrecht Dürer's 'The Holy Clan with Two Musicians' (1511) is a woodcut depicting the Holy Family accompanied by two musicians, emphasizing detailed figures, musical instruments, and architectural space.

Crowning of Thorns, illustration from 'The Passion', Lucas Cranach the Elder, German, 1472-1553, Woodcut on paper, Christ is seated at the center, facing right, surrounded by tormentors. A man and two dogs lies in the foreground. Pilate stands in the left background. Two Saxon shields are at upper right., Germany, ca. 1509, figures, Print, Print

The Crucifixion 1527 Hans Burgkmair German Burgkmair created this impressive depiction of the Crucifixion from eight woodblocks printed on eight sheets of paper that were later assembled to form a single image. Large woodcuts such as this were meant to be hung on walls. They were intended not only for private devotional use but were also displayed in such public spaces as churches. As a result they are very rare; only three other impressions of this print are known. This is one of four such large eight-sheet prints by the artist; also in the Metropolitan Museum's collection is the large Adam and Eve (49.95.150) dated two years earlier.. The Crucifixion 336207

The angel Gabriel announces to Mary that she will become pregnant. Mary is sitting at a lectern, on which lies an open book. In the middle the Holy Spirit descends like a dove, Annunciation, print maker: Antoni van Leest, (mentioned on object), Pieter van der Borcht (I), (mentioned on object), publisher: Christoffel Plantijn, Antwerp, 1571 - 1632, paper, letterpress printing, h 111 mm × w 74 mm

The Catholic Church and the Community of Saints; The credo. Printed of two blocks. Ornamental picture frame around the show with saints in cloud and pope on throne with two bishops and a cardinal next to him.

A circa 1490 copper engraving by Ludwig Schongauer depicting the acceptance of the cross, showing figures, posture, and crucifixion elements.

Depicts the holy family with five angels by Albrecht Dürer in a woodcut around 1503-1504, showing religious figures in traditional composition.

Engel Gabriel brings message to Mary; Annunciation. Maria kneels in prayer with a desk in her sleeping room. The angel Gabriel kneels next to her and points to a lily with a scepter, with her. He makes a talk with his hand. Above them a pigeon is shown as a symbol for the Holy Spirit in a ray wreath.

Christ heals a man with softness on Sabbath. On the Sabbath, Christ goes to the house of a leading Pharisee, where he was invited to a meal. He takes a man with softness to hand and heals him, despite the Sabbath. With various elements from the show are letters. The print is part of an album.

Copy of The Adoration of the Shepherds. Artist: after Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 4 3/16 × 2 5/8 in. (10.6 × 6.7 cm). Date: after 1553.The Virgin, kneeling at left, with Joseph behind her and angels supporting the Christ Child at center. At right, the shepherds on a platform. Above, a group of angels under an arch. Museum: Metropolitan Museum of Art, New York, USA.

The Parable of the Sower. 1511 - 1515. Graf, Urs, approximately 1485-approximately 1527. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Saint William of Aquitaine. Engraving by M. Desbois after G.F. Barbieri, il Guercino.

Emperor coast the feet of the pope. The emperor kneels his feet for the throne pope and coast. The pope makes a blessing gesture. In addition to him, other clergymen and for him kneel even more men from royal origin. Book illustration in a rectangular picture frame with fine ornaments. This print is printed with multiple logs. At the top of the magazine the relief of the publication is: und Antichristi, the word antichristus is below.

Adoration by the Kings, Christoffel van Sichem (II) (Possible), After Cornelis Galle (II), After Peter Paul Rubens, 1581 - 1658 print The three kings bring their gifts and worship the Christ child, presented by Mary and Joseph. Behind them are men from their entourage. A king kneels for the child. Amsterdam paper adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Copper engraving 'The Proclamation to Maria' by Israhel van Meckenem, late 15th century, depicting the Annunciation with angelic and Marian figures.

Revival of Napoleon Orsini; Life and madrangles of the Holy Dominicus; Vita et miracula s.p. Dominicians. Napoleon Orsini, the cousin of Pope Nicolaas III, falls from his horse and dies. His corpse is brought to the Holy Dominicus. This prays to God and brings back to life. The print has a Latin inscription and caption and is part of a postal series for a book about the life of the Holy Dominicus.

The Raising of Lazarus. Lucas van Leyden (Holland, Leiden, circa 1494-1533). Holland, circa 1507. Prints; engravings. Engraving

The child murder in Bethlehem; Maria's life. Herod is sitting on a throne, while around him many little boys are killed by soldiers. A woman begs herod to grace. In the background you can see how Joseph and Maria fled to Egypt with the Christ child. This print is part of a series of twelve prints with scenes from the life of Mary.

John the Evangelist kneels Before Christ and the Lamb with the seven horns and the seven eyes. John kneels Before Christ, who goes down under seven torches, surrounded by the four apocalyptic animals (winged lion, winged beef, eagle and angel) and 24 elders. A lamb with seven horns and seven eyes stands with the front legs on a book with seven stamps on Christ's lap. On versose side Latin Bible text in Gothic script in two columns.

Vatican City, Papal Court, Rome, Tempesta, Antonio, Vita B. Philippi Benicii Florent. ord. servor B. Mariae virginis, The Life of Philippus Benitius, Saint Philip establishes peace between the Guelfs and Ghibellines, verso - stamped, Saint Philip establishes peace between the Guelfs and Ghibellines. In the background two fighting soldiers. Text in Latin in the bottom margin. Numbered lower right: 11., print, prent, prints, prenten, height 115 mm, width 80 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1591 - 1591, paper, papier, etching, etchings, grantor of privilege

Christ shown to the people, Crispijn van de Passe (I), 1601 print Pontius Pilatus shows the brushed Christ to the Jewish people. People call for his crucifixion. The show is caught in an oval frame with an edge writing in Latin. Print from a series with the passion of Christ. Cologne paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Woodcut by Albrecht Dürer titled 'Christ's Move into Jerusalem,' part of the Small Passion series (plate 6), created around 1508-1509, depicting Jesus entering Jerusalem.

Saint Helena, Saint Brigita of Sweden and Holy Elisabet of Hungary as three best Christian women; Drei GVT Kristin; Heroes and heroines. Saint Helena with a large cross, Saint Brigita of Sweden with a small cross and holy Elisabet of Hungary with a can in her hand. These three women have been proposed as the three best Christian women as it appears from the German text. On the ground the shields are with the weapons of their families.

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